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Author: Mitchell Greenberg
Publisher: Cornell University Press
ISBN: 9780801438073
Category : Baroque literature
Languages : en
Pages : 316
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Book Description
Mitchell Greenberg explores the significance of fantasies of the body in seventeenth-century France through provocative and subtle readings of some of the most intriguing texts of the period. Beginning with an eloquent invocation of the status of the king in classical France, Greenberg surveys the complex sociopolitical history of Louis XIV's reign, analyzing both Moliere and the entire corpus of Racine. The central chapters of Baroque Bodies deal with such fascinating texts as the Memoires of the abbe de Choisy (the first existing account of a male cross-dresser); two founding texts of the modern pornographic genre, L'ecole des filles and L'academie des dames; and the "autobiography" of Marie de l'Incarnation, the famous "mystic" and founder of the first Ursuline convent in Canada. In addition to his richly nuanced readings, Greenberg integrates into his argument material from a broad array of disciplines, including psychoanalysis, feminism, epistemology, and history. He also points out the implications of his argument for the political, theological, and historical thought of the period, moving effortlessly from witch trials in France to discussions of bodies in Renaissance English literary criticism to the works of Bakhtin, Foucault, Freud, and Lacan.
Author: Mitchell Greenberg
Publisher: Cornell University Press
ISBN: 9780801438073
Category : Baroque literature
Languages : en
Pages : 316
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Book Description
Mitchell Greenberg explores the significance of fantasies of the body in seventeenth-century France through provocative and subtle readings of some of the most intriguing texts of the period. Beginning with an eloquent invocation of the status of the king in classical France, Greenberg surveys the complex sociopolitical history of Louis XIV's reign, analyzing both Moliere and the entire corpus of Racine. The central chapters of Baroque Bodies deal with such fascinating texts as the Memoires of the abbe de Choisy (the first existing account of a male cross-dresser); two founding texts of the modern pornographic genre, L'ecole des filles and L'academie des dames; and the "autobiography" of Marie de l'Incarnation, the famous "mystic" and founder of the first Ursuline convent in Canada. In addition to his richly nuanced readings, Greenberg integrates into his argument material from a broad array of disciplines, including psychoanalysis, feminism, epistemology, and history. He also points out the implications of his argument for the political, theological, and historical thought of the period, moving effortlessly from witch trials in France to discussions of bodies in Renaissance English literary criticism to the works of Bakhtin, Foucault, Freud, and Lacan.
Author: Mark Franko
Publisher: Oxford University Press, USA
ISBN: 0199794014
Category : History
Languages : en
Pages : 272
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Book Description
Dance as Text: Ideologies of the Baroque Body is a historical and theoretical examination of French court ballet of the late Renaissance and early baroque. Franko's analysis blends archival research with critical and cultural theory in order to resituate the burlesque tradition in its politically volatile context. He reveals the ideological tensions underlying experiments with autonomous dance in the early modern.
Author: MR Philip A Mellor
Publisher: SAGE
ISBN: 9781446235294
Category : Social Science
Languages : en
Pages : 250
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Book Description
Enriches the concpetual arsenal for interdisciplinary analysis of political, social and cultural change... stimulates more nuanced thinking about the cultural and political legacy of the Reformation era... manages both to clarify tensions surrounding cultural and social integration in the late 20th century while underscoring the real historical complexity of modern bodies' - "American Journal of Sociology " Through an analysis of successive re-formations of the body, this innovative and penetrating book constructs a fascinating and wide-ranging account of how the creation and evolution of different patterns of human community are intimately related to the somatic experience of the sacred. The book places the relationship between the embodiment and the sacred at the crux of social theory, and casts a fresh light on the emergence and transformation of modernity. It critically examines the thesis that the rational projects of modern embodiment have 'died and gone to cyberspace', and suggests that we are witnessing the rise of a virulent, effervescent form of the sacred which is changing how people 'see' and 'keep in touch' with the world around them.
Author: Phil Macnaghten
Publisher: SAGE
ISBN: 0857022741
Category : Social Science
Languages : en
Pages : 208
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Book Description
This book examines the embodied nature of people′s experience in, and of, the modern world. It is therefore part of the deep-seated ′turn towards the body′. However, it is partly critical of this development in as much as it affirms that the sociology of the body has downplayed the extent to which the body is located in, and involved with, nature, the countryside, the outdoors, landscape and wilderness. The book argues that bodies in nature are subject to novel, complex and contradictory opportunities of freedom and escape, surveillance and monitoring. The book guides readers through the various ways in which these bodily opportunities and constraints are temporally and spatially organized and managed.
Author: Huw Griffiths
Publisher: Edinburgh University Press
ISBN: 1474448720
Category : Drama
Languages : en
Pages : 160
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Book Description
This book provides a sustained, formalist reading of the multiple body parts that litter the dialogue and action of Shakespeare's history plays.
