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Author: Geert van Kesteren
Publisher:
ISBN:
Category : History
Languages : en
Pages : 390
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Book Description
"The combination of professional photos, amateur snapshots and interview with refugees, giving their first-hand accounts of the horrs that have befallen them, provides a penetrating insight into the situation in which the Iraqi citizens fin themselves."--Back coverl
Author: Geert van Kesteren
Publisher:
ISBN:
Category : History
Languages : en
Pages : 390
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Book Description
"The combination of professional photos, amateur snapshots and interview with refugees, giving their first-hand accounts of the horrs that have befallen them, provides a penetrating insight into the situation in which the Iraqi citizens fin themselves."--Back coverl
Author: Julian Stallabrass
Publisher: Rowman & Littlefield
ISBN: 1538141817
Category : Photography
Languages : en
Pages : 353
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Book Description
See firsthand how war photography is used to sway public opinion. In the autumn of 2014, the Royal Air Force released blurry video of a missile blowing up a pick-up truck which may have had a weapon attached to its flatbed. This was a lethal form of gesture politics: to send a £9-million bomber from Cyprus to Iraq and back, burning £35,000 an hour in fuel, to launch a smart missile costing £100,000 to destroy a truck or, rather, to create a video that shows it being destroyed. Some lives are ended—it is impossible to tell whose—so that the government can pretend that it taking effective action by creating a high-budget snuff movie. This is killing for show. Since the Vietnam War the way we see conflict—through film, photographs, and pixels—has had a powerful impact on the political fortunes of the campaign, and the way that war has been conducted. In this fully illustrated and passionately argued account of war imagery, Julian Stallabrass tells the story of post-war conflict, how it was recorded and remembered through its iconic photography. The relationship between war and photograph is constantly in transition, forming new perspectives, provoking new challenges: what is allowed to be seen? Does an image have the power to change political opinion? How are images used to wage war? Stallabrass shows how photographs have become a vital weapon in the modern war: as propaganda—from close-quarters fighting to the drone’s electronic vision—as well as a witness to the barbarity of events such as the My Lai massacre, the violent suppression of insurgent Fallujah or the atrocities in Abu Ghraib. Through these accounts Stallabrass maps a comprehensive theoretical re-evaluation of the relationship between war, politics and visual culture. Killing for Show offers: 190 photographs encompassing photojournalism, artists’ images, photographs by soldiers and amateurs and drones A comprehensive comparison of the role of photography in the Vietnam and Iraq Wars An explanation of the waning power of iconic images in collective memory An analysis of the failure of military PR and the public display of killing A focus on what can and cannot be seen, photographed and published An exploration of the power and limits of amateur photography Arguments about how violent images act on democracy This full-color book is an essential volume in the history of warfare and photography
Author: Riverbend
Publisher: The Feminist Press at CUNY
ISBN: 1558616160
Category : History
Languages : en
Pages : 320
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Book Description
Since the fall of Bagdad, women’s voices have been largely erased, but four months after Saddam Hussein’s statue fell, a 24 year-old woman from Baghdad began blogging. In 2003, a twenty-four-year-old woman from Baghdad began blogging about life in the city under the pseudonym Riverbend. Her passion, honesty, and wry idiomatic English made her work a vital contribution to our understanding of post-war Iraq—and won her a large following. Baghdad Burning is a quotidian chronicle of Riverbend’s life with her family between April 2003 and September of 2004. She describes rolling blackouts, intermittent water access, daily explosions, gas shortages and travel restrictions. She also expresses a strong stance against the interim government, the Bush administration, and Islamic fundamentalists like Al Sadr and his followers. Her book “offers quick takes on events as they occur, from a perspective too often overlooked, ignored or suppressed” (Publishers Weekly). “Riverbend is bright and opinionated, true, but like all voices of dissent worth remembering, she provides an urgent reminder that, whichever governments we struggle under, we are all the same.” —Booklist “Feisty and learned: first-rate reading for any American who suspects that Fox News may not be telling the whole story.” —Kirkus
Author: Salam Pax
Publisher: Grove Press
ISBN: 9780802140449
Category : Biography & Autobiography
Languages : en
Pages : 228
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Book Description
"Bringing these writings together for the first time, Salam Pax: The Clandestine Diary of an Ordinary Iraqi provides one of the most gripping accounts of the Iraqi conflict."--Jacket.
Author: Janina Struk
Publisher: Routledge
ISBN: 1000213455
Category : Art
Languages : en
Pages : 255
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Book Description
Snapshots taken by American soldiers of Iraqi prisoners stripped naked, humiliated and tortured shocked the world in 2004 and more have followed from the conflict in Afghanistan, but whether the public have been horrified by the soldiers' conduct or the fact they have taken pictures has not been clear. In fact, as this remarkable book reveals and relates, soldiers have taken photographs of war and its atrocities for more than 100 years. But their pictures are private, intended mainly for the soldiers themselves, as mementoes or as attempts to make sense of the chaos, brutality and boredom of war. They can be gruesome or sociable, shocking or mundane and they are seldom regarded as serious contributions to a visual culture of war, which since 1939 has been dominated by professional war photography. But with the 21st-century shift to simple digital photography, transmission by the internet available to all, and a new 'citizen journalism', soldiers' pictures are acquiring a new resonance."Private Pictures" traces this unacknowledged genre of photography from the origins of popular photography in the Boer War through to the present day; it discusses how the images have been used and it asks: what effect might the wider appreciation of soldiers' pictures have on the popular perception of war?
