Author: Arthur Williams
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 232
Book Description
A visually dynamic and extensive resource covering all sculpture media. Beginning Sculpture explores traditional sculpting methods as well as the latest tools and techniques. It covers a diverse range of media including wood, metal, stone, paper, clay and mixed media. Studios are designed to enhance student learning and nurture self-discovery. With an easy to follow format, students: * Learn the elements and principles of design and sculpture * Photographs and illustrations sequentially detail fundamental techniques and skills. * Examples of master artworks reflect diverse times and perspectives * Student create art and master concepts and skills through carefully crafted lessons
Beginning Sculpture
Author: Arthur Williams
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 232
Book Description
A visually dynamic and extensive resource covering all sculpture media. Beginning Sculpture explores traditional sculpting methods as well as the latest tools and techniques. It covers a diverse range of media including wood, metal, stone, paper, clay and mixed media. Studios are designed to enhance student learning and nurture self-discovery. With an easy to follow format, students: * Learn the elements and principles of design and sculpture * Photographs and illustrations sequentially detail fundamental techniques and skills. * Examples of master artworks reflect diverse times and perspectives * Student create art and master concepts and skills through carefully crafted lessons
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 232
Book Description
A visually dynamic and extensive resource covering all sculpture media. Beginning Sculpture explores traditional sculpting methods as well as the latest tools and techniques. It covers a diverse range of media including wood, metal, stone, paper, clay and mixed media. Studios are designed to enhance student learning and nurture self-discovery. With an easy to follow format, students: * Learn the elements and principles of design and sculpture * Photographs and illustrations sequentially detail fundamental techniques and skills. * Examples of master artworks reflect diverse times and perspectives * Student create art and master concepts and skills through carefully crafted lessons
Beginner's Guide to Sculpting Characters in Clay
Author: 3dtotal Publishing
Publisher: Beginner's Guide
ISBN: 9781909414402
Category : Figure sculpture
Languages : en
Pages : 0
Book Description
Beginner's Guide to Sculpting Characters in Clay is a comprehensive guide to traditional sculpting tools, materials and techniques for beginners.
Publisher: Beginner's Guide
ISBN: 9781909414402
Category : Figure sculpture
Languages : en
Pages : 0
Book Description
Beginner's Guide to Sculpting Characters in Clay is a comprehensive guide to traditional sculpting tools, materials and techniques for beginners.
Figure Sculpting
Author: Philippe Faraut
Publisher:
ISBN: 9780975506585
Category : Figure sculpting
Languages : en
Pages : 230
Book Description
Publisher:
ISBN: 9780975506585
Category : Figure sculpting
Languages : en
Pages : 230
Book Description
Aspects
Author: Edward A. Vazquez
Publisher: University of Chicago Press
ISBN: 022640806X
Category : Art
Languages : en
Pages : 248
Book Description
Stretching lengths of yarn across interior spaces, American artist Fred Sandback (1943–2003) created expansive works that underscore the physical presence of the viewer. This book, the first major study of Sandback, explores the full range of his art, which not only disrupts traditional conceptions of material presence, but also stages an ethics of interaction between object and observer. Drawing on Sandback’s substantial archive, Edward A. Vazquez demonstrates that the artist’s work—with all its physical slightness and attentiveness to place, as well as its relationship to minimal and conceptual art of the 1960s—creates a link between viewers and space that is best understood as sculptural even as it almost surpasses physical form. At the same time, the economy of Sandback’s site-determined practice draws viewers’ focus to their connection to space and others sharing it. As Vazquez shows, Sandback’s art aims for nothing less than a total recalibration of the senses, as the spectator is caught on neither one side nor the other of an object or space, but powerfully within it.
Publisher: University of Chicago Press
ISBN: 022640806X
Category : Art
Languages : en
Pages : 248
Book Description
Stretching lengths of yarn across interior spaces, American artist Fred Sandback (1943–2003) created expansive works that underscore the physical presence of the viewer. This book, the first major study of Sandback, explores the full range of his art, which not only disrupts traditional conceptions of material presence, but also stages an ethics of interaction between object and observer. Drawing on Sandback’s substantial archive, Edward A. Vazquez demonstrates that the artist’s work—with all its physical slightness and attentiveness to place, as well as its relationship to minimal and conceptual art of the 1960s—creates a link between viewers and space that is best understood as sculptural even as it almost surpasses physical form. At the same time, the economy of Sandback’s site-determined practice draws viewers’ focus to their connection to space and others sharing it. As Vazquez shows, Sandback’s art aims for nothing less than a total recalibration of the senses, as the spectator is caught on neither one side nor the other of an object or space, but powerfully within it.
