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Author: Steven Connor
Publisher: Cambridge University Press
ISBN: 1107059224
Category : Drama
Languages : en
Pages : 225
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Book Description
This is a collection of authoritative essays on Samuel Beckett's writing from a pre-eminent scholar of twentieth-century literature and culture.
Author: Steven Connor
Publisher: Cambridge University Press
ISBN: 1107059224
Category : Drama
Languages : en
Pages : 225
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Book Description
This is a collection of authoritative essays on Samuel Beckett's writing from a pre-eminent scholar of twentieth-century literature and culture.
Author: Julie Bates
Publisher: Cambridge University Press
ISBN: 1107167043
Category : Literary Criticism
Languages : en
Pages : 251
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Book Description
Introduction: Miscellaneous Rubbish -- Relics -- Heirlooms -- Props -- Treasure -- Conclusion
Author: Olga Beloborodova
Publisher: Springer
ISBN: 3319703749
Category : Literary Criticism
Languages : en
Pages : 299
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Book Description
This book of collected essays approaches Beckett’s work through the context of modernism, while situating it in the literary tradition at large. It builds on current debates aiming to redefine ‘modernism’ in connection to concepts such as ‘late modernism’ or ‘postmodernism’. Instead of definitively re-categorizing Beckett under any of these labels, the essays use his diverse oeuvre – encompassing poetry, criticism, prose, theatre, radio and film – as a case study to investigate and reassess the concept of ‘modernism after postmodernism’ in all its complexity, covering a broad range of topics spanning Beckett’s entire career. In addition to more thematic essays about art, history, politics, psychology and philosophy, the collection places his work in relation to that of other modernists such as T. S. Eliot, James Joyce, Wyndham Lewis, Gertrude Stein and Virginia Woolf, as well as to the literary canon in general. It represents an important contribution to both Beckett studies and modernism studies.
Author: Joseph Elkanah Rosenberg
Publisher: Oxford University Press
ISBN: 0198852444
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
'Wastepaper Modernism' traces how 20th-century writers imagined the fate of paper at the dawn of a new media age.
Author: Mark Byron
Publisher: Cambridge University Press
ISBN: 1108800033
Category : Literary Criticism
Languages : en
Pages : 146
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Book Description
Samuel Beckett's Geological Imagination addresses the ubiquity of earthy objects in Beckett's prose, drama and poetry, exploring how mineral and archaeological objects bear upon the themes, narrative locus, and sensibilities of Beckett's texts in surprisingly varied ways. By deploying figures of ruination and excavation with etymological self-awareness, Beckett's late prose narratives – Company, Ill Seen Ill Said, and Worstward Ho – comprise a late-career meditation on the stratigraphic layerings of language and memory over an extended writing career. These layers comprise an embodied record of writing in their allusions to literary history and to Beckett's own oeuvre.
Author: Natalie Leeder
Publisher: Rowman & Littlefield
ISBN: 1786603217
Category : Philosophy
Languages : en
Pages : 234
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Book Description
This book offers a radical reappraisal of the intellectual affinities between Theodor W. Adorno and Samuel Beckett, in particular with regard to freedom and its reconceptualization by Adorno.
Author: Balazs Rapcsak
Publisher: Manchester University Press
ISBN: 1526145820
Category : Literary Criticism
Languages : en
Pages : 168
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Book Description
Beckett and media provides the first sustained examination of the relationship between Beckett and media technologies. The book analyses the rich variety of technical objects, semiotic arrangements, communication processes and forms of data processing that Beckett’s work so uniquely engages with, as well as those that – in historically changing configurations – determine the continuing performance, the audience reception, and the scholarly study of this work. Beckett and media draws on a variety of innovative theoretical approaches, such as media archaeology, in order to discuss Beckett’s intermedial oeuvre. As such, the book engages with Beckett as a media artist and examines the way his engagement with media technologies continues to speak to our cultural situation.
Author: Adam Meehan
Publisher: LSU Press
ISBN: 0807173584
Category : Literary Criticism
Languages : en
Pages : 214
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Book Description
In Modernism and Subjectivity: How Modernist Fiction Invented the Postmodern Subject, Adam Meehan argues that theories of subjectivity coming out of psychoanalytic, poststructuralist, and adjacent late-twentieth-century intellectual traditions had already been articulated in modernist fiction before 1945. Offering a bold new genealogy for literary modernism, Meehan finds versions of a postmodern subject embodied in works by authors who intently undermine attempts to stabilize conceptions of identity and who draw attention to the role of language in shaping conceptions of the self. Focusing on the philosophical registers of literary texts, Meehan traces the development of modernist attitudes toward subjectivity, particularly in relation to issues of ideology, spatiality, and violence. His analysis explores a selection of works published between 1904 and 1941, beginning with Joseph Conrad’s prescient portrait of the subject interpolated by ideology and culminating with Samuel Beckett’s categorical disavowal of the subjective “I.” Additional close readings of novels by F. Scott Fitzgerald, Aldous Huxley, James Joyce, Nathanael West, and Virginia Woolf establish that modernist texts conceptualize subjectivity as an ideological and linguistic construction that reverberates across understandings of consciousness, race, place, and identity. By reconsidering the movement’s function and scope, Modernism and Subjectivity charts how profoundly modernist literature shaped the intellectual climate of the twentieth century.
Author: James McNaughton
Publisher: Oxford University Press
ISBN: 0192555499
Category : Literary Criticism
Languages : en
Pages : 237
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Book Description
Samuel Beckett and the Politics of Aftermath explores Beckett's literary responses to the political maelstroms of his formative and middle years: the Irish civil war and the crisis of commitment in 1930s Europe, the rise of fascism and the atrocities of World War II. Archive yields a Beckett who monitored propaganda in speeches and newspapers, and whose creative work engages with specific political strategies, rhetoric, and events. Finally, Beckett's political aesthetic sharpens into focus. Deep within form, Beckett models ominous historical developments as surely as he satirizes artistic and philosophical interpretations that overlook them. He burdens aesthetic production with guilt: imagination and language, theater and narrative, all parallel political techniques. Beckett comically embodies conservative religious and political doctrines; he plays Irish colonial history against contemporary European horrors; he examines aesthetic complicity in effecting atrocity and covering it up. This book offers insightful, original, and vivid readings of Beckett's work up to Three Novels and Endgame.
Author: Michela Bariselli
Publisher: Cambridge Scholars Publishing
ISBN: 1527509834
Category : Performing Arts
Languages : en
Pages : 193
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Book Description
Drawing on the diverse critical debates of the ‘Beckett and Europe’ conference held in Reading, UK, in 2015, this volume brings together a selection of essays to offer an international response to the central question of what ‘Europe’ might mean for our understandings of the work of Samuel Beckett. Ranging from historical and archival work to the close interrogation of language and form, from the influences of various national literary traditions on Beckett’s writing to his influence on the work of other writers and thinkers, this book examines the question of Europe from multiple vantage points so as to reflect the ways in which Beckett’s oeuvre both challenges and enlivens his status as a ‘European writer’. With a full introductory chapter examining the challenging implications of the term ‘Europe’ in the contemporary period, this volume treats Europe as a recognition of the multiple ways that Beckett’s poetry, criticism, prose and drama invite new understandings of the role of history, culture and tradition in one of the most significant bodies of writing of the twentieth century.
