Author: Mayhill C. Fowler
Publisher: University of Toronto Press
ISBN: 1487513445
Category : History
Languages : en
Pages : 299
Book Description
In Beau Monde on Empire’s Edge, Mayhill C. Fowler tells the story of the rise and fall of a group of men who created culture both Soviet and Ukrainian. This collective biography showcases new aspects of the politics of cultural production in the Soviet Union by focusing on theater and on the multi-ethnic borderlands. Unlike their contemporaries in Moscow or Leningrad, these artists from the regions have been all but forgotten despite the quality of their art. Beau Monde restores the periphery to the center of Soviet culture. Sources in Russian, Ukrainian, Polish, and Yiddish highlight the important multi-ethnic context and the challenges inherent in constructing Ukrainian culture in a place of Ukrainians, Russians, Poles, and Jews. Beau Monde on Empire’s Edge traces the growing overlap between the arts and the state in the early Soviet years, and explains the intertwining of politics and culture in the region today.
Beau Monde on Empire’s Edge
Author: Mayhill C. Fowler
Publisher: University of Toronto Press
ISBN: 1487513445
Category : History
Languages : en
Pages : 299
Book Description
In Beau Monde on Empire’s Edge, Mayhill C. Fowler tells the story of the rise and fall of a group of men who created culture both Soviet and Ukrainian. This collective biography showcases new aspects of the politics of cultural production in the Soviet Union by focusing on theater and on the multi-ethnic borderlands. Unlike their contemporaries in Moscow or Leningrad, these artists from the regions have been all but forgotten despite the quality of their art. Beau Monde restores the periphery to the center of Soviet culture. Sources in Russian, Ukrainian, Polish, and Yiddish highlight the important multi-ethnic context and the challenges inherent in constructing Ukrainian culture in a place of Ukrainians, Russians, Poles, and Jews. Beau Monde on Empire’s Edge traces the growing overlap between the arts and the state in the early Soviet years, and explains the intertwining of politics and culture in the region today.
Publisher: University of Toronto Press
ISBN: 1487513445
Category : History
Languages : en
Pages : 299
Book Description
In Beau Monde on Empire’s Edge, Mayhill C. Fowler tells the story of the rise and fall of a group of men who created culture both Soviet and Ukrainian. This collective biography showcases new aspects of the politics of cultural production in the Soviet Union by focusing on theater and on the multi-ethnic borderlands. Unlike their contemporaries in Moscow or Leningrad, these artists from the regions have been all but forgotten despite the quality of their art. Beau Monde restores the periphery to the center of Soviet culture. Sources in Russian, Ukrainian, Polish, and Yiddish highlight the important multi-ethnic context and the challenges inherent in constructing Ukrainian culture in a place of Ukrainians, Russians, Poles, and Jews. Beau Monde on Empire’s Edge traces the growing overlap between the arts and the state in the early Soviet years, and explains the intertwining of politics and culture in the region today.
The Intellectual as Hero in 1990s Ukrainian Fiction
Author: Mark Andryczyk
Publisher: University of Toronto Press
ISBN: 1442643323
Category : Literary Criticism
Languages : en
Pages : 193
Book Description
The Intellectual as Hero in 1990s Ukrainian Fiction weaves a fascinating narrative full of colourful characters by examining the prose of today's leading writers.
Publisher: University of Toronto Press
ISBN: 1442643323
Category : Literary Criticism
Languages : en
Pages : 193
Book Description
The Intellectual as Hero in 1990s Ukrainian Fiction weaves a fascinating narrative full of colourful characters by examining the prose of today's leading writers.
