Author: Fred Gaertner
Publisher: Xlibris Corporation
ISBN: 1499068182
Category : Fiction
Languages : en
Pages : 660
Book Description
I have often heard people express their wish that someone who has died would return to us and relate what the life-death-rebirth experience is really like. Well, someone has! This is exactly what Beethoven does in my third novel, Beethoven, Then and Now. Like Beethoven, each one of us is the proud possessor of a "human soul." This clearly defined object is none other than our very own spiritual subelectron. Our physical hulk is only a pile of ashes; but our "soul" (spiritual subelectron) is unique, eternal, indestructible. Because of its high vibrations, Beethoven's "soul" is immediately attracted to the third subelectronic ring of our First-Second-Order universe. Here it awaits rebirth via fusion with the spiritual subelectron of a Major-Order being within our Second-Order-Major universe. Paul Rezler (age seventeen) is the fortunate recipient of this unbelievable prize. He had awakened to the day at hand with his usual zero interest in music. Now (1827 Earth-time) he is the greatest Earth- musician yet to live. Try as Beethoven does, he cannot adjust to the Second-Order reality of corporate composers, not even to being the absolute leader of the Beethoven Corporation. He must be entirely on his own-- a single man vs. the world! Counselor Robinson does his best in selecting a Subsidiary culture which contains a "Vienna" as close as possible to the one which Beethoven had left behind upon his Earthly death. Within a month, our hero makes his translation and enjoys living where there's not the trace of anything resembling a "musical corporation." Sketches for new "third-period" works begin to flow: a piano sonata, a string quartet, a piano trio, a violin concerto, even some encouraging vibrations of Symphony 10. A handful of piano and violin students emerges, including an exceptional young lady named Anna Rosecranz, who is already a master of these instruments. Her musicianship is so strong that they soon fall in love and are married. How they enjoy performing concerts together! In time, as Beethoven works at his composer's desk, she starts peering over his shoulder. She begs him for lessons in composition. He replies, "I compose, and AM NOT a teacher of composition!" This declaration does not frighten her away. As Beethoven fumbles and bumbles his way from sketchbook to finished score, Anna carefully watches each step of the process. Her comments are invaluable: Use a pedal-point here. Not so dissonant a chord.. Pure melody would fit here. Please, not so sustained. Too many notes in the melody. Avoid more of this rhythm. Two-voice counterpoint would do. Too much for the brass here. This use of strings is perfect. Thanks to Anna, Beethoven accomplishes the impossible. He realizes that he works far better with her help than without it. He now loves to share the very process which only yesterday had demanded his total aloofness. As if by magic, he is now prepared to return to Major-Order life as managing partner in charge of the Beethoven Corporation. But considering all that Anna has done for him, he cannot now simply go his own way. As a Subsidiary being, her lifespan is a mere 100 years, compared to his Second-Order-Major span of 1000 years. Being happily married, he plans to share life for the balance of her days. But Fate has his own plan for their lives--. After all their years of loving and sharing, Anna is "killed" in an automobile accident. When Beethoven returns to the Major Order, a super surprise awaits him. There stands Anna Rosecranz, a full Major-Second-Order being, with whom he can share the rest of their 1000 years in joyful creative activity. His first question: "On Earth, who were you, my dear?" Her reply causes our hero to faint for the second time in his entire Second-Order life!
