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Author: Bankimchandra Chattopadhyay
Publisher: Penguin UK
ISBN: 8184751001
Category : Literary Collections
Languages : en
Pages : 669
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Book Description
The First Volume Of This Collector S Edition Brings Together Five Of Bankimchandra S Best-Known Works In English Translation. Set In The Bengal Of Emperor Jehangir S Time, Kapalkundala Tells The Story Of Nabakumar, A Young Woman Named Kapalkundala Whom He Rescues From A Tantric Intent On Human Sacrifice, And The Beautiful Lutfunnisa Who Has Sold Her Heart On Marrying Him. In Bishabriksha (The Poison Tree), Set In Bankimchandra S Own Time, Nagendra Is Torn Between His Devoted Wife Suryamukhi And The Bewitching Young Widow Kundanandini. Unable To Prioritize Either Of The Women He Cares For, Nagendra Ends Up Losing Both. Indira Is A Lighthearted Tale Of Playful Intrigues: Upendra Does Not Realize That His Wife Indira Is Now Working As A Cook In His Friend S House, And Is Given A Royal Run-Around By Indira And Subhasini, Her Employer. Krishnakanta S Will Is A Tragedy Of Lust, Infidelity, Greed And Death Revolving Around Govindalal, His Wife Bhramar, The Attractive Widow Rohini, And A Stolen Will. Rajani, The Story Of A Blind Girl And Two Men, Sachindra And Amarnath, Is A Psychologically Taut Tale; It Is The First Indian Novel Where Characters Narrate Their Stories In The First Person. Evoking The Bengal Of Yore In All Its Hues, Bankimchandra S Novels Explore Love And Relationships And The Manner In Which Society Shapes Them. Translated Exclusively For Penguin, These Superbly Crafted Novels Are Sure To Hold Readers In Thrall Today Just As They Did Over A Century Ago.
Author: Bankimchandra Chattopadhyay
Publisher: Penguin UK
ISBN: 8184751001
Category : Literary Collections
Languages : en
Pages : 669
Get Book Here
Book Description
The First Volume Of This Collector S Edition Brings Together Five Of Bankimchandra S Best-Known Works In English Translation. Set In The Bengal Of Emperor Jehangir S Time, Kapalkundala Tells The Story Of Nabakumar, A Young Woman Named Kapalkundala Whom He Rescues From A Tantric Intent On Human Sacrifice, And The Beautiful Lutfunnisa Who Has Sold Her Heart On Marrying Him. In Bishabriksha (The Poison Tree), Set In Bankimchandra S Own Time, Nagendra Is Torn Between His Devoted Wife Suryamukhi And The Bewitching Young Widow Kundanandini. Unable To Prioritize Either Of The Women He Cares For, Nagendra Ends Up Losing Both. Indira Is A Lighthearted Tale Of Playful Intrigues: Upendra Does Not Realize That His Wife Indira Is Now Working As A Cook In His Friend S House, And Is Given A Royal Run-Around By Indira And Subhasini, Her Employer. Krishnakanta S Will Is A Tragedy Of Lust, Infidelity, Greed And Death Revolving Around Govindalal, His Wife Bhramar, The Attractive Widow Rohini, And A Stolen Will. Rajani, The Story Of A Blind Girl And Two Men, Sachindra And Amarnath, Is A Psychologically Taut Tale; It Is The First Indian Novel Where Characters Narrate Their Stories In The First Person. Evoking The Bengal Of Yore In All Its Hues, Bankimchandra S Novels Explore Love And Relationships And The Manner In Which Society Shapes Them. Translated Exclusively For Penguin, These Superbly Crafted Novels Are Sure To Hold Readers In Thrall Today Just As They Did Over A Century Ago.