The Company
Author: Stephen Bown
Publisher: Doubleday Canada
ISBN: 0385694083
Category : History
Languages : en
Pages : 506
Book Description
NATIONAL BESTSELLER A thrilling new telling of the story of modern Canada's origins. The story of the Hudson's Bay Company, dramatic and adventurous and complex, is the story of modern Canada's creation. And yet it hasn't been told in a book for over thirty years, and never in such depth and vivid detail as in Stephen R. Bown's exciting new telling. The Company started out small in 1670, trading practical manufactured goods for furs with the Indigenous inhabitants of inland subarctic Canada. Controlled by a handful of English aristocrats, it expanded into a powerful political force that ruled the lives of many thousands of people--from the lowlands south and west of Hudson Bay, to the tundra, the great plains, the Rocky Mountains and the Pacific northwest. It transformed the culture and economy of many Indigenous groups and ended up as the most important political and economic force in northern and western North America. When the Company was faced with competition from French traders in the 1780s, the result was a bloody corporate battle, the coming of Governor George Simpson--one of the greatest villains in Canadian history--and the Company assuming political control and ruthless dominance. By the time its monopoly was rescinded after two hundred years, the Hudson's Bay Company had reworked the entire northern North American world. Stephen R. Bown has a scholar's profound knowledge and understanding of the Company's history, but wears his learning lightly in a narrative as compelling, and rich in well-drawn characters, as a page-turning novel.
Publisher: Doubleday Canada
ISBN: 0385694083
Category : History
Languages : en
Pages : 506
Book Description
NATIONAL BESTSELLER A thrilling new telling of the story of modern Canada's origins. The story of the Hudson's Bay Company, dramatic and adventurous and complex, is the story of modern Canada's creation. And yet it hasn't been told in a book for over thirty years, and never in such depth and vivid detail as in Stephen R. Bown's exciting new telling. The Company started out small in 1670, trading practical manufactured goods for furs with the Indigenous inhabitants of inland subarctic Canada. Controlled by a handful of English aristocrats, it expanded into a powerful political force that ruled the lives of many thousands of people--from the lowlands south and west of Hudson Bay, to the tundra, the great plains, the Rocky Mountains and the Pacific northwest. It transformed the culture and economy of many Indigenous groups and ended up as the most important political and economic force in northern and western North America. When the Company was faced with competition from French traders in the 1780s, the result was a bloody corporate battle, the coming of Governor George Simpson--one of the greatest villains in Canadian history--and the Company assuming political control and ruthless dominance. By the time its monopoly was rescinded after two hundred years, the Hudson's Bay Company had reworked the entire northern North American world. Stephen R. Bown has a scholar's profound knowledge and understanding of the Company's history, but wears his learning lightly in a narrative as compelling, and rich in well-drawn characters, as a page-turning novel.
Empire and Belonging in the Eurasian Borderlands
Author: Krista A. Goff
Publisher: Cornell University Press
ISBN: 1501736159
Category : History
Languages : en
Pages : 299
Book Description
Empire and Belonging in the Eurasian Borderlands engages with the evolving historiography around the concept of belonging in the Russian and Ottoman empires. The contributors to this book argue that the popular notion that empires do not care about belonging is simplistic and wrong. Chapters address numerous and varied dimensions of belonging in multiethnic territories of the Ottoman Empire, Imperial Russia, and the Soviet Union, from the mid-nineteenth to the late twentieth centuries. They illustrate both the mutability and the durability of imperial belonging in Eurasian borderlands. Contributors to this volume pay attention to state authorities but also to the voices and experiences of teachers, linguists, humanitarian officials, refugees, deportees, soldiers, nomads, and those left behind. Through those voices the authors interrogate the mutual shaping of empire and nation, noting the persistence and frequency of coercive measures that imposed belonging or denied it to specific populations deemed inconvenient or incapable of fitting in. The collective conclusion that editors Krista A. Goff and Lewis H. Siegelbaum provide is that nations must take ownership of their behaviors, irrespective of whether they emerged from disintegrating empires or enjoyed autonomy and power within them.
