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Author: David Symons
Publisher: Routledge
ISBN: 1134801033
Category : Music
Languages : en
Pages : 235
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Book Description
John Antill (1904-1986) was one of the foremost composers of Australia's post-colonial period. Although a relatively prolific and much esteemed composer in Australia, Antill's wider reputation is sustained chiefly by his famous ballet Corroboree - a work which was perceived to bring an authentic Australian musical style before both a national and international audience for the first time. Through Sir Eugene Goossens' championship, the work was heard by enthusiastic audiences in Australia, Britain, Europe and the USA, and was, for many years, the best-known work of any Australian-born and resident composer. Indeed it has remained, for both Australian and overseas audiences, an Australian musical icon. David Symons traces Antill's development as a composer from his early, pre-Corroboree works, which display a late Romantic to post-impressionist style, through an analysis of the virile, dissonant, primitivist idiom of his magnum opus, to an examination of his later output of theatrical, orchestral and vocal/choral works. The book provides comprehensive and valuable insight into Antill's musical output, at the same time focussing on more detailed analyses of his major works which have reached public performances and/or recordings. In this way the book not only presents a developmental picture of Antill's works, but also demonstrates why they have made him one of Australia's most prominent musical creators of the post-colonial period.
Author: David Symons
Publisher: Routledge
ISBN: 1134801033
Category : Music
Languages : en
Pages : 235
Get Book Here
Book Description
John Antill (1904-1986) was one of the foremost composers of Australia's post-colonial period. Although a relatively prolific and much esteemed composer in Australia, Antill's wider reputation is sustained chiefly by his famous ballet Corroboree - a work which was perceived to bring an authentic Australian musical style before both a national and international audience for the first time. Through Sir Eugene Goossens' championship, the work was heard by enthusiastic audiences in Australia, Britain, Europe and the USA, and was, for many years, the best-known work of any Australian-born and resident composer. Indeed it has remained, for both Australian and overseas audiences, an Australian musical icon. David Symons traces Antill's development as a composer from his early, pre-Corroboree works, which display a late Romantic to post-impressionist style, through an analysis of the virile, dissonant, primitivist idiom of his magnum opus, to an examination of his later output of theatrical, orchestral and vocal/choral works. The book provides comprehensive and valuable insight into Antill's musical output, at the same time focussing on more detailed analyses of his major works which have reached public performances and/or recordings. In this way the book not only presents a developmental picture of Antill's works, but also demonstrates why they have made him one of Australia's most prominent musical creators of the post-colonial period.
Author: Dr David Symons
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472435389
Category : Music
Languages : en
Pages : 355
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Book Description
John Antill (1904-1986) was one of the foremost composers of Australia’s ‘post-colonial period’. Although a relatively prolific and much esteemed composer in Australia, Antill’s wider reputation is sustained chiefly by his famous ballet Corroboree - a work which was perceived to bring an authentic Australian musical style before both a national and international audience for the first time. Through Sir Eugene Goossens’s championship, the work was heard by enthusiastic audiences in Australia, Britain, Europe and the USA, and was, for many years, the best-known work of any Australian-born and resident composer. Indeed it has remained, for both Australian and overseas audiences, an Australian musical ‘icon’. David Symons traces Antill’s development as a composer from his early, pre-Corroboree works, which display a late Romantic to post-impressionist style, through an analysis of the virile, dissonant, ‘primitivist’ idiom of his magnum opus, to an examination of his later output of theatrical, orchestral and vocal/choral works. The book provides comprehensive and valuable insight into Antill’s musical output, at the same time focussing on more detailed analyses of his major works which have reached public performances and/or recordings. In this way the book not only presents a developmental picture of Antill’s works, but also demonstrates why they have made him one of Australia’s most prominent musical creators of the post-colonial period.