Author: Bankim Chandra Chatterji
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 560
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Book Description
The first volume of this collector's edition brings together five of Bankimchandra's best-known works in English translation. Set in the Bengal of Emperor Jehangir's time, Kapalkundala tells the story of Nabakumar, a young woman named Kapalkundala whom he rescues from a tantric intent on human sacrifice, and the beautiful Lutfunnisa who has sold her heart on marrying him. In Bishabriksha (The Poison Tree), set in Bankimchandra's own time, Nagendra is torn between his devoted wife Suryamukhi and the bewitching young widow Kundanandini. Unable to prioritize either of the women he cares for, Nagendra ends up losing both. Indira is a lighthearted tale of playful intrigues: Upendra does not realize that his wife Indira is now working as a cook in his friend's house, and is given a royal run-around by Indira and Subhasini, her employer. Krishnakanta's Will is a tragedy of lust, infidelity, greed and death revolving around Govindalal, his wife Bhramar, the attractive widow Rohini, and a stolen will. psychologically taut tale; it is the first Indian novel where characters narrate their stories in the first person.
Author: Priyamvada Gopal
Publisher: Oxford University Press
ISBN: 0199544387
Category : Language Arts & Disciplines
Languages : en
Pages : 232
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Book Description
This book provides an informed and lively introduction to the Indian novel in English which is now a fixture on the international literary scene. It discusses the work of major writers including Rabindranath Tagore, Mulk Raj Anand, RK Narayan, Salman Rushdie, Nayantara Sahgal, Amitav Ghosh, Arundhati Roy, and Vikram Seth.
Author: Nirad C. Chaudhuri
Publisher:
ISBN:
Category : Religion
Languages : en
Pages : 966
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Book Description
This Omnibus edition brings together four classic works on Hinduism by renowned scholars, providing the liturgical, historical, anthropological, and individualist's interpretation of the religion. With an introduction by T.N. Madan, this volume will make an excellent and very comprehensive collector's item on the subject of Hinduism.
Author: Ritika Prasad
Publisher: Cambridge University Press
ISBN: 1316033619
Category : History
Languages : en
Pages : 328
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Book Description
From the mid-nineteenth century onwards, railways became increasingly important in the lives of a growing number of Indians. While allowing millions to collectively experience the endemic discomforts of third-class travel, the public opportunities for proximity and contact created by railways simultaneously compelled colonial society to confront questions about exclusion, difference, and community. It was not only passengers, however, who were affected by the transformations that railways wrought. Even without boarding a train, one could see railway tracks and embankments reshaping familiar landscapes, realise that train schedules represented new temporal structures, fear that spreading railway links increased the reach of contagion, and participate in new forms of popular politics focused around railway spaces. Tracks of Change explores how railway technology, travel, and infrastructure became increasingly woven into everyday life in colonial India, how people negotiated with the growing presence of railways, and how this process has shaped India's history.
Author: Nagappa Gowda K.
Publisher: Oxford University Press
ISBN: 0199088470
Category : Philosophy
Languages : en
Pages : 253
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Book Description
The Bhagavadgita has lent itself to several readings to defend or contest various views on life, morality, and metaphysics. This book explores the the role of the Bhagavadgita in the formation of nationalist discourse. It examines the ways in which the Gita became the central terrain of nationalist contestation, and the diverse ethico-moral mappings of the Indian nation. Focusing on Bankimchandra Chatterjee, Balgangadhar Tilak, Swami Vivekananda, Aurobindo Ghose, Mahatma Gandhi, Vinoba Bhave, and B.R. Ambedkar as the representatives of different strands of nationalist discourse, this volume probes their reflections on the Gita. The author also discusses with issues such as the relation between the nation and the masses, renunciation and engagement with the world, the ideas of equality, freedom, and common good, in the context of a nationalist discourse. He argues that the commentaries on this 'timeless' text opened up several possible understandings without necessarily eliminating one another.
