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Author: J. Colin McQuillan
Publisher: Global Aesthetic Research
ISBN: 9781538146255
Category : Philosophy
Languages : en
Pages : 360
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Book Description
With contributions by leading scholars in the field, this book is the first collection in the English language devoted to Baumgarten's aesthetics.
Author: J. Colin McQuillan
Publisher: Global Aesthetic Research
ISBN: 9781538146255
Category : Philosophy
Languages : en
Pages : 360
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Book Description
With contributions by leading scholars in the field, this book is the first collection in the English language devoted to Baumgarten's aesthetics.
Author: Paolo Euron
Publisher: BRILL
ISBN: 9004409238
Category : Education
Languages : en
Pages : 251
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Book Description
This book introduces the reader to the literary work and to an understanding of its cultural background and its specific features. In doing so, it refers to two main traditions of Western culture: one of aesthetics and the theory of art and the other of literary theory. In our postmodern world, language and artistic creation (and above all literature as the art of language) occupy a special role in understanding the human world and become existential issues. A critical attitude requires knowledge of the relevant past in order to understand what we are today. The author presents key topics, ideas, and representatives of aesthetics, theory, and the interpretation of works of art in an historical perspective, in order to explain the Western tradition with constant attention to the present condition. Aesthetics, Theory and Interpretation of the Literary Work offers an outline of essential concepts and authors of aesthetics and theories of the literary work, presenting basic topics and ideas in their historical context and development, considering their relevance to the contemporary debate, and highlighting the specificity of the experience of the art work in our present world. The best way to approach a work of art is to enjoy it. In order to enjoy a literary work, we have to consider its correct context and its specific artistic qualities. The book is conceived as a general and enjoyable introduction to the experience of the work of art in Western culture. See inside the book.
Author: J. Colin McQuillan
Publisher: Rowman & Littlefield
ISBN: 1538146266
Category : Philosophy
Languages : en
Pages : 373
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Book Description
The German philosopher Alexander Gottlieb Baumgarten (1714–1762) introduced “aesthetics” as a new science in his Reflections on Poetry (1735) and developed this new part of philosophy in a series of later works, culminating in his unfinished Aesthetics (1750/1758). This volume is the first collection of essays in the English language devoted to Baumgarten’s aesthetics. The essays highlight the distinguishing features of Baumgarten’s aesthetics, situate it in its historical context, document its reception, and examine its contributions to contemporary philosophy.
Author: J. D. Mininger
Publisher: Bloomsbury Publishing USA
ISBN: 1501321501
Category : Literary Criticism
Languages : en
Pages : 282
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Book Description
German Aesthetics provides English-speaking audiences with accessible explanations of fundamental concepts from the German tradition of philosophical aesthetics. Organized with the understanding that aesthetic concepts are often highly contested intellectual territory, and that the usage and meanings of terms often shift within historical, cultural, and political debates, this volume brings together scholars of German literature, philosophy, film studies, musicology, and history to provide informative and creative interpretations of German aesthetics that will be useful to students and scholars alike.
Author: Stefanie Buchenau
Publisher: Cambridge University Press
ISBN: 1107311179
Category : Philosophy
Languages : en
Pages : 281
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Book Description
When, in 1735, Alexander Gottlieb Baumgarten added a new discipline to the philosophical system, he not only founded modern aesthetics but also contributed to shaping the modern concept of art or 'fine art'. In The Founding of Aesthetics in the German Enlightenment, Stefanie Buchenau offers a rich analysis and reconstruction of the origins of this new discipline in its wider context of German Enlightenment philosophy. Present-day scholars commonly regard Baumgarten's views as an imperfect prefiguration of Kantian and post-Kantian aesthetics, but Buchenau argues that Baumgarten defended a consistent and original project which must be viewed in the context of the modern debate on the art of invention. Her book offers new perspectives on Kantian aesthetics and beauty in art and science.
