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Author: James Johnson Sweeney
Publisher: Hassell Street Press
ISBN: 9781014336828
Category :
Languages : en
Pages : 28
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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: James Johnson Sweeney
Publisher: Hassell Street Press
ISBN: 9781014336828
Category :
Languages : en
Pages : 28
Get Book
Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Solomon R. Guggenheim Museum
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 36
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Book Description
Author: Justin Wintle
Publisher: Routledge
ISBN: 1136768815
Category : History
Languages : en
Pages : 3435
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Book Description
New Makers of Modern Culture is the successor to the classic reference works Makers of Modern Culture and Makers of Nineteenth-Century Culture, published by Routledge in the early 1980s. The set was extremely successful and continues to be used to this day, due to the high quality of the writing, the distinguished contributors, and the cultural sensitivity shown in the selection of those individuals included. New Makers of Modern Culture takes into full account the rise and fall of reputation and influence over the last twenty-five years and the epochal changes that have occurred: the demise of Marxism and the collapse of the Soviet Union; the rise and fall of postmodernism; the eruption of Islamic fundamentalism; the triumph of the Internet. Containing over eight hundred essay-style entries, and covering the period from 1850 to the present, New Makers of Modern Culture includes artists, writers, dramatists, architects, philosophers, anthropologists, scientists, sociologists, major political figures, composers, film-makers and many other culturally significant individuals and is thoroughly international in its purview. Next to Karl Marx is Bob Marley, next to John Ruskin is Salman Rushdie, alongside Darwin is Luigi Dallapiccola, Deng Xiaoping runs shoulders with Jacques Derrida as do Julia Kristeva and Kropotkin. Once again, Wintle has enlisted the services of many distinguished writers and leading academics, such as Sam Beer, Bernard Crick, Edward Seidensticker and Paul Preston. In a few cases, for example Michael Holroyd and Philip Larkin, contributors are themselves the subject of entries. With its global reach, New Makers of Modern Culture provides a multi-voiced witness of the contemporary thinking world. The entries carry short bibliographies and there is thorough cross-referencing. There is an index of names and key terms.
Author: Rosamond Bernier
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 144
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Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Author: Janis Mink
Publisher: Taschen
ISBN: 9783822859759
Category : Art, Modern
Languages : en
Pages : 104
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Book Description
Modernism.
Author: Palazzo Strozzi (Florence, Italy)
Publisher:
ISBN: 9788857209784
Category : Art
Languages : en
Pages : 0
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Book Description
The birth of modernity as seen through sixty stunning early works by three of the greatest artists of all times. This catalogue begins by examining Picasso's pre-cubist period, between 1900 and 1905, while closely contrasting works created by Juan Miró between 1915 and 1920 with those by Salvador Dalí in the five-year period between 1920-1925, in order to highlight the differences and stylistic relationships marking the period prior to the two artists' adherence to Surrealist poetics. In order to enquire into particular aspects of the early production of these artists, the authors have chosen works rarely exhibited in public or published; yet these fascinating paintings influenced what was to come, and they include The Spanish Dancer from 1901 by Picasso, Threshing by Mirò from 1918, and Neo-cubist academy by Dalì, which dates from 1926. Picasso's early work is profoundly influenced by the artist's political convictions: in Madrid in 1901 Picasso founded the magazine "Arte Joven", which frequently published unforgiving images of the plight of the proletariat. As for Miró, he rejected figurative painting as an expression of the cultural identity of the governing classes and also saw cubism as a "political tool". Much younger than Picasso and Miró, Dalí was ousted from the Academy in 1926, shortly prior to undertaking final examinations, for having declared that no one in the faculty was sufficiently competent to examine him. His early work is marked by a complete mastery of pictorial techniques, an example is Girl at the window from 1926, depicted with vivid realism.
Author: Christopher Green
Publisher: Yale University Press
ISBN: 9780300104127
Category : Art
Languages : en
Pages : 324
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Book Description
El autor aborda la estructura pictórica y escultórica y, sobre todo, la arquitectura del conocimiento y de la sociedad en la obra de Picasso, es decir, las estructuras de la tradición, de las diferencias raciales, sociales y culturales, de la lógica y de la tecnología, proponiendo nuevas vías para apreciar la oscilación entre orden y desorden en la obra de Picasso, así como la confrontación y el reto que su obra supuso respecto a las arquitecturas de la ortodoxia. Tal reto comienza con una serie de intervenciones que el artista protagonizó en la turbulenta historia europea de los primeros años veinte, que revelan su postura respecto a temas vitales como la raza, la diferencia cultural, la modernidad, la sexualidad y el descontento de la civilización.
Author: Clement Greenberg
Publisher: University of Chicago Press
ISBN: 0226306224
Category : Art
Languages : en
Pages : 373
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Book Description
Clement Greenberg (1909–1994), champion of abstract expressionism and modernism—of Pollock, Miró, and Matisse—has been esteemed by many as the greatest art critic of the second half of the twentieth century, and possibly the greatest art critic of all time. On radio and in print, Greenberg was the voice of "the new American painting," and a central figure in the postwar cultural history of the United States. Greenberg first established his reputation writing for the Partisan Review, which he joined as an editor in 1940. He became art critic for the Nation in 1942, and was associate editor of Commentary from 1945 until 1957. His seminal essay, "Avant-Garde and Kitsch" set the terms for the ongoing debate about the relationship of modern high art to popular culture. Though many of his ideas have been challenged, Greenberg has influenced generations of critics, historians, and artists, and he remains influential to this day.
Author:
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 580
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Book Description
