Author: Batia Suter
Publisher:
ISBN: 9789492811233
Category : Appropriation (Art)
Languages : en
Pages : 296
Book Description
The imagery in this book, which revolves around radial shapes and concepts, also forms the basis of a video work in the exhibition. Specific for the book is the use of two separate layers of black ink, allowing Suter to create double images and to merge patterns and screens. Departing from pages scanned from her collection of second hand tomes--mainly concerning natural science, precision machinery, and art history--Suter freely manipulates them and reorders them within the space of a book, which can be seen as a condensed exhibition on paper. The result is a journey along visual phenomena that reconnects us with the endless curiosity and patience of our younger selves leafing through an encyclopedia, unattended and unable to read, yet all the more sensitive to its inner visual rhymes and correspondences. With a text by Henri Michaux from 1968 [in English translation and French].
Hexamiles (Mont-Voisin). Batia Suter
Author:
Publisher:
ISBN: 9789492811592
Category :
Languages : en
Pages : 256
Book Description
This volume is published on the occasion of Batia Suter?s exhibition at the Mauvoisin Dam in Switzerland. Suter focuses on her ever-expanding archive of scanned landscape images, which has already played an important role in her earlier publications. Many of the images depict wastelands, alternating between romantic and menacing views which create simultaneous sensations of majesty and disorientation. Through layering, a variety of disparate geological and biological environments merge into composite, dreamlike landscapes in a kind of adventurous journey. The book?s title is derived from the term ?Hexameter?, a poetic form of writing used in Homer?s ?Odyssey?. 00Exhibition: Musée de Bagnes & Mauvoisin Dam, Verbier, Switzerland (15.06.-29.09.2019).
Publisher:
ISBN: 9789492811592
Category :
Languages : en
Pages : 256
Book Description
This volume is published on the occasion of Batia Suter?s exhibition at the Mauvoisin Dam in Switzerland. Suter focuses on her ever-expanding archive of scanned landscape images, which has already played an important role in her earlier publications. Many of the images depict wastelands, alternating between romantic and menacing views which create simultaneous sensations of majesty and disorientation. Through layering, a variety of disparate geological and biological environments merge into composite, dreamlike landscapes in a kind of adventurous journey. The book?s title is derived from the term ?Hexameter?, a poetic form of writing used in Homer?s ?Odyssey?. 00Exhibition: Musée de Bagnes & Mauvoisin Dam, Verbier, Switzerland (15.06.-29.09.2019).
Batia Suter
Author: Batia Suter
Publisher:
ISBN: 9789492811233
Category : Appropriation (Art)
Languages : en
Pages : 296
Book Description
The imagery in this book, which revolves around radial shapes and concepts, also forms the basis of a video work in the exhibition. Specific for the book is the use of two separate layers of black ink, allowing Suter to create double images and to merge patterns and screens. Departing from pages scanned from her collection of second hand tomes--mainly concerning natural science, precision machinery, and art history--Suter freely manipulates them and reorders them within the space of a book, which can be seen as a condensed exhibition on paper. The result is a journey along visual phenomena that reconnects us with the endless curiosity and patience of our younger selves leafing through an encyclopedia, unattended and unable to read, yet all the more sensitive to its inner visual rhymes and correspondences. With a text by Henri Michaux from 1968 [in English translation and French].
Publisher:
ISBN: 9789492811233
Category : Appropriation (Art)
Languages : en
Pages : 296
Book Description
The imagery in this book, which revolves around radial shapes and concepts, also forms the basis of a video work in the exhibition. Specific for the book is the use of two separate layers of black ink, allowing Suter to create double images and to merge patterns and screens. Departing from pages scanned from her collection of second hand tomes--mainly concerning natural science, precision machinery, and art history--Suter freely manipulates them and reorders them within the space of a book, which can be seen as a condensed exhibition on paper. The result is a journey along visual phenomena that reconnects us with the endless curiosity and patience of our younger selves leafing through an encyclopedia, unattended and unable to read, yet all the more sensitive to its inner visual rhymes and correspondences. With a text by Henri Michaux from 1968 [in English translation and French].
Batia Suter, Surface Series
Author: Dieter Roelstraete
Publisher:
ISBN: 9789077459645
Category : Landscape photography
Languages : en
Pages : 237
Book Description
Surface Series - created by Batia Suter between 2008 and 2011 - contains images and fragments from other books. The recurrent use of photographic images is a common denominator in the work of Suter. Since the 1990s she makes use of enlarged photographic images to cover entire walls of exhibition spaces, exploring trompe loeil effects and the relationship between the inside and outside of those spaces. In the same way she makes her books, like specific exhibitions on paper.
