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Author: Ian D Rotherham
Publisher: Pen and Sword Military
ISBN: 1399066153
Category : History
Languages : en
Pages : 442
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Book Description
This comprehensive study explores the landscapes and heritage of past conflicts along with defensive and offensive structures. Throughout history, nature – its resources, landscape and terrain – has shaped the tactics of warfare and determined its outcomes. From the medieval English Fens to the 20th century Iraqi Marsh Arabs, landscapes have fostered resistance and dissention. Harnessed by people under threat the landscape has influenced strategies and tactics. Water and wetland halted campaigns in the Florida Everglades and in the Franco-Prussian War of the late 1800s. In the Second World War the Dutch flooded the drained polders to halt the Nazi advance and in 1938 the Chinese nationalist forces breached the flood-dykes of the Yellow River to halt the Japanese advance. Mountain ranges and deserts have long provided landscapes for resistance fighters. From the former Yugoslavia to Afghanistan these gnarly battlescapes traverse time and space. Libyan fighters held off invading Italian forces by operating from the caves and valleys of the Green Mountains and the Welsh defended their mountainous principalities against the Angevin Normans. The landscapes and heritage of past conflicts, defensive and offensive structures, and much more are brough together in this comprehensive study.
Author: Ian D Rotherham
Publisher: Pen and Sword Military
ISBN: 1399066153
Category : History
Languages : en
Pages : 442
Get Book Here
Book Description
This comprehensive study explores the landscapes and heritage of past conflicts along with defensive and offensive structures. Throughout history, nature – its resources, landscape and terrain – has shaped the tactics of warfare and determined its outcomes. From the medieval English Fens to the 20th century Iraqi Marsh Arabs, landscapes have fostered resistance and dissention. Harnessed by people under threat the landscape has influenced strategies and tactics. Water and wetland halted campaigns in the Florida Everglades and in the Franco-Prussian War of the late 1800s. In the Second World War the Dutch flooded the drained polders to halt the Nazi advance and in 1938 the Chinese nationalist forces breached the flood-dykes of the Yellow River to halt the Japanese advance. Mountain ranges and deserts have long provided landscapes for resistance fighters. From the former Yugoslavia to Afghanistan these gnarly battlescapes traverse time and space. Libyan fighters held off invading Italian forces by operating from the caves and valleys of the Green Mountains and the Welsh defended their mountainous principalities against the Angevin Normans. The landscapes and heritage of past conflicts, defensive and offensive structures, and much more are brough together in this comprehensive study.
Author: Jim Masselos
Publisher: Penguin UK
ISBN: 9351181995
Category : Art
Languages : en
Pages : 241
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Book Description
Beato’s Delhi offers a pictorial history of Delhi, brought vividly to life through the visual virtuosity of Felice A. Beato, the famous nineteenth-century photographer who came to India to record the last embers of the 1857 ‘Mutiny’, and Jim Masselos who, in 1997, retraced Beato’s footsteps and photographed the same sites as far as possible. By the time Beato reached Delhi in January 1858, the British had already subdued the city, so he could not record the military campaign itself. However, his lens was perhaps the first to capture the battleground and other places of note in that campaign, providing for posterity some unique views of Old Delhi before substantial parts of it were demolished in the aftermath of 1857, or radically redeveloped as the years progressed. Beato’s luminous views are juxtaposed with Masselos’s present-day photographs of the bustling metropolis, shedding light on how the face of Delhi has transformed in the intervening 154 years. Supplemented with an illuminating text by Masselos and Narayani Gupta, Beato’s Delhi is a moving testament to the resilience of this ever-evolving city.