Beethoven, Then and Now
Author: Fred Gaertner
Publisher: Xlibris Corporation
ISBN: 1499068182
Category : Fiction
Languages : en
Pages : 660
Book Description
I have often heard people express their wish that someone who has died would return to us and relate what the life-death-rebirth experience is really like. Well, someone has! This is exactly what Beethoven does in my third novel, Beethoven, Then and Now. Like Beethoven, each one of us is the proud possessor of a "human soul." This clearly defined object is none other than our very own spiritual subelectron. Our physical hulk is only a pile of ashes; but our "soul" (spiritual subelectron) is unique, eternal, indestructible. Because of its high vibrations, Beethoven's "soul" is immediately attracted to the third subelectronic ring of our First-Second-Order universe. Here it awaits rebirth via fusion with the spiritual subelectron of a Major-Order being within our Second-Order-Major universe. Paul Rezler (age seventeen) is the fortunate recipient of this unbelievable prize. He had awakened to the day at hand with his usual zero interest in music. Now (1827 Earth-time) he is the greatest Earth- musician yet to live. Try as Beethoven does, he cannot adjust to the Second-Order reality of corporate composers, not even to being the absolute leader of the Beethoven Corporation. He must be entirely on his own-- a single man vs. the world! Counselor Robinson does his best in selecting a Subsidiary culture which contains a "Vienna" as close as possible to the one which Beethoven had left behind upon his Earthly death. Within a month, our hero makes his translation and enjoys living where there's not the trace of anything resembling a "musical corporation." Sketches for new "third-period" works begin to flow: a piano sonata, a string quartet, a piano trio, a violin concerto, even some encouraging vibrations of Symphony 10. A handful of piano and violin students emerges, including an exceptional young lady named Anna Rosecranz, who is already a master of these instruments. Her musicianship is so strong that they soon fall in love and are married. How they enjoy performing concerts together! In time, as Beethoven works at his composer's desk, she starts peering over his shoulder. She begs him for lessons in composition. He replies, "I compose, and AM NOT a teacher of composition!" This declaration does not frighten her away. As Beethoven fumbles and bumbles his way from sketchbook to finished score, Anna carefully watches each step of the process. Her comments are invaluable: Use a pedal-point here. Not so dissonant a chord.. Pure melody would fit here. Please, not so sustained. Too many notes in the melody. Avoid more of this rhythm. Two-voice counterpoint would do. Too much for the brass here. This use of strings is perfect. Thanks to Anna, Beethoven accomplishes the impossible. He realizes that he works far better with her help than without it. He now loves to share the very process which only yesterday had demanded his total aloofness. As if by magic, he is now prepared to return to Major-Order life as managing partner in charge of the Beethoven Corporation. But considering all that Anna has done for him, he cannot now simply go his own way. As a Subsidiary being, her lifespan is a mere 100 years, compared to his Second-Order-Major span of 1000 years. Being happily married, he plans to share life for the balance of her days. But Fate has his own plan for their lives--. After all their years of loving and sharing, Anna is "killed" in an automobile accident. When Beethoven returns to the Major Order, a super surprise awaits him. There stands Anna Rosecranz, a full Major-Second-Order being, with whom he can share the rest of their 1000 years in joyful creative activity. His first question: "On Earth, who were you, my dear?" Her reply causes our hero to faint for the second time in his entire Second-Order life!
Publisher: Xlibris Corporation
ISBN: 1499068182
Category : Fiction
Languages : en
Pages : 660
Book Description
I have often heard people express their wish that someone who has died would return to us and relate what the life-death-rebirth experience is really like. Well, someone has! This is exactly what Beethoven does in my third novel, Beethoven, Then and Now. Like Beethoven, each one of us is the proud possessor of a "human soul." This clearly defined object is none other than our very own spiritual subelectron. Our physical hulk is only a pile of ashes; but our "soul" (spiritual subelectron) is unique, eternal, indestructible. Because of its high vibrations, Beethoven's "soul" is immediately attracted to the third subelectronic ring of our First-Second-Order universe. Here it awaits rebirth via fusion with the spiritual subelectron of a Major-Order being within our Second-Order-Major universe. Paul Rezler (age seventeen) is the fortunate recipient of this unbelievable prize. He had awakened to the day at hand with his usual zero interest in music. Now (1827 Earth-time) he is the greatest Earth- musician yet to live. Try as Beethoven does, he cannot adjust to the Second-Order reality of corporate composers, not even to being the absolute leader of the Beethoven Corporation. He must be entirely on his own-- a single man vs. the world! Counselor Robinson