Publisher: Cornell University Press
ISBN: 1501736159
Category : History
Languages : en
Pages : 299
Book Description
Empire and Belonging in the Eurasian Borderlands engages with the evolving historiography around the concept of belonging in the Russian and Ottoman empires. The contributors to this book argue that the popular notion that empires do not care about belonging is simplistic and wrong. Chapters address numerous and varied dimensions of belonging in multiethnic territories of the Ottoman Empire, Imperial Russia, and the Soviet Union, from the mid-nineteenth to the late twentieth centuries. They illustrate both the mutability and the durability of imperial belonging in Eurasian borderlands. Contributors to this volume pay attention to state authorities but also to the voices and experiences of teachers, linguists, humanitarian officials, refugees, deportees, soldiers, nomads, and those left behind. Through those voices the authors interrogate the mutual shaping of empire and nation, noting the persistence and frequency of coercive measures that imposed belonging or denied it to specific populations deemed inconvenient or incapable of fitting in. The collective conclusion that editors Krista A. Goff and Lewis H. Siegelbaum provide is that nations must take ownership of their behaviors, irrespective of whether they emerged from disintegrating empires or enjoyed autonomy and power within them.
Superfluous Women
Author: Jessica Zychowicz
Publisher: University of Toronto Press
ISBN: 1487513755
Category : History
Languages : en
Pages : 421
Book Description
Superfluous Women tells the unique story of a generation of artists, feminists, and queer activists who emerged in Ukraine after the collapse of the Soviet Union. With a focus on new media, Zychowicz demonstrates how contemporary artist collectives in Ukraine have contested Soviet and Western connotations of feminism to draw attention to a range of human rights issues with global impact. In the book, Zychowicz summarizes and engages with more recent critical scholarship on the role of digital media and virtual environments in concepts of the public sphere. Mapping out several key changes in newly independent Ukraine, she traces the discursive links between distinct eras, marked by mass gatherings on Kyiv’s main square, in order to investigate the deeper shifts driving feminist protest and politics today.
Publisher: University of Toronto Press
ISBN: 1487513755
Category : History
Languages : en
Pages : 421
Book Description
Superfluous Women tells the unique story of a generation of artists, feminists, and queer activists who emerged in Ukraine after the collapse of the Soviet Union. With a focus on new media, Zychowicz demonstrates how contemporary artist collectives in Ukraine have contested Soviet and Western connotations of feminism to draw attention to a range of human rights issues with global impact. In the book, Zychowicz summarizes and engages with more recent critical scholarship on the role of digital media and virtual environments in concepts of the public sphere. Mapping out several key changes in newly independent Ukraine, she traces the discursive links between distinct eras, marked by mass gatherings on Kyiv’s main square, in order to investigate the deeper shifts driving feminist protest and politics today.
Making Ukraine Soviet
Author: Olena Palko
Publisher: Bloomsbury Publishing
ISBN: 1350142719
Category : History
Languages : en
Pages : 281
Book Description
Winner of the BASEES Alexander Nove Prize 2021 Winner of The American Association for Ukrainian Studies 2019-2020 Book Prize Honorable Mention for the ASEEES Omeljan Pritsak Book Prize in Ukrainian Studies 2022 While most studies of Soviet culture assume a model of diffusion, according to which Soviet republics imitated the artistic trends and innovations born in Moscow, Olena Palko adroitly challenges this centre-periphery perspective. Rather than being a mere imposition from above, Making Ukraine Soviet reveals how the process of cultural sovietisation in Ukraine during the interwar years developed from a synthesis of different – and often conflicting – cultural projects both local and Muscovite in orientation. Engaging with a wide range of primary and secondary sources, including literary and archival material, Palko grounds her argument in the cases of two celebrated and controversial Ukrainian artists: the poet Pavlo Tychyna and prosaist Mykola Khyl'ovyi. Through this unique biographical lens, Palko's skilled analysis of cultural construction sheds fresh light on the complex process of establishing and consolidating the Soviet regime in Ukraine. In doing so, Palko offers a timely re-assessment of the Russo-Ukrainian conflict and adds nuance to current debates on the relationship between national identity, the arts, and the Soviet state.
