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Author: Caitlin E. McDonald
Publisher: McFarland
ISBN: 1476605688
Category : Performing Arts
Languages : en
Pages : 225
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Book Description
In these essays, dancers and scholars from around the world carefully consider the transformation of an improvised folk form from North Africa and the Middle East into a popular global dance practice. They explore the differences between the solo improvisational forms of North Africa and the Middle East, often referred to as raqs sharki, which are part of family celebrations, and the numerous globalized versions of this dance form, belly dance, derived from the movement vocabulary of North Africa and the Middle East but with a variety of performance styles distinct from its site of origin. Local versions of belly dance have grown and changed along with the role that dance plays in the community. The global evolution of belly dance is an inspiring example of the interplay of imagination, the internet and the social forces of local communities. All royalties are being donated to Women for Women International, an organization dedicated to supporting women survivors of war through economic, health, and social education programs. The contributors are proud to provide continuing sponsorship to such a worthwhile and necessary cause.
Author: Caitlin E. McDonald
Publisher: McFarland
ISBN: 1476605688
Category : Performing Arts
Languages : en
Pages : 225
Get Book Here
Book Description
In these essays, dancers and scholars from around the world carefully consider the transformation of an improvised folk form from North Africa and the Middle East into a popular global dance practice. They explore the differences between the solo improvisational forms of North Africa and the Middle East, often referred to as raqs sharki, which are part of family celebrations, and the numerous globalized versions of this dance form, belly dance, derived from the movement vocabulary of North Africa and the Middle East but with a variety of performance styles distinct from its site of origin. Local versions of belly dance have grown and changed along with the role that dance plays in the community. The global evolution of belly dance is an inspiring example of the interplay of imagination, the internet and the social forces of local communities. All royalties are being donated to Women for Women International, an organization dedicated to supporting women survivors of war through economic, health, and social education programs. The contributors are proud to provide continuing sponsorship to such a worthwhile and necessary cause.
Author: Martha Burns
Publisher: Martha Burns
ISBN: 9780980177176
Category :
Languages : en
Pages :
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Book Description
Beautifully photographed live Belly Dance performances. Photographed during ten years with over 100 dancers. Author Martha Burns: "I wanted to recapture and share the dancers' inspiration and magic by means of visual images. I have been honored with Dr. Christiane Northrup writing my book's foreword, Alice Walker, Jean Shinoda Bolen, MD, and Jalaja Bonheim allowing me to quote from their books and for their encouraging words. Belly dance is a misunderstood art. Through my book, I hope to illustrate belly dance's beauty and power, why belly dancers believe this movement is the mother of all dance and why they dedicate their lives to mastering this art form. Belly dancers celebrate their (and each others') power and femininity with profound respect and reverence regardless of age, color, or size. Many feel a divine feminine energy during their dance transforming them into Goddesses. We all bask in this feminine force; those of us watching also become Goddesses." www.BellyDanceBook.net
Author: Kathleen W. Fraser
Publisher: McFarland
ISBN: 0786494336
Category : Performing Arts
Languages : en
Pages : 309
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Book Description
Focusing on Egypt during the period 1760 to 1870, this book fills in some of the historical blanks for a dance form often known today in the Middle East as raqs sharki or raqs baladi, and in Western countries as "belly dance." Eyewitness accounts written by European travelers, the major primary source for modern scholars, provide most of the research material. The author shapes these numerous accounts into a coherent whole, providing a picture of Egyptian female entertainers of the period as professionals in the arts, rather than as a group of unnamed "ethnic" dancers and singers. Analysis is given of the contexts of this dance--that was a legitimate performing art form in Egyptian society appreciated by a wide variety of audiences--with a focus on actual performances--and a re-creation of choreography.
Author: Ramona
Publisher: ABI
ISBN: 9780615133263
Category : Performing Arts
Languages : en
Pages : 166
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Book Description
Author: Anne Thomas Soffee
Publisher: Chicago Review Press
ISBN: 1556525222
Category : Biography & Autobiography
Languages : en
Pages : 318
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Book Description
"Snake Hips" follows an Arab-American woman through her adventures in love and belly dancing.