does his best in selecting a Subsidiary culture which contains a "Vienna" as close as possible to the one which Beethoven had left behind upon his Earthly death. Within a month, our hero makes his translation and enjoys living where there's not the trace of anything resembling a "musical corporation." Sketches for new "third-period" works begin to flow: a piano sonata, a string quartet, a piano trio, a violin concerto, even some encouraging vibrations of Symphony 10. A handful of piano and violin students emerges, including an exceptional young lady named Anna Rosecranz, who is already a master of these instruments. Her musicianship is so strong that they soon fall in love and are married. How they enjoy performing concerts together! In time, as Beethoven works at his composer's desk, she starts peering over his shoulder. She begs him for lessons in composition. He replies, "I compose, and AM NOT a teacher of composition!" This declaration does not frighten her away. As Beethoven fumbles and bumbles his way from sketchbook to finished score, Anna carefully watches each step of the process. Her comments are invaluable: Use a pedal-point here. Not so dissonant a chord.. Pure melody would fit here. Please, not so sustained. Too many notes in the melody. Avoid more of this rhythm. Two-voice counterpoint would do. Too much for the brass here. This use of strings is perfect. Thanks to Anna, Beethoven accomplishes the impossible. He realizes that he works far better with her help than without it. He now loves to share the very process which only yesterday had demanded his total aloofness. As if by magic, he is now prepared to return to Major-Order life as managing partner in charge of the Beethoven Corporation. But considering all that Anna has done for him, he cannot now simply go his own way. As a Subsidiary being, her lifespan is a mere 100 years, compared to his Second-Order-Major span of 1000 years. Being happily married, he plans to share life for the balance of her days. But Fate has his own plan for their lives--. After all their years of loving and sharing, Anna is "killed" in an automobile accident. When Beethoven returns to the Major Order, a super surprise awaits him. There stands Anna Rosecranz, a full Major-Second-Order being, with whom he can share the rest of their 1000 years in joyful creative activity. His first question: "On Earth, who were you, my dear?" Her reply causes our hero to faint for the second time in his entire Second-Order life!
The Life of Ludwig Van Beethoven
Author: Alexander Wheelock Thayer
Publisher:
ISBN:
Category :
Languages : en
Pages : 374
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 374
Book Description
The Life of Ludwig Van Beethoven
Author: Beethoven Association (New York, City of)
Publisher:
ISBN:
Category :
Languages : en
Pages : 444
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 444
Book Description
The Changing Image of Beethoven
Author: Alessandra Comini
Publisher: Sunstone Press
ISBN: 0865346615
Category :
Languages : en
Pages : 498
Book Description
In this unique study of the myth-making process across two centuries, Comini examines the contradictory imagery of Beethoven in contemporary verbal accounts, and in some 200 paintings, prints, sculptures, and monuments.
Publisher: Sunstone Press
ISBN: 0865346615
Category :
Languages : en
Pages : 498
Book Description
In this unique study of the myth-making process across two centuries, Comini examines the contradictory imagery of Beethoven in contemporary verbal accounts, and in some 200 paintings, prints, sculptures, and monuments.
Ludwig van Beethoven (Biography in 3 Volumes)
Author: Alexander Wheelock Thayer
Publisher: Good Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 1230
Book Description
Alexander Wheelock Thayer's 'Ludwig van Beethoven (Biography in 3 Volumes)' is a monumental work that delves into the life and works of one of the most influential composers of all time. Thayer's thorough exploration of Beethoven's life, from his early years to his later works, provides readers with insight into the creative process and personal struggles of the musical genius. Thayer's writing style is both engaging and informative, making this biography a must-read for any music enthusiast or scholar. The book is filled with detailed accounts of Beethoven's compositions, relationships, and impact on the music world, offering a comprehensive look at the man behind the music. Thayer's meticulous research and dedication to accuracy shine through in this definitive biography. Alexander Wheelock Thayer, a respected music historian, spent years researching and compiling the information for this biography. His dedication to uncovering the truth about Beethoven's life and legacy is evident in the depth and breadth of his work. Thayer's expertise in music history and passion for the subject make him the perfect author for this comprehensive biography. I highly recommend 'Ludwig van Beethoven (Biography in 3 Volumes)' to anyone interested in delving into the life and music of Beethoven. Thayer's meticulous research and engaging writing style make this biography an essential read for music scholars, enthusiasts, and anyone looking to gain a deeper understanding of one of the greatest composers of all time.
