Author: Charles M. Haecker
Publisher:
ISBN:
Category : Battlefields
Languages : en
Pages : 256
Book Description
A Thunder of Cannon
Author: Charles M. Haecker
Publisher:
ISBN:
Category : Battlefields
Languages : en
Pages : 256
Book Description
Publisher:
ISBN:
Category : Battlefields
Languages : en
Pages : 256
Book Description
Battle Bond
Author: Lindsay Buroker
Publisher:
ISBN: 9781951367046
Category : Fiction
Languages : en
Pages : 276
Book Description
If you think having one dragon around messes up your life, imagine what it's like when a second one shows up. I'm Val Thorvald, assassin of magical bad guys and tenuous ally to the dragon lord Zav. He still calls me a mongrel and thinks I'm a criminal, but he healed my wounds after we fought those dark elves together. That's progress, right? Maybe one day, he'll deign to use my name. Not that this is my primary concern. I'm busy with a new assignment. Nin, the awesome lady who makes my magical weapons, has a werewolf problem. Specifically, sleazy loser werewolf competitors who want to drive her out of business. Or worse. Normally, a couple of werewolves wouldn't be a big deal, but these ones have powerful allies. And then there's that new dragon. It turns out he's one of Zav's enemies, and he wants to use me against him. I don't know why he's picking on me--it's not like I mean something to Zav--but somehow I've gotten stuck in the middle of dragon politics. If you think that sounds like a nightmare, you're right. If I can't figure out a way to help my friend with the werewolves while keeping these dragons from tearing me apart, we're both going to end up flatter than the deck chairs when Zav lands on the roof of my apartment building.
Publisher:
ISBN: 9781951367046
Category : Fiction
Languages : en
Pages : 276
Book Description
If you think having one dragon around messes up your life, imagine what it's like when a second one shows up. I'm Val Thorvald, assassin of magical bad guys and tenuous ally to the dragon lord Zav. He still calls me a mongrel and thinks I'm a criminal, but he healed my wounds after we fought those dark elves together. That's progress, right? Maybe one day, he'll deign to use my name. Not that this is my primary concern. I'm busy with a new assignment. Nin, the awesome lady who makes my magical weapons, has a werewolf problem. Specifically, sleazy loser werewolf competitors who want to drive her out of business. Or worse. Normally, a couple of werewolves wouldn't be a big deal, but these ones have powerful allies. And then there's that new dragon. It turns out he's one of Zav's enemies, and he wants to use me against him. I don't know why he's picking on me--it's not like I mean something to Zav--but somehow I've gotten stuck in the middle of dragon politics. If you think that sounds like a nightmare, you're right. If I can't figure out a way to help my friend with the werewolves while keeping these dragons from tearing me apart, we're both going to end up flatter than the deck chairs when Zav lands on the roof of my apartment building.
The Rough Guide to James Bond
Author: Paul Simpson
Publisher: Rough Guides
ISBN: 9781843531425
Category : Literary Criticism
Languages : en
Pages : 292
Book Description
Publisher: Rough Guides
ISBN: 9781843531425
Category : Literary Criticism
Languages : en
Pages : 292
Book Description
James Bond's Evolution
Author: Nader Elhefnawy
Publisher: Nader Elhefnawy
ISBN:
Category : Literary Criticism
Languages : en
Pages : 203
Book Description
Just what inspired Ian Fleming's original James Bond novels? What exactly did they do to lay the foundations for the classic Bond films of the '60s-and how did the films break with the books? How did EON Productions manage to keep audiences coming back for decades? What really changed in the reboot-and what stayed the same? How do the later Bond novels of writers like John Gardner and William Boyd fit into the bigger picture? JAMES BOND'S EVOLUTION: FROM CASINO ROYALE TO SPECTRE looks at all these questions and more in a study not just of the novels or the films but both which traces the broader Bond phenomenon from its origins in post-World War II Britain to the present. In doing so it looks not just at where it all came from, but how the Bond films and books were transformed time and again to stay popular through six tumultuous decades of political and cultural change.
Publisher: Nader Elhefnawy
ISBN:
Category : Literary Criticism
Languages : en
Pages : 203
Book Description
Just what inspired Ian Fleming's original James Bond novels? What exactly did they do to lay the foundations for the classic Bond films of the '60s-and how did the films break with the books? How did EON Productions manage to keep audiences coming back for decades? What really changed in the reboot-and what stayed the same? How do the later Bond novels of writers like John Gardner and William Boyd fit into the bigger picture? JAMES BOND'S EVOLUTION: FROM CASINO ROYALE TO SPECTRE looks at all these questions and more in a study not just of the novels or the films but both which traces the broader Bond phenomenon from its origins in post-World War II Britain to the present. In doing so it looks not just at where it all came from, but how the Bond films and books were transformed time and again to stay popular through six tumultuous decades of political and cultural change.
