Author: Sarah Schleuning
Publisher: Princeton Architectural Press
ISBN: 9781568987248
Category : Architecture
Languages : en
Pages : 284
Book Description
Jacques-mile Ruhlmann, Pierre Chareau, Robert Mallet-Stevens, Charlotte Perriand, Eileen Gray: together these designers and their contemporaries pioneered the look of the modern French interior during the 1920s. Their use of sumptuous materials, rich jewel tones, intricate geometric patterns, and complex and varied textures has made this work a lasting favorite among interior designers, architects, and their clients. When it first appeared, the got moderne, or modern taste, was marketed through limited-edition portfolios containing unbound drawings, printed in full color using a traditional process called pochoir. Created in an era before color photography, the vivid gouache and watercolor depictions of interior spaces—complete with coordinated furniture, carpets, fabrics, and decorative accessories—announced the dawn of a new era of French design and set the standards of luxury and taste that still guide us today. Moderne presents the finest examples of this work in more than two hundred plates, selected by Sarah Schleuning, a curator of the Wolfsonian Museum, and faithfully reproduced to preserve their original color palettes. This sumptuous volume is comprehensive in scope, beginning with the early art moderne of Ruhlmann and concluding with the avant-garde work of Gray and Perriand. These and other high-water marks of the period are discussed in an essay by historian Jeremy Aynsley. Designers' biographies and a brief bibliography are also included, making this an inspirational resource for interior designers and architects, and an indispensable reference for historians of the modern era.
Moderne
Author: Sarah Schleuning
Publisher: Princeton Architectural Press
ISBN: 9781568987248
Category : Architecture
Languages : en
Pages : 284
Book Description
Jacques-mile Ruhlmann, Pierre Chareau, Robert Mallet-Stevens, Charlotte Perriand, Eileen Gray: together these designers and their contemporaries pioneered the look of the modern French interior during the 1920s. Their use of sumptuous materials, rich jewel tones, intricate geometric patterns, and complex and varied textures has made this work a lasting favorite among interior designers, architects, and their clients. When it first appeared, the got moderne, or modern taste, was marketed through limited-edition portfolios containing unbound drawings, printed in full color using a traditional process called pochoir. Created in an era before color photography, the vivid gouache and watercolor depictions of interior spaces—complete with coordinated furniture, carpets, fabrics, and decorative accessories—announced the dawn of a new era of French design and set the standards of luxury and taste that still guide us today. Moderne presents the finest examples of this work in more than two hundred plates, selected by Sarah Schleuning, a curator of the Wolfsonian Museum, and faithfully reproduced to preserve their original color palettes. This sumptuous volume is comprehensive in scope, beginning with the early art moderne of Ruhlmann and concluding with the avant-garde work of Gray and Perriand. These and other high-water marks of the period are discussed in an essay by historian Jeremy Aynsley. Designers' biographies and a brief bibliography are also included, making this an inspirational resource for interior designers and architects, and an indispensable reference for historians of the modern era.
Publisher: Princeton Architectural Press
ISBN: 9781568987248
Category : Architecture
Languages : en
Pages : 284
Book Description
Jacques-mile Ruhlmann, Pierre Chareau, Robert Mallet-Stevens, Charlotte Perriand, Eileen Gray: together these designers and their contemporaries pioneered the look of the modern French interior during the 1920s. Their use of sumptuous materials, rich jewel tones, intricate geometric patterns, and complex and varied textures has made this work a lasting favorite among interior designers, architects, and their clients. When it first appeared, the got moderne, or modern taste, was marketed through limited-edition portfolios containing unbound drawings, printed in full color using a traditional process called pochoir. Created in an era before color photography, the vivid gouache and watercolor depictions of interior spaces—complete with coordinated furniture, carpets, fabrics, and decorative accessories—announced the dawn of a new era of French design and set the standards of luxury and taste that still guide us today. Moderne presents the finest examples of this work in more than two hundred plates, selected by Sarah Schleuning, a curator of the Wolfsonian Museum, and faithfully reproduced to preserve their original color palettes. This sumptuous volume is comprehensive in scope, beginning with the early art moderne of Ruhlmann and concluding with the avant-garde work of Gray and Perriand. These and other high-water marks of the period are discussed in an essay by historian Jeremy Aynsley. Designers' biographies and a brief bibliography are also included, making this an inspirational resource for interior designers and architects, and an indispensable reference for historians of the modern era.
