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Author: Susan Blood
Publisher: Stanford University Press
ISBN: 9780804780865
Category : Poetry
Languages : en
Pages : 236
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Book Description
This is a study of Baudelaire's canonization in the critical debates of the twentieth century, focusing particularly on his role in the development of a modernist consciousness. Much recent work on Baudelaire assumes his modernism by emphasizing his relationship to current critical preoccupations—by sounding him out on issues of race and gender, for example, or by "correcting" his politics. The author begins from the premise that this updating of Baudelaire mistakenly takes him for our contemporary. Instead, she attempts to treat modernism as a historical problem by seeing Baudelaire as engaged in a more difficult dialogue with twentieth-century critics. The book concentrates on two key moments in the literary history of the twentieth century, the periods following each world war. At these junctures French intellectuals intensely reconsidered their cultural patrimony and articulated something like a modernist consciousness. Baudelaire stood at the center of this process, becoming a sacred figure of modernism, and his poetry contributed to a radical reorienting of aesthetic sensibilities. For the post-World War I period, the author focuses on Paul Valéry's essay "Baudelaire's Situation"; for post-World War II, on the virulent debate between Jean-Paul Sartre and Georges Bataille over the question of Baudelaire's "bad faith." She argues that Sartre's resistance to the sacralization of Baudelaire and to the continuing formulation of a modernist ideology actually suggests a valuable way of rethinking Baudelaire's poetry and critiquing the modern consciousness. She attempts to show that something like an "aesthetics of bad faith" exists, and that it is a useful concept for understanding modernism in relationship to its own history. Throughout, Baudelaire's poetry is examined in detail, with a focus on its relationship to his writings on caricature, on the problem of the "secret architecture," and on the place of allegory in a symbolist poetics. In the closing chapter, the author analyzes Baudelaire's denunciation of photography, which reveals the various tensions (or "bad faith") implicit in the modernist consciousness.
Author: Susan Blood
Publisher: Stanford University Press
ISBN: 9780804780865
Category : Poetry
Languages : en
Pages : 236
Get Book Here
Book Description
This is a study of Baudelaire's canonization in the critical debates of the twentieth century, focusing particularly on his role in the development of a modernist consciousness. Much recent work on Baudelaire assumes his modernism by emphasizing his relationship to current critical preoccupations—by sounding him out on issues of race and gender, for example, or by "correcting" his politics. The author begins from the premise that this updating of Baudelaire mistakenly takes him for our contemporary. Instead, she attempts to treat modernism as a historical problem by seeing Baudelaire as engaged in a more difficult dialogue with twentieth-century critics. The book concentrates on two key moments in the literary history of the twentieth century, the periods following each world war. At these junctures French intellectuals intensely reconsidered their cultural patrimony and articulated something like a modernist consciousness. Baudelaire stood at the center of this process, becoming a sacred figure of modernism, and his poetry contributed to a radical reorienting of aesthetic sensibilities. For the post-World War I period, the author focuses on Paul Valéry's essay "Baudelaire's Situation"; for post-World War II, on the virulent debate between Jean-Paul Sartre and Georges Bataille over the question of Baudelaire's "bad faith." She argues that Sartre's resistance to the sacralization of Baudelaire and to the continuing formulation of a modernist ideology actually suggests a valuable way of rethinking Baudelaire's poetry and critiquing the modern consciousness. She attempts to show that something like an "aesthetics of bad faith" exists, and that it is a useful concept for understanding modernism in relationship to its own history. Throughout, Baudelaire's poetry is examined in detail, with a focus on its relationship to his writings on caricature, on the problem of the "secret architecture," and on the place of allegory in a symbolist poetics. In the closing chapter, the author analyzes Baudelaire's denunciation of photography, which reveals the various tensions (or "bad faith") implicit in the modernist consciousness.
Author: Scott Carpenter
Publisher: Routledge
ISBN: 1317184815
Category : Literary Criticism
Languages : en
Pages : 205
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Book Description
In his engagingly written and original book, Scott Carpenter analyzes multiple manifestations of the false in nineteenth-century France. Under Carpenter's thorough and systematic analysis, fraudulence emerges as a cultural preoccupation in nineteenth-century literature and society, whether it be in the form of literary mystifications, the thematic portrayal of frauds, or the privileging of falseness as an aesthetic principle. Focusing particularly on the aesthetics of fraudulence in works by Mérimée, Balzac, Baudelaire, Vidocq, Sand, and others, Carpenter places these literary representations within the context of other cultural phenomena, such as caricature, political history, and ceremonial events. As he highlights the special relationship between literary fiction and fraudulence, Carpenter argues that falseness arises as an aesthetic preoccupation in post-revolutionary France, where it introduces a blurring of limits between hitherto discrete categories. This transgression of boundaries challenges notions of authenticity and sincerity, categories that Romantic aesthetics championed at the beginning of the nineteenth century in France. Carpenter's study makes an important contribution to the cultural significance of mystification in nineteenth-century France and furthers our understanding of French literature and cultural history.
