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Author: Chun Sue
Publisher: Penguin
ISBN: 1101661992
Category : Fiction
Languages : en
Pages : 241
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Book Description
Banned in China for its candid exploration of a young girl's sexual awakening yet widely acclaimed as being "the first novel of 'tough youth' in China" (Beijing Today), Beijing Doll cuts a daring path through China's rock-and-roll subculture. This cutting edge novel -- drawn from the diaries the author kept throughout her teenage years -- takes readers to the streets of Beijing where a disaffected generation spurns tradition for lives of self expression, passion, and rock-and-roll. Chun Sue's explicit sensuality, unflinching attitude towards sex, and raw, lyrical style break new ground in contemporary Chinese literature.
Author: Chun Sue
Publisher: Penguin
ISBN: 1594480206
Category : Fiction
Languages : en
Pages : 241
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Book Description
Banned in China for its candid exploration of a young girl's sexual awakening yet widely acclaimed as being "the first novel of 'tough youth' in China" (Beijing Today), Beijing Doll cuts a daring path through China's rock-and-roll subculture. This cutting edge novel -- drawn from the diaries the author kept throughout her teenage years -- takes readers to the streets of Beijing where a disaffected generation spurns tradition for lives of self expression, passion, and rock-and-roll. Chun Sue's explicit sensuality, unflinching attitude towards sex, and raw, lyrical style break new ground in contemporary Chinese literature.
Author: Paul Pickowicz
Publisher: Rowman & Littlefield
ISBN: 9780742554382
Category : Performing Arts
Languages : en
Pages : 284
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Book Description
This groundbreaking book presents a critical introduction to the cultural and political dimensions of contemporary Chinese cinema. Leading Western and Chinese scholars trace the changing dynamics of Chinese film culture since the early 1990s as it moves away from underground and toward independence in the new century. Yet as the rich case studies illustrate, the sheer variety of alternative film culture itself provides sufficient opportunities for different--at times contradictory--configurations of cinematic products. Drawing on vigorous interdisciplinary scholarship, the book investigates the objects of its study from various methodological perspectives, ranging from historical and literary to sociological and ethnographic. In addition to offering critical readings of specific texts, this book explores alternative film culture through personal interviews, on-site observations, and media interrogations, from traditional print media to the visual media of film, television, and video, including the new digital media of the Internet. The contributors also consider the flourishing independent documentary filmmaking scene, highlighting a crucial part of alternative film that has been previously obscured by an almost exclusive attention on the fifth- and sixth-generation directors of fictional movies. With its fresh and knowledgeable analysis of Chinese underground and independent filmmaking, this book will be essential reading for all those interested in a society caught between socialism and global currents. Contributions by: Chris Berry, Jim Cheng, Valerie Jaffee, Matthew David Johnson, Tonglin Lu, Chen Mo, Seio Nakajima, Paul G. Pickowicz, Zhiwei Xiao, and Yingjin Zhang.
Author: Sheldon H. Lu
Publisher: University of Hawaii Press
ISBN: 0824831772
Category : Literary Criticism
Languages : en
Pages : 282
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Book Description
This ambitious work is a multimedia, interdisciplinary study of Chinese modernity in the context of globalization from the late nineteenth century to the present. Sheldon Lu draws on Chinese literature, film, art, photography, and video to broadly map the emergence of modern China in relation to the capitalist world-system in the economic, social, and political realms. Central to his study is the investigation of biopower and body politics, namely, the experience of globalization on a personal level. Lu first outlines the trajectory of the body in modern Chinese literature by focusing on the adventures, pleasures, and sufferings of the male (and female) body in the writings of selected authors. He then turns to avant-garde and performance art, tackling the physical self more directly through a consideration of work that takes the body as its very theme, material, and medium. In an exploration of mass visual culture, Lu analyzes artistic reactions to the multiple, uneven effects of globalization and modernization on both the physical landscape of China and the interior psyche of its citizens. This is followed by an inquiry into contemporary Chinese urban space in popular cinema and experimental photography and art. Examples are offered that capture the daily lives of contemporary Chinese as they struggle to make the transition from the vanishing space of the socialist lifestyle to the new capitalist economy of commodities. Lu reexamines the history and implications of China’s belated integration into the capitalist world system before closing with a postscript that traces the genealogy of the term "postsocialism" and points to the real relevance of the idea for the investigation of everyday life in China in the twenty-first century.