Publisher: Bloomsbury Publishing
ISBN: 1350142719
Category : History
Languages : en
Pages : 281
Book Description
Winner of the BASEES Alexander Nove Prize 2021 Winner of The American Association for Ukrainian Studies 2019-2020 Book Prize Honorable Mention for the ASEEES Omeljan Pritsak Book Prize in Ukrainian Studies 2022 While most studies of Soviet culture assume a model of diffusion, according to which Soviet republics imitated the artistic trends and innovations born in Moscow, Olena Palko adroitly challenges this centre-periphery perspective. Rather than being a mere imposition from above, Making Ukraine Soviet reveals how the process of cultural sovietisation in Ukraine during the interwar years developed from a synthesis of different – and often conflicting – cultural projects both local and Muscovite in orientation. Engaging with a wide range of primary and secondary sources, including literary and archival material, Palko grounds her argument in the cases of two celebrated and controversial Ukrainian artists: the poet Pavlo Tychyna and prosaist Mykola Khyl'ovyi. Through this unique biographical lens, Palko's skilled analysis of cultural construction sheds fresh light on the complex process of establishing and consolidating the Soviet regime in Ukraine. In doing so, Palko offers a timely re-assessment of the Russo-Ukrainian conflict and adds nuance to current debates on the relationship between national identity, the arts, and the Soviet state.
Songs in Dark Times
Author: Amelia M. Glaser
Publisher: Harvard University Press
ISBN: 0674250435
Category : Literary Criticism
Languages : en
Pages : 369
Book Description
A probing reading of leftist Jewish poets who, during the interwar period, drew on the trauma of pogroms to depict the suffering of other marginalized peoples. Between the world wars, a generation of Jewish leftist poets reached out to other embattled peoples of the earth—Palestinian Arabs, African Americans, Spanish Republicans—in Yiddish verse. Songs in Dark Times examines the richly layered meanings of this project, grounded in Jewish collective trauma but embracing a global community of the oppressed. The long 1930s, Amelia M. Glaser proposes, gave rise to a genre of internationalist modernism in which tropes of national collective memory were rewritten as the shared experiences of many national groups. The utopian Jews of Songs in Dark Times effectively globalized the pogroms in a bold and sometimes fraught literary move that asserted continuity with anti-Arab violence and black lynching. As communists and fellow travelers, the writers also sought to integrate particular experiences of suffering into a borderless narrative of class struggle. Glaser resurrects their poems from the pages of forgotten Yiddish communist periodicals, particularly the New York–based Morgn Frayhayt (Morning Freedom) and the Soviet literary journal Royte Velt (Red World). Alongside compelling analysis, Glaser includes her own translations of ten poems previously unavailable in English, including Malka Lee’s “God’s Black Lamb,” Moyshe Nadir’s “Closer,” and Esther Shumiatsher’s “At the Border of China.” These poets dreamed of a moment when “we” could mean “we workers” rather than “we Jews.” Songs in Dark Times takes on the beauty and difficulty of that dream, in the minds of Yiddish writers who sought to heal the world by translating pain.
Publisher: Harvard University Press
ISBN: 0674250435
Category : Literary Criticism
Languages : en
Pages : 369
Book Description
A probing reading of leftist Jewish poets who, during the interwar period, drew on the trauma of pogroms to depict the suffering of other marginalized peoples. Between the world wars, a generation of Jewish leftist poets reached out to other embattled peoples of the earth—Palestinian Arabs, African Americans, Spanish Republicans—in Yiddish verse. Songs in Dark Times examines the richly layered meanings of this project, grounded in Jewish collective trauma but embracing a global community of the oppressed. The long 1930s, Amelia M. Glaser proposes, gave rise to a genre of internationalist modernism in which tropes of national collective memory were rewritten as the shared experiences of many national groups. The utopian Jews of Songs in Dark Times effectively globalized the pogroms in a bold and sometimes fraught literary move that asserted continuity with anti-Arab violence and black lynching. As communists and fellow travelers, the writers also sought to integrate particular experiences of suffering into a borderless narrative of class struggle. Glaser resurrects their poems from the pages of forgotten Yiddish communist periodicals, particularly the New York–based Morgn Frayhayt (Morning Freedom) and the Soviet literary journal Royte Velt (Red World). Alongside compelling analysis, Glaser includes her own translations of ten poems previously unavailable in English, including Malka Lee’s “God’s Black Lamb,” Moyshe Nadir’s “Closer,” and Esther Shumiatsher’s “At the Border of China.” These poets dreamed of a moment when “we” could mean “we workers” rather than “we Jews.” Songs in Dark Times takes on the beauty and difficulty of that dream, in the minds of Yiddish writers who sought to heal the world by translating pain.
