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Author: Dolores Resano
Publisher: Springer Nature
ISBN: 3030738582
Category : Literary Criticism
Languages : en
Pages : 292
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Book Description
This edited collection offers an exploration of American literature in the age of Trumpism—understood as an ongoing sociopolitical and affective reality—by bringing together analyses of some of the ways in which American writers have responded to the derealization of political culture in the United States and the experience of a ‘new’ American reality after 2016. The volume’s premise is that the disruptions and dislocations that were so exacerbated by the political ascendancy of Trump and his spectacle-laden presidency have unsettled core assumptions about American reality and the possibilities of representation. The blurring of the relationship between fact and fiction, bolstered by the discourses of ‘fake news’ and ‘alternative facts,’ has not only drawn attention to the shattering of any notion of ‘shared’ reality, but has also forced a reexamination of the purpose and value of literature, especially when considering its troubled relation to the representation of ‘America.’ The authors in this collection respond to the invitation to reassess the workings of fiction and critique in an age of Trumpism by considering some of the most recent literary responses to the (new) American realit(ies)—including works by Colson Whitehead, Ben Winters, Claudia Rankine, Gary Shteyngart, Jennifer Egan, and Steve Erickson, to name but a few—, some of which were composed in the run-up to the 2016 election but were able to accurately and incisively imagine the world to come.
Author: Dolores Resano
Publisher: Springer Nature
ISBN: 3030738582
Category : Literary Criticism
Languages : en
Pages : 292
Get Book Here
Book Description
This edited collection offers an exploration of American literature in the age of Trumpism—understood as an ongoing sociopolitical and affective reality—by bringing together analyses of some of the ways in which American writers have responded to the derealization of political culture in the United States and the experience of a ‘new’ American reality after 2016. The volume’s premise is that the disruptions and dislocations that were so exacerbated by the political ascendancy of Trump and his spectacle-laden presidency have unsettled core assumptions about American reality and the possibilities of representation. The blurring of the relationship between fact and fiction, bolstered by the discourses of ‘fake news’ and ‘alternative facts,’ has not only drawn attention to the shattering of any notion of ‘shared’ reality, but has also forced a reexamination of the purpose and value of literature, especially when considering its troubled relation to the representation of ‘America.’ The authors in this collection respond to the invitation to reassess the workings of fiction and critique in an age of Trumpism by considering some of the most recent literary responses to the (new) American realit(ies)—including works by Colson Whitehead, Ben Winters, Claudia Rankine, Gary Shteyngart, Jennifer Egan, and Steve Erickson, to name but a few—, some of which were composed in the run-up to the 2016 election but were able to accurately and incisively imagine the world to come.
Author: Nayrouz Qarmout
Publisher: Comma Press
ISBN: 1912697068
Category : Fiction
Languages : en
Pages : 91
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Book Description
The Sea Cloak is a collection of 11 stories by the author, journalist, and women’s rights campaigner, Nayrouz Qarmout. Drawing from her own experiences growing up in a Syrian refugee camp, as well as her current life in Gaza, these stories stitch together a patchwork of different perspectives into what it means to be a woman in Palestine today. Whether following the daily struggles of orphaned children fighting to survive in the rubble of recent bombardments, or mapping the complex, cultural tensions between different generations of refugees in wider Gazan society, these stories offer rare insights into one of the most talked about, but least understood cities in the Middle East. Taken together, the collection affords us a local perspective on a global story, and it does so thanks to a cast of (predominantly female) characters whose vantage point is rooted, firmly, in that most cherished of things, the home.