Author: Alan Johnson
Publisher: Bloomsbury Publishing
ISBN: 075563411X
Category : Literary Criticism
Languages : en
Pages : 281
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Book Description
As they seek to explore evolving and conflicting ideas of nationhood and modernity, India's writers have often chosen forests as the dramatic setting for stories of national identity. India's Forests, Real and Imagined explores how these settings have been integral to India's sense of national consciousness. Alan Johnson demonstrates that modern writers have drawn on older Indian literary traditions of the forest as a place of exile, trial and danger to shape new ideas of India as a modern nation. The book casts new light on a wide range of modern writers, from Bankim Chandra Chattopadhyay – widely regarded as the first Indian novelist – to contemporary authors such as Amitav Ghosh, Arundhati Roy, and Salman Rushdie as well as local attitudes to nationhood and the environment across the country.
Author: Bankim Chandra Chatterji
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 562
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Book Description
The first volume of this collector's edition brings together five of Bankimchandra's best-known works in English translation. Set in the Bengal of Emperor Jehangir's time, Kapalkundala tells the story of Nabakumar, a young woman named Kapalkundala whom he rescues from a tantric intent on human sacrifice, and the beautiful Lutfunnisa who has sold her heart on marrying him. In Bishabriksha (The Poison Tree), set in Bankimchandra's own time, Nagendra is torn between his devoted wife Suryamukhi and the bewitching young widow Kundanandini. Unable to prioritize either of the women he cares for, Nagendra ends up losing both. Indira is a lighthearted tale of playful intrigues: Upendra does not realize that his wife Indira is now working as a cook in his friend's house, and is given a royal run-around by Indira and Subhasini, her employer. Krishnakanta's Will is a tragedy of lust, infidelity, greed and death revolving around Govindalal, his wife Bhramar, the attractive widow Rohini, and a stolen will. psychologically taut tale; it is the first Indian novel where characters narrate their stories in the first person.
Author: Sarah Edwards
Publisher: Routledge
ISBN: 1136515569
Category : Architecture
Languages : en
Pages : 327
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Book Description
Literary texts and buildings have always represented space, narrated cultural and political values, and functioned as sites of personal and collective identity. In the twentieth century, new forms of narrative have represented cultural modernity, political idealism and architectural innovation. Writing the Modern City explores the diverse and fascinating relationships between literature, architecture and modernity and considers how they have shaped the world today. This collection of thirteen original essays examines the ways in which literature and architecture have shaped a range of recognisably ‘modern’ identities. It focuses on the cultural connections between prose narratives – the novel, short stories, autobiography, crime and science fiction – and a range of urban environments, from the city apartment and river to the colonial house and the utopian city. It explores how the themes of memory, nation and identity have been represented in both literary and architectural works in the aftermath of early twentieth-century conflict; how the cultural movements of modernism and postmodernism have affected notions of canonicity and genre in the creation of books and buildings; and how and why literary and architectural narratives are influenced by each other’s formal properties and styles. The book breaks new ground in its exclusive focus on modern narrative and urban space. The essays examine texts and spaces that have both unsettled traditional definitions of literature and architecture and reflected and shaped modern identities: sexual, domestic, professional and national. It is essential reading for students and researchers of literature, cultural studies, cultural geography, art history and architectural history.
Author: Didier Coste
Publisher: Taylor & Francis
ISBN: 1040130429
Category : Literary Criticism
Languages : en
Pages : 303
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Book Description
This book redefines modern Indian literature from a cosmopolitan comparative perspective inclusive of literature in English from India and the diaspora, in native languages, and works by non-Indians. It shows how, since the mid-19th century, Indian literary modernity pursued the conjunction of the sensuous and ethical/spiritual that characterized its three traditions (Sanskritik, Persian, and folk culture) while the encounter, both receptive and oppositional, with “the West” vastly expanded the Indian literary sphere. Aesthetics and ethics are not antithetical in the Indian cultural space, but the quest for an exclusive Indian identity versus universalist approaches offsets concerns for social justice as well as enjoyable embodied communication. The literary constellation, in many languages, now formed in and around India can be better apprehended as a virtual Cosmopolis, a commonwealth of elaborate emotions. The versatile figure of Hanuman metaphorically flies across this Ocean of Stories to make us discover new worlds of experience.
