Author: Dr David Symons
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472435389
Category : Music
Languages : en
Pages : 355
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Book Description
John Antill (1904-1986) was one of the foremost composers of Australia’s ‘post-colonial period’. Although a relatively prolific and much esteemed composer in Australia, Antill’s wider reputation is sustained chiefly by his famous ballet Corroboree - a work which was perceived to bring an authentic Australian musical style before both a national and international audience for the first time. Through Sir Eugene Goossens’s championship, the work was heard by enthusiastic audiences in Australia, Britain, Europe and the USA, and was, for many years, the best-known work of any Australian-born and resident composer. Indeed it has remained, for both Australian and overseas audiences, an Australian musical ‘icon’. David Symons traces Antill’s development as a composer from his early, pre-Corroboree works, which display a late Romantic to post-impressionist style, through an analysis of the virile, dissonant, ‘primitivist’ idiom of his magnum opus, to an examination of his later output of theatrical, orchestral and vocal/choral works. The book provides comprehensive and valuable insight into Antill’s musical output, at the same time focussing on more detailed analyses of his major works which have reached public performances and/or recordings. In this way the book not only presents a developmental picture of Antill’s works, but also demonstrates why they have made him one of Australia’s most prominent musical creators of the post-colonial period.
Author: Jane Davidson
Publisher: Routledge
ISBN: 1000300110
Category : Music
Languages : en
Pages : 252
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Book Description
There can be little doubt that opera and emotion are inextricably linked. From dramatic plots driven by energetic producers and directors to the conflicts and triumphs experienced by all associated with opera’s staging to the reactions and critiques of audience members, emotion is omnipresent in opera. Yet few contemplate the impact that the customary cultural practices of specific times and places have upon opera’s ability to move emotions. Taking Australia as a case study, this two-volume collection of extended essays demonstrates that emotional experiences, discourses, displays and expressions do not share universal significance but are at least partly produced, defined, and regulated by culture. Spanning approximately 170 years of opera production in Australia, the authors show how the emotions associated with the specific cultural context of a nation steeped in egalitarian aspirations and marked by increasing levels of multiculturalism have adjusted to changing cultural and social contexts across time. Volume I adopts an historical, predominantly nineteenth-century perspective, while Volume II applies historical, musicological, and ethnological approaches to discuss subsequent Australian operas and opera productions through to the twenty-first century. With final chapters pulling threads from the two volumes together, Opera, Emotion, and the Antipodes establishes a model for constructing emotion history from multiple disciplinary perspectives.
Author: David Symons
Publisher: Routledge
ISBN: 1000206440
Category : Art
Languages : en
Pages : 185
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Book Description
Australia’s Jindyworobak Composers examines the music of a historically and artistically significant group of Australian composers active during the later post-colonial period (1930s–c. 1960). These composers sought to establish a uniquely Australian identity through the evocation of the country’s landscape and environment, including notably the use of Aboriginal elements or imagery in their music, texts, dramatic scenarios or ‘programmes’. Nevertheless, it must be observed that this word was originally adopted as a manifesto for an Australian literary movement, and was, for the most part, only retrospectively applied by commentators (rather than the composers themselves) to art music that was seen to share similar aesthetic aims. Chapter One demonstrates to what extent a meaningful relationship may or may not be discernible between the artistic tenets of Jindyworobak writers and apparently likeminded composers. In doing so, it establishes the context for a full exploration of the music of Australian composers to whom ‘Jindyworobak’ has come to be popularly applied. The following chapters explore the music of composers writing within the Jindyworobak period itself and, finally, the later twentieth-century afterlife of Jindyworobakism. This will be of particular interest to scholars and researchers of Ethnomusicology, Australian Music and Music History.
Author: Rhanee Tsetsakos
Publisher: Boolarong Press
ISBN: 1925522741
Category :
Languages : en
Pages : 11
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Book Description
Walking to Corroboree is a gentle story that tells of the harmony that existed between the land and the First Australians who walked softly on it for at least 60,000 years. The language of the “Adnyamathanha” people of the Northern Flinders Rangers in South Australia is embedded throughout the storyline. It is an honour and a privilege given to the reader to incorporate one of the few Aboriginal languages still spoken today.
Author: Beatrice Dalov
Publisher: Liverpool University Press
ISBN: 1782847596
Category : Social Science
Languages : en
Pages : 258
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Book Description
Entrenched until recently in Western aesthetics, Australian composers are now developing a functional cultural identity expressed through a distinctly nationalistic musical idiom. Its ongoing formation, inspired by Australias Aboriginal heritage and unique natural environment, seeks to distance the nations artistic developments from the geographically remote Occidental regions and emphasize its native cultures. Presently, however, mounting sociopolitical and ethical concerns surrounding the cultural borrowing between Indigenous and non-Indigenous peoples are problematizing the developing nationalistic idiom, as composers must determine whether the two groups share any legitimate connection beyond mere occupation of the same land, given their tense post-colonial history. Musicologist Beatrice Dalov traces the formation of the Southern Lands cultural identity while simultaneously considering its complex relationship with the nations First Peoples. She illuminates the origins, influences, and developments of Australian art music, from colonization (late eighteenth century) to the present day, interweaving the social, cultural, political, and economic forces that shaped (and often determined) its evolution. The history demonstrates that the complex processes of articulating a unique cultural identity began almost immediately after arrival of the first colonists and continues uninterrupted through today. Drawing on newly available archival material, key works, and personally conducted interviews with numerous contemporary composers, Dalov traces the history of the lands music, from scattered convict settlements and eventful contacts with Aboriginal peoples, to the formation of a national musical infrastructure, to todays thriving musical independence. She brings forward not only the most prominent composers and musicians of the last century, but also those who laid a crucial foundation and offered the first contributions toward a national idiom. A comprehensive history of the music of the Great Southern Land has been too long neglected by social historians and musicologists worldwide. Beatrice Dalov sets the record straight.
Author:
Publisher:
ISBN:
Category : Nineteenth century
Languages : en
Pages : 1062
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Book Description
Author: Bonnie Leon
Publisher: Baker Books
ISBN: 0800758986
Category : Fiction
Languages : en
Pages : 304
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Book Description
Set in the Australian outback, the captivating conclusion to the Queensland Chronicles is a compelling tale of hope, prayer, and learning to trust in a loving God.
Author:
Publisher:
ISBN:
Category : Voyages around the world
Languages : en
Pages : 688
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Book Description
Author: Roger Covell
Publisher: Lyrebird Press lyrebirdpress.music.unimelb.edu.au
ISBN: 073403783X
Category : Music
Languages : en
Pages : 342
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Book Description
Described on its first publication in 1967 as “a scholarly account of Australian music that is also entertaining social history”, Roger Covell’s Austrlaia’s Music: Themes of a New Society has become a classic of Australian music history for its beautifully written explorations of almost two hundred years of music-making across classical, Indigenous and Anglo-Celtic traditions. This revised edition, including more than sixty musical examples, is supplemented by a new postscript written by the author.
Author: Frederico Delgado Rosa
Publisher: Berghahn Books
ISBN: 1800735324
Category : Social Science
Languages : en
Pages : 540
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Book Description
Focusing on some of the most important ethnographers in early anthropology, this volume explores twelve defining works in the foundational period from 1870 to 1922. It challenges the assumption that intensive fieldwork and monographs based on it emerged only in the twentieth century. What has been regarded as the age of armchair anthropologists was in reality an era of active ethnographic fieldworkers, including women practitioners and Indigenous experts. Their accounts have multiple layers of meaning, style, and content that deserve fresh reading. This reference work is a vital source for rewriting the history of anthropology.