Publisher: Good Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 1230
Book Description
Alexander Wheelock Thayer's 'Ludwig van Beethoven (Biography in 3 Volumes)' is a monumental work that delves into the life and works of one of the most influential composers of all time. Thayer's thorough exploration of Beethoven's life, from his early years to his later works, provides readers with insight into the creative process and personal struggles of the musical genius. Thayer's writing style is both engaging and informative, making this biography a must-read for any music enthusiast or scholar. The book is filled with detailed accounts of Beethoven's compositions, relationships, and impact on the music world, offering a comprehensive look at the man behind the music. Thayer's meticulous research and dedication to accuracy shine through in this definitive biography. Alexander Wheelock Thayer, a respected music historian, spent years researching and compiling the information for this biography. His dedication to uncovering the truth about Beethoven's life and legacy is evident in the depth and breadth of his work. Thayer's expertise in music history and passion for the subject make him the perfect author for this comprehensive biography. I highly recommend 'Ludwig van Beethoven (Biography in 3 Volumes)' to anyone interested in delving into the life and music of Beethoven. Thayer's meticulous research and engaging writing style make this biography an essential read for music scholars, enthusiasts, and anyone looking to gain a deeper understanding of one of the greatest composers of all time.
The Life of Ludwig van Beethoven (Vol. 1-3)
Author: Alexander Wheelock Thayer
Publisher: Good Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 1230
Book Description
Alexander Wheelock Thayer's 'The Life of Ludwig van Beethoven' is a monumental three-volume biography that delves deep into the personal and professional life of the legendary composer. Thayer's meticulous research and comprehensive documentation provide readers with a detailed account of Beethoven's trials and triumphs, offering insights into his revolutionary compositions and enduring legacy. Written in a scholarly but approachable style, this biography sheds light on Beethoven's complex personality and the social and cultural context in which he created his immortal music. Thayer's work is not only a biography but also a valuable historical and artistic resource for anyone interested in classical music and the life of one of its greatest composers. Alexander Wheelock Thayer, a dedicated music historian, spent years studying Beethoven's life and works, collecting extensive materials to create this definitive account. His passion for Beethoven's music and commitment to accuracy shine through in every page of this meticulously researched biography. Thayer's expertise and deep understanding of Beethoven's music and life make 'The Life of Ludwig van Beethoven' a must-read for scholars, musicians, and music lovers alike. I highly recommend 'The Life of Ludwig van Beethoven' to anyone seeking a comprehensive and engaging exploration of Beethoven's life, music, and lasting influence on classical music. Thayer's scholarly approach and detailed analysis provide a rich and rewarding reading experience for those interested in the life and works of one of the greatest composers in history.
Publisher: Good Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 1230
Book Description
Alexander Wheelock Thayer's 'The Life of Ludwig van Beethoven' is a monumental three-volume biography that delves deep into the personal and professional life of the legendary composer. Thayer's meticulous research and comprehensive documentation provide readers with a detailed account of Beethoven's trials and triumphs, offering insights into his revolutionary compositions and enduring legacy. Written in a scholarly but approachable style, this biography sheds light on Beethoven's complex personality and the social and cultural context in which he created his immortal music. Thayer's work is not only a biography but also a valuable historical and artistic resource for anyone interested in classical music and the life of one of its greatest composers. Alexander Wheelock Thayer, a dedicated music historian, spent years studying Beethoven's life and works, collecting extensive materials to create this definitive account. His passion for Beethoven's music and commitment to accuracy shine through in every page of this meticulously researched biography. Thayer's expertise and deep understanding of Beethoven's music and life make 'The Life of Ludwig van Beethoven' a must-read for scholars, musicians, and music lovers alike. I highly recommend 'The Life of Ludwig van Beethoven' to anyone seeking a comprehensive and engaging exploration of Beethoven's life, music, and lasting influence on classical music. Thayer's scholarly approach and detailed analysis provide a rich and rewarding reading experience for those interested in the life and works of one of the greatest composers in history.