Author: Benjamin Bennett
Publisher: New Studies in the Age of Goethe
ISBN: 9781611484748
Category : History
Languages : en
Pages : 0
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Book Description
The concept of secular millennialism summarizes a crucial point made by Hannah Arendt in The Origins of Totalitarianism: that twentieth-century totalitarian movements, in Nazi Germany and in the Soviet Union under Stalin, are not nationalistic but essentially millennialist, focused on the achievement of a universal world order. The question of whether totalitarian thinking can be located in a secular millennialist tradition is brought to the forefront in Aesthetics as Secular Millennialism: Its Trail from Baumgarten and Kant to Walt Disney and Hitler by Benjamin Bennett. Bennett contends that the new philosophical science of aesthetics--beginning in the eighteenth century with Baumgarten, Kant, and Schiller--is the source of such a tradition. Bennett uses the term "aesthetics" to designate a tradition which begins under that name but, in the course of the nineteenth century, concerns itself less directly with questions of beauty or art while not losing its secular millennialist tendency. He argues that modern philosophical hermeneutics, in Dilthey, Heidegger, and Gadamer, belongs to the aesthetic tradition. Bennett explores the realistic novel as the main vehicle by which aesthetic tradition maintains itself in the nineteenth century and attracts a large popular following. The argument culminates in a discussion of relations among aesthetics, totalitarian propaganda, and the "totalitarian imagination" with its dream of "human omnipotence" (Arendt). Aesthetics as Secular Millennialism also maintains an attentiveness to instances of resistance against the aesthetic impetus in history--hence ultimately against totalitarianism.
Author: Frauke Berndt
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311062348X
Category : Literary Criticism
Languages : en
Pages : 429
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Book Description
Alexander Gottlieb Baumgarten (1714–1762) is known in intellectual history for having established the discourse of philosophical aesthetics with his "Meditationes philosophicae de nonnullis ad poema pertinentibus" (Reflections on Poetry) and "Aesthetica" (Aesthetics), which consists of two books and is considered Baumgarten’s most important work. But this book amends that history. It shows that Baumgarten's aesthetics is a science of literature that demonstrates the value of literature to philosophy. Baumgarten did not intend to pursue such a task, but in working on his philosophical texts and lectures, he ends up analyzing, synthesizing, and contextualizing literature. He thereby treats it not as belles lettres or as a moral institution but rather as an epistemic object. His aesthetics is thus the first modern literary theory, and his articulation of this theory would never again be matched in its complexity and systematicity. Baumgarten’s theory of literature has never been discovered. It waits latently to take its place in intellectual history.
Author: Kai Hammermeister
Publisher: Cambridge University Press
ISBN: 9780521785549
Category : Philosophy
Languages : en
Pages : 284
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Book Description
Publisher Description
Author: Alexander Baumgarten
Publisher: A&C Black
ISBN: 1441132945
Category : Philosophy
Languages : en
Pages : 490
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Book Description
Alexander Baumgarten (1714-1762), an influential German philosopher preceding Immanuel Kant, is remembered mainly as a founder of modern aesthetics. Yet his manual on metaphysics was one of the chief textbooks of philosophical instruction in latter 18th-Century Germany. Originally published in Latin, Kant used the Metaphysics for nearly four decades as the basis for lectures on metaphysics, anthropology and religion. Kant composed many of the preparatory sketches for the Critique of Pure Reason in the blank interleaved pages of his personal copy. Available for the first time in English, this critical translation draws from the original seven Latin editions and Georg Friedrich Meier’s 18th-century German translation. Together with a historical and philosophical introduction, extensive glossaries and notes, the text is supported by translations of Kant’s elucidations and notes, Eberhard’s insertions in the 1783 German edition and texts from the writings of Meier and Wolff. For scholars of Kant, the German Enlightenment and the history of metaphysics, Alexander Baumgarten’s Metaphysics is an essential, authoritative resource to a significant philosophical text.
Author: Johann Gottfried Herder
Publisher: Princeton University Press
ISBN: 1400827167
Category : Philosophy
Languages : en
Pages : 467
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Book Description
A seminal figure in the philosophy of history, culture, and language, Johann Gottfried Herder (1744-1803) also produced some of the most important and original works in the history of aesthetic theory. A student of Kant, he spent much of his life striving to reconcile the opposing poles of Enlightenment thought represented by his early mentors. His ideas influenced Hegel, Schleiermacher, Nietzsche, Dilthey, J. S. Mill, and Goethe. This book presents most of Herder's important writings on aesthetics, including the main sections of one of his major untranslated works, Kritische Wälder (Critical Forests). These notes, essays, and treatises, the majority of which appear here in English for the first time, show this idiosyncratic thinker both deeply rooted in the controversies of his day and pointing the way to future developments in aesthetics. Chosen to reflect the extent and diversity of Herder's concerns, the texts cover such topics as the psychology and physiology of aesthetic perception, the classification of the arts, taste, Shakespeare, the classical tradition, and the relationship between art and morality. Few thinkers have reflected so sensitively and productively on the cultural, historical, anthropological, ethical, and theological dimensions of art and the creative process. With this book, the importance of aesthetics to the evolution and texture of Herder's own thought, as well as his profound contribution to that discipline, comes fully into view.