Author: Danielle Drozdzewski
Publisher: Routledge
ISBN: 131741134X
Category : Science
Languages : en
Pages : 276
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Book Description
This book bridges theoretical gaps that exist between the meta-concepts of memory, place and identity by positioning its lens on the emplaced practices of commemoration and the remembrance of war and conflict. This book examines how diverse publics relate to their wartime histories through engagements with everyday collective memories, in differing places. Specifically addressing questions of place-making, displacement and identity, contributions shed new light on the processes of commemoration of war in everyday urban façades and within generations of families and national communities. Contributions seek to clarify how we connect with memories and places of war and conflict. The spatial and narrative manifestations of attempts to contextualise wartime memories of loss, trauma, conflict, victory and suffering are refracted through the roles played by emotion and identity construction in the shaping of post-war remembrances. This book offers a multidisciplinary perspective, with insights from history, memory studies, social psychology, cultural and urban geography, to contextualise memories of war and their ‘use’ by national governments, perpetrators, victims and in family histories.
Author: Anastasia Bakogianni
Publisher: Bloomsbury Publishing
ISBN: 1472527550
Category : History
Languages : en
Pages : 473
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Book Description
War as Spectacle examines the display of armed conflict in classical antiquity and its impact in the modern world. The contributors address the following questions: how and why was war conceptualized as a spectacle in our surviving ancient Greek and Latin sources? How has this view of war been adapted in post-classical contexts and to what purpose? This collection of essays engages with the motif of war as spectacle through a variety of theoretical and methodological pathways and frameworks. They include the investigation of the portrayal of armed conflict in ancient Greek and Latin Literature, History and Material Culture, as well as the reception of these ancient narratives and models in later periods in a variety of media. The collection also investigates how classical models contribute to contemporary debates about modern wars, including the interrogation of propaganda and news coverage. Embracing an interdisciplinary approach to the study of ancient warfare and its impact, the volume looks at a variety of angles and perspectives, including visual display and its exploitation for political capital, the function of internal and external audiences, ideology and propaganda and the commentary on war made possible by modern media. The reception of the theme in other cultures and eras demonstrates its continued relevance and the way antiquity is used to justify as well as to critique later conflicts.
Author: Philippe Bourbeau
Publisher: Cambridge University Press
ISBN: 1316432394
Category : Political Science
Languages : en
Pages : 297
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Book Description
Security is a vital subject of study in the twenty-first century and a central theme in many social science disciplines. This volume provides a comparative analysis of the ways in which the concept of security is theorized and studied across different disciplines. The book has two objectives: first, to explore the growing diversity of theories, paradigms, and methods developed to study security; and, second, to initiate a multidisciplinary dialogue about the ontological, epistemological, paradigmatic, and normative aspects of security studies in social sciences. Readers across nine fields are invited to reflect on their conceptualizations of security and to consider how an interdisciplinary dialogue can stimulate and enrich the understanding of security in our contemporary world. Analytically sharp yet easy to read, this is a cutting-edge volume exploring what security is and what it means in today's world.
Author: J. Patrick Williams
Publisher: McFarland
ISBN: 0786428325
Category : Games & Activities
Languages : en
Pages : 315
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Book Description
Digital games have become an increasingly pervasive aspect of everyday life as well as an embattled cultural phenomenon in the twenty-first century. As new media technologies diffuse around the world and as the depth and complexity of gaming networks increase, scholars are becoming increasingly savvy in their approach to digital games. While aesthetic and psychological approaches to the study of digital games have garnered the most attention in the past, scholars have only recently begun to study the important social and cultural aspects of digital games. This study sketches some of the various trajectories of digital games in modern Western societies, looking first at the growth and persistence of the moral panic that continues to accompany massive public interest in digital games. The book then continues with what it deems a new phase of games research exemplified by systematic examination of specific aspects of digital games and gaming. Section One includes four chapters that collectively consider politics and the negotiation of power in game worlds. Section Two details the ideological webs within which games are produced and consumed. Specifically, this important section offers a critical cultural analysis of the hegemony that exists within games and its influence upon players' personal ideologies. To conclude this analysis, Section Three examines game design features that relate to players' self-characterization and social development within digital game worlds. Section Four explores the important relationship between the producers and consumers of digital games, especially insomuch as this relationship is giving rise to a community of novices and professionals who will together determine the future of gaming and--to a degree--popular culture.
