Creole Subjects in the Colonial Americas

Creole Subjects in the Colonial Americas PDF Author: Ralph Bauer
Publisher: UNC Press Books
ISBN: 0807832138
Category : History
Languages : en
Pages : 519

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Book Description
Creolization describes the cultural adaptations that occur when a community moves to a new geographic setting. Exploring the consciousness of peoples defined as "creoles" who moved from the Old World to the New World, this collection of eighteen original

Creole Subjects in the Colonial Americas

Creole Subjects in the Colonial Americas PDF Author: Ralph Bauer
Publisher: UNC Press Books
ISBN: 0807832138
Category : History
Languages : en
Pages : 519

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Book Description
Creolization describes the cultural adaptations that occur when a community moves to a new geographic setting. Exploring the consciousness of peoples defined as "creoles" who moved from the Old World to the New World, this collection of eighteen original

Spectacular Wealth

Spectacular Wealth PDF Author: Lisa Voigt
Publisher: University of Texas Press
ISBN: 1477310975
Category : History
Languages : en
Pages : 238

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Book Description
Bridging print culture and performance, Spectacular Wealth draws on eighteenth-century festival accounts to explore how colonial residents of the silver-mining town of Potos�, in the viceroyalty of Peru, and the gold-mining region of Minas Gerais, in Brazil, created rich festive cultures that refuted European allegations of barbarism and greed. In her examination of the festive participation of the towns' diverse inhabitants, including those whose forced or slave labor produced the colonies' mineral wealth, Lisa Voigt shows how Amerindians, Afro-descendants, Europeans, and creoles displayed their social capital and cultural practices in spectacular performances. Tracing the multiple meanings and messages of civic festivals and religious feast days alike, Spectacular Wealth highlights the conflicting agendas at work in the organization, performance, and publication of festivals. Celebrants and writers in mining boomtowns presented themselves as far more than tributaries yielding mineral wealth to the Spanish and Portuguese empires, using festivals to redefine their reputations and to celebrate their cultural, spiritual, and intellectual wealth.

The Refracted Muse

The Refracted Muse PDF Author: Enrique García Santo-Tomás
Publisher: University of Chicago Press
ISBN: 022646587X
Category : Literary Criticism
Languages : en
Pages : 325

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Book Description
Galileo never set foot on the Iberian Peninsula, yet, as Enrique García Santo-Tomás unfolds in The Refracted Muse, the news of his work with telescopes brought him to surprising prominence—not just among Spaniards working in the developing science of optometry but among creative writers as well. While Spain is often thought to have taken little notice of the Scientific Revolution, García Santo-Tomás tells a different story, one that reveals Golden Age Spanish literature to be in close dialogue with the New Science. Drawing on the work of writers such as Cervantes, Lope de Vega, Calderón de la Barca, and Quevedo, he helps us trace the influence of science and discovery on the rapidly developing and highly playful genre of the novel. Indeed, García Santo-Tomás makes a strong case that the rise of the novel cannot be fully understood without taking into account its relationship to the scientific discoveries of the period.

The Criminal Baroque

The Criminal Baroque PDF Author: Ted Lars Lennard Bergman
Publisher: Boydell & Brewer
ISBN: 1855663392
Category : Drama
Languages : en
Pages : 271

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Book Description
TEMPORARY Bergman looks at the representation of criminals in early modern Spanish theatre and the connection between criminality, the portrayal of criminal heroes on stage, and public displays of law enforcement within and outside the playhouse. His main purpose is to see to how Baroque spectacle (a term of art in theatre that refers to a particular event, often in expressions of popular culture) appears either to align itself, work against, or be independent of the social means of control of the day. His main argument is that that the propaganda power of early modern Spanish spectacle has been vastly overstated. Ted L. L. Bergman is a Lecturer in Spanish, University of St Andrews.

Women's Acts

Women's Acts PDF Author: Teresa Scott Soufas
Publisher: University Press of Kentucky
ISBN: 0813184371
Category : Drama
Languages : en
Pages : 855

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Book Description
The plays are in Spanish. Los papeles están en el español.