Publisher:
ISBN: 9789077459645
Category : Landscape photography
Languages : en
Pages : 237
Book Description
Surface Series - created by Batia Suter between 2008 and 2011 - contains images and fragments from other books. The recurrent use of photographic images is a common denominator in the work of Suter. Since the 1990s she makes use of enlarged photographic images to cover entire walls of exhibition spaces, exploring trompe loeil effects and the relationship between the inside and outside of those spaces. In the same way she makes her books, like specific exhibitions on paper.
BATIA SUTER - PARALLEL ENCYCLOPEDIA 1 REPRINT.
Author:
Publisher:
ISBN: 9789492811981
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9789492811981
Category :
Languages : en
Pages :
Book Description
Miffed Ruffianz
Author: Rodger Binyone
Publisher:
ISBN: 9781945509193
Category :
Languages : en
Pages : 32
Book Description
Master of psychedelic mechanics Rodger Binyone presents Miffed Ruffianz: 32 neon Pantone pages following the blazzzed up, burned out, over-medium Sci-Fi Punk Maniacz taking the localz by storm. Retro-future rock band shredz & medz it's way to battle sworn rivalz, laying waste to the Regularz along the way. Limited printing of 1,000.
Publisher:
ISBN: 9781945509193
Category :
Languages : en
Pages : 32
Book Description
Master of psychedelic mechanics Rodger Binyone presents Miffed Ruffianz: 32 neon Pantone pages following the blazzzed up, burned out, over-medium Sci-Fi Punk Maniacz taking the localz by storm. Retro-future rock band shredz & medz it's way to battle sworn rivalz, laying waste to the Regularz along the way. Limited printing of 1,000.
The Mating Habits of Lines
Author: Ree Morton
Publisher: Fleming Museum of Art
ISBN:
Category : Art
Languages : en
Pages : 138
Book Description
This is a catalog with full-page color reproductions of sheets selected from Morton's notebook and sketchbook from 1968 to 1977. Back material includes an exhibition checklist, a 3-page essay by Allen Schwartzman titled Ree Morton - a reconsideration; an afterword by Barbara Zucker, and acknowledgments by Janie Cohen. The catalog was published on the occasion of an exhibition by the same title held at the Robert Hull Fleming Museum, University of Vermont.
Publisher: Fleming Museum of Art
ISBN:
Category : Art
Languages : en
Pages : 138
Book Description
This is a catalog with full-page color reproductions of sheets selected from Morton's notebook and sketchbook from 1968 to 1977. Back material includes an exhibition checklist, a 3-page essay by Allen Schwartzman titled Ree Morton - a reconsideration; an afterword by Barbara Zucker, and acknowledgments by Janie Cohen. The catalog was published on the occasion of an exhibition by the same title held at the Robert Hull Fleming Museum, University of Vermont.
Another World: The Transcendental Painting Group
Author: Michael Duncan
Publisher:
ISBN: 9781942884873
Category :
Languages : en
Pages : 240
Book Description
Abstract painting meets theosophical spirituality in 1930s New Mexico: the first book on a radical, astonishingly prescient episode in American modernism Founded in Santa Fe and Taos, New Mexico, in 1938, at a time when social realism reigned in American art, the Transcendental Painting Group (TPG) sought to promote abstract art that pursued enlightenment and spiritual illumination. The nine original members of the Transcendental Painting Group were Emil Bisttram, Robert Gribbroek, Lawren Harris, Raymond Jonson, William Lumpkins, Florence Miller Pierce, Agnes Pelton, Horace Towner Pierce and Stuart Walker. They were later joined by Ed Garman. Despite the quality of their works, these Southwest artists have been neglected in most surveys of American art, their paintings rarely exhibited outside of New Mexico. Faced with the double disadvantage of being an openly spiritual movement from the wrong side of the Mississippi, the TPG has remained a secret mostly known only to cognoscenti. Another World: The Transcendental Painting Group aims to address this slight, claiming the group's artists as crucial contributors to an alternative through-line in 20th-century abstraction, one with renewed relevance today. This volume provides a broad perspective on the group's work, positioning it within the history of modern painting and 20th-century American art. Essays examine the TPG in light of their international artistic peers; their involvement with esoteric thought and Theosophy; the group's sources in the culture and landscape of the American Southwest; and the experience of its two female members.
