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Author: W. J. McCormack
Publisher:
ISBN: 0198739826
Category : Biography & Autobiography
Languages : en
Pages : 315
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Book Description
This, the first ever biography of John Hewitt, is based on archival material, both personal and literary. In many ways it is also a biography of his wife, Roberta (nee Black), whose manuscript journal is also in the public domain. To establish Hewitt's late arrival as a poet, the book opens with a chapter recounting his negotiations with a London publisher over a long period and the eventual appearance of No Rebel Word (1949). Successive chapters trace his education, courtship, literary apprenticeship, first employment as a junior gallery curator in Belfast, the political conflicts of the 1930s and then the War Years, his rejection for the post of director in Belfast's Civic Museum and Gallery, and his utopian commitment to regionalism. Appointment to the Herbert Gallery in Coventry in 1956 brought recognition and confidence. His leanings towards socialist realism came to accommodate abstract art, and he defended the sculptor Barbara Hepworth against the penny-pinching ratepayers. Throughout this two-part career, Hewitt maintained his output as poet, culminating in the Collected Poems (1968). His Irish political commitments never wavered, though he became cautious about forms of nationalism which proclaimed themselves left-wing. Roberta Hewitt's work for the Coventry Labor Party provided an outlet for her energies and her domestic frustrations. Throughout these forty years, the poetry is kept constantly in view, sometime by reference to individual pieces and their origins, and some by means of longer "breaks for text" where more detailed criticism is practised. In 1972, the Hewitts returned to Belfast when the Troubles reached an ugly peak. Committed to anti-sectarianism, Hewitt withheld support from all parties, though he took an interest in trade union activity. Publishing (perhaps too much) poetry in his last decade-and-a-half, he died very much in harness.
Author: Thomas McManus
Publisher: Lulu.com
ISBN: 1105768341
Category : Biography & Autobiography
Languages : en
Pages : 162
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Book Description
Set in pre-troubles Belfast, a boy leads a carefree life as he and his friends experience the thrill of growing up in the warm Irish society that preceded the onslaught of murder and mayhem. Told from the perspective of a working class protestant who escaped the trap of sectarian violence, these stories provide a view of life in earlier, more humane times, when dreams and desires could still be pursued without the pall of fear that spread over Ireland in later years.Spanning fifteen years from schoolboy to man, these stories provide an insight to the lighter side of Irish life in Belfast. A contrast to the harsh media portrayal of Ulster during the years of violent clashes in the late sixties and seventies.
Author: W. J. McCormack
Publisher:
ISBN: 0198739826
Category : Biography & Autobiography
Languages : en
Pages : 315
Get Book Here
Book Description
This, the first ever biography of John Hewitt, is based on archival material, both personal and literary. In many ways it is also a biography of his wife, Roberta (nee Black), whose manuscript journal is also in the public domain. To establish Hewitt's late arrival as a poet, the book opens with a chapter recounting his negotiations with a London publisher over a long period and the eventual appearance of No Rebel Word (1949). Successive chapters trace his education, courtship, literary apprenticeship, first employment as a junior gallery curator in Belfast, the political conflicts of the 1930s and then the War Years, his rejection for the post of director in Belfast's Civic Museum and Gallery, and his utopian commitment to regionalism. Appointment to the Herbert Gallery in Coventry in 1956 brought recognition and confidence. His leanings towards socialist realism came to accommodate abstract art, and he defended the sculptor Barbara Hepworth against the penny-pinching ratepayers. Throughout this two-part career, Hewitt maintained his output as poet, culminating in the Collected Poems (1968). His Irish political commitments never wavered, though he became cautious about forms of nationalism which proclaimed themselves left-wing. Roberta Hewitt's work for the Coventry Labor Party provided an outlet for her energies and her domestic frustrations. Throughout these forty years, the poetry is kept constantly in view, sometime by reference to individual pieces and their origins, and some by means of longer "breaks for text" where more detailed criticism is practised. In 1972, the Hewitts returned to Belfast when the Troubles reached an ugly peak. Committed to anti-sectarianism, Hewitt withheld support from all parties, though he took an interest in trade union activity. Publishing (perhaps too much) poetry in his last decade-and-a-half, he died very much in harness.
Author: Stephen James Meredith Brown
Publisher:
ISBN:
Category : English fiction
Languages : en
Pages : 336
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Book Description
Author: John Wilson Foster
Publisher: OUP Oxford
ISBN: 0191528390
Category : Literary Criticism
Languages : en
Pages : 521
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Book Description
Studies of Irish fiction are still scanty in contrast to studies of Irish poetry and drama. Attempting to fill a large critical vacancy, Irish Novels 1890-1940 is a comprehensive survey of popular and minor fiction (mainly novels) published between 1890 and 1922, a crucial period in Irish cultural and political history. Since the bulk of these sixty-odd writers have never been written about, certainly beyond brief mentions, the book opens up for further exploration a literary landscape, hitherto neglected, perhaps even unsuspected. This new landscape should alter the familiar perspectives on Irish literature of the period, first of all by adding genre fiction (science fiction, detective novels, ghost stories, New Woman fiction, and Great War novels) to the Irish syllabus, secondly by demonstrating the immense contribution of women writers to popular and mainstream Irish fiction. Among the popular and prolific female writers discussed are Mrs J.H. Riddell, B.M. Croker, M.E. Francis, Sarah Grand, Katharine Tynan, Ella MacMahon, Katherine Cecil Thurston, W.M. Letts, and Hannah Lynch. Indeed, a critical inference of the survey is that if there is a discernible tradition of the Irish novel, it is largely a female tradition. A substantial postscript surveys novels by Irish women between 1922 and1940 and relates them to the work of their female antecedents. This ground-breaking survey should also alter the familiar perspectives on the Ireland of 1890-1922. Many of the popular works were problem-novels and hence throw light on contemporary thinking and debate on the 'Irish Question'. After the Irish Literary Revival and creation of the Free State, much popular and mainstream fiction became a lost archive, neglected evidence, indeed, of a lost Ireland.