Beethoven and His World
Author: Scott Burnham
Publisher: Princeton University Press
ISBN: 9780691070735
Category : Biography & Autobiography
Languages : en
Pages : 402
Book Description
Few composers even begin to approach Beethoven's pervasive presence in modern Western culture, from the concert hall to the comic strip. Edited by a cultural historian and a music theorist, Beethoven and His World gathers eminent scholars from several disciplines who collectively speak to the range of Beethoven's importance and of our perennial fascination with him. The contributors address Beethoven's musical works and their cultural contexts. Reinhold Brinkmann explores the post-revolutionary context of Beethoven's "Eroica" Symphony, while Lewis Lockwood establishes a typology of heroism in works like Fidelio. Elaine Sisman, Nicholas Marston, and Glenn Stanley discuss issues of temporality, memory, and voice in works at the threshold of Beethoven's late style, such as An die Ferne Geliebte, the Cello Sonata op. 102, no. 1, and the somewhat later Piano Sonata op. 109. Peering behind the scenes into Beethoven's workshop, Tilman Skowroneck explains how the young Beethoven chose his pianos, and William Kinderman shows Beethoven in the process of sketching and revising his compositions. The volume concludes with four essays engaging the broader question of reception of Beethoven's impact on his world and ours. Christopher Gibbs' study of Beethoven's funeral and its aftermath features documentary material appearing in English for the first time; art historian Alessandra Comini offers an illustrated discussion of Beethoven's ubiquitous and iconic frown; Sanna Pederson takes up the theme of masculinity in critical representations of Beethoven; and Leon Botstein examines the aesthetics and politics of hearing extramusical narratives and plots in Beethoven's music. Bringing together varied and fresh approaches to the West's most celebrated composer, this collection of essays provides music lovers with an enriched understanding of Beethoven--as man, musician, and phenomenon.
Publisher: Princeton University Press
ISBN: 9780691070735
Category : Biography & Autobiography
Languages : en
Pages : 402
Book Description
Few composers even begin to approach Beethoven's pervasive presence in modern Western culture, from the concert hall to the comic strip. Edited by a cultural historian and a music theorist, Beethoven and His World gathers eminent scholars from several disciplines who collectively speak to the range of Beethoven's importance and of our perennial fascination with him. The contributors address Beethoven's musical works and their cultural contexts. Reinhold Brinkmann explores the post-revolutionary context of Beethoven's "Eroica" Symphony, while Lewis Lockwood establishes a typology of heroism in works like Fidelio. Elaine Sisman, Nicholas Marston, and Glenn Stanley discuss issues of temporality, memory, and voice in works at the threshold of Beethoven's late style, such as An die Ferne Geliebte, the Cello Sonata op. 102, no. 1, and the somewhat later Piano Sonata op. 109. Peering behind the scenes into Beethoven's workshop, Tilman Skowroneck explains how the young Beethoven chose his pianos, and William Kinderman shows Beethoven in the process of sketching and revising his compositions. The volume concludes with four essays engaging the broader question of reception of Beethoven's impact on his world and ours. Christopher Gibbs' study of Beethoven's funeral and its aftermath features documentary material appearing in English for the first time; art historian Alessandra Comini offers an illustrated discussion of Beethoven's ubiquitous and iconic frown; Sanna Pederson takes up the theme of masculinity in critical representations of Beethoven; and Leon Botstein examines the aesthetics and politics of hearing extramusical narratives and plots in Beethoven's music. Bringing together varied and fresh approaches to the West's most celebrated composer, this collection of essays provides music lovers with an enriched understanding of Beethoven--as man, musician, and phenomenon.