Nobel Universal Graphical Language
Author: Milan Randic
Publisher: Xlibris Corporation
ISBN: 1453518185
Category : Language Arts & Disciplines
Languages : en
Pages : 546
Book Description
Nobel is a pictographic language based on some 120 basic signs and many arrows of different shape that are mutually combined. It is named after Alfred Nobel (18331896), Swedish chemist and industrialist, inventor of dynamite, who left most of his fortune to a foundation that annually gives awards to individuals whose work is characterized as greatest benefit to mankind, known as Nobel Prizes. Besides the awards for sciences and literature significantly, Alfred Nobel included, among others, a prize for peace (that besides individuals, also organizations may obtain). Although it would be utopian to believe that human conflicts could be avoided if communication tools would improve, the emergence of universal languages certainly cannot make the situation worse! Universal languages are a communication tool, which makes it possible for people of no common language to communicate. They are graphic, but they should be distinguished from picture writings, which only passively offer information on some event or give messages. Universal languages have more similarity with the sign languages that are used for people who lost hearing or the sign language of American Plains Indians, who spoke different languages and could communicate by sign language that they developed. However, written language has some advantages over hand sign languages in that one can communicate at a great distance, particularly today in the age of fax and computer communications, and that one can leave messages for posterity. This is not the place to argue for or against the promise of written sign languages. Graphic (written) sign languages exist today, and the best known are Chinese characters used in China and Japan. The problem with Chinese characters is that there are too many characters and it is difficult to learn so many. It takes years for children in China and Japan to learn so many different characters, and the task would be even harder for grown people to learn if they have not done this when young. Nobel is designed to remove this difficulty and is based on the following requirements: 1. SMALL NUMBER OF BASIC SIGNS 2. SIGNS SHOULD BE EASY TO RECOGNIZE 3. SIGNS SHOULD BE EASY TO REPRODUCE 4. COMBINATIONS LIMITED TO THREE SIGNS 5. COMPLEMENTARY We have already mentioned that Nobel uses about 120 basic signs, which can be viewed as a small number, particularly in view of over 100 signs of Nobel that are so obvious that they can be easily absorbed. The other requirements are also very important. There are many signs that can be easily recognized, but in order to be acceptable for Nobel, they also need to be easily reproduced, because that will facilitate communication. Also, when making combinations of signs, one has to make some restriction in order to maintain clarity, so we decided to have no more than three signs combined into single word. Finally, the last requirement, that of complementarities, needs some explanation. Besides having signs that one can easily recognize and easily draw, one needs some structure to be embedded into composition of signs that facilitates one to remember and learn signs easily. We refer to this structure as complementary or, broadly speaking, associational, and what it implies is that words and objects that are related should have related signs. Thus, for example, pairs of words like man-woman, cat-dog, coffee-tea, good-bad, love-hate, etc., should have signs that are in some opposition, while words like smoke-flame-fire, tree-wood-forest, water-sea-ocean, good-better-best should have signs that are in competition. With this in mind when one sees and learns the basic signs, the meaning of many combinations of signs can be in advance anticipated. This helps one to learn Nobel rather fast; not months, not weeks, perhaps not even days, but a couple of hours may suffice that one may learn hundreds and hundreds of words. In this respect, Nobel may be unique among languages written, spoken of,
Publisher: Xlibris Corporation
ISBN: 1453518185
Category : Language Arts & Disciplines
Languages : en
Pages : 546
Book Description
Nobel is a pictographic language based on some 120 basic signs and many arrows of different shape that are mutually combined. It is named after Alfred Nobel (18331896), Swedish chemist and industrialist, inventor of dynamite, who left most of his fortune to a foundation that annually gives awards to individuals whose work is characterized as greatest benefit to mankind, known as Nobel Prizes. Besides the awards for sciences and literature significantly, Alfred Nobel included, among others, a prize for peace (that besides individuals, also organizations may obtain). Although it would be utopian to believe that human conflicts could be avoided if communication tools would improve, the emergence of universal languages certainly cannot make the situation worse! Universal languages are a communication tool, which makes it possible for people of no common language to communicate. They are graphic, but they should be distinguished from picture writings, which only passively offer information on some event or give messages. Universal languages have more similarity with the sign languages that are used for people who lost hearing or the sign language of American Plains Indians, who spoke different languages and could communicate by sign language that they developed. However, written language has some advantages over hand sign languages in that one can communicate at a great distance, particularly today in the age of fax and computer communications, and that one can leave messages for posterity. This is not the place to argue for or against the promise of written sign languages. Graphic (written) sign languages exist today, and the best known are Chinese characters used in China and Japan. The problem with Chinese characters is that there are too many characters and it is difficult to learn so many. It takes years for children in China and Japan to learn so many different characters, and the task would