Sculpture
Author: Arthur Williams
Publisher:
ISBN: 9780871922779
Category : Art
Languages : en
Pages : 0
Book Description
Discusses the origins, materials, and tools used for sculpture, and looks at the preparation of works for an exhibition.
Publisher:
ISBN: 9780871922779
Category : Art
Languages : en
Pages : 0
Book Description
Discusses the origins, materials, and tools used for sculpture, and looks at the preparation of works for an exhibition.
Passages in Modern Sculpture
Author: Rosalind E. Krauss
Publisher: MIT Press
ISBN: 9780262610339
Category : Design
Languages : en
Pages : 326
Book Description
Studies major works by important sculptors since Rodin in the light of different approaches to general sculptural issues to reveal the logical progressions from nineteenth-century figurative works to the conceptual work of the present.
Publisher: MIT Press
ISBN: 9780262610339
Category : Design
Languages : en
Pages : 326
Book Description
Studies major works by important sculptors since Rodin in the light of different approaches to general sculptural issues to reveal the logical progressions from nineteenth-century figurative works to the conceptual work of the present.
Imaging Sculpture
Author: Stanley Abe
Publisher:
ISBN: 9783777437583
Category :
Languages : en
Pages : 384
Book Description
A new critical approach to understanding sculpture across cultures. Imagining Sculpture is the story of the absence of a powerful European idea: Sculpture. In China statues, stele, and other figural objects were made for millennia, but were not categorized as Sculpture. Imagining Sculpture explains how they were seen in China as objects beyond the category of Sculpture. Stanley Abe has written a series of short historical and fictional vignettes about travelers, scholars, officials, collectors, and antiquarians who encounter statues, figures, and effigies in China and the West from the fourteenth to the beginning of the twentieth century. Imagining Sculpture is visual, cinematic, and sumptuous, featuring rare photographs, paintings, sketches, letters, and ephemera. With little text, images propel the narrative.
Publisher:
ISBN: 9783777437583
Category :
Languages : en
Pages : 384
Book Description
A new critical approach to understanding sculpture across cultures. Imagining Sculpture is the story of the absence of a powerful European idea: Sculpture. In China statues, stele, and other figural objects were made for millennia, but were not categorized as Sculpture. Imagining Sculpture explains how they were seen in China as objects beyond the category of Sculpture. Stanley Abe has written a series of short historical and fictional vignettes about travelers, scholars, officials, collectors, and antiquarians who encounter statues, figures, and effigies in China and the West from the fourteenth to the beginning of the twentieth century. Imagining Sculpture is visual, cinematic, and sumptuous, featuring rare photographs, paintings, sketches, letters, and ephemera. With little text, images propel the narrative.
The Elements of Sculpture
Author: Herbert George
Publisher: Phaidon Press
ISBN: 9780714867410
Category : Art
Languages : en
Pages : 0
Book Description
The ultimate viewer’s guide to experiencing art in three dimensions, featuring classical Greek sculpture and Baroque marble carvings alongside works by Rodin, Duchamp, and Felix Gonzalez‐Torres. In The Elements of Sculpture, author Herbert George – a sculptor, renowned educator, and Getty Museum fellow – provides readers with a new vocabulary for viewing and discussing this versatile art form.
Publisher: Phaidon Press
ISBN: 9780714867410
Category : Art
Languages : en
Pages : 0
Book Description
The ultimate viewer’s guide to experiencing art in three dimensions, featuring classical Greek sculpture and Baroque marble carvings alongside works by Rodin, Duchamp, and Felix Gonzalez‐Torres. In The Elements of Sculpture, author Herbert George – a sculptor, renowned educator, and Getty Museum fellow – provides readers with a new vocabulary for viewing and discussing this versatile art form.