Der Nister's Soviet Years
Author: Mikhail Krutikov
Publisher: Indiana University Press
ISBN: 0253041902
Category : Literary Criticism
Languages : en
Pages : 238
Book Description
A critical look at the later work of the Russian Jewish author in the Soviet Union and its significance to Russian and Jewish history. In Der Nister’s Soviet Years, author Mikhail Krutikov focuses on the second half of the dramatic writing career of Soviet Yiddish writer Der Nister, pen name of Pinhas Kahanovich (1884–1950). Krutikov follows Der Nister’s painful but ultimately successful literary transformation from his symbolist roots to social realism under severe ideological pressure from Soviet critics and authorities. This volume reveals how profoundly Der Nister was affected by the destruction of Jewish life during WWII and his own personal misfortunes. While Der Nister was writing a history of his generation, he was arrested for anti-government activities and died tragically from a botched surgery in the Gulag. Krutikov illustrates why Der Nister’s work is so important to understandings of Soviet literature, the Russian Revolution, and the catastrophic demise of the Jewish community under Stalin. “Krutikov’s book on Der Nister will serve an important function, offering a strong, well-researched, and well-organized analysis of six significant periods in Der Nister’s writing. I expect it to inspire a great many new readers of Der Nister, inside and outside of academia.” —Amelia M. Glaser, author of Jews and Ukrainians in Russia’s Literary Borderlands: From the Shtetl Fair to the Petersburg Bookshop “Among Soviet Yiddish writers, Der Nister occupies a unique place in literary history. Mikhail Krutikov’s meticulous analysis follows the transformation of the writer under the pressure of the Soviet ideological environment.” —Gennady Estraikh, author of Yiddish in the Cold War
Publisher: Indiana University Press
ISBN: 0253041902
Category : Literary Criticism
Languages : en
Pages : 238
Book Description
A critical look at the later work of the Russian Jewish author in the Soviet Union and its significance to Russian and Jewish history. In Der Nister’s Soviet Years, author Mikhail Krutikov focuses on the second half of the dramatic writing career of Soviet Yiddish writer Der Nister, pen name of Pinhas Kahanovich (1884–1950). Krutikov follows Der Nister’s painful but ultimately successful literary transformation from his symbolist roots to social realism under severe ideological pressure from Soviet critics and authorities. This volume reveals how profoundly Der Nister was affected by the destruction of Jewish life during WWII and his own personal misfortunes. While Der Nister was writing a history of his generation, he was arrested for anti-government activities and died tragically from a botched surgery in the Gulag. Krutikov illustrates why Der Nister’s work is so important to understandings of Soviet literature, the Russian Revolution, and the catastrophic demise of the Jewish community under Stalin. “Krutikov’s book on Der Nister will serve an important function, offering a strong, well-researched, and well-organized analysis of six significant periods in Der Nister’s writing. I expect it to inspire a great many new readers of Der Nister, inside and outside of academia.” —Amelia M. Glaser, author of Jews and Ukrainians in Russia’s Literary Borderlands: From the Shtetl Fair to the Petersburg Bookshop “Among Soviet Yiddish writers, Der Nister occupies a unique place in literary history. Mikhail Krutikov’s meticulous analysis follows the transformation of the writer under the pressure of the Soviet ideological environment.” —Gennady Estraikh, author of Yiddish in the Cold War
Belarus
Author: Piotra P. Murzionak
Publisher: Rowman & Littlefield
ISBN: 1793654921
Category : Political Science
Languages : en
Pages : 349
Book Description