be even harder for grown people to learn if they have not done this when young. Nobel is designed to remove this difficulty and is based on the following requirements: 1. SMALL NUMBER OF BASIC SIGNS 2. SIGNS SHOULD BE EASY TO RECOGNIZE 3. SIGNS SHOULD BE EASY TO REPRODUCE 4. COMBINATIONS LIMITED TO THREE SIGNS 5. COMPLEMENTARY We have already mentioned that Nobel uses about 120 basic signs, which can be viewed as a small number, particularly in view of over 100 signs of Nobel that are so obvious that they can be easily absorbed. The other requirements are also very important. There are many signs that can be easily recognized, but in order to be acceptable for Nobel, they also need to be easily reproduced, because that will facilitate communication. Also, when making combinations of signs, one has to make some restriction in order to maintain clarity, so we decided to have no more than three signs combined into single word. Finally, the last requirement, that of complementarities, needs some explanation. Besides having signs that one can easily recognize and easily draw, one needs some structure to be embedded into composition of signs that facilitates one to remember and learn signs easily. We refer to this structure as complementary or, broadly speaking, associational, and what it implies is that words and objects that are related should have related signs. Thus, for example, pairs of words like man-woman, cat-dog, coffee-tea, good-bad, love-hate, etc., should have signs that are in some opposition, while words like smoke-flame-fire, tree-wood-forest, water-sea-ocean, good-better-best should have signs that are in competition. With this in mind when one sees and learns the basic signs, the meaning of many combinations of signs can be in advance anticipated. This helps one to learn Nobel rather fast; not months, not weeks, perhaps not even days, but a couple of hours may suffice that one may learn hundreds and hundreds of words. In this respect, Nobel may be unique among languages written, spoken of,
Pickett's Charge in History and Memory
Author: Carol Reardon
Publisher: UNC Press Books
ISBN: 0807873543
Category : History
Languages : en
Pages : 296
Book Description
If, as many have argued, the Civil War is the most crucial moment in our national life and Gettysburg its turning point, then the climax of the climax, the central moment of our history, must be Pickett's Charge. But as Carol Reardon notes, the Civil War saw many other daring assaults and stout defenses. Why, then, is it Pickett's Charge at Gettysburg--and not, for example, Richardson's Charge at Antietam or Humphreys's Assault at Fredericksburg--that looms so large in the popular imagination? As this innovative study reveals, by examining the events of 3 July 1863 through the selective and evocative lens of 'memory' we can learn much about why Pickett's Charge endures so strongly in the American imagination. Over the years, soldiers, journalists, veterans, politicians, orators, artists, poets, and educators, Northerners and Southerners alike, shaped, revised, and even sacrificed the 'history' of the charge to create 'memories' that met ever-shifting needs and deeply felt values. Reardon shows that the story told today of Pickett's Charge is really an amalgam of history and memory. The evolution of that mix, she concludes, tells us much about how we come to understand our nation's past.
Publisher: UNC Press Books
ISBN: 0807873543
Category : History
Languages : en
Pages : 296
Book Description
If, as many have argued, the Civil War is the most crucial moment in our national life and Gettysburg its turning point, then the climax of the climax, the central moment of our history, must be Pickett's Charge. But as Carol Reardon notes, the Civil War saw many other daring assaults and stout defenses. Why, then, is it Pickett's Charge at Gettysburg--and not, for example, Richardson's Charge at Antietam or Humphreys's Assault at Fredericksburg--that looms so large in the popular imagination? As this innovative study reveals, by examining the events of 3 July 1863 through the selective and evocative lens of 'memory' we can learn much about why Pickett's Charge endures so strongly in the American imagination. Over the years, soldiers, journalists, veterans, politicians, orators, artists, poets, and educators, Northerners and Southerners alike, shaped, revised, and even sacrificed the 'history' of the charge to create 'memories' that met ever-shifting needs and deeply felt values. Reardon shows that the story told today of Pickett's Charge is really an amalgam of history and memory. The evolution of that mix, she concludes, tells us much about how we come to understand our nation's past.
Cruising World
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1190
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1190
Book Description
Army Ordnance
Author:
Publisher:
ISBN:
Category : Ordnance
Languages : en
Pages : 604
Book Description
Publisher:
ISBN:
Category : Ordnance
Languages : en
Pages : 604
Book Description
The Fitch Bond Book
Author: Fitch Investors Service
Publisher:
ISBN:
Category : Bonds
Languages : en
Pages : 2678
Book Description
Publisher:
ISBN:
Category : Bonds
Languages : en
Pages : 2678
Book Description
Mobilizing the Home Front
Author: James J. Kimble
Publisher: Texas A&M University Press
ISBN: 9781585444854
Category : History
Languages : en
Pages : 228
Book Description
Kimble examines the U.S. Treasury’s eight war bond drives that raised over $185 billion—the largest single domestic propaganda campaign known to that time. The campaign enlisted such figures as Judy Garland, Norman Rockwell, Irving Berlin, and Donald Duck to cultivate national morale and convince Americans to buy war bonds.
Publisher: Texas A&M University Press
ISBN: 9781585444854
Category : History
Languages : en
Pages : 228
Book Description
Kimble examines the U.S. Treasury’s eight war bond drives that raised over $185 billion—the largest single domestic propaganda campaign known to that time. The campaign enlisted such figures as Judy Garland, Norman Rockwell, Irving Berlin, and Donald Duck to cultivate national morale and convince Americans to buy war bonds.