Author: Rosina-Fawzia al-Rawi
Publisher: Interlink Publishing
ISBN: 1623710111
Category : Performing Arts
Languages : en
Pages : 224
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Book Description
"Come, sit by me," says Grandmother. "Take this chalk in your hand. Now draw a dot and concentrate all your energy into this one dot. It is the beginning and the end, the navel of the world." So Fawzia Al-Rawi describes her grandmother's first lesson about the ancient craft of Oriental dance. Grandmother's Secretsalways circles back to this grandmother and this young girl, echoing the circular movements of the dance itself. Al-Rawi has written a strikingly graceful and original book that blends personal memoir with the history and theory of the dance known in the West as "belly dancing." It is the story of a young Arab girl as she is initiated into womanhood. It is a history of the dance from the earliest times through the days of the Pharaohs, the Roman Empire, to the Arab world of the last three centuries. It is a personal investigation into the effects of the dance's movements on individual parts of the body and the whole psyche. It is a guide to the actual techniques of the dance for those who are inspired to put down the book and move. Al-Rawi conveys in this book not only the history and technique of grieving and mourning dances, pregnancy and birth dances, but the spirit of these age-old rituals, and their possibilities for healing and empowering women today.
Author: Lynette Harris
Publisher:
ISBN: 9780615735597
Category : Belly dance
Languages : en
Pages : 280
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Book Description
The Belly Dance Reader is an anthology of essays from many of the leaders in our Middle Eastern music and dance community. The contributors range from PhD scholars to hobbyists. This book is illustrated with hundreds of photos and artwork from current to vintage, including various sub-styles of the dance, gathered from around the world. Subjects covered include: An introduction, dancing at various ages and stages, history, costuming and appearance, regional and sub styles of the dance, theory and technique, as well as valuable resources such as Arabic scales and rhythms, glossary, maps and more.Belly Dance Reader ContentsSection 1 - An Introduction* Gamar a poem by Beatrice Parvin of the UK* Welcome to Bellydance by Najia* Belly Dance and Contemporary Dance Studies by Barbara Sellers-Young PhD* Reading Like a Researcher, Can You Trust Your Sources? by Mahsati* Orientalism, Zumarrad's Completely Non-scholarly Quick & Dirty Guide by Brigid Kelly* The Soul of Belly Dance, The Most Importatnt Thing is the Feeling by Alia ThabitSection 2-Dancing Through the Stages of Your Life* Teaching Children to Dance, Joys and Pitfalls by Martha Duran* A Dancer's Journey, From Beginner to Semi-Pro by Elianae Stone* The Teacher-Student Relationship, A Psychological Point of View by Izzah Isabelle Gagnon PhD* Bellydance Class... or Cult? Artwork by Leela Corman* Turning Pro, From Hobbyist to Star to Teacher by Lauren and Jillina* Boomerang Career, Life and Dance in the Land Down-Under (Pro to Teacher/Hobbyist) by Amera of Australia* It Ain't Easy being the Crone by Shelley MuzzySection 3-History* "Harem Girls", Dance in Historical Harems, Early 1700s - Early 1900s by Andrea Deagon PhD* The American Belly Dancer in Early Burlesque and Vaudeville Theatre by Catherine Mary Scheelar (married name here)* Belly Dance as a Performance, Historical Phenomenon or Logical Evolution? by Iana Komarnytska* Dancer Trading Cards- Artwork by Leela Corman, Stats by SausanSection 4-Biz* What a Band Needs, But Doesn't Always Get by Denise Mannion of Pangia* Dancing with Live Bands, The Little Book of Etiquette by Leyla Lanty* Selling your Dance, A Series of Elevator Pitches by Athena* Marketing Belly Dance for Fitness, Is It A Good Idea? by Mayada* Tip O' the Hat to Tipping, Practices of Appreciation by Samira SharukSection 5-Costume & Appearance* Raqqin the Retro, Vintage Costume Care by Princess Farhana* Omani Jewelry from the Collection of Nancy Hernandez Photography by Alisha Westerfeld* Practice Makes Perfection, Make up Artists Share Their Secrets by Davina ~ Dawn Devine* A Costume GallerySection 6- Regional Styles* Beyond Sequins, Meaning in the Movement by Yasmina Ramzy* The Rom, Nomads of the Spirit by Sierra (Sadira) Suraci* Romani (Gypsy) History An Introduction by Renee Rothman* The Zar, Dancing with Genies by Yasmin Hekesh* In Search of Zambra Mora by Dondi Dahlin* Improvisational Tribal Style, Constructing Self and Community by April Rose* The Ghawazi by Jalilah* Two Weddings and a Dancer, The Beledi and The City by Leila Farid* Zeffat Al 'Aroosa, Ritual Procession for the Egyptian Wedding by Sahra Carolee KentSection 7-Theory & Technique* Belly Dance Motivations, Context and Content of Performance by Jezibell Anat* Contextualizing, Giving Your Dance Context! by DaVid of Scandinavia* Performance Enhancement by Mahsati* How to Balance Anything! by Stasha Vlasuk* Improvising with Ease, Strategies that Work by Anthea Kawakib Poole* Shimmylab, Muscular Activation Patterns in Belly Dance by Venus Marilee Nugent* Are the Stars Out Tonight? Fitting Music & Dance to Your Gig by NajiaThe Backside* Maps- Sahra's Regional Dances of Egypt, The Mid East, Mediterranean, and North Africa* A Few Maqamat and Rhythms* References, A Bibliography Project, Bonus Material, Disclaimers, Errata* Gig Form* A Glossary of Common Belly Dance Terms* Contributors Bios* Photo Credits* Late Additions photos
