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Author: Bernard Benson Sarfo
Publisher:
ISBN: 9781696857451
Category :
Languages : en
Pages : 51
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Book Description
Be faithful and mind your word. Be original not a copy; let your word proof your personality and make difference by your truth. Many people have lost their dignity and their glory through their words. Others have disgraced themselves by their lies. The world is going into destruction through lies of those who dwell on it, and the truth has to tremble on the ground. Do not force your words to be factual whiles know you are deceiving. Be faithful but not a liar; be gentle but not a pretender, be smart but not as a thief. Maintain your faithfulness and do not lie for a favour but approve yourself for good use. Never put yourself into trouble through lies but consider your speech and make your words fruitful. Let your words be simple and meaningful to your audience. Do not rush in your speech but be careful when delivering a message. It is not good to shout but it is good to blend in some time. But in all, do not lie when giving out your message. It is better to make simple messages than to prolong your message. Why because it is possible to make a mistake and lie at the same time. Be aware and make things decent but do not disgrace yourself in the area you have not been there before. Means do not discuss the lessons you do not understand. Else, you will lie and disgrace yourself through inconsistent speech. But always watch out and control yourself in position without wrong comments later on. Faithfulness controls peace and makes things better and encouraging. Do not make news where there are no happenings. Do not pollute the air by your false message but make the air blow at ease. Be faithful when you buy; be faithful when you exchange, be faithful when you walk and talk. You can build a city by faithfulness and you can destroy the city through unfaithfulness.
Author: Bernard Benson Sarfo
Publisher:
ISBN: 9781696857451
Category :
Languages : en
Pages : 51
Get Book Here
Book Description
Be faithful and mind your word. Be original not a copy; let your word proof your personality and make difference by your truth. Many people have lost their dignity and their glory through their words. Others have disgraced themselves by their lies. The world is going into destruction through lies of those who dwell on it, and the truth has to tremble on the ground. Do not force your words to be factual whiles know you are deceiving. Be faithful but not a liar; be gentle but not a pretender, be smart but not as a thief. Maintain your faithfulness and do not lie for a favour but approve yourself for good use. Never put yourself into trouble through lies but consider your speech and make your words fruitful. Let your words be simple and meaningful to your audience. Do not rush in your speech but be careful when delivering a message. It is not good to shout but it is good to blend in some time. But in all, do not lie when giving out your message. It is better to make simple messages than to prolong your message. Why because it is possible to make a mistake and lie at the same time. Be aware and make things decent but do not disgrace yourself in the area you have not been there before. Means do not discuss the lessons you do not understand. Else, you will lie and disgrace yourself through inconsistent speech. But always watch out and control yourself in position without wrong comments later on. Faithfulness controls peace and makes things better and encouraging. Do not make news where there are no happenings. Do not pollute the air by your false message but make the air blow at ease. Be faithful when you buy; be faithful when you exchange, be faithful when you walk and talk. You can build a city by faithfulness and you can destroy the city through unfaithfulness.
Author: William Powell
Publisher: Lulu.com
ISBN: 1387570226
Category : Crafts & Hobbies
Languages : en
Pages : 164
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Book Description
The Anarchist Cookbook will shock, it will disturb, it will provoke. It places in historical perspective an era when "Turn on, Burn down, Blow up" are revolutionary slogans of the day. Says the author" "This book... is not written for the members of fringe political groups, such as the Weatherman, or The Minutemen. Those radical groups don't need this book. They already know everything that's in here. If the real people of America, the silent majority, are going to survive, they must educate themselves. That is the purpose of this book." In what the author considers a survival guide, there is explicit information on the uses and effects of drugs, ranging from pot to heroin to peanuts. There i detailed advice concerning electronics, sabotage, and surveillance, with data on everything from bugs to scramblers. There is a comprehensive chapter on natural, non-lethal, and lethal weapons, running the gamut from cattle prods to sub-machine guns to bows and arrows.