Author: Michael D. J. Bintley
Publisher: Boydell & Brewer Ltd
ISBN: 178327008X
Category : Art
Languages : en
Pages : 314
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Book Description
Essays on the depiction of animals, birds and insects in early medieval material culture, from texts to carvings to the landscape itself. For people in the early Middle Ages, the earth, air, water and ether teemed with other beings. Some of these were sentient creatures that swam, flew, slithered or stalked through the same environments inhabited by their human contemporaries. Others were objects that a modern beholder would be unlikely to think of as living things, but could yet be considered to possess a vitality that rendered them potent. Still others were things half glimpsed on a dark night or seen only in the mind's eye; strange beasts that haunted dreams and visions or inhabited exotic lands beyond the compass of everyday knowledge. This book discusses the various ways in which the early English and Scandinavians thought about and represented these other inhabitants of their world, and considers the multi-faceted nature of the relationship between people and beasts. Drawing on the evidence of material culture, art, language, literature, place-names and landscapes, the studies presented here reveal a world where the boundaries between humans, animals, monsters and objects were blurred and often permeable, and where to represent the bestial could be to holda mirror to the self. Michael D.J. Bintley is Senior Lecturer in Medieval Literature at Canterbury Christ Church University; Thomas J.T. Williams is a doctoral researcher at UCL's Institute of Archaeology. Contributors: Noël Adams, John Baker, Michael D. J. Bintley, Sue Brunning, László Sándor Chardonnens, Della Hooke, Eric Lacey, Richard North, Marijane Osborn, Victoria Symons, Thomas J. Williams
Author: Ada Cohen
Publisher: Cambridge University Press
ISBN: 0521769043
Category : Architecture
Languages : en
Pages : 425
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Book Description
In her pursuit of metaphorical, transhistorical imagery, representing men as predators and women as their victims over the centuries, Cohen (Dartmouth) lays out a vast network of interpretive associations that have neither cultural nor chronological limits. Developing her analysis of three late-fourth-century BCE Macedonian monumental themes--the abduction of Helen, the lion hunt, and war--Cohen puts them into a context of large significance through her creation of an ingenious, erudite, and extended repertory of analogous images, accompanied by well-selected exempla. Her proposed network traces patterns established by anthropological perspectives of masculinity and its association with aggressive violence and by principles of feminist ideology, partly derived from Judith Butler. The book's introduction and many subsequent methodological digressions set out the conceptual lines of her approach, as do paradigmatic chapter headings, e.g., "War as Hunt: Hunt as War?" "Rape as Hunt: Hunt as Rape?" and "Rape as War: War as Rape?" Provocative indeed, her categories of enduring imagery challenge traditional views of ancient art in ways both beneficial and problematic, viz., her remark "Ovid, the premier Freudian thinker of the Roman World." Whether modern conceptions of sexuality and the struggles of contrasting genders pertain to antiquity remains as an acknowledged issue. Summing Up: Recommended. Graduate students through faculty/researchers. Graduate Students; Researchers/Faculty. Reviewed by R. Brilliant.
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 186
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Book Description
Author: Sarah Monks
Publisher: Routledge
ISBN: 1351559966
Category : Art
Languages : en
Pages : 278
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Book Description
Living with the Royal Academy: Artistic Ideals and Experiences in England, 1768-1848 offers a range of case studies which consider individual artists' personal, professional and artistic relationships with the Royal Academy during the late eighteenth and early nineteenth centuries, bringing together the research of leading historians of British artistic culture during this period. Over its introduction and nine essays, this collection considers the Academy as a lived organism whose most effective role, following its establishment in 1768, was as a reference point towards, around and against which artists operated in their relationships with each other and with artistic practice itself. In so doing, this collection also considers the relationship between Academic ideals and individual practice (as well as lived experience) during this period of art?s increasingly public manifestation at the Academy. Individual artists examined include Joshua Reynolds, Joseph Wright of Derby, Benjamin West and William Etty. Thinking beyond the dichotomy of loyalism and rebellion - and complicating notions of the Academy as a monolithic ossifying institution from which progressive artists would be ?liberated? in the wake of the Pre-Raphaelite Brotherhood?s emergence in 1848 - this volume investigates the Academy?s varied impact upon the lives, experiences and ideals of its diverse artistic communities.
