High-Rise: A Novel PDF Download
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Author: J. G. Ballard
Publisher: W. W. Norton & Company
ISBN: 0871404737
Category : Fiction
Languages : en
Pages : 209
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Book Description
"Harsh and ingenious! High Rise is an intense and vivid bestiary, which lingers unsettlingly in the mind." —Martin Amis, New Statesman When a class war erupts inside a luxurious apartment block, modern elevators become violent battlegrounds and cocktail parties degenerate into marauding attacks on “enemy” floors. In this visionary tale, human society slips into violent reverse as once-peaceful residents, driven by primal urges, re-create a world ruled by the laws of the jungle.
Author: J. G. Ballard
Publisher: W. W. Norton & Company
ISBN: 0871404737
Category : Fiction
Languages : en
Pages : 209
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Book Description
"Harsh and ingenious! High Rise is an intense and vivid bestiary, which lingers unsettlingly in the mind." —Martin Amis, New Statesman When a class war erupts inside a luxurious apartment block, modern elevators become violent battlegrounds and cocktail parties degenerate into marauding attacks on “enemy” floors. In this visionary tale, human society slips into violent reverse as once-peaceful residents, driven by primal urges, re-create a world ruled by the laws of the jungle.
Author: Adam Nayman
Publisher:
ISBN: 9781941629321
Category : Motion picture producers and directors
Languages : en
Pages : 0
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Book Description
The first study of cult and genre British filmmaker Ben Wheatley.
Author: Rob Faure Walker
Publisher: Policy Press
ISBN: 152924367X
Category : Philosophy
Languages : en
Pages : 190
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Book Description
Love is fundamental to the flourishing of society and nature. However, the competition of the market economy has resulted in a fractured and traumatized modern world. Revisiting philosophical developments and countercultures since the Enlightenment, this book offers a ‘loving critique’. It shows how learning to love better is the key to releasing ourselves from the alienating grip of the market. The utopian template presented draws on archaeology, the witch trials, hippies, Hinduism, Buddhism, quantum mechanics and psychedelics to describe how we can build a more loving society that can survive and flourish through the ecological, ethical, economic and existential crises that we all now face.
Author: Jamie L. McDaniel
Publisher: Taylor & Francis
ISBN: 1040268978
Category : Social Science
Languages : en
Pages : 196
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Book Description
This collection assembles a wide range of scholarship addressing the intersections, influences, and impacts of the horror genre’s proliferation across multiple forms of media. Covering film, television, websites, video games, tabletop and role-playing games, and social media, the volume highlights works from marginalized voices or from less scrutinized media. Building off one of Horror Studies’ traditional homes in film, the volume first features approaches to previously ignored innovations and offshoots related to cinematic and televisual horror, before moving to discuss how horror film conventions inform horror video and tabletop games and how games have started to influence film. Finally, the collection departs the world of film to examine online and non-academic multimodal/cultural discourses about horror, from popular movie reviewers to interactive online marketing and film promotions. This volume will interest scholars and students not only of Horror Studies and genre but also of film, media and television studies, digital media and video games, and transmedia studies.
Author: Howard David Ingham
Publisher:
ISBN: 9781722748814
Category : Horror films
Languages : en
Pages : 440
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Book Description
Secret, strange, dark, impure and dissonant...Enter the haunted landscapes of folk horror, a world of pagan village conspiracies, witch finders, and teenagers awakening to evil; of dark fairy tales, backwoods cults and obsolete technologies. Beginning with the classics Night of the Demon, Witchfinder General, The Wicker Man and Blood on Satan's Claw, We Don't Go Back surveys the genre of screen folk horror from across the world. Travelling from Watership Down to The Texas Chain Saw Massacre, with every stop inbetween, We Don't Go Back is a thoughtful, funny and essential overview of folk horror in TV and cinema."A beautiful rumination on the dark films and television that shaped me and a generation of odd children, for good or ill, worth a year of your time, because you won't just read the book, you'll feel a burning desire to watch everything mentioned within." - Robin Ince"A comprehensive, accessible and often riotously funny tome weaving together folk horror in all its forms, from British television to the American backwoods, from Eastern European fairytales to the vengeful ghosts of East Asia. Ingham explores uncanny landscapes haunted by things buried, old cultures converging with the reluctance of contemporary reason, that very tension that gives his book its name. He attempts to both define folk horror and free it from definition, creating the ultimate guide to the genre's manifestations on film and offering a convincing argument as to why the genre resonates so compellingly with people today." - Kier-La Janisse, author of House of Psychotic Women
Author: Venetia Hawkes
Publisher: Bloomsbury Publishing
ISBN: 1839025514
Category : Performing Arts
Languages : en
Pages : 301
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Book Description
From the early stages of script writing to the final cut, We Have Some Notes... provides a detailed overview of the script editing and development process, emphasising the impact of critical feedback, or 'notes', in the creation of successful films and television shows. Through interviews with leading industry practitioners, including Lynne Ramsay, Russell T Davies, Sally Wainwright, Edgar Wright, Lone Scherfig, Ben Wheatley and Simon Beaufoy, Venetia Hawkes explores the writer, director and note-giver relationship. The interviewees discuss the most productive and harmonious ways to give and receive feedback, and the role notes play in a fruitful creative process. Respected 'note-givers', such as Tessa Ross, Eva Yates and Pippa Harris, provide advice on nurturing successful development relationships. Inter-chapter sections pose key questions, such as "What's one thing never to do if you're giving notes?" and "How do you deal with rejection or critical notes?" Providing illuminating, practical guidance on ways of working successfully with notes, for both writers and directors. With its wealth of first-hand reflections, expert advice, and historical context, We Have Some Notes... is a vital read for students, industry professionals, and anyone interested in the making of acclaimed films and television series.