Author: Caitlin E. McDonald
Publisher: McFarland
ISBN: 1476605688
Category : Performing Arts
Languages : en
Pages : 225
Get Book Here
Book Description
In these essays, dancers and scholars from around the world carefully consider the transformation of an improvised folk form from North Africa and the Middle East into a popular global dance practice. They explore the differences between the solo improvisational forms of North Africa and the Middle East, often referred to as raqs sharki, which are part of family celebrations, and the numerous globalized versions of this dance form, belly dance, derived from the movement vocabulary of North Africa and the Middle East but with a variety of performance styles distinct from its site of origin. Local versions of belly dance have grown and changed along with the role that dance plays in the community. The global evolution of belly dance is an inspiring example of the interplay of imagination, the internet and the social forces of local communities. All royalties are being donated to Women for Women International, an organization dedicated to supporting women survivors of war through economic, health, and social education programs. The contributors are proud to provide continuing sponsorship to such a worthwhile and necessary cause.
Author: Ann Dils
Publisher: Wesleyan University Press
ISBN: 0819574252
Category : Performing Arts
Languages : en
Pages : 513
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Book Description
This new collection of essays surveys the history of dance in an innovative and wide-ranging fashion. Editors Dils and Albright address the current dearth of comprehensive teaching material in the dance history field through the creation of a multifaceted, non-linear, yet well-structured and comprehensive survey of select moments in the development of both American and World dance. This book is illustrated with over 50 photographs, and would make an ideal text for undergraduate classes in dance ethnography, criticism or appreciation, as well as dance history—particularly those with a cross-cultural, contemporary, or an American focus. The reader is organized into four thematic sections which allow for varied and individualized course use: Thinking about Dance History: Theories and Practices, World Dance Traditions, America Dancing, and Contemporary Dance: Global Contexts. The editors have structured the readings with the understanding that contemporary theory has thoroughly questioned the discursive construction of history and the resultant canonization of certain dances, texts and points of view. The historical readings are presented in a way that encourages thoughtful analysis and allows the opportunity for critical engagement with the text. Ebook Edition Note: Ebook edition note: Five essays have been redacted, including “The Belly Dance: Ancient Ritual to Cabaret Performance,” by Shawna Helland; “Epitome of Korean Folk Dance”, by Lee Kyong-Hee; “Juba and American Minstrelsy,” by Marian Hannah Winter; “The Natural Body,” by Ann Daly; and “Butoh: ‘Twenty Years Ago We Were Crazy, Dirty, and Mad’,”by Bonnie Sue Stein. Eleven of the 41 illustrations in the book have also been redacted.
Author: Barbara Sellers-Young
Publisher: Springer
ISBN: 134994954X
Category : Performing Arts
Languages : en
Pages : 176
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Book Description
This book examines the globalization of belly dance and the distinct dancing communities that have evolved from it. The history of belly dance has taken place within the global flow of sojourners, immigrants, entrepreneurs, and tourists from the nineteenth to the twenty-first century. In some cases, the dance is transferred to new communities within the gender normative structure of its original location in North Africa and the Middle East. Belly dance also has become part of popular culture’s Orientalist infused discourse. The consequence of this discourse has been a global revision of the solo dances of North Africa and the Middle East into new genres that are still part of the larger belly dance community but are distinct in form and meaning from the dance as practiced within communities in North Africa and the Middle East.