Publisher:
ISBN: 9781942884873
Category :
Languages : en
Pages : 240
Book Description
Abstract painting meets theosophical spirituality in 1930s New Mexico: the first book on a radical, astonishingly prescient episode in American modernism Founded in Santa Fe and Taos, New Mexico, in 1938, at a time when social realism reigned in American art, the Transcendental Painting Group (TPG) sought to promote abstract art that pursued enlightenment and spiritual illumination. The nine original members of the Transcendental Painting Group were Emil Bisttram, Robert Gribbroek, Lawren Harris, Raymond Jonson, William Lumpkins, Florence Miller Pierce, Agnes Pelton, Horace Towner Pierce and Stuart Walker. They were later joined by Ed Garman. Despite the quality of their works, these Southwest artists have been neglected in most surveys of American art, their paintings rarely exhibited outside of New Mexico. Faced with the double disadvantage of being an openly spiritual movement from the wrong side of the Mississippi, the TPG has remained a secret mostly known only to cognoscenti. Another World: The Transcendental Painting Group aims to address this slight, claiming the group's artists as crucial contributors to an alternative through-line in 20th-century abstraction, one with renewed relevance today. This volume provides a broad perspective on the group's work, positioning it within the history of modern painting and 20th-century American art. Essays examine the TPG in light of their international artistic peers; their involvement with esoteric thought and Theosophy; the group's sources in the culture and landscape of the American Southwest; and the experience of its two female members.
This is how it Happened
Author: Amelie von Wulffen
Publisher: Distanz
ISBN: 9783942405362
Category : Drawing
Languages : en
Pages : 0
Book Description
This is How it Happened is an artist's book dedicated to a body of comic watercolor works made by the artist Amelie von Wulffen. She paints a bucolic world inhabited by fruits, vegetables, sausages, tools and paintbrushes, recalling the traditional genre of children's books. But the series's enchanting style belies its deeply serious themes--isolation and violence, discipline and failure, trauma and humiliation.
Publisher: Distanz
ISBN: 9783942405362
Category : Drawing
Languages : en
Pages : 0
Book Description
This is How it Happened is an artist's book dedicated to a body of comic watercolor works made by the artist Amelie von Wulffen. She paints a bucolic world inhabited by fruits, vegetables, sausages, tools and paintbrushes, recalling the traditional genre of children's books. But the series's enchanting style belies its deeply serious themes--isolation and violence, discipline and failure, trauma and humiliation.
Useful Photography
Author: Erik Kessels
Publisher:
ISBN: 9789075380842
Category : Camouflage (Military science)
Languages : en
Pages : 0
Book Description
Fashion design is not a category usually associated with war, but in fact it is a consideration that all war-mongers must take into account when they are planning battles, be they naval or air, military or rebel, national or international. Every country in the world has its own camouflage--can you tell from the various patterns which country is trying to hide from you? "Useful Photography No. 4: The War Special" exhibits what different countries wear when they go to war and the products that keep them hidden on the front lines.
Publisher:
ISBN: 9789075380842
Category : Camouflage (Military science)
Languages : en
Pages : 0
Book Description
Fashion design is not a category usually associated with war, but in fact it is a consideration that all war-mongers must take into account when they are planning battles, be they naval or air, military or rebel, national or international. Every country in the world has its own camouflage--can you tell from the various patterns which country is trying to hide from you? "Useful Photography No. 4: The War Special" exhibits what different countries wear when they go to war and the products that keep them hidden on the front lines.
Kara Walker
Author: Kara Walker
Publisher:
ISBN: 9789491843990
Category : African American women
Languages : en
Pages :
Book Description
Kara Walker began this sketchbook in Munich in 1999, when she was 29 years old. Like most sketchbooks it served as a portal between the real world and the realm of her imagination. Although it was never intended to be shared, nevertheless quite a bit of ?work? came out of this particular book, including the installation ?Insurrection! (Our Tools Were Rudimentary, Yet We Pressed On)?, which is in the collection of the Guggenheim Museum. However, that is an exception to the rule. For the most part the pages in this sketchbook reflect uneasy, unrefined, unfinished thoughts and anxieties, written and drawn with no objectives, no ulterior motives, and no filters.
Publisher:
ISBN: 9789491843990
Category : African American women
Languages : en
Pages :
Book Description
Kara Walker began this sketchbook in Munich in 1999, when she was 29 years old. Like most sketchbooks it served as a portal between the real world and the realm of her imagination. Although it was never intended to be shared, nevertheless quite a bit of ?work? came out of this particular book, including the installation ?Insurrection! (Our Tools Were Rudimentary, Yet We Pressed On)?, which is in the collection of the Guggenheim Museum. However, that is an exception to the rule. For the most part the pages in this sketchbook reflect uneasy, unrefined, unfinished thoughts and anxieties, written and drawn with no objectives, no ulterior motives, and no filters.