Author: Yiran Zheng
Publisher: Rowman & Littlefield
ISBN: 1498531024
Category : Social Science
Languages : en
Pages : 169
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Book Description
One of the oldest cities in the world, Beijing was an imperial capital for centuries. After the founding of the People’s Republic of China in 1949, Beijing became not only the political center of the new communist country, but also the signifier of socialist ideol-ogy and revolutionary culture. Now, in the 21st century, Beijing embodies global conflicts and global connections. Over the course of the last century, then, Beijing moved from the quintessential “traditional” capital to the symbol of communist urban form and finally to a cosmopolitan metropolis. These three stages in the history of Beijing and its shifting representations are the topic of this study. Like other capitals, Beijing is much more than its physical entity. It also functions as a concept, a representation. As city planners have (and continue to) present Beijing to the world as a model, the fluctuating images of Beijing have become solidified in urban space. Today, the urban form of Beijing juxtaposes diverse spaces that span centuries, embodying the various representations of the city by its planners in different eras. These representations of space also provide possibilities for writers to rethink and rebuild the city in their literary works. Chinese writers and filmmakers often essentialize those urban spaces by making them symbols of different urban cultures, the old houses representing “traditional,” “patriarchal” Chinese culture while soviet-style buildings reflect revolu-tionary culture. Finally, the more recent sprouting of apartments, condos, and townhouses stands for the invasion of western modernity and provides evidence of global capitalism in contemporary China. Inspired by Henri Lefebvre, this study establishes a framework that connects urban spaces (representations of space) to writers and literary productions (representational space). I analyze the three major urban spatial forms of traditional, communist, and glob-alized Beijing and examine what these urban spaces mean to Chinese writers and filmmakers as well as how they use them to configure particular images of Beijing. I argue that these different configurations are actually the projections of those writers and filmmakers’ own cultural imaginations; they provoke a form of emotional catharsis and also produce alternative visions of the cityscape.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 170
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Book Description
ELLEgirl, the international style bible for girls who dare to be different, is published by Hachette Filipacchi Media U.S., Inc., and is accessible on the web at ellegirl.elle.com/. ELLEgirl provides young women with insider information on fashion, beauty, service and pop culture in a voice that, while maintaining authority on the subject, includes and amuses them.
Author: Elisabeth Croll
Publisher: Routledge
ISBN: 1134220537
Category : Business & Economics
Languages : en
Pages : 746
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Book Description
Exploring China's consumer revolution over the past three decades, this book shows a continuing cycle leading to excess supply and disappointing demand, at the centre of which lies exaggerated expectations of China's new consumers. Combining economic trends with the author’s anthropological background, China’s New Consumers details the livelihoods and lifestyles of China's new and evolving social categories who, divided by wealth, location and generation, have both benefited from and been disadvantaged by the past two decades of reform and rapid economic growth. Given that consumption is about so much more than shopping and spending, this book focuses on the perceptions, priorities and concerns of China's new consumers which are an essential part of any contemporary narrative about China's domestic market. Documenting the social consequences of several decades of rapid economic growth and the new interest in 'all-round' social development, China's New Consumers will be of value to students, entrepreneurs and a wide variety of readers who are interested in social trends and concerns in China today.
