Author: Robert Browning
Publisher:
ISBN:
Category :
Languages : en
Pages : 394
Book Description
Aristophanes' Apology
Author: Robert Browning
Publisher:
ISBN:
Category :
Languages : en
Pages : 384
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 384
Book Description
Aristophanes' Apology: Including a Transcript From Euripides, Being the Last Adventure of Balaustion
Author: Robert Browning
Publisher: BoD – Books on Demand
ISBN: 3385365643
Category : Fiction
Languages : en
Pages : 326
Book Description
Reprint of the original, first published in 1875.
Publisher: BoD – Books on Demand
ISBN: 3385365643
Category : Fiction
Languages : en
Pages : 326
Book Description
Reprint of the original, first published in 1875.
Aristophanes in Britain
Author: Peter Swallow
Publisher: Oxford University Press
ISBN: 019286856X
Category : Drama
Languages : en
Pages : 298
Book Description
In this lively and wide-ranging study, Peter Swallow explores the reception of Aristophanes in Britain throughout the long-nineteenth century, setting it in the broader context of Victorian Classicism and, more specifically, the period's reception of Greek tragedy. Swallow shows the surprising extent to which Aristophanes was repurposed across an array of mediums in Victorian Britain, and demonstrates that Aristophanic reception in the period was always a process of speaking to contemporary issues--making Old Comedy new. The book examines two strands of Aristophanic reception: the political and the aesthetic. From the start of the long-nineteenth century, the British reception of Aristophanes tied into contemporary political debate, as historians, translators and commentators, and even the burlesque writer J.R. Planché activated Aristophanes in support of their own political positions. But each writer's conceptualisation of Aristophanes was as different as their political outlooks. While many writers who appropriated Aristophanes for their cause were Tories, a notable outlier is Percy Shelley, whose Aristophanic drama Swellfoot the Tyrant activated Old Comedy to argue for democratic republicanism--what we would now call a left-wing political revolution. The second strand of Aristophanic reception, which developed from around the middle of the nineteenth century, actively depoliticised Old Comedy and instead received it through an aesthetic lens. The aesthetics of Aristophanes--with an emphasis on the beautiful and the archaeological--also lay behind school and university productions of Old Comedy during this period. These strands of nineteenth-century Aristophanic reception find synthesis towards the book's conclusion. Edwardian women's receptions of Aristophanes show how activists used his plays to argue for equal educational opportunities and the right to vote. In the final chapter, Gilbert Murray and George Bernard Shaw's receptions reveal both the political and artistic potential of Aristophanes.
Publisher: Oxford University Press
ISBN: 019286856X
Category : Drama
Languages : en
Pages : 298
Book Description
In this lively and wide-ranging study, Peter Swallow explores the reception of Aristophanes in Britain throughout the long-nineteenth century, setting it in the broader context of Victorian Classicism and, more specifically, the period's reception of Greek tragedy. Swallow shows the surprising extent to which Aristophanes was repurposed across an array of mediums in Victorian Britain, and demonstrates that Aristophanic reception in the period was always a process of speaking to contemporary issues--making Old Comedy new. The book examines two strands of Aristophanic reception: the political and the aesthetic. From the start of the long-nineteenth century, the British reception of Aristophanes tied into contemporary political debate, as historians, translators and commentators, and even the burlesque writer J.R. Planché activated Aristophanes in support of their own political positions. But each writer's conceptualisation of Aristophanes was as different as their political outlooks. While many writers who appropriated Aristophanes for their cause were Tories, a notable outlier is Percy Shelley, whose Aristophanic drama Swellfoot the Tyrant activated Old Comedy to argue for democratic republicanism--what we would now call a left-wing political revolution. The second strand of Aristophanic reception, which developed from around the middle of the nineteenth century, actively depoliticised Old Comedy and instead received it through an aesthetic lens. The aesthetics of Aristophanes--with an emphasis on the beautiful and the archaeological--also lay behind school and university productions of Old Comedy during this period. These strands of nineteenth-century Aristophanic reception find synthesis towards the book's conclusion. Edwardian women's receptions of Aristophanes show how activists used his plays to argue for equal educational opportunities and the right to vote. In the final chapter, Gilbert Murray and George Bernard Shaw's receptions reveal both the political and artistic potential of Aristophanes.