Author: John D. Lyons
Publisher: Oxford University Press
ISBN: 019067847X
Category : Literary Criticism
Languages : en
Pages : 907
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Book Description
Few periods in history are so fundamentally contradictory as the Baroque, the culture flourishing from the mid-sixteenth to the mid-eighteenth centuries in Europe. When we hear the term âBaroque,â the first images that come to mind are symmetrically designed gardens in French chateaux, scenic fountains in Italian squares, and the vibrant rhythms of a harpsichord. Behind this commitment to rule, harmony, and rigid structure, however, the Baroque also embodies a deep fascination with wonder, excess, irrationality, and rebellion against order. The Oxford Handbook of the Baroque delves into this contradiction to provide a sweeping survey of the Baroque not only as a style but also as a historical, cultural, and intellectual concept. With its thirty-eight chapters edited by leading expert John D. Lyons, the Handbook explores different manifestations of Baroque culture, from theatricality in architecture and urbanism to opera and dance, from the role of water to innovations in fashion, from mechanistic philosophy and literature to the tension between religion and science. These discussions present the Baroque as a broad cultural phenomenon that arose in response to the enormous changes emerging from the sixteenth century: the division between Catholics and Protestants, the formation of nation-states and the growth of absolutist monarchies, the colonization of lands outside Europe and the mutual impact of European and non-European cultures. Technological developments such as the telescope and the microscope and even greater access to high-quality mirrors altered mankindâs view of the universe and of human identity itself. By exploring the Baroque in relation to these larger social upheavals, this Handbook reveals a fresh and surprisingly modern image of the Baroque as a powerful response to an epoch of crisis.
Author: Sara E. Melzer
Publisher: Univ of California Press
ISBN: 0520918800
Category : History
Languages : en
Pages : 279
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Book Description
In this innovative volume, leading scholars examine the role of the body as a primary site of political signification in seventeenth- and eighteenth-century France. Some essays focus on the sacralization of the king's body through a gendered textual and visual rhetoric. Others show how the monarchy mastered subjects' minds by disciplining the body through dance, music, drama, art, and social rituals. The last essays in the volume focus on the unmaking of the king's body and the substitution of a new, republican body. Throughout, the authors explore how race and gender shaped the body politic under the Bourbons and during the Revolution. This compelling study expands our conception of state power and demonstrates that seemingly apolitical activities like the performing arts, dress and ritual, contribute to the state's hegemony. From the Royal to the Republican Body will be an essential resource for students and scholars of history, literature, music, dance and performance studies, gender studies, art history, and political theory.
Author: Andrew Butterfield
Publisher: Edizioni Polistampa
ISBN: 9788859608288
Category : Art
Languages : en
Pages : 0
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Book Description
Body and Soul is the catalogue of the exhibition held from 21 October to 19 November 2010 at Moretti Fine Art Gallery - Adam Williams Fine Art Gallery (20 East 80th Street, New York City). The catalogue presents great masterpieces of Italian Renaissance and Baroque sculpture. It was supervised by Andrew Butterfield and Fabrizio Moretti, two of the world's foremost experts of antique trade. The sculptures that the book deeply analyzes all have something in common: they combine ideality and naturalism of form with intensity and depth of expression, so that both the outer appearance and the inner life of the character represented manage to emerge. In short, not even one of these sculptures submitted to the strict academic rules which have always influenced art. They were selected because they celebrate life in every single aspect, both physical and spiritual. Among the artists whose works are here described are Andrea Del Verrocchio, Jacopo Sansovino, Andrea Riccio, Alessandro Algardi, Domenico Pieratti, Giambattista Foggini, Pierre Le Gros, Giuseppe Mazzuoli, Giuseppe Piamontini and Giovachino Fortini. The book includes introductions by Andrew Butterfield, Fabrizio Moretti and Marc Fumaroli as well as in-depth essays by Andrea Bacchi, Andrew Butterfield, C. D. Dickerson, Marc Fumaroli, Giancarlo Gentilini, Tomaso Montanari and Riccardo Spinelli, providing historical and technical information. The volume is rich in colour images and each essay is accompanied by a detailed bibliography.
Author: Julian Vigo
Publisher: Peter Lang
ISBN: 9783039119516
Category : Literary Collections
Languages : en
Pages : 400
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Book Description
This book reconsiders the body in literature and makes a case for visual representation as a physical and gesticulative domain for rethinking the constructions of gender, nationalism and sexuality. Examining literary production from the eleventh century until the present, the author argues that the body in contemporary North Africa and Latin America serves as a physical and symbolic terrain upon which sexual, textual, national, racial and linguistic identities are vectored and through which postcolonial and hegemonic antagonisms of power and identity are resolved. Rather than embracing «third world» identity as a residual repository of western thought, colonization and linguistic infusion, the author suggests that the paradigm of cultural identity in the Maghreb and Latin America is best understood through an examination of the emergent corporeal articulations of subjectivity prevalent in these literatures and visual cultures. The text examines the body as a critical landscape through which the various discourses of nationhood, gender and sexuality converge in order to construct a reading of the social that neither amasses subjectivity as singular under the rubric of the «third world», nor couches the other within static notions of gendered, sexual or racial identities.
Author: Jennifer Nevile
Publisher: Indiana University Press
ISBN: 025321985X
Category : History
Languages : en
Pages : 394
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Book Description
From the mid-13th to the mid-18th century the ability to dance was an important social skill for both men and women. Dance performances were an integral part of court ceremonies and festivals and, in the 17th and 18th centuries, of commercial theatrical productions. Whether at court or in the public theater danced spectacles were multimedia events that required close collaboration among artists, musicians, designers, engineers, and architects as well as choreographers. In order to fully understand these practices, it is necessary to move beyond a consideration of dance alone, and to examine it in its social context. This original collection brings together the work of 12 scholars from the disciplines of dance and music history. Their work presents a picture of dance in society from the late medieval period to the middle of the 18th century and demonstrates how dance practices during this period participated in the intellectual, artistic, and political cultures of their day.
