BALTASAR GRACIAN'S 'THE MIND'S WIT AND ART'. PDF Download
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Author: Leland H. Chambers
Publisher:
ISBN:
Category :
Languages : en
Pages : 1930
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Book Description
Author: Leland H. Chambers
Publisher:
ISBN:
Category :
Languages : en
Pages : 1930
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Book Description
Author: Tracy Chevalier
Publisher: Routledge
ISBN: 1135314101
Category : Reference
Languages : en
Pages : 1032
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Book Description
This groundbreaking new source of international scope defines the essay as nonfictional prose texts of between one and 50 pages in length. The more than 500 entries by 275 contributors include entries on nationalities, various categories of essays such as generic (such as sermons, aphorisms), individual major works, notable writers, and periodicals that created a market for essays, and particularly famous or significant essays. The preface details the historical development of the essay, and the alphabetically arranged entries usually include biographical sketch, nationality, era, selected writings list, additional readings, and anthologies
Author: Arturo Zárate Ruiz
Publisher:
ISBN:
Category :
Languages : en
Pages : 396
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Book Description
Author: Virginia Ramos Foster
Publisher: Irvington Publishers
ISBN:
Category : Literary Criticism
Languages : en
Pages : 184
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Book Description
Author: Arturo Zárate Ruiz
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Humor
Languages : en
Pages : 488
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Book Description
Gracián, Wit, and the Baroque Age offers a long-awaited thorough and systematic understanding of Baltasar Gracián's thought. Emphasizing Gracián's theories on wit, this book shows that these theories are meant to explain and give method to every apprehension of ideas; it orderly unveils Gracián's art of invention. It also places this art within Gracián's whole comprehensive doctrine of séñorío, that is, mastery. This book is grounded on an exhaustive analysis of Gracián's complete works, direct reviews of classical and baroque theories of wit, and of baroque exemplars of eloquence. This book provides a fair and close view of the baroque rhetoric, at last.
Author: Alexander Augustine Parker
Publisher: Cambridge University Press
ISBN: 0521323347
Category : Literary Criticism
Languages : en
Pages : 434
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Book Description
Professor Parker's essays provide a wide-ranging survey of the work of Calderón, the greatest exponent of Spanish Golden Age drama.
Author: Trevor McNeely
Publisher: Lehigh University Press
ISBN: 9780934223744
Category : Language Arts & Disciplines
Languages : en
Pages : 378
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Book Description
This wide-ranging study touches many aspects of sixteenth-century British culture, putting Shakespearean drama into the context of one of the century's greatest preoccupations, the study and use of rhetoric. Its multifaceted thesis is developed cumulatively over four chapters, each linked to the one preceding, moving from the general picture of the role of rhetoric in sixteenth-century English culture, through its contribution to the rise of Elizabethan drama, and culminating in its specific application to the interpretation of Shakespeare. Recognizing the thesis's challenge to critical orthodoxy, both traditional and contemporary, in all of these areas, its development proceeds with full discussion and deliberation at every stage, citing a broad range of sixteenth-century as well as Classical rhetorical materials to justify a radically subversive reinterpretation of their thrust. Trevor McNeely is Professor Emeritus of English at Brandon University.
Author: University of Michigan. Board of Regents
Publisher:
ISBN:
Category :
Languages : en
Pages : 1608
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Book Description
Author: Marília Futre Pinheiro
Publisher: Barkhuis
ISBN: 9077922970
Category : Classical fiction
Languages : en
Pages : 281
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Book Description
"The study of the reception of the ancient novel and of its literary and cultural heritage is one of the most appealing issues in the story of this literary genre. In no other genre has the vitality of classical tradition manifested itself in such a lasting and versatile manner as in the novel. However, this unifying, centripetal quality also worked in an opposite direction, spreading to and contaminating future literatures. Over the centuries, from Antiquity to the present time there have been many authors who drew inspiration from the Greek and Roman novels or used them as models, from Cervantes to Shakespeare, Sydney or Racine, not to mention the profound influence these texts exercised on, for instance, sixteenth-to eighteenth-century Italian, Portuguese and Spanish literature. Volume I is divided into sections that follow a chronological order, while Volume II deals with the reception of the ancient novel in literature and art. The first volume brings together an international group of scholars whose main aim is to analyse the survival of the ancient novel in the ancient world and in the Middle Ages, in the Renaissance, in the 17th and 18th centuries, and in the modern era. The contributors to the second volume have undertaken the task of discussing the survival of the ancient novel in the visual arts, in literature and in the performative arts. The papers assembled in these two volumes on reception are at the forefront of scholarship in the field and will stimulate scholarly research on the ancient novel and its influence over the centuries up to modern times, thus enriching not only Classics but also modern languages and literatures, cultural history, literary theory and comparative literature."--
Author: Anthony D. Cousins
Publisher: A&C Black
ISBN: 1441195602
Category : Religion
Languages : en
Pages : 222
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Book Description
While so much has been written about the English Protestant religious poets of the late 16th and earlier 17th centuries, there is relatively little study on the Catholic religious poets. Cousins fills this gap with his critical history of the Catholic religious poets major phase in the English Renaissance. In studying the Catholic religious poets from Southwell to Crashaw, this book focuses on the interplay in their verse between natively English and Counter-Reformation devotional literary traditions. Cousins puts forward particularly two arguments: that most of the more important Catholic poets write verse which expresses a Christ-centred vision of reality; that the divine agape receives almost as much attention in the Catholic poets' verse as does devout eros. In The Catholic Religious Poets Cousins defends the work of the Catholic religious poets arguing that this literary tradition deserves closer examination and higher valuation than it has usually been given.