Matisse's Sculpture
Author: Ellen McBreen
Publisher:
ISBN: 9780300171037
Category : ART
Languages : en
Pages : 0
Book Description
"In 1906, soon after Matisse acquired his first African sculpture, he began the first of his nudes based on erotic and ethnographic photographs. This reading of Matisse's early sculpture examines the artist's appropriations from two seemingly disparate visions of the body: commercial nude photography and African sculpture. Why would Matisse synthesize mechanically made traces of actual flesh with the hand-carved abstractions of Pende, Senufo, Baga, and Baule figural sculptures? In the twentieth century, halftone technology in France changed economics of photographic reproduction. The inexpensive illustrated revues where Matisse found substitutes for living models were full of plates, making the female body available for mass consumption as never before. One of the main appeals of African sculpture to Matisse and others was that it appeared as a productive antithesis to this; it represented an alternative experience and understanding of human sexuality. In this, Matisse's primitivism was as much a system of beliefs projected onto African sculptures and actual African bodies, as a series of visual and conceptual borrowings from them. To support this idea, the book uses primary materials from turn-of-the-century ethnography and comparative anthropology, popular erotica, and the visual culture of French colonialism. It draws connections between artistic debts and the ideological and historical forces informing them, and plots new study in a now-familiar story of early twentieth-century modernist primitivism. This book challenges an established convention about Matisse--a painter who sculpted merely as a "rest"-- proposing how the sculpture's play with period perceptions of race and gender is key to understanding the artist's fascinations with cultural and sexual origins"--
Publisher:
ISBN: 9780300171037
Category : ART
Languages : en
Pages : 0
Book Description
"In 1906, soon after Matisse acquired his first African sculpture, he began the first of his nudes based on erotic and ethnographic photographs. This reading of Matisse's early sculpture examines the artist's appropriations from two seemingly disparate visions of the body: commercial nude photography and African sculpture. Why would Matisse synthesize mechanically made traces of actual flesh with the hand-carved abstractions of Pende, Senufo, Baga, and Baule figural sculptures? In the twentieth century, halftone technology in France changed economics of photographic reproduction. The inexpensive illustrated revues where Matisse found substitutes for living models were full of plates, making the female body available for mass consumption as never before. One of the main appeals of African sculpture to Matisse and others was that it appeared as a productive antithesis to this; it represented an alternative experience and understanding of human sexuality. In this, Matisse's primitivism was as much a system of beliefs projected onto African sculptures and actual African bodies, as a series of visual and conceptual borrowings from them. To support this idea, the book uses primary materials from turn-of-the-century ethnography and comparative anthropology, popular erotica, and the visual culture of French colonialism. It draws connections between artistic debts and the ideological and historical forces informing them, and plots new study in a now-familiar story of early twentieth-century modernist primitivism. This book challenges an established convention about Matisse--a painter who sculpted merely as a "rest"-- proposing how the sculpture's play with period perceptions of race and gender is key to understanding the artist's fascinations with cultural and sexual origins"--
Sculpture in the Age of Doubt
Author: Thomas McEvilley
Publisher: Skyhorse Publishing Inc.
ISBN: 9781581150230
Category : Art
Languages : en
Pages : 466
Book Description
Framed in a lucid discussion of the intellectual issues surrounding the postmodern movement, the essays in this book re-examine the course of twentieth-century art through the work of twenty-five major sculptors. McEvilley masterfully traces the evolution of modern sculpture from the readymades of Marcel Duchamp to the anti-painting statements of the 1960s to the spiritualism and conceptualism of the 1980s and 1990s. This is a groundbreaking work in the field of art criticism and a fundamental text for anyone interested in the history of current art and culture. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.
Publisher: Skyhorse Publishing Inc.
ISBN: 9781581150230
Category : Art
Languages : en
Pages : 466
Book Description
Framed in a lucid discussion of the intellectual issues surrounding the postmodern movement, the essays in this book re-examine the course of twentieth-century art through the work of twenty-five major sculptors. McEvilley masterfully traces the evolution of modern sculpture from the readymades of Marcel Duchamp to the anti-painting statements of the 1960s to the spiritualism and conceptualism of the 1980s and 1990s. This is a groundbreaking work in the field of art criticism and a fundamental text for anyone interested in the history of current art and culture. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.