Author: Gerald Dawe
Publisher: Cambridge University Press
ISBN: 1108420354
Category : Literary Criticism
Languages : en
Pages : 473
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Book Description
A fresh, accessible and authoritative study that conveys the richness and diversity of Irish poets, their lives and times.
Author: W. J. McCormack
Publisher: OUP Oxford
ISBN: 0191060429
Category : Literary Criticism
Languages : en
Pages : 498
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Book Description
This, the first ever biography of John Hewitt, is based on archival material, both personal and literary. In many ways it is also a biography of his wife, Roberta (nee Black), whose manuscript journal is also in the public domain. To establish Hewitt's late arrival as a poet, the book opens with a chapter recounting his negotiations with a London publisher over a long period and the eventual appearance of No Rebel Word (1949). Successive chapters trace his education, courtship, literary apprenticeship, first employment as a junior gallery curator in Belfast, the political conflicts of the 1930s and then the War Years, his rejection for the post of director in Belfast's Civic Museum and Gallery, and his utopian commitment to regionalism. Appointment to the Herbert Gallery in Coventry in 1956 brought recognition and confidence. His leanings towards socialist realism came to accommodate abstract art, and he defended the sculptor Barbara Hepworth against the penny-pinching ratepayers. Throughout this two-part career, Hewitt maintained his output as poet, culminating in the Collected Poems (1968). His Irish political commitments never wavered, though he became cautious about forms of nationalism which proclaimed themselves left-wing. Roberta Hewitt's work for the Coventry Labour Party provided an outlet for her energies and her domestic frustrations. Throughout these forty years, the poetry is kept constantly in view, sometime by reference to individual pieces and their origins, and some by means of longer 'breaks for text' where more detailed criticism is practised. In 1972, the Hewitts returned to Belfast whenthe Troubles reached an ugly peak. Committed to anti-sectarianism, Hewitt withheld support from all parties, though he took an interest in trade union activity. Publishing (perhaps too much) poetry in his last decade-and-a-half, he died very much in harness.
Author: Ciaran Carson
Publisher: Arcade Publishing
ISBN: 9781559704656
Category : Biography & Autobiography
Languages : en
Pages : 316
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Book Description
One of Ireland's most celebrated writers, musicians, and poets, Ciaran Carson was born in Belfast and has spent his life there. In The Star Factory, he makes himself the cartographer of his home city's spaces, symbolic and literal, the scribe of its byways and avenues, from Abbey Road to Zetland Street. Belfast has seen transformation: once the fifth-greatest industrial city in the world, the home of the S. S. Titanic, it has more recently been a battleground of sectarian slaughter. To conjure up the lives lived there, Carson plunges down the "wormhole of memory" - admiring along the way the strata and roots beneath the surface. Though it has experienced more than its share of urban decay - the Star Factory of the title is an abandoned mill - Carson's Belfast teems with stories, stories that can spring from a telephone directory, a cigarette case, a postcard, a book about tramways, a stamp.
Author: Terence Brown
Publisher: Cambridge University Press
ISBN: 1139487809
Category : Literary Criticism
Languages : en
Pages : 293
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Book Description
One of Ireland's foremost literary and cultural historians, Terence Brown's command of the intellectual and cultural currents running through the Irish literary canon is second to none, and he has been enormously influential in shaping the field of Irish studies. These essays reflect the key themes of Brown's distinguished career, most crucially his critical engagement with the post-colonial model of Irish cultural and literary history currently dominant in Irish Studies. With essays on major figures such as Yeats, MacNeice, Joyce and Beckett, as well as contemporary authors including Seamus Heaney, Derek Mahon, Michael Longley, Paul Muldoon and Brian Friel, this volume is a major contribution to scholarship, directing scholars and students to new approaches to twentieth-century Irish cultural and literary history.
Author: Graham Ellison
Publisher: Pluto Press
ISBN: 9780745313931
Category : History
Languages : en
Pages : 244
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Book Description
'Baghdad Bulletin takes us where mainstream news accounts do not go. Disrupting the easy cliches that dominate US journalism, Enders blows away the media fog of war.' Norman Soloman
Author: Fran Brearton
Publisher: Oxford University Press, USA
ISBN: 9780199261383
Category : History
Languages : en
Pages : 332
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Book Description
The Great War in Irish Poetry explores the impact of the First World War on the work of W. B. Yeats, Robert Graves, and Louis MacNeice in the period 1914-45, and on three contemporary Northern Irish poets, Derek Mahon, Seamus Heaney, and Michael Longley. Its concern is to place their work, andmemory of the Great War, in the context of Irish politics and culture in the twentieth century. The historical background to Irish involvement in the Great War is explained, as are the ways in which issues raised in 1912-20 still reverberate in the politics of remembrance in Northern Ireland,particularly through such events as the Home Rule cause, the loss of the Titanic, the Battle of the Somme, the Easter Rising. While the Great War is perceived as central to English culture, and its literature holds a privileged position in the English literary canon, the centrality of the Great War to Irish writing has seldom been recognised. This book shows first, that despite complications in Irish domestic politicswhich led to the repression of memory of the Great War, Irish poets have been drawn throughout the century to the events and images of 1914-18. This engagement is particularly true of those writing in the 'troubled' Northern Ireland of the last thirty years. The second main concern is the extent towhich recognition of the importance of the Great War in Irish writing has itself become a casualty of competing versions of the literary canon.
