Beethoven's "Orpheus" Concerto PDF Download
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Author: Owen Jander
Publisher:
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 242
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Book Description
Beethoven composed his Fourth Piano Concerto in Vienna in the years 1803-06. In that period there was an unusually keen interest in the Orpheus legend; and so it is not surprising to learn that all three movements were undeclaredly or better described, secretly based on that famous story. In this fascinating and controversial book, the author maintains echoing the interpretation first suggested by Adolph Berhard Marx in 1859 that the three movements are based on the Classical versions of the Orpheus legend by Virgil and Ovid. Jander tells us the full story from the opening phrase of the first movement to the last measure of the finale of how the Orpheus legend informs every note of Beethoven's music.
Author: Owen Jander
Publisher:
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 242
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Book Description
Beethoven composed his Fourth Piano Concerto in Vienna in the years 1803-06. In that period there was an unusually keen interest in the Orpheus legend; and so it is not surprising to learn that all three movements were undeclaredly or better described, secretly based on that famous story. In this fascinating and controversial book, the author maintains echoing the interpretation first suggested by Adolph Berhard Marx in 1859 that the three movements are based on the Classical versions of the Orpheus legend by Virgil and Ovid. Jander tells us the full story from the opening phrase of the first movement to the last measure of the finale of how the Orpheus legend informs every note of Beethoven's music.
Author: Owen Jander
Publisher:
ISBN:
Category :
Languages : en
Pages : 18
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Book Description
Author: Leon Plantinga
Publisher: W. W. Norton & Company
ISBN: 9780393046915
Category : Music
Languages : en
Pages : 424
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Book Description
Accompanied by a booklet of music examples (108 p.: ill.; 21 cm.).
Author: Antony Hopkins
Publisher: Routledge
ISBN: 0429773706
Category : Music
Languages : en
Pages : 120
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Book Description
First published in 1996, this volume counters the attitude of paying more attention to the performer than to the piece. Too often, Anthony Hopkins argues, music is simply regarded as a pleasant background noise to accompany our other activities, whereas Beethoven offers much more than that. Hopkins aim to promote hearing, rather than listening. He examines Beethoven’s piano concertos numbers 1 through 5, along with the violin concerto in D Major, Op. 61, and the Triple Concerto, Op. 56.
Author: Michael Spitzer
Publisher: Routledge
ISBN: 1351574299
Category : History
Languages : en
Pages : 551
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Book Description
Our image of Beethoven has been transformed by the research generated by a succession of scholars and theorists who blazed new trails from the 1960s onwards. This collection of articles written by leading Beethoven scholars brings together strands of this mainly Anglo-American research over the last fifty years and addresses a range of key issues. The volume places Beethoven scholarship within a historical and contemporary context and considers the future of Beethoven studies.
Author: Mark Ferraguto
Publisher: Oxford University Press
ISBN: 0190947209
Category : Music
Languages : en
Pages : 256
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Book Description
Between early 1806 and early 1807, Ludwig van Beethoven completed a remarkable series of instrumental works. But critics have struggled to reconcile the music of this banner year with Beethoven's "heroic style," the paradigm through which his middle-period works have typically been understood. Drawing on theories of mediation and a wealth of primary sources, Beethoven 1806 explores the specific contexts in which the music of this year was conceived, composed, and heard. As author Mark Ferraguto argues, understanding this music depends on appreciating the relationships that it both creates and reflects. Not only did Beethoven depend on patrons, performers, publishers, critics, and audiences to earn a living, but he also tailored his compositions to suit particular sensibilities, proclivities, and technologies.
Author: Ludwig Van Beethoven
Publisher: CreateSpace
ISBN: 9781500321659
Category : Music
Languages : en
Pages : 36
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Book Description
Ludwig van Beethoven's "Piano Concerto Number Three, Opus Thirty-Seven" This version only contains the piano part, with orchestral cues. It does not contain the full score or other instrument's parts.
Author: Simon P. Keefe
Publisher: Cambridge University Press
ISBN: 113982726X
Category : Music
Languages : en
Pages : 591
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Book Description
No musical genre has had a more chequered critical history than the concerto and yet simultaneously retained as consistently prominent a place in the affections of the concert-going public. This volume, one of very few to deal with the genre in its entirety, assumes a broad remit, setting the concerto in its musical and non-musical contexts, examining the concertos that have made important contributions to musical culture, and looking at performance-related topics. A picture emerges of a genre in a continual state of change, re-inventing itself in the process of growth and development and regularly challenging its performers and listeners to broaden the horizons of their musical experience.
Author: Mark Evan Bonds
Publisher: Oxford University Press, USA
ISBN: 0190054085
Category : Music
Languages : en
Pages : 161
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Book Description
The Scowl -- The Life -- Ideals -- Deafness -- Love -- Money -- Politics -- Composing -- Early-Middle-Late -- The Music -- "Beethoven".
Author: Lewis Lockwood
Publisher: W. W. Norton & Company
ISBN: 0393347559
Category : Music
Languages : en
Pages : 621
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Book Description
An authoritative work offering a fresh look at Beethoven’s life, career, and milieu. “Magisterial” —New York Review of Books. This brilliant portrayal weaves Beethoven's musical and biographical stories into their historical and artistic contexts. Lewis Lockwood sketches the turbulent personal, historical, political, and cultural frameworks in which Beethoven worked and examines their effects on his music. "The result is that rarest of achievements, a profoundly humane work of scholarship that will—or at least should—appeal to specialists and generalists in equal measure" (Terry Teachout, Commentary). Finalist for the Pulitzer Prize. "Lewis Lockwood has written a biography of Beethoven in which the hours that Beethoven spent writing music—that is, his methods of working, his interest in contemporary and past composers, the development of his musical intentions and ideals, his inner musical life, in short—have been properly integrated with the external events of his career. The book is invaluable." —Charles Rosen "Lockwood writes with poetry and clarity—a rare combination. I especially enjoyed the connection that he makes between the works of Beethoven and the social and political context of their creation—we feel closer to Beethoven the man without losing our wonder at his genius." —Emanuel Ax "The magnum opus of an illustrious Beethoven scholar. From now on, we will all turn to Lockwood's Beethoven: The Music and the Life for insight and instruction." —Maynard Solomon "This is truly the Beethoven biography for the intelligent reader. Lewis Lockwood speaks in his preface of writing on Beethoven's works at 'a highly accessible descriptive level.' But he goes beyond that. His discussion of the music, based on a deep knowledge of its context and the composition processes behind it, explains, elucidates, and is not afraid to evaluate; while the biographical chapters, clearly and unfussily written, and taking full account of the newest thinking on Beethoven, align closely with the musical discussion. The result is a deeply perceptive book that comes as close as can be to presenting the man and the music as a unity."—Stanley Sadie, editor, The New Grove Dictionary of Music and Musicians "Impressive for both its scholarship and its fresh insights, this landmark work—fully accessible to the interested amateur—immediately takes its place among the essential references on this composer and his music."—Bob Goldfarb, KUSC-FM 91.5 "Lockwood writes like an angel: lucid, enthusiastic, stirring and enlightening. Beethoven has found his ablest interpreter."—Jonathan Keates, The Spectator "There is no better survey of Beethoven's compositions for a wide audience."—Michael Kimmelman, The New York Times Book Review