Author: Marcus Boon
Publisher: Harvard University Press
ISBN: 0674047834
Category : Law
Languages : en
Pages : 294
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Book Description
This book is devoted to a deceptively simple but original argument: that copying is an essential part of being human, that the ability to copy is worthy of celebration, and that, without recognizing how integral copying is to being human, we cannot understand ourselves or the world we live in. In spite of the laws, stigmas, and anxieties attached to it, the word “copying” permeates contemporary culture, shaping discourse on issues from hip hop to digitization to gender reassignment, and is particularly crucial in legal debates concerning intellectual property and copyright. Yet as a philosophical concept, copying remains poorly understood. Working comparatively across cultures and times, Marcus Boon undertakes an examination of what this word means—historically, culturally, philosophically—and why it fills us with fear and fascination. He argues that the dominant legal-political structures that define copying today obscure much broader processes of imitation that have constituted human communities for ages and continue to shape various subcultures today. Drawing on contemporary art, music and film, the history of aesthetics, critical theory, and Buddhist philosophy and practice, In Praise of Copying seeks to show how and why copying works, what the sources of its power are, and the political stakes of renegotiating the way we value copying in the age of globalization.
Author: Stephen King
Publisher: Anchor
ISBN: 038552885X
Category : Fiction
Languages : en
Pages : 1388
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Book Description
#1 BESTSELLER • The apocalyptic vision of a world blasted by plague and tangled in an elemental struggle between good and evil remains as riveting—and eerily plausible—as when it was first published. • The tie-in edition of the nine-part CBS All Access series starring Whoopi Goldberg, Alexander Skarsgard, and James Marsden. A patient escapes from a biological testing facility, unknowingly carrying a deadly weapon: a mutated strain of super-flu that will wipe out 99 percent of the world’s population within a few weeks. Those who remain are scared, bewildered, and in need of a leader. Two emerge—Mother Abagail, the benevolent 108-year-old woman who urges them to build a peaceful community in Boulder, Colorado; and Randall Flagg, the nefarious “Dark Man,” who delights in chaos and violence. As the dark man and the peaceful woman gather power, the survivors will have to choose between them—and ultimately decide the fate of all humanity.
Author: Sarah Kurpiel
Publisher: Greenwillow Books
ISBN: 9780062943835
Category :
Languages : en
Pages : 40
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Book Description
"Pineapple's entire routine is turned upside-down when new kitten Kiwi copies everything Pineapple does. But eventually Pineapple learns that having a friend makes everything better"--
Author: Robert Macfarlane
Publisher: Oxford University Press
ISBN: 0199296502
Category : History
Languages : en
Pages : 257
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Book Description
'"Originality" is only plagiarizing from a great many', remarked Rupert Brooke, stealing the line from Voltaire. Questions of originality, and accusations of plagiarism, are as old as literature, but different literary cultures have interpreted the relationship between originality and plagiarism in startlingly dissimilar ways.Original Copy investigates and documents the drastic reappraisal of literary originality and plagiarism which occurred over the course of the nineteenth century: from the heroic visions of original authorship that characterised the 1820s and 1830s, through to the stickle-brick creativity of Oscar Wilde and Lionel Johnson at the century's end. It reveals how ideas of originality and plagiarism were not only a theoretical concern of Victorian commentators on literature, but also providedmany important Victorian writers - Eliot, Dickens, Reade, Pater, Wilde, and Lionel Johnson among them - with a creative resource. Moving between numerous different fields of thought and knowledge - literary criticism, the history of science, manuscript culture, anthropology - and written in a supple andelegant style, this book shows that the ideas of originality and plagiarism were the subjects of nineteenth-century literature, as well as what it was subject to.
Author: Robert Macfarlane
Publisher: OUP Oxford
ISBN: 0191537926
Category : Literary Criticism
Languages : en
Pages : 258
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Book Description
'"Originality" is only plagiarizing from a great many', remarked Rupert Brooke, stealing the line from Voltaire. Questions of originality, and accusations of plagiarism, are as old as literature, but different literary cultures have interpreted the relationship between originality and plagiarism in startlingly dissimilar ways. Original Copy investigates and documents the drastic reappraisal of literary originality and plagiarism which occurred over the course of the nineteenth century: from the heroic visions of original authorship that characterised the 1820s and 1830s, through to the stickle-brick creativity of Oscar Wilde and Lionel Johnson at the century's end. It reveals how ideas of originality and plagiarism were not only a theoretical concern of Victorian commentators on literature, but also provided many important Victorian writers - Eliot, Dickens, Reade, Pater, Wilde, and Lionel Johnson among them - with a creative resource. Moving between numerous different fields of thought and knowledge - literary criticism, the history of science, manuscript culture, anthropology - and written in a supple and elegant style, this book shows that the ideas of originality and plagiarism were the subjects of nineteenth-century literature, as well as what it was subject to.