Monarchy, Political Culture, and Drama in Seventeenth-Century Madrid

Monarchy, Political Culture, and Drama in Seventeenth-Century Madrid PDF Author: Jodi Campbell
Publisher: Routledge
ISBN: 1317094425
Category : History
Languages : en
Pages : 182

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Book Description
In early modern Spain, theater reached the height of its popularity during the same decades in which Spanish monarchs were striving to consolidate their power. Jodi Campbell uses the dramatic production of seventeenth-century Madrid to understand how ordinary Spaniards perceived the political developments of this period. Through a study of thirty-three plays by four of the most popular playwrights of Madrid (Pedro Caldern de la Barca, Francisco de Rojas Zorrilla, Juan de Matos Fragoso, and Juan Bautista Diamante), Campbell analyzes portrayals of kingship during what is traditionally considered to be the age of absolutism and highlights the differences between the image of kingship cultivated by the monarchy and that presented on Spanish stages. A surprising number of plays performed and published in Madrid in the seventeenth century, Campbell shows, featured themes about kingship: debates over the qualities that make a good king, tests of a king's abilities, and stories about the conflicts that could arise between the personal interests of a king and the best interest of his subjects. Rather than supporting the absolutist and centralizing policies of the monarchy, popular theater is shown here to favor the idea of reciprocal obligations between subjects and monarch. This study contributes new evidence to the trend of recent scholarship that revises our views of early modern Spanish absolutism, arguing for the significance of the perspectives of ordinary people to the realm of politics.

Metaphors of Conversion in Seventeenth-century Spanish Drama

Metaphors of Conversion in Seventeenth-century Spanish Drama PDF Author: Leslie Levin
Publisher: Tamesis
ISBN: 9781855660571
Category : Literary Criticism
Languages : en
Pages : 166

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Book Description
A new examination of the important theme of conversion in seventeenth-century Spanish drama.

Hispanic Baroques

Hispanic Baroques PDF Author: Nicholas Spadaccini
Publisher: Vanderbilt University Press
ISBN: 9780826514998
Category : Literary Criticism
Languages : en
Pages : 366

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Book Description
Essays focus on Baroque as a concept and category of analysis which has been central to an understanding of Hispanic cultures during the last several hundred years

Pedro Calderón de la Barca and the World Theatre in Early Modern Europe

Pedro Calderón de la Barca and the World Theatre in Early Modern Europe PDF Author: Rasmus Vangshardt
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 1501517007
Category : Literary Criticism
Languages : en
Pages : 254

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Book Description
Rasmus Vangshardt offers an original interpretation of one of the most famous images of literary history, the theatrum mundi. By applying methods of comparative literature, hispanic studies, and theology, he reconsiders the world theatre’s historical peak in early modern Europe in general and the Spanish Golden Age in particular. The author presents a new close reading of Pedro Calderón’s El gran teatro del mundo (c. 1633–36) and outlines the historical and systematic framework for a theatrum mundi of celebration. This concept entails using art to justify human existence in the face of changing conceptions of the cosmos: an early modern aesthetic theodicy and a justification of the world in that liminal space between drama and ritual. By discussing historiographical theories of early modern Europe, especially those of Hans Blumenberg and Bruno Latour, and through conversations with Shakespearean drama and Spanish Golden Age classics, Vangshardt also argues that the theatrum mundi of celebration questions traditional assumptions of great divides between the Middle Ages and Early Modernity and challenges theories of a European-wide early modern sense of crisis.

The Three Secular Plays of Sor Juana Inés de la Cruz

The Three Secular Plays of Sor Juana Inés de la Cruz PDF Author: Guillermo Schmidhuber
Publisher: University Press of Kentucky
ISBN: 0813157463
Category : Drama
Languages : en
Pages : 226

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Book Description
Sor Juana Inés de la Cruz (1648-1695) wrote poetry, prose, and plays and is considered the greatest of Mexican women writers. She was an intellectual prodigy, reportedly mastering Latin in twenty lessons, and at sixteen she entered a convent so that she might continue her learning. One of the most influential early feminists in the New World, she answered a bishop's criticism in a letter that has become a classic defense of the education of women. She collected a private library of 4,000 volumes, but when she was told that her studies were delaying the progress of her spiritual education, she gave away her books and devoted herself to religious studies. Traditionally, scholars have attributed only one complete play to Sor Juana, but in 1989 Guillermo Schmidhuber discovered a lost play, The Second Celestina, which he proved conclusively to be Sor Juana's earliest comedia, co-authored with Agustin Salazar y Torres. Schmidhuber's critical study is the first dedicated exclusively to the secular plays and the first to confirm Sor Juana's authorship of three dramatic pieces. Combining literary history and criticism, Schmidhuber explores the life and originality of Sor Juana's dramas and helps elucidate her enigmatic genius. Though Sor Juana's work as a poet and intellectual has received increasing attention in the last decade, writing about her has rarely taken into account her role as dramatist. Schmidhuber helps correct this critical imbalance by examining Sor Juana's plays in light of dramatic theory. He finds elements of both mannerist and baroque theater in her work, sometimes both within the same play.