Author: Li Chunling
Publisher: Brookings Institution Press
ISBN: 0815739370
Category : Political Science
Languages : en
Pages : 403
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Book Description
Understanding the young adults who came of age during the rise of China's economic and global power This book by a prominent Chinese sociologist explores how China's youth will influence the country's future. Focusing on millennials—those born between the early 1980s and the mid-1990s—the book examines the status, lifestyles, attitudes, values, and behaviors of this key segment of the country's population. Li Chunling's study presents a native Chinese perspective on the increasingly diverse generation that at some point will assume leadership of the country. Among the key questions addressed in the book are: How do Chinese millennials differ both from preceding generations in China and from their counterparts around the world? How can current and future relations between Chinese millennials and the Chinese government be assessed? And, what are the factors or fault lines that have shaped the intra-generational differences among China's young people? Members of this age cohort are extraordinary, and in some respects unique, in contemporary China. Their ascent has accompanied five historic and far-reaching developments. These include China's rapid economic rise, the adoption of the one-child-per-family policy, the largest domestic rural-to-urban migration in Chinese history, the opening of extensive educational opportunities abroad, and the arrival of the digital era. Young Chinese citizens have developed a comprehensive understanding of the world much faster than previous generations; millennials see themselves not as extensions of the past, but rather as the innovators of the country's future. Through expansive and in-depth empirical research on Chinese millennials and younger age cohorts (people in their late teens and early 20s), Dr. Li's book illustrates how China's younger adults reflect the growing diversity and persistent inequality in society. The book also explores how their distinct characteristics and views will shape the country's trajectory. For the outside world, developing a better understanding of this unique generation is an urgent task, given that China now has more influence on the global economy and regional security than at any other point in modern history.
Author: Joseph S. M. Lau
Publisher: Columbia University Press
ISBN: 9780231138413
Category : Education
Languages : en
Pages : 802
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Book Description
An anthology of Chinese fiction, poetry, and essays written during the twentieth and twenty-first centuries.
Author: Kwok-kan Tam
Publisher: Springer Nature
ISBN: 981136303X
Category : Performing Arts
Languages : en
Pages : 301
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Book Description
This book is a study of the relation between theatre art and ideology in the Chinese experimentations with new selfhood as a result of Ibsen’s impact. It also explores Ibsenian notions of self, women and gender in China and provides an illuminating study of Chinese theatre as a public sphere in the dissemination of radical ideas. Ibsen is the major source of modern Chinese selfhood which carries notions of personal and social liberation and has exerted great impacts on Chinese revolutions since the beginning of the twentieth century. Ibsen’s idea of the self as an individual has led to various experimentations in theatre, film and fiction to project new notions of selfhood, in particular women’s selfhood, throughout the history of modern China. Even today, China is experimenting with Ibsen’s notions of gender, power, individualism and self. Kwok-kan Tam is Chair Professor of English and Dean of Humanities and Social Science at the Hang Seng University of Hong Kong. He was Head (2012-18) and is currently a member of the International Ibsen Committee, University of Oslo. He is a Foundation Fellow of the Hong Kong Academy of the Humanities. He has held teaching, research and administrative positions in various institutions, including the East-West Center, the Chinese University of Hong Kong and the Open University of Hong Kong. He has published numerous books and articles on Ibsen, Gao Xingjian, modern drama, Chinese film, postcolonial literature, and world Englishes. His recent books include Ibsen, Power and the Self: Postsocialist Experimentations in Stage Performance and Film (2019), The Englishized Subject: Postcolonial Writings in Hong Kong, Singapore and Malaysia (2019), and a co-edited volume Fate and Prognostication in the Chinese Literary Imagination (2019).
Author: Mohd Fauzi bin Sedon
Publisher: European Alliance for Innovation
ISBN: 163190454X
Category : Technology & Engineering
Languages : en
Pages : 876
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Book Description
This book contains the proceedings of the International Conference on Industrial Design and Environmental Engineering (IDEE 2023) held via the hybrid form in Zhengzhou, China from November 24th to 26th, 2023. The specific topics covered in this conference include innovative design, multimedia applied art design, environmental analysis and monitoring, pollution control programs, hydrology and water resources engineering, urban and regional planning, global climate change and international carbon emission reduction cooperation. The conference aims to bring together various professionals from the scientific community to foster connections between science, technology, and industry, and provide a platform for exploring fundamental issues and new applications in related fields. We hope that the scientific attitudes and skills developed through research will encourage scholars worldwide to contribute to the development of knowledge generated by research. Finally, we would like to express our gratitude to the conference chair, publication chairs, technical program committee chairs, local organizing chairs, program committee chairs, conference secretariat, and conference sponsors for their financial support, which made the successful organization of IDEE 2023 possible. We hope that this conference will continue to be held in the coming years, publishing more insightful articles with inspiring research. We would also like to thank the invited speakers for their valuable contributions and for sharing their perspectives during their speeches.