Author: David Symons
Publisher: Routledge
ISBN: 1000206440
Category : Music
Languages : en
Pages : 176
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Book Description
Australia’s Jindyworobak Composers examines the music of a historically and artistically significant group of Australian composers active during the later post-colonial period (1930s–c. 1960). These composers sought to establish a uniquely Australian identity through the evocation of the country’s landscape and environment, including notably the use of Aboriginal elements or imagery in their music, texts, dramatic scenarios or ‘programmes’. Nevertheless, it must be observed that this word was originally adopted as a manifesto for an Australian literary movement, and was, for the most part, only retrospectively applied by commentators (rather than the composers themselves) to art music that was seen to share similar aesthetic aims. Chapter One demonstrates to what extent a meaningful relationship may or may not be discernible between the artistic tenets of Jindyworobak writers and apparently likeminded composers. In doing so, it establishes the context for a full exploration of the music of Australian composers to whom ‘Jindyworobak’ has come to be popularly applied. The following chapters explore the music of composers writing within the Jindyworobak period itself and, finally, the later twentieth-century afterlife of Jindyworobakism. This will be of particular interest to scholars and researchers of Ethnomusicology, Australian Music and Music History.
Author: Tracey Holton-Ramirez
Publisher:
ISBN: 9781921248818
Category : Children's stories
Languages : en
Pages : 28
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Book Description
The Little Corroborree Frog is a wonderful children's story that gently introduces the serious plight of one of Australia's most endangered species. Jet the corroboree frog is happily taking care of the tadpole ponds when the water starts to dry up and his family's eggs are threatened. He goes to visit Grandmother Frog to find out why and she tells him all about the summers that are getting hotter every year and the careless humans who are leaving their rubbish around. When a boy and his father arrive to go fishing in the nearby river, Jet seizes the opportunity to show them how humans are threatening the very existence of his species.
Author: Jane W. Davidson
Publisher: Routledge
ISBN: 1000300110
Category : Music
Languages : en
Pages : 238
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Book Description
There can be little doubt that opera and emotion are inextricably linked. From dramatic plots driven by energetic producers and directors to the conflicts and triumphs experienced by all associated with opera’s staging to the reactions and critiques of audience members, emotion is omnipresent in opera. Yet few contemplate the impact that the customary cultural practices of specific times and places have upon opera’s ability to move emotions. Taking Australia as a case study, this two-volume collection of extended essays demonstrates that emotional experiences, discourses, displays and expressions do not share universal significance but are at least partly produced, defined, and regulated by culture. Spanning approximately 170 years of opera production in Australia, the authors show how the emotions associated with the specific cultural context of a nation steeped in egalitarian aspirations and marked by increasing levels of multiculturalism have adjusted to changing cultural and social contexts across time. Volume I adopts an historical, predominantly nineteenth-century perspective, while Volume II applies historical, musicological, and ethnological approaches to discuss subsequent Australian operas and opera productions through to the twenty-first century. With final chapters pulling threads from the two volumes together, Opera, Emotion, and the Antipodes establishes a model for constructing emotion history from multiple disciplinary perspectives.
Author: Rhanee Tsetsakos
Publisher: Boolarong Press
ISBN: 1925522741
Category :
Languages : en
Pages : 11
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Book Description
Walking to Corroboree is a gentle story that tells of the harmony that existed between the land and the First Australians who walked softly on it for at least 60,000 years. The language of the “Adnyamathanha” people of the Northern Flinders Rangers in South Australia is embedded throughout the storyline. It is an honour and a privilege given to the reader to incorporate one of the few Aboriginal languages still spoken today.
Author: Beatrice Dalov
Publisher: Liverpool University Press
ISBN: 1782847596
Category : Social Science
Languages : en
Pages : 258
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Book Description
Entrenched until recently in Western aesthetics, Australian composers are now developing a functional cultural identity expressed through a distinctly nationalistic musical idiom. Its ongoing formation, inspired by Australias Aboriginal heritage and unique natural environment, seeks to distance the nations artistic developments from the geographically remote Occidental regions and emphasize its native cultures. Presently, however, mounting sociopolitical and ethical concerns surrounding the cultural borrowing between Indigenous and non-Indigenous peoples are problematizing the developing nationalistic idiom, as composers must determine whether the two groups share any legitimate connection beyond mere occupation of the same land, given their tense post-colonial history. Musicologist Beatrice Dalov traces the formation of the Southern Lands cultural identity while simultaneously considering its complex relationship with the nations First Peoples. She illuminates the origins, influences, and developments of Australian art music, from colonization (late eighteenth century) to the present day, interweaving the social, cultural, political, and economic forces that shaped (and often determined) its evolution. The history demonstrates that the complex processes of articulating a unique cultural identity began almost immediately after arrival of the first colonists and continues uninterrupted through today. Drawing on newly available archival material, key works, and personally conducted interviews with numerous contemporary composers, Dalov traces the history of the lands music, from scattered convict settlements and eventful contacts with Aboriginal peoples, to the formation of a national musical infrastructure, to todays thriving musical independence. She brings forward not only the most prominent composers and musicians of the last century, but also those who laid a crucial foundation and offered the first contributions toward a national idiom. A comprehensive history of the music of the Great Southern Land has been too long neglected by social historians and musicologists worldwide. Beatrice Dalov sets the record straight.