Author: Hillel Schwartz
Publisher: MIT Press
ISBN: 1935408453
Category : History
Languages : en
Pages : 473
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Book Description
A novel attempt to make sense of our preoccupation with copies of all kinds—from counterfeits to instant replay, from parrots to photocopies. The Culture of the Copy is a novel attempt to make sense of the Western fascination with replicas, duplicates, and twins. In a work that is breathtaking in its synthetic and critical achievements, Hillel Schwartz charts the repercussions of our entanglement with copies of all kinds, whose presence alternately sustains and overwhelms us. This updated edition takes notice of recent shifts in thought with regard to such issues as biological cloning, conjoined twins, copyright, digital reproduction, and multiple personality disorder. At once abbreviated and refined, it will be of interest to anyone concerned with problems of authenticity, identity, and originality. Through intriguing, and at times humorous, historical analysis and case studies in contemporary culture, Schwartz investigates a stunning array of simulacra: counterfeits, decoys, mannequins, and portraits; ditto marks, genetic cloning, war games, and camouflage; instant replays, digital imaging, parrots, and photocopies; wax museums, apes, and art forgeries—not to mention the very notion of the Real McCoy. Working through a range of theories on biological, mechanical, and electronic reproduction, Schwartz questions the modern esteem for authenticity and uniqueness. The Culture of the Copy shows how the ethical dilemmas central to so many fields of endeavor have become inseparable from our pursuit of copies—of the natural world, of our own creations, indeed of our very selves. The book is an innovative blend of microsociology, cultural history, and philosophical reflection, of interest to anyone concerned with problems of authenticity, identity, and originality. Praise for the first edition “[T]he author... brings his considerable synthetic powers to bear on our uneasy preoccupation with doubles, likenesses, facsimiles, replicas and re-enactments. I doubt that these cultural phenomena have ever been more comprehensively or more creatively chronicled.... [A] book that gets you to see the world anew, again.” —The New York Times “A sprightly and disconcerting piece of cultural history” —Terence Hawkes, London Review of Books “In The Culture of the Copy, [Schwartz] has written the perfect book: original and repetitive at once.” —Todd Gitlin, Los Angeles Times Book Review
Author: Paul Frosh
Publisher: John Wiley & Sons
ISBN: 1509532684
Category : Social Science
Languages : en
Pages : 172
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Book Description
Media are poetic forces. They produce and reveal worlds, representing them to our senses and connecting them to our lives. While the poetic powers of media are perceptual, symbolic, social and technical, they are also profoundly moral and existential. They matter for how we reflect upon and act in a shared, everyday world of finite human existence. The Poetics of Digital Media explores the poetic work of media in digital culture. Developing an argument through close readings of overlooked or denigrated media objects – screenshots, tagging, selfies and more – the book reveals how media shape the taken-for-granted structures of our lives, and how they disclose our world through sudden moments of visibility and tangibility. Bringing us face to face with the conditions of our existence, it investigates how the ‘given’ world we inhabit is given through media. This book is important reading for students and scholars of media theory, philosophy of media, visual culture and media aesthetics.
Author: Adrien Ravon
Publisher: Nai010 Publishers
ISBN: 9789462081642
Category : Architecture
Languages : en
Pages : 0
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Book Description
New! A new face! A new style! Worldwide, there is talk of a cult of novelty. This is also true in architecture, where architects compete against each other in terms of innovation and originality. The Why Factory does things differently, and in Copy Paste, it explores the possibilities of copying in architecture. What are the really original ideas in architecture? Isn't it better to ask what someone adds to the existing repertoire and then to evaluate that? In science, it is common to define originality in that respect. This type of attitude seems to be a taboo in architecture. So now the time has come to stop this obsessive pursuit of unique authorship. The Why Factory brings together diverse viewpoints on the dilemma of copying in architecture, along with the ethical and legal obligations. This book contains a versatile guide to copying, and explores the potential by means of a broad set of scenarios with the help of various tools.