Author: Debarati Sanyal
Publisher: JHU Press
ISBN: 1421429292
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
The Violence of Modernity turns to Charles Baudelaire, one of the most canonical figures of literary modernism, in order to reclaim an aesthetic legacy for ethical inquiry and historical critique. Works of modern literature are commonly theorized as symptomatic responses to the trauma of history. In a climate that tends to privilege crisis over critique, Debarati Sanyal argues that it is urgent to rethink literary experience in terms that recall its contestatory potential. Examining Baudelaire's poems afresh, she shifts the focus of critical attention toward an account of modernism as an active engagement with violence, specifically the violence of history in nineteenth-century France. Sanyal analyzes a literary current that uses the traditional hallmarks of modernism—irony, intertextuality, self-reflexivity, and formalism—to challenge the historical violence of modernity. Baudelaire and the committed ironists writing in his wake teach us how to read and resist the violence of history, and thereby to challenge the melancholy tenor of our contemporary "wound culture." In a series of provocative readings, Sanyal presents Baudelaire's poetry as an aesthetic form that contests historical violence through rhetorical strategies of complicity, counterviolence, and critique. The book develops a new account of Baudelaire's significance as a modernist by dislodging him both from his traditional status as a practitioner of "art for art's sake" and from his more recent incarnation as the poet of trauma. Following her extended analysis of Baudelaire's poetry, Sanyal in later chapters considers a number of authors influenced by his strategies—including Rachilde, Virginie Despentes, Albert Camus, and Jean-Paul Sartre—to examine the relevance of their interventions for our current climate of trauma and terror. The result is a study that underscores how Baudelaire's legacy continues to energize literary engagements with the violence of modernity.
Author: Aaron Brice Cummings
Publisher: Rowman & Littlefield
ISBN: 1666961760
Category : Literary Criticism
Languages : en
Pages : 343
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Book Description
Baudelaire’s Bitter Metaphysics: Anti-Nihilist Readings by Fondane, Benjamin, and Sartre reconstructs a philosophical trialogue that might have been expected to take place between Benjamin Fondane, Walter Benjamin, and Jean-Paul Sartre over their philosophical readings of Charles Baudelaire, an exchange preempted by the untimely deaths of two of the interlocutors during the Nazi holocaust. Why did three of Europe’s sharpest minds respond to the terror of 1933-45 by writing about a long-dead poet? Aaron Brice Cummings argues that Fondane, Benjamin, and Sartre turned to the poet of nihilism’s abyss because they recognized a fact of cultural history that remains relevant today: until sometime in the 2080s, the literary world will have to confront (even if to deny) the two-century window forecast by Nietzsche as the age of cultural and existential nihilism. Accordingly, the author examines the bitter metaphysics latent in Baudelaire’s motifs of the abyss, clocks, brutes, streets, and bored dandies. In so doing, this book confronts the nothingness which modern life encounters in the heart of art, ethics, ideality, time, memory, history, urban life, and religion.
Author: Ying Xiao
Publisher: Univ. Press of Mississippi
ISBN: 1496812611
Category : Social Science
Languages : en
Pages : 234
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Book Description
Scarce attention has been paid to the dimension of sound and its essential role in constructing image, culture, and identity in Chinese film and media. China in the Mix fills a critical void with the first book on the sound, languages, scenery, media, and culture in post-Socialist China. In this study, Ying Xiao explores fascinating topics, including appropriations of popular folklore in the Chinese new wave of the 1980s; Chinese rock 'n' roll and youth cinema in fin de siècle China; the political-economic impact of free market imperatives and Hollywood pictures on Chinese film industry and filmmaking in the late twentieth century; the reception and adaptation of hip hop; and the emerging role of Internet popular culture and social media in the early twenty-first century. Xiao examines the articulations and representations of mass culture and everyday life, concentrating on their aural/oral manifestations in contemporary Chinese cinema and in a wide spectrum of media and cultural productions. China in the Mix offers the first comprehensive investigation of Chinese film, expressions, and culture from a unique, cohesive acoustic angle and through the prism of global media-cultural exchange. It shows how the complex, evolving uses of sound (popular music, voice-over, silence, noise, and audio mixing) in film and media reflect and engage the important cultural and socio-historical shifts in contemporary China and in the increasingly networked world. Xiao offers an innovative new conception of Chinese film and media and their audiovisual registers in the historiographical frame of China amid the global landscape.