Author: Wikipedia contributors
Publisher: e-artnow sro
ISBN:
Category :
Languages : en
Pages : 994
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Book Description
Author: Chelsea Birks
Publisher: Bloomsbury Publishing USA
ISBN: 1501352881
Category : Performing Arts
Languages : en
Pages : 224
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Book Description
Limit Cinema explores how contemporary global cinema represents the relationship between humans and nature. During the 21st century this relationship has become increasingly fraught due to proliferating social and environmental crises; recent films from Lars von Trier's Melancholia (2011) to Apichatpong Weerasethakul's Uncle Boonmee Who Can Recall His Past Lives (2010) address these problems by reflecting or renegotiating the terms of our engagement with the natural world. In this spirit, this book proposes a new film philosophy for the Anthropocene. It argues that certain contemporary films attempt to transgress the limits of human experience, and that such 'limit cinema' has the potential to help us rethink our relationship with nature. Posing a new and timely alternative to the process philosophies that have become orthodox in the fields of film philosophy and ecocriticism, Limit Cinema revitalizes the philosophy of Georges Bataille and puts forward a new reading of his notion of transgression in the context of our current environmental crisis. To that end, Limit Cinema brings Bataille into conversation with more recent discussions in the humanities that seek less anthropocentric modes of thought, including posthumanism, speculative realism, and other theories associated with the nonhuman turn. The problems at stake are global in scale, and the book therefore engages with cinema from a range of national and cultural contexts. From Ben Wheatley's psychological thrillers to Nettie Wild's eco-documentaries, limit cinema pushes against the boundaries of thought and encourages an ethical engagement with perspectives beyond the human.
Author: Jason Wood
Publisher: Faber & Faber
ISBN: 0571315178
Category : Performing Arts
Languages : en
Pages : 290
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Book Description
Over the past year the success of British films at international film festivals - as well as the numerous awards bestowed on 12 Years a Slave - have demonstrated that British cinema has undergone a genuine renaissance that has caused new voices to emerge. At the same time, directors whose work has enthralled over the past five years have also continued to develop and expand their visions. The boundaries of British film-making are being redefined. Beginning with a preface exploring some of the factors that have led to this fertile environment, New British Cinema features in-depth interviews with the film-making voices at the vanguard of this new wave. Figures such as Clio Barnard, Richard Ayoade, Steve McQueen, Jonathan Glazer, Carol Morley, Yann Demange, Peter Strickland and Ben Wheatley provide a valuable insight into their work and working methods.
Author: Kevin J. Donnelly
Publisher: Manchester University Press
ISBN: 1526164914
Category : Performing Arts
Languages : en
Pages : 361
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Book Description
What is folk horror and how culturally significant is it? This collection is the first study to address these questions while considering the special importance of British cinema to the genre’s development. The book presents political and aesthetic analyses of folk horror’s uncanny landscapes and frightful folk. It places canonical films like Witchfinder General (1968), The Blood on Satan's Claw (1971) and The Wicker Man (1973) in a new light and expands the canon to include films like the sci-fi horror Doomwatch (1970–72) and the horror documentary Requiem for a Village (1975) alongside filmmakers Ken Russell and Ben Wheatley. A series of engrossing chapters by established scholars and new writers argue for the uniqueness of folk horror from perspectives that include the fragmented national history of pagan heresies and Celtic cultures, of peasant lifestyles, folkloric rediscoveries and postcolonial decline.
