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Author: John Rahn
Publisher: MacMillan Publishing Company
ISBN:
Category : Music
Languages : en
Pages : 180
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Book Description
Author: John Rahn
Publisher: MacMillan Publishing Company
ISBN:
Category : Music
Languages : en
Pages : 180
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Book Description
Author: Allen Forte
Publisher: Yale University Press
ISBN: 9780300021202
Category : Music
Languages : en
Pages : 244
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Book Description
Describes and cites examples of pitch-class sets and relations in atonal music
Author: Alfred Blatter
Publisher: Cengage Learning
ISBN: 9780534251871
Category : Arrangement (Music)
Languages : en
Pages : 0
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Book Description
The second edition features a new discussion of the bugle, information on percussion instruments of American and African origin, an extensively rewritten section on the organ, and the addition of Spanish terms to the existing English, French, German, and Italian. Appendixes on MIDI, guitar fingering, and guitar chords are new to the second edition, and the material on electronic instruments and electronic sound modification has been revised and expanded. The revision also includes nearly 100 new musical examples.
Author: John Rahn
Publisher:
ISBN: 9780028731605
Category : Atonality
Languages : en
Pages : 172
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Book Description
Author: Michiel Schuijer
Publisher: University Rochester Press
ISBN: 9781580462709
Category : Music
Languages : en
Pages : 334
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Book Description
For the past 40 years, pitch-class set theory has served as a frame of reference for the study of atonal music, through the efforts of Allan Forte, Milton Babbitt, and others. This text combines thorough discussions of musical concepts with an historical narrative.
Author: Stanley A. Funicelli
Publisher: Createspace Independent Publishing Platform
ISBN: 9781449929534
Category : Atonality
Languages : en
Pages : 0
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Book Description
Basic Atonal Counterpoint is a guided course in atonal contrapuntal composition using pitch groups known as "sets." Included are sections on set theory, melodic construction, counterpoint in two and multi-voice writing, nesting, phrase structure and formal construction and innovative sections on transformations and variants, and the gradation of dissonance. Over 100 original examples.
Author: Miguel A. Roig-Francolí
Publisher: Routledge
ISBN: 1000332632
Category : Music
Languages : en
Pages : 432
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Book Description
Understanding Post-Tonal Music is a student-centered textbook that explores the compositional and musical processes of twentieth-century post-tonal music. Intended for undergraduate or general graduate courses on the theory and analysis of twentieth-century music, this book will increase the accessibility of post-tonal music by providing students with tools for understanding pitch organization, rhythm and meter, form, texture, and aesthetics. By presenting the music first and then deriving the theory, Understanding Post-Tonal Music leads students to greater understanding and appreciation of this challenging and important repertoire. The updated second edition includes new "Explorations" features that guide students to engage with pieces through listening and a process of exploration, discovery, and discussion; a new chapter covering electronic, computer, and spectral musics; and additional coverage of music from the twenty-first century and recent trends. The text has been revised throughout to enhance clarity, both by streamlining the prose and by providing a visual format more accessible to the student.
Author: George Perle
Publisher: Univ of California Press
ISBN: 9780520019355
Category : Music
Languages : en
Pages : 220
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Book Description
Author: Edward Pearsall
Publisher: Routledge
ISBN: 0415888956
Category : Music
Languages : en
Pages : 314
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Book Description
Twentieth-Century Music Theory and Practice introduces a number of tools for analyzing a wide range of twentieth-century musical styles and genres. It includes discussions of harmony, scales, rhythm, contour, post-tonal music, set theory, the twelve-tone method, and modernism. Recent developments involving atonal voice leading, K-nets, nonlinearity, and neo-Reimannian transformations are also engaged. While many of the theoretical tools for analyzing twentieth century music have been devised to analyze atonal music, they may also provide insight into a much broader array of styles. This text capitalizes on this idea by using the theoretical devices associated with atonality to explore music inclusive of a large number of schools and contains examples by such stylistically diverse composers as Paul Hindemith, George Crumb, Ellen Taffe Zwilich, Steve Reich, Michael Torke, Philip Glass, Alexander Scriabin, Ernest Bloch, Igor Stravinsky, Béla Bartók, Sergei Prokofiev, Arnold Schoenberg, Claude Debussy, György Ligeti, and Leonard Bernstein. This textbook also provides a number of analytical, compositional, and written exercises. The aural skills supplement and online aural skills trainer on the companion website allow students to use theoretical concepts as the foundation for analytical listening. Access additional resources and online material here: http: //www.twentiethcenturymusictheoryandpractice.net and https: //www.motivichearing.com/.
Author: Jack Boss
Publisher: Cambridge University Press
ISBN: 1108419135
Category : Music
Languages : en
Pages : 407
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Book Description
Portrays Schoenberg's atonal music as successions of motives and pitch-class sets that flesh out 'musical idea' and 'basic image' frameworks.