Beethoven
Author: Heribert Rau
Publisher:
ISBN:
Category : Musical fiction
Languages : en
Pages : 344
Book Description
Publisher:
ISBN:
Category : Musical fiction
Languages : en
Pages : 344
Book Description
Beethoven's Symphonies: An Artistic Vision
Author: Lewis Lockwood
Publisher: W. W. Norton & Company
ISBN: 039324928X
Category : Music
Languages : en
Pages : 231
Book Description
“[Beethoven’s] music never grows old— and, enjoyed alongside Mr. Lockwood’s expert commentary, it sparkles with fresh magic.”—Wall Street Journal More than any other composer, Beethoven left to posterity a vast body of material that documents the early stages of almost everything he wrote. From this trove of sketchbooks, Lewis Lockwood draws us into the composer’s mind, unveiling a creative process of astonishing scope and originality. For musicians and nonmusicians alike, Beethoven’s symphonies stand at the summit of artistic achievement, loved today as they were two hundred years ago for their emotional cogency, variety, and unprecedented individuality. Beethoven labored to complete nine of them over his lifetime—a quarter of Mozart’s output and a tenth of Haydn’s—yet no musical works are more iconic, more indelibly stamped on the memory of anyone who has heard them. They are the products of an imagination that drove the composer to build out of the highest musical traditions of the past something startlingly new. Lockwood brings to bear a long career of studying the surviving sources that yield insight into Beethoven’s creative work, including concept sketches for symphonies that were never finished. From these, Lockwood offers fascinating revelations into the historical and biographical circumstances in which the symphonies were composed. In this compelling story of Beethoven’s singular ambition, Lockwood introduces readers to the symphonies as individual artworks, broadly tracing their genesis against the backdrop of political upheavals, concert life, and their relationship to his major works in other genres. From the first symphonies, written during his emerging deafness, to the monumental Ninth, Lockwood brings to life Beethoven’s lifelong passion to compose works of unsurpassed beauty.
Publisher: W. W. Norton & Company
ISBN: 039324928X
Category : Music
Languages : en
Pages : 231
Book Description
“[Beethoven’s] music never grows old— and, enjoyed alongside Mr. Lockwood’s expert commentary, it sparkles with fresh magic.”—Wall Street Journal More than any other composer, Beethoven left to posterity a vast body of material that documents the early stages of almost everything he wrote. From this trove of sketchbooks, Lewis Lockwood draws us into the composer’s mind, unveiling a creative process of astonishing scope and originality. For musicians and nonmusicians alike, Beethoven’s symphonies stand at the summit of artistic achievement, loved today as they were two hundred years ago for their emotional cogency, variety, and unprecedented individuality. Beethoven labored to complete nine of them over his lifetime—a quarter of Mozart’s output and a tenth of Haydn’s—yet no musical works are more iconic, more indelibly stamped on the memory of anyone who has heard them. They are the products of an imagination that drove the composer to build out of the highest musical traditions of the past something startlingly new. Lockwood brings to bear a long career of studying the surviving sources that yield insight into Beethoven’s creative work, including concept sketches for symphonies that were never finished. From these, Lockwood offers fascinating revelations into the historical and biographical circumstances in which the symphonies were composed. In this compelling story of Beethoven’s singular ambition, Lockwood introduces readers to the symphonies as individual artworks, broadly tracing their genesis against the backdrop of political upheavals, concert life, and their relationship to his major works in other genres. From the first symphonies, written during his emerging deafness, to the monumental Ninth, Lockwood brings to life Beethoven’s lifelong passion to compose works of unsurpassed beauty.
Beethoven's Conversation Books
Author: Ludwig van Beethoven
Publisher: Boydell & Brewer
ISBN: 1783271515
Category : Biography & Autobiography
Languages : en
Pages : 443
Book Description
A complete new edition of Beethoven's conversation books, now translated into English in their entirety for the first time, covering a period associated with the revolutionary style of what we call late Beethoven.
Publisher: Boydell & Brewer
ISBN: 1783271515
Category : Biography & Autobiography
Languages : en
Pages : 443
Book Description
A complete new edition of Beethoven's conversation books, now translated into English in their entirety for the first time, covering a period associated with the revolutionary style of what we call late Beethoven.