Author: Rania Mamoun
Publisher: Comma Press
ISBN: 191269719X
Category : Fiction
Languages : en
Pages : 64
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Book Description
A young woman sits by her father’s deathbed, lamenting her failure to keep a promise to him… A struggling writer walks every inch of the city in search of inspiration, only to find it is much closer than she imagined… A girl collapses from hunger at the side of the road and is rescued by the most unlikely of saviours... In this powerful, debut collection, Rania Mamoun expertly blends the real and imagined to create a rich, complex and moving portrait of contemporary Sudan. From painful encounters with loved ones to unexpected new friendships, Mamoun illuminates the breadth of human experience and explores, with humour and compassion, the alienation, isolation and estrangement that is urban life. Translated from the Arabic by Elisabeth Jaquette. One of World Literature Today's 75 Notable Translations of 2019. One of The Guardian's 'Top 10 books about Sudan'. One of Bustle's '25 New Short Story Collections To Read This Summer'. One of Bookshy Book's 'Ten-Plus Short Story Collections from Writers of African Origin'. It is a phenomental, exacting collection. It's intense and intimate, and always bordering, with absolute control, on the subversive and erotic. It's also very funny - Rania Mamoun is an extraordinary talent.' - Preti Taneja, author of We That Are Young ‘A stunning collection, remarkable for its sweet clarity of voice and startling depictions of the marginalised and the destitute. With mastery, Rania Mamoun reaches straight into the heartbeat of her subject matter, laying bare humanity in all its tenderness and tenacity.’ - Leila Aboulela, author of Elsewhere Home
Author: M. John Harrison
Publisher: Comma Press
ISBN: 191097434X
Category : Fiction
Languages : en
Pages : 234
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Book Description
M. John Harrison is a cartographer of the liminal. His work sits at the boundaries between genres – horror and science fiction, fantasy and travel writing – just as his characters occupy the no man’s land between the spatial and the spiritual. Here, in his first collection of short fiction for over 15 years, we see the master of the New Wave present unsettling visions of contemporary urban Britain, as well as supernatural parodies of the wider, political landscape. From gelatinous aliens taking over the world’s financial capitals, to the middle-aged man escaping the pressures of fatherhood by going missing in his own house… these are weird stories for weird times. ‘M. John Harrison’s slippery, subversive stories mix the eerie and familiar into beguiling, alarming marvels. No one writes quite like him; no one I can think of writes such flawless sentences, or uses them to such disorientating effect.’ – Olivia Laing, author of The Lonely City ‘These stories map a rediscovered fictional hinterland, one tucked behind the glossier edifices of modernity and genre with views down alleyways into pubs and flats where Patrick Hamilton glares balefully at J. G. Ballard.’ – Will Eaves, author of This is Paradise ‘M. John Harrison moves elegantly, passionately, from genre to genre, his prose lucent and wise, his stories published as SF or as fantasy, as horror or as mainstream fiction. In each playing field, he wins awards, and makes it look so easy. His prose is deceptively simple, each word considered and placed where it can sink deepest and do the most damage.’ – Neil Gaiman, author of American Gods ‘With an austere and deeply moving humanism, M. John Harrison proves what only those crippled by respectability still doubt – that science fiction can be literature, of the very greatest kind.’ – China Miéville, author of Perdido Street Station
Author: Fereshteh Ahmadi
Publisher: Comma Press
ISBN: 1912697181
Category : Fiction
Languages : en
Pages : 203
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Book Description
A city of stories – short, fragmented, amorphous, and at times contradictory – Tehran is an impossible tale to tell. For the capital city of one of the most powerful nations in the Middle East, its literary output is rarely acknowledged in the West. This unique celebration of its writing brings together ten stories exploring the tensions and pressures that make the city what it is: tensions between the public and the private, pressures from without – judgemental neighbours, the expectations of religion and society – and from within – family feuds, thwarted ambitions, destructive relationships. The psychological impact of these pressures manifests in different ways: a man wakes up to find a stranger relaxing in his living room and starts to wonder if this is his house at all; a struggling writer decides only when his girlfriend breaks his heart will his work have depth... In all cases, coping with these pressures leads us, the readers, into an unexpected trove of cultural treasures – like the burglar, in one story, descending into the basement of a mysterious antique collector’s house – treasures of which we, in the West, are almost wholly ignorant. Translated by: Sara Khalili, Sholeh Wolpé, Alireza Abiz, Caroline Croskery, Farzaneh Doosti, Shahab Vaezzadeh, Niloufar Talebi, Lida Nosrati, Susan Niazi and Poupeh Missaghi. Foreword by Orkideh Behrouzan. Developed in partnership with Visiting Arts. 'The aesthetic sensibility of Iranian culture appears, to the West, as mainly pre-modern, if not actually anti-modern... The fiction showcased in The Book of Tehran is a welcome corrective to this tendency... These stories feel decidedly contemporary in style and subject matter alike, with their protagonists' inner lives and interpersonal relationships at the fore.' - The Times Literary Supplement 'Fiction exploring the interior life of contemporary Iranians is not well represented in translations readily available in the West. The Book of Tehran aims to begin to redress the shortage...' - Asian Review of Books
Author: Thea Lim
Publisher: Gallery Books
ISBN: 1501192566
Category : Fiction
Languages : en
Pages : 336
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Book Description
A shortlisted finalist for the 2018 Scotiabank Giller Prize and the ALA 2019 Reading List for Science Fiction “Thea Lim’s An Ocean of Minutes is that rare thing—a speculative novel that is as heartfelt as it is philosophical. In lucid prose, Lim lays bare the complexities of migration and displacement, while offering a clear-eyed meditation on the elusive nature of human devotion.” —Esi Edugyan, Man Booker Prize Finalist and author of Washington Black “Lim paints a strange and unfamiliar world with her novel, full of fascinating social commentary on class differences, racism, and sexism.” —The Los Angeles Times In September 1981, Polly and Frank arrive at the time travel terminal at Houston Intercontinental Airport. One will travel, and one will stay. America is in the grip of a deadly flu pandemic. Frank has caught the virus and Polly will do whatever it takes to save him, even if it means risking everything. So she agrees to a radical plan—time travel has been invented in the future to thwart the virus. If she signs up for a one-way-trip into the future to work as a bonded laborer, the company will pay for the life-saving treatment Frank needs. Polly promises to meet Frank again in Galveston, Texas, where she will arrive in twelve years. But when Polly is re-routed an extra five years into the future, Frank is nowhere to be found. Alone in a changed and divided America, with no status and no money, Polly must navigate a new life and find a way to locate Frank, to discover if he is alive, and if their love has endured. “Lim’s enthralling novel succeeds on every level: as a love story, an imaginative thriller, and a dystopian narrative” (Publishers Weekly, starred review).
