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Author: Bartolomé de Torres Naharro
Publisher:
ISBN:
Category :
Languages : es
Pages : 668
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Book Description
Author: Bartolomé de Torres Naharro
Publisher:
ISBN:
Category :
Languages : es
Pages : 668
Get Book Here
Book Description
Author: Bartolomé de Torres Naharro
Publisher:
ISBN:
Category :
Languages : un
Pages : 0
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Book Description
Author: Bartolomé de Torres Naharro
Publisher:
ISBN:
Category :
Languages : es
Pages : 916
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Book Description
Author: Bartolomé de Torres Naharro
Publisher:
ISBN:
Category :
Languages : es
Pages : 376
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Book Description
Author: Bartolomé de Torres Naharro
Publisher:
ISBN:
Category :
Languages : es
Pages : 584
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Author: Bartolomé de Torres Naharro
Publisher:
ISBN:
Category :
Languages : en
Pages : 645
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Author: Bartolomé de Torres Naharro
Publisher:
ISBN:
Category :
Languages : en
Pages : 891
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Author: Bartolomé de Torres Naharro
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: Marcelino Menéndez Y. Pelayo
Publisher: Nabu Press
ISBN: 9781293878125
Category :
Languages : en
Pages : 166
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Book Description
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Author: Joseph E. Gillet
Publisher: University of Pennsylvania Press
ISBN: 1512801925
Category : Literary Collections
Languages : en
Pages : 660
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Book Description
In this fourth volume of Joseph E. Gillet's monumental study, Propalladia and Other Works of Bartolomé De Torres Naharro, all students of Renaissance drama will find a wealth of material on the origins of the modern European theater. Torres Naharro created the cloak-and-sword play almost a century before Lope de Vega. The commonplaces of romantic comedy appeared, for the first time on any stage, in his Comedia Ymenea published at Naples in 1517. Two of his works, the Soldadesca and the Tinellaria—evocations of the roistering life of the barracks and of a cardinal's scullery—are remarkable examples of dramatic realism avant Ia lettre. The influence of Torres Naharro and his work on the Spanish drama of the sixteenth century was all pervasive. In this volume, all the material gleaned by Dr. Gillet in extensive research is brought into clear focus to show Torres Naharro as a man of the Renaissance and a man of the theater. Of the greatest interest is the exposition of his intuition of the distinction between poetic and historic truth—commedias a fantasia and a noticia—long before the recovery of the true text of Aristotle's Poetics, and of the substratum of primitivism in many of his plays: ritual societies, the medicine man, the right to tribute, social discipline, name changing, loss of memory, sports, games, acrobatics, sorcery, riddles, genealogies, weddings, propitiation and death song, resuscitation, license and chastity, and so on. And this dramatic activity occurred early, antedating most of the Italian plays of the sixteenth century.