Author:
Publisher:
ISBN:
Category : Nineteenth century
Languages : en
Pages : 1062
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Book Description
Author: Claire Cochrane
Publisher: Bloomsbury Publishing
ISBN: 1350034312
Category : Performing Arts
Languages : en
Pages : 392
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Book Description
The Methuen Drama Handbook of Theatre History and Historiography is an authoritative guide to contemporary debates and practices in this field. The book covers the key themes and methods that are current in theatre history research, with a particular focus on expanding the object of study to include engagement with theatre and performance practices and the development of theatre histories around the world. Central to the book are eighteen specially commissioned essays by established and emerging scholars from a wide range of international contexts, whose discussion of individual case studies is predicated on their understanding and experience of their 'local' landscape of theatre history. These essays reveal where important work continues to be done in the field and, most valuably, draws on academic contexts beyond the Western academy to expand our knowledge of the exciting directions that such an approach opens up. Prefaced by an introduction tracing the development of the discipline of theatre history and changing historiographical approaches, the Handbook explores current issues pertaining to theatre and performance history research, as well as providing up to date and robust introductions to the methods and historiographic questions being explored by researchers in the field. Featuring a series of essential research tools, including a detailed list of resources and an annotated bibliography of key texts, this is an indispensable scholarly handbook for anyone working in theatre and performance history and historiography.
Author:
Publisher: BookPOD
ISBN: 0992290430
Category : History
Languages : en
Pages : 594
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Book Description
The first white intruders in the area north of the Great Divide to the Murray River drained by the Goulburn, Loddon and Wimmera rivers were cattle and sheep ‘overlanders’ from the Sydney-side searching for green pastures in drought-affected NSW and a route to South Australia. Echo 76: THE NORTHERN CONQUEST – Drover’s accounts of overlanding sets the scene for the later Echo 83: REVIEWING THE FAITHFULL MASSACRE, WANGARATTA AND SCOURING THE OVENS. With a military escort, the wife of the Governor of VD Land Lady Jane Franklin wrote travel diaries and letters of her visit to Melbourne and ‘tour’ of Australia Felix in 1839. Sounding 5 introduces the journals of Protector Dredge camping with the Goulburn clans and is followed by Echo 79: THE HUTTON & MUNRO AFFAIRS, being the invasion of Djadja Wurrung country as revealed in Chief Protector Robinson’s journal for January 1840. This leads into Parker’s Mount Franklin Protectorate Station combined with shire history snippets of Maryborough, Avoca and Boort before a section on the Djadja Wurrung who survived colonization. Another group of shire histories cover Kyabram, Shepparton, Murchison, Benalla, Tallangatta, Benambra and Bendigo areas before Ian D Clark’s depiction of the box-ironbark forests and pre-1840s Aboriginal land tenure in north-central Victoria. Included here is an ecological section on ‘fire-stick farming’ replaced by agri-business. The fate of the Goulburn tribe, the Taungurong clans, and pioneer Carter’s early days on the Wimmera lead to echo 87: ORIENTING THE WERGAIA WIMMERA-MALLEE CLANS and then to EBENEZER – archaeology of an Aboriginal Mission Station. Sounding 5 closes with an echo on the bush-life experiences of battler William Kyle and for contrast reveals the dispossession role played by wealthy land speculators in echo 90: BEN BOYD – Royal Yacht Squadron Slaver.