Belarus, a middle-sized nation with more than a thousand years of history, is not well known beyond periodic media headlines. Modern scholarly and popular literature covers only fragments from Belarus’s long history and current geopolitical, social, and cultural issues. Belarusian history in this book differs in many aspects from history and myths created by Russian scholars and propagated worldwide. The author argues for the existence of a Western-Ruthenian (Belarusian-Ukrainian) civilization as a sub-civilization of Western civilization and thus different from Eurasian civilization. With original, detailed. and critical views on Belarusian history from the ninth century to the present, it explores the latest information about Belarusian society regarding mentality, identity, religion, current elites, the Revolution of Hope 2020. It then analyzes the future prospects of Belarus based on an assessment of modern trends in human societal and political development. It provides detailed analysis of current activities of Belarusian national and ruling elites and their ideologies vis-à-vis the building of a nation-state.
Publisher: Rowman & Littlefield
ISBN: 1793654921
Category : Political Science
Languages : en
Pages : 349
Book Description
Belarus, a middle-sized nation with more than a thousand years of history, is not well known beyond periodic media headlines. Modern scholarly and popular literature covers only fragments from Belarus’s long history and current geopolitical, social, and cultural issues. Belarusian history in this book differs in many aspects from history and myths created by Russian scholars and propagated worldwide. The author argues for the existence of a Western-Ruthenian (Belarusian-Ukrainian) civilization as a sub-civilization of Western civilization and thus different from Eurasian civilization. With original, detailed. and critical views on Belarusian history from the ninth century to the present, it explores the latest information about Belarusian society regarding mentality, identity, religion, current elites, the Revolution of Hope 2020. It then analyzes the future prospects of Belarus based on an assessment of modern trends in human societal and political development. It provides detailed analysis of current activities of Belarusian national and ruling elites and their ideologies vis-à-vis the building of a nation-state.
The Art of Ukraine (World of Art)
Author: Alisa Lozhkina
Publisher: Thames & Hudson
ISBN: 0500779309
Category : Art
Languages : en
Pages : 383
Book Description
An in-depth overview of Ukrainian art from the dawn of modernism in the late nineteenth century to the start of the Russian invasion in winter 2022. This new volume in the World of Art series provides an overview of Ukrainian art, artists, and art movements from the dawn of modernism and the 1900s to the Soviet period, to post-Soviet times and the beginning of the Russian invasion in February 2022. Ukrainian art and artists are discussed within historical and political contexts as well as how they have contributed to, and interacted with, Ukrainian culture and identity. Filled with rich illustrations, each chapter explores a different art period or movement. We are at a historical moment where Ukraine and its cultural identity are in grave danger, and author Alisa Lozhkina offers a powerful opportunity to connect curious and empathetic readers with the Ukrainian art tradition.
Publisher: Thames & Hudson
ISBN: 0500779309
Category : Art
Languages : en
Pages : 383
Book Description
An in-depth overview of Ukrainian art from the dawn of modernism in the late nineteenth century to the start of the Russian invasion in winter 2022. This new volume in the World of Art series provides an overview of Ukrainian art, artists, and art movements from the dawn of modernism and the 1900s to the Soviet period, to post-Soviet times and the beginning of the Russian invasion in February 2022. Ukrainian art and artists are discussed within historical and political contexts as well as how they have contributed to, and interacted with, Ukrainian culture and identity. Filled with rich illustrations, each chapter explores a different art period or movement. We are at a historical moment where Ukraine and its cultural identity are in grave danger, and author Alisa Lozhkina offers a powerful opportunity to connect curious and empathetic readers with the Ukrainian art tradition.