Author: Ken R. Crane
Publisher: NYU Press
ISBN: 1479873942
Category : Social Science
Languages : en
Pages : 205
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Book Description
How Iraqi refugees navigate life, belonging, and exclusion in America The US invasion of Iraq in 2003 caused the largest forced migration in the Middle East since 1948, with millions of people fleeing to Syria, Jordan, Turkey, Iran, European Union, Australia and the United States. In Iraqi Refugees in the United States, Ken R. Crane explores the uphill climb faced by Iraqi refugees who have sought belonging in a country engaged in an ongoing War on Terror. Drawing on numerous interviews and fieldwork, Crane explores the diverse experiences of a community of Iraqi refugees, showing how they have struggled to negotiate their place in the wake of mass displacement. He highlights the promise of belonging, as well as their many painful encounters with exclusion. Ultimately, Crane provides a window into the complexities of what “becoming American” means for Iraqi refugees, even as they are perceived by other Americans as “security threats.” As debates about immigration and refugee status continue to play out in headlines and the courts, Iraqi Refugees in the United States provides important insight into the global refugee crisis.
Author: David Price
Publisher:
ISBN:
Category : Islamic Empire
Languages : en
Pages : 742
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Book Description
Author: Alex Vatanka
Publisher: Bloomsbury Publishing
ISBN: 0857725513
Category : Political Science
Languages : en
Pages : 320
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Book Description
The respective policies of the governments of Iran and Pakistan pose serious challenges to US interests in the Middle East, Asia and beyond. These two regional powers, with a combined population of around 300 million, have been historically intertwined in various cultural, religious and political ways. Iran was the first country to recognise the emerging independent state of Pakistan in 1947 and the Shah of Iran was the first head of state to visit the new nation. While this relationship shifted following the 1979 Iranian Revolution, and tensions do exist between Sunni Pakistan and Shi'i Iran, there has nevertheless been a history of cooperation between the two countries in fields that are of great strategic interest to the US: Afghanistan, nuclear proliferation and terrorism. Yet much of this history of cooperation, conflict and ongoing interactions remains unexplored. Alex Vatanka here presents the first comprehensive analysis of this long-standing and complex relationship
Author: Ashley Dawson
Publisher: Duke University Press
ISBN: 0822389649
Category : Literary Criticism
Languages : en
Pages : 323
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Book Description
Exceptional State analyzes the nexus of culture and contemporary manifestations of U.S. imperialism. The contributors, established and emerging cultural studies scholars, define culture broadly to include a range of media, literature, and political discourse. They do not posit September 11, 2001 as the beginning of U.S. belligerence and authoritarianism at home and abroad, but they do provide context for understanding U.S. responses to and uses of that event. Taken together, the essays stress both the continuities and discontinuities embodied in a present-day U.S. imperialism constituted through expressions of millennialism, exceptionalism, technological might, and visions of world dominance. The contributors address a range of topics, paying particular attention to the dynamics of gender and race. Their essays include a surprising reading of the ostensibly liberal movies Wag the Dog and Three Kings, an exploration of the rhetoric surrounding the plan to remake the military into a high-tech force less dependent on human bodies, a look at the significance of the popular Left Behind series of novels, and an interpretation of the Abu Ghraib prison photos. They scrutinize the national narrative created to justify the U.S. invasions of Afghanistan and Iraq, the ways that women in those countries have responded to the invasions, the contradictions underlying calls for U.S. humanitarian interventions, and the role of Africa in the U.S. imperial imagination. The volume concludes on a hopeful note, with a look at an emerging anti-imperialist public sphere. Contributors. Omar Dahbour, Ashley Dawson, Cynthia Enloe, Melani McAlister, Christian Parenti, Donald E. Pease, John Carlos Rowe, Malini Johar Schueller, Harilaos Stecopoulos
Author: Cynthia Enloe
Publisher: Univ of California Press
ISBN: 0520938518
Category : Social Science
Languages : en
Pages : 380
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Book Description
In this collection of lively essays, Cynthia Enloe makes better sense of globalization and international politics by taking a deep and personal look into the daily realities in a range of women's lives. She proposes a distinctively feminist curiosity that begins with taking women seriously, especially during this era of unprecedented American influence. This means listening carefully, digging deep, challenging assumptions, and welcoming surprises. Listening to women in Asian sneaker factories, Enloe reveals, enables us to bring down to earth the often abstract discussions of the global economy. Paying close attention to Iraqi women's organizing efforts under military occupation exposes the false global promises made by officials. Enloe also turns the beam of her inquiry inward. In a series of four candid interviews and a new set of autobiographical pieces, she reflects on the gradual development of her own feminist curiosity. Describing her wartime suburban girlhood and her years at Berkeley, she maps the everyday obstacles placed on the path to feminist consciousness—and suggests how those obstacles can be identified and overcome. The Curious Feminist shows how taking women seriously also challenges the common assumption that masculinities are trivial factors in today's international affairs. Enloe explores the workings of masculinity inside organizations as diverse as the American military, a Serbian militia, the UN, and Oxfam. A feminist curiosity finds all women worth thinking about, Enloe claims. She suggests that we pay thoughtful attention to women who appear complicit in violence or in the oppression of others, or too cozily wrapped up in their relative privilege to inspire praise or compassion. Enloe's vitality, passion, and incisive wit illuminate each essay. The Curious Feminist is an original and timely invitation to look at global politics in an entirely different way.