Author: John Hannavy
Publisher: Routledge
ISBN: 1135873275
Category : Photography
Languages : en
Pages : 1629
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Book Description
The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.
Author: Joseph Acquisto
Publisher: Routledge
ISBN: 1351935658
Category : Literary Criticism
Languages : en
Pages : 322
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Book Description
What role did music play in the creation of a new aesthetics of poetry in French from the 1860s to the 1930s? How did music serve as an unassimilable 'other' against which the French symbolist poets crafted a new poetics? And why did music gradually disappear from early twentieth-century poetic discourse? These are among the questions Joseph Acquisto poses in his lively study of the ways in which Baudelaire, Mallarmé, Ghil, and Royère question the nature and function of the lyric through an ever-shifting set of intertextual and cultural contexts. Rather than focusing on 'musicality' in verse, the author addresses the consequences of choosing music as a site of dialogue with poetry. Acquisto argues that memory plays an under acknowledged yet vital role in these poets' rewriting of symbolist poetics. His reading of their interactions, and his focus on both major and neglected poets, exposes the myth of a small handful of 'great authors' shaping symbolism while a host of disciples propagated the tradition. Rather, Acquisto proposes, the multiplicity of authors writing and rewriting symbolism invites a dialogic approach to the poetics of the period. Moreover, music, as theorized rather than performed or heard, serves as a privileged mobile space of poetic creation and dialogue for these poet-critics; it is through engagement with music, supposedly the purest or most abstract of the arts, that one can retrace the textual and cultural transformations accomplished by the symbolist tradition. By extension, these poets' rethinking of poetics is an occasion for present-day critics to re-examine assumptions, not only about the intersections of music and poetry and our understanding of symbolist poetics but also about the role that the aesthetic implicitly plays in the creation, preservation, or reshaping of cultural memory.
Author: Anna-Louise Milne
Publisher: Cambridge University Press
ISBN: 1107433886
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
No city more than Paris has had such a constant and deep association with the development of literary forms and cultural ideas. The idea of the city as a space of literary self-consciousness started to take hold in the sixteenth century. By 1620, where this volume begins, the first in a long line of extraordinary works of the human imagination, in which the city represented itself to itself, had begun to find form in print. This collection follows that process through to the present day. Beginning with the 'salon', followed by the hybrid culture of libertinage and the revolutionary hotbeds of working-class districts, it explores the continuities and changes between the pre-modern era and the nineteenth century, when Paris asserted itself as cultural capital of Europe. It goes on to explore how this vision of Paris as a key capital of modernity has shaped contemporary literature.
Author: Cecilia Enjuto Rangel
Publisher: Purdue University Press
ISBN: 155753571X
Category : Literary Criticism
Languages : en
Pages : 378
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Book Description
Purdue Studies in Romance Literatures publishes studies on topics of literary, theoretical, or philological importance that make a significant contribution to scholarship in French. Italian. Luso Brazilian, Spanish, and Spanish American literatures. --Book Jacket.
Author: Jeannie Suk
Publisher: Clarendon Press
ISBN: 0191584401
Category : Literary Criticism
Languages : en
Pages : 218
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Book Description
This book is the first major study of French Caribbean literature in light of the concept of postcoloniality. Postcolonial theory debates have developed in the anglophone domain, and have not as yet referred prominently to francophone literature. Jeannie Suk investigates how the literature of Martinique and Guadeloupe provides a kaleidescopic view of the paradoxes at the heart of postcoloniality. Through subtle and provocative readings of Aimé Césaire, Edouard Glissant, Maryse Condé, Baudelaire, Freud, and others, she illuminates how the development of French Caribbean literature and debates about négritude, antillanité, and creolité contribute to theories of in-betweenness and incompleteness central to postcolonial modes. In each chapter, lively and detailed analyses of literary and critical texts reveal connections between key thematic, conceptual, rhetorical, and psychic issues that form the interface of Caribbean and postcolonial concerns. The first part paves theoretical ground, focusing on readings of two seminal texts, Césaire's Cahier d'un retour au pays natal and Glissant's Discours antillais; the second part concentrates on Maryse Condé's exemplary work. Lucidly articulating the overlap and interplay of the distance of oceanic crossing, the discontinuities of allegorical signification, and the gap at the heart of trauma, Suk probes the paradoxical dynamic of impossible yet inevitable returns in space, time, and the psyche. She shows how literal and metaphorical "crossings" both produce and impede history and representation. The result is a new framework for understanding the intersection of postcolonial, psychoanalytic, deconstructive, and French Caribbean problems in a language attentive to improbable recurrences across theories and registers. Postcolonial Paradoxes is a major contribution to criticism and theory, of interest to scholars and students of postcolonialism, Caribbean and African diaspora literature, French literature, and psychoanalysis.
