Author: Linda Nochlin
Publisher: Harvard University Press
ISBN: 9780674021167
Category : Art
Languages : en
Pages : 364
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Book Description
"What meets the eye in Renoir's paintings of nude bathers? To some viewers, they are the very picture of female sensuality and beauty. To others, they embody a whole tradition of masculine mastery and feminine display. Yet others find in these naked women a fantasy of bodily liberation. The points of view are many, various, and occasionally startling. Linda Nochlin's aim in looking at works of art is not to construct a unitary response but to pull things apart, to leave the reader unsettled, confronting the contradictions - about the body, beauty, and ways of viewing - in the work of impressionists, modern masters, contemporary realists, and postmodernists."--BOOK JACKET.
Author: Linda Nochlin
Publisher: Harvard University Press
ISBN: 0674021169
Category : Art
Languages : en
Pages : 353
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Book Description
"What meets the eye in Renoir's paintings of nude bathers? To some viewers, they are the very picture of female sensuality and beauty. To others, they embody a whole tradition of masculine mastery and feminine display. Yet others find in these naked women a fantasy of bodily liberation. The points of view are many, various, and occasionally startling. Linda Nochlin's aim in looking at works of art is not to construct a unitary response but to pull things apart, to leave the reader unsettled, confronting the contradictions - about the body, beauty, and ways of viewing - in the work of impressionists, modern masters, contemporary realists, and postmodernists."--BOOK JACKET.
Author: Miguel TAMEN
Publisher: Harvard University Press
ISBN: 0674044215
Category : Art
Languages : en
Pages : 207
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Book Description
Tamen's concern is to show how inanimate objects take on life through their interpretation--notably, in our own culture, as they are collected and housed in museums. It is his claim that an object becomes interpretable only in the context of a "society of friends." Thus, he suggests, our inveterate tendency as human beings to interpret the phenomenal world gives objects not only a life but also a society.
Author: Aruna D'Souza
Publisher: Penn State Press
ISBN: 9780271047119
Category : Artists
Languages : en
Pages : 184
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Book Description
Author: Colin B. Bailey
Publisher: Clark Art Institute
ISBN: 9780300243314
Category : Art
Languages : en
Pages : 0
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Book Description
"Published by the Clark Art Institute on the occasion of the exhibition Renoir: The Body, The Senses, presented at the Clark Art Institute from June 8 to September 22, 2019, and at the Kimbell Art Museum from October 27, 2019, to January 26, 2020"--Colophon.
Author: Peg Zeglin Brand
Publisher: Indiana University Press
ISBN: 0253006422
Category : Philosophy
Languages : en
Pages : 447
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Book Description
Emphasizing the human body in all of its forms, Beauty Unlimited expands the boundaries of what is meant by beauty both geographically and aesthetically. Peg Zeglin Brand and an international group of contributors interrogate the body and the meaning of physical beauty in this multidisciplinary volume. This striking and provocative book explores the history of bodily beautification; the physicality of socially or culturally determined choices of beautification; the interplay of gender, race, class, age, sexuality, and ethnicity within and on the body; and the aesthetic meaning of the concept of beauty in an increasingly globalized world.
Author: D. N. Rodowick
Publisher: Harvard University Press
ISBN: 0674727010
Category : Philosophy
Languages : en
Pages : 293
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Book Description
Rhetorically charged debates over theory have divided scholars of the humanities for decades. In Elegy for Theory, D. N. Rodowick steps back from well-rehearsed arguments pro and con to assess why theory has become such a deeply contested concept. Far from lobbying for a return to the "high theory" of the 1970s and 1980s, he calls for a vigorous dialogue on what should constitute a new, ethically inflected philosophy of the humanities. Rodowick develops an ambitiously cross-disciplinary critique of theory as an academic discourse, tracing its historical displacements from ancient concepts of theoria through late modern concepts of the aesthetic and into the twentieth century. The genealogy of theory, he argues, is constituted by two main lines of descent—one that goes back to philosophy and the other rooted instead in the history of positivism and the rise of the empirical sciences. Giving literature, philosophy, and aesthetics their due, Rodowick asserts that the mid-twentieth-century rise of theory within the academy cannot be understood apart from the emergence of cinema and visual studies. To ask the question, "What is cinema?" is to also open up in new ways the broader question of what is art. At a moment when university curriculums are everywhere being driven by scientism and market forces, Elegy for Theory advances a rigorous argument for the importance of the arts and humanities as transformative, self-renewing cultural legacies.
Author: Richard Price
Publisher:
ISBN: 9780674257283
Category : Fiction
Languages : en
Pages : 0
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Book Description
Two anthropologists work to ascertain the authenticity of some South American tribal and slave artifacts, encountering collectors, native carvers, and museum officials, all of whom have different ideas of what constitutes "authentic."
Author: Peter de Bolla
Publisher: Harvard University Press
ISBN: 0674011104
Category : Art
Languages : en
Pages : 175
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Book Description
In the face of a great work of art, we so often stand mute, struck dumb. Countering contemporary assumptions that art is valued only according to taste or ideology, Peter De Bolla gives a voice - and vocabulary - to the wonder art can inspire.
Author: William T. La Moy
Publisher: Syracuse University Press
ISBN: 0815609175
Category : Biography & Autobiography
Languages : en
Pages : 234
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Book Description
Grace Hartigan emerged during the 1950s as a leading representative of the "second generation" of the New York School of abstract expressionist painters, a movement that achieved international standing for American art. In 1958, Hartigan was the only woman and one of only two artists under forty chosen by the Museum of Modern Art for a show on that school. Entitled The New American Painting, the show traveled to eight European countries and included such artists as Willem de Kooning, Robert Motherwell, Barnett Newman, Jackson Pollock, and Mark Rothko. Published for the first time, Hartigan’s journals offer readers an intimate chronicle of the vibrant artistic and literary milieu of the times. Hartigan’s interactions with many of its leading artists, and her close association with such New York School poets as John Ashbery, Kenneth Koch, and Frank O’Hara, make for fascinating reading. The only contemporaneous record of this extraordinary period in art history, this book is a treasure to the art student and literary scholar alike. Grace Hartigan’s paintings are held in museums throughout the United States, including the Metropolitan Museum and the Whitney Museum of Art. Since 1965 she has worked at the Maryland Institute College of Art, where she is the director of the Hoffberger Graduate School of Painting.