The Browning Cyclopaedia
Author: Edward Berdoe
Publisher: New York : Barnes & Noble
ISBN:
Category : Browning Robert, 1812-1889
Languages : en
Pages : 608
Book Description
Publisher: New York : Barnes & Noble
ISBN:
Category : Browning Robert, 1812-1889
Languages : en
Pages : 608
Book Description
The Browning Cyclopædia
Author: Edward Berdoe
Publisher:
ISBN:
Category :
Languages : en
Pages : 604
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 604
Book Description
The Reception and Performance of Euripides' Herakles
Author: Kathleen Riley
Publisher: Oxford University Press
ISBN: 0199534489
Category : Drama
Languages : en
Pages : 411
Book Description
A study of the reception of Euripides' tragedy The Madness of Herakles from late antiquity to the present day. Kathleen Riley examines changing ideas of Heraklean madness and, consequently, of the Heraklean hero.
Publisher: Oxford University Press
ISBN: 0199534489
Category : Drama
Languages : en
Pages : 411
Book Description
A study of the reception of Euripides' tragedy The Madness of Herakles from late antiquity to the present day. Kathleen Riley examines changing ideas of Heraklean madness and, consequently, of the Heraklean hero.
The Browning Cyclopædia: A Guide to the Study of the Works of Robert Browning
Author: Edward Berdoe
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 605
Book Description
DigiCat Publishing presents to you this special edition of "The Browning Cyclopædia: A Guide to the Study of the Works of Robert Browning" by Edward Berdoe. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 605
Book Description
DigiCat Publishing presents to you this special edition of "The Browning Cyclopædia: A Guide to the Study of the Works of Robert Browning" by Edward Berdoe. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
The Poetry of Translation
Author: Matthew Reynolds
Publisher: OUP Oxford
ISBN: 0191619183
Category : Literary Criticism
Languages : en
Pages : 384
Book Description
Poetry is supposed to be untranslatable. But many poems in English are also translations: Pope's Iliad, Pound's Cathay, and Dryden's Aeneis are only the most obvious examples. The Poetry of Translation explodes this paradox, launching a new theoretical approach to translation, and developing it through readings of English poem-translations, both major and neglected, from Chaucer and Petrarch to Homer and Logue. The word 'translation' includes within itself a picture: of something being carried across. This image gives a misleading idea of goes on in any translation; and poets have been quick to dislodge it with other metaphors. Poetry translation can be a process of opening; of pursuing desire, or succumbing to passion; of taking a view, or zooming in; of dying, metamorphosing, or bringing to life. These are the dominant metaphors that have jostled the idea of 'carrying across' in the history of poetry translation into English; and they form the spine of Reynolds's discussion. Where do these metaphors originate? Wide-ranging literary historical trends play their part; but a more important factor is what goes on in the poem that is being translated. Dryden thinks of himself as 'opening' Virgil's Aeneid because he thinks Virgil's Aeneid opens fate into world history; Pound tries to being Propertius to life because death and rebirth are central to Propertius's poems. In this way, translation can continue the creativity of its originals. The Poetry of Translation puts the translation of poetry back at the heart of English literature, allowing the many great poem-translations to be read anew.
Publisher: OUP Oxford
ISBN: 0191619183
Category : Literary Criticism
Languages : en
Pages : 384
Book Description
Poetry is supposed to be untranslatable. But many poems in English are also translations: Pope's Iliad, Pound's Cathay, and Dryden's Aeneis are only the most obvious examples. The Poetry of Translation explodes this paradox, launching a new theoretical approach to translation, and developing it through readings of English poem-translations, both major and neglected, from Chaucer and Petrarch to Homer and Logue. The word 'translation' includes within itself a picture: of something being carried across. This image gives a misleading idea of goes on in any translation; and poets have been quick to dislodge it with other metaphors. Poetry translation can be a process of opening; of pursuing desire, or succumbing to passion; of taking a view, or zooming in; of dying, metamorphosing, or bringing to life. These are the dominant metaphors that have jostled the idea of 'carrying across' in the history of poetry translation into English; and they form the spine of Reynolds's discussion. Where do these metaphors originate? Wide-ranging literary historical trends play their part; but a more important factor is what goes on in the poem that is being translated. Dryden thinks of himself as 'opening' Virgil's Aeneid because he thinks Virgil's Aeneid opens fate into world history; Pound tries to being Propertius to life because death and rebirth are central to Propertius's poems. In this way, translation can continue the creativity of its originals. The Poetry of Translation puts the translation of poetry back at the heart of English literature, allowing the many great poem-translations to be read anew.
Proceedings of the Society for Psychical Research
Author: Society for Psychical Research (Great Britain)
Publisher:
ISBN:
Category : Parapsychology
Languages : en
Pages : 600
Book Description
List of members in v.1-19, 21, 24-
Publisher:
ISBN:
Category : Parapsychology
Languages : en
Pages : 600
Book Description
List of members in v.1-19, 21, 24-
Proceedings
Author: Society for Psychical Research
Publisher:
ISBN:
Category :
Languages : en
Pages : 602
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 602
Book Description