Author: Helen Solterer
Publisher: Manchester University Press
ISBN: 1526166178
Category : Art
Languages : en
Pages : 237
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Book Description
This pioneering volume explores the contribution of migrants to European culture from the early modern era to today. It takes culture as an aesthetic and social activity of making, one practised by migrants on the move and also by those who represent their lives in an act of support. Adopting a multilingual approach, the book interprets the aesthetics and political practices developed by and with migrants in Spain, Italy and France. It juxtaposes early modern and modern work with contemporary, reconceiving migrants as crucial agents of change. Scholars and artists track people on the move within the continent and without, drawing a significant map for the cultural history of migration around Europe.
Author: Mazen Maarouf
Publisher: Comma Press
ISBN: 1912697203
Category : Fiction
Languages : en
Pages : 233
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Book Description
Palestine + 100 poses a question to twelve Palestinian writers: what might your country look like in the year 2048 – a century after the tragedies and trauma of what has come to be called the Nakba? How might this event – which, in 1948, saw the expulsion of over 700,000 Palestinian Arabs from their homes – reach across a century of occupation, oppression, and political isolation, to shape the country and its people? Will a lasting peace finally have been reached, or will future technology only amplify the suffering and mistreatment of Palestinians? Covering a range of approaches – from SF noir, to nightmarish dystopia, to high-tech farce – these stories use the blank canvas of the future to reimagine the Palestinian experience today. Along the way, we encounter drone swarms, digital uprisings, time-bending VR, peace treaties that span parallel universes, and even a Palestinian superhero, in probably the first anthology of science fiction from Palestine ever. Translated from the Arabic by Raph Cormack, Mohamed Ghalaieny, Andrew Leber, Thoraya El-Rayyes, Yasmine Seale and Jonathan Wright. WINNER of a PEN Translates Award 2018. One of NPR's Favourite Books of 2019. 'It's necessary, of course. But above all it's bold, brilliant and inspiring: a sign of boundless imagination and fierce creation even in circumstances of oppression, denial, silencing and constriction. The voices of these writers demand to be heard - and their stories are defiantly entertaining.' - Bidisha 'This worthy collection excavates and probes, and reacquaints the west with the horrors of Palestinian existence right now.' - Middle East Eye 'Just as we do when Handmaids Tale or Black Mirror plots unfold on the screen, you are most likely to read Palestine +100 and say, this is now.' - Lithub
Author: Nikki Bedi
Publisher: BBC National Short Story Award
ISBN: 9781912697229
Category : Short stories, English
Languages : en
Pages : 0
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Book Description
Back for the fourteenth year, the BBC National Short Story Award with Cambridge University aims to celebrate and promote the best in contemporary short fiction. This year the judging panel will be chaired by television and radio broadcaster Nikki Bedi, who will select the shortlist alongside novelist and writer of narrative non-fiction, Richard Beard; short story writer and novelist Daisy Johnson; screenwriter, novelist and 2017 BBC National Short Story Award winner, Cynan Jones; and returning judge, Di Speirs, Books Editor at BBC Radio.
Author: Adam Benkato
Publisher: punctum books
ISBN: 1953035000
Category : History
Languages : en
Pages : 131
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Book Description
Lamma aims to provide a forum for critically understanding the complex ideas, values, social configurations, histories, and material realities in Libya. Recognizing, and insisting on, the urgent need for such a forum, we give attention to a wide a range of disciplines, sources, and approaches, foregrounding especially those which have previously received less scholarly attention. This includes, but is not limited to: anthropology, art, gender, history, linguistics, literature, music, performance studies, politics, religion, and urban studies, in addition to their intersections, their subfields, the places in between, and critical, theoretical, and postcolonial approaches thereto. Lamma is a space where these fields can interact and draw from one another, and where scholars and students from inside and outside of Libya gather to redefine and reshape "Libyan Studies." We believe that access to research is not the privilege of a few but the right of all and that knowledge production should be inclusive. For these reasons the journal takes its name from the Arabic word lamma, "a gathering."This first issue of Lamma brings together academic research, cultural commentary, literature, and translation. It aims to show some of the possible varieties of research on Libya, from history and literature to sociolinguistics, gender studies, and more. But, perhaps more importantly, it aims to show that the efforts of academic researchers, cultural actors, writers, translators, and even artists are not separate endeavors but rather intertwined. By bringing these efforts together in one forum, we hope to set them in fruitful dialog with each other-and thus begin to complexify the notion of "Libyan Studies."