"Sculptors and Design Reform in France, 1848 to 1895 "
Author: Claire Jones
Publisher: Routledge
ISBN: 1351549707
Category : Art
Languages : en
Pages : 245
Book Description
Challenging distinctions between fine and decorative art, this book begins with a critique of the Rodin scholarship, to establish how the selective study of his oeuvre has limited our understanding of French nineteenth-century sculpture. The book's central argument is that we need to include the decorative in the study of sculpture, in order to present a more accurate and comprehensive account of the practice and profession of sculpture in this period. Drawing on new archival sources, sculptors and objects, this is the first sustained study of how and why French sculptors collaborated with state and private luxury goods manufacturers between 1848 and 1895. Organised chronologically, the book identifies three historically-situated frameworks, through which sculptors attempted to validate themselves and their work in relation to industry: industrial art, decorative art and objet d'art. Detailed readings are offered of sculptors who operated within and outside the Salon, including S?n, Ch?t, Carrier-Belleuse and Rodin; and of diverse objects and materials, from S?es vases, to pewter plates by Desbois, and furniture by Barbedienne and Carabin. By contesting the false separation of art from industry, Claire Jones's study restores the importance of the sculptor-manufacturer relationship, and of the decorative, to the history of sculpture.
Publisher: Routledge
ISBN: 1351549707
Category : Art
Languages : en
Pages : 245
Book Description
Challenging distinctions between fine and decorative art, this book begins with a critique of the Rodin scholarship, to establish how the selective study of his oeuvre has limited our understanding of French nineteenth-century sculpture. The book's central argument is that we need to include the decorative in the study of sculpture, in order to present a more accurate and comprehensive account of the practice and profession of sculpture in this period. Drawing on new archival sources, sculptors and objects, this is the first sustained study of how and why French sculptors collaborated with state and private luxury goods manufacturers between 1848 and 1895. Organised chronologically, the book identifies three historically-situated frameworks, through which sculptors attempted to validate themselves and their work in relation to industry: industrial art, decorative art and objet d'art. Detailed readings are offered of sculptors who operated within and outside the Salon, including S?n, Ch?t, Carrier-Belleuse and Rodin; and of diverse objects and materials, from S?es vases, to pewter plates by Desbois, and furniture by Barbedienne and Carabin. By contesting the false separation of art from industry, Claire Jones's study restores the importance of the sculptor-manufacturer relationship, and of the decorative, to the history of sculpture.
Les Livres de L'année
Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 348
Book Description
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 348
Book Description
Decorative Art in Modern Interiors
Author:
Publisher:
ISBN:
Category : Decoration and ornament
Languages : en
Pages : 184
Book Description
Publisher:
ISBN:
Category : Decoration and ornament
Languages : en
Pages : 184
Book Description
Masterpieces of Furniture in Photographs and Measured Drawings
Author: Verna Cook Salomonsky
Publisher: Courier Dover Publications
ISBN: 0486170225
Category : Crafts & Hobbies
Languages : en
Pages : 228
Book Description
Well-known, richly illustrated reference work, consulted by generations of collectors, curators, dealers, historians, and craftsmen. Each of 101 furniture masterpieces is characterized by a photograph, descriptive text, and several measured drawings.
Publisher: Courier Dover Publications
ISBN: 0486170225
Category : Crafts & Hobbies
Languages : en
Pages : 228
Book Description
Well-known, richly illustrated reference work, consulted by generations of collectors, curators, dealers, historians, and craftsmen. Each of 101 furniture masterpieces is characterized by a photograph, descriptive text, and several measured drawings.
A list of books in the National art library illustrating furniture
Author: Victoria and Albert museum libr
Publisher:
ISBN:
Category : Furniture
Languages : en
Pages : 80
Book Description
Publisher:
ISBN:
Category : Furniture
Languages : en
Pages : 80
Book Description
Biographie Universelle, Ancienne Et Moderne
Author:
Publisher:
ISBN:
Category : Biography
Languages : en
Pages : 1322
Book Description
Publisher:
ISBN:
Category : Biography
Languages : en
Pages : 1322
Book Description
List[s] of Books and Pamphlets in the National Art Library ...
Author: National Art Library (Great Britain)
Publisher:
ISBN:
Category : Anatomy, Artistic
Languages : en
Pages : 1296
Book Description
Publisher:
ISBN:
Category : Anatomy, Artistic
Languages : en
Pages : 1296
Book Description
Dumas' art annual [tr. from Annuaire illustré des beaux-arts]. 1st year. 1st year
Author: Annuaire illustré des beaux-arts
Publisher:
ISBN:
Category :
Languages : en
Pages : 400
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 400
Book Description
Decorative Art
Author:
Publisher:
ISBN:
Category : Decoration and ornament
Languages : en
Pages : 182
Book Description
Publisher:
ISBN:
Category : Decoration and ornament
Languages : en
Pages : 182
Book Description