Badman's Bordello PDF Download
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Author: Cort Martin
Publisher: Speaking Volumes
ISBN: 1628150505
Category : Fiction
Languages : en
Pages : 205
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Book Description
Author: Cort Martin
Publisher: Speaking Volumes
ISBN: 1628150505
Category : Fiction
Languages : en
Pages : 205
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Book Description
Author: Andrew F. Macdonald
Publisher: Praeger
ISBN:
Category : Literary Criticism
Languages : en
Pages : 366
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Book Description
A study of western, romance, detective, horror, and science fiction genres that highlights the range of Native American images in modern popular fiction and the numerous agendas these images serve.
Author: Jerry H. Bryant
Publisher: Indiana University Press
ISBN: 9780253109897
Category : Literary Criticism
Languages : en
Pages : 250
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Book Description
The figure of the violent man in the African American imagination has a long history. He can be found in 19th-century bad man ballads like "Stagolee" and "John Hardy," as well as in the black convict recitations that influenced "gangsta" rap. "Born in a Mighty Bad Land" connects this figure with similar characters in African American fiction. Many writers -- McKay and Hurston in the Harlem Renaissance; Wright, Baldwin, and Ellison in the '40s and '50s; Himes in the '50s and '60s -- saw the "bad nigger" as an archetypal figure in the black imagination and psyche. "Blaxploitation" novels in the '70s made him a virtually mythical character. More recently, Mosley, Wideman, and Morrison have presented him as ghetto philosopher and cultural adventurer. Behind the folklore and fiction, many theories have been proposed to explain the source of the bad man's intra-racial violence. Jerry H. Bryant explores all of these elements in a wide-ranging and illuminating look at one of the most misunderstood figures in African American culture.
Author:
Publisher:
ISBN:
Category : Motion picture industry
Languages : en
Pages : 864
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Book Description
Author:
Publisher:
ISBN:
Category : Motion picture industry
Languages : en
Pages : 1098
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Book Description
Some issues include separately paged sections: Better management, Physical theatre, extra profits; Review; Servisection.
Author: John E. Simkin
Publisher: K. G. Saur
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 1228
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Book Description
This work is the only comprehensive guide to sequels in English, with over 84,000 works by 12,500 authors in 17,000 sequences.
Author: E. J. Hunter
Publisher: Zebra Books
ISBN: 9780821727690
Category : Fiction
Languages : en
Pages : 222
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Book Description
Hot-blooded temptress Rebecca Caldwell and her lover, handsome teamster Win Harper, team up for passion and pursuit when Rebecca's old enemies, Chris Starret and his hardcase band, rob one of Harper's freight trains
Author: Rose Arny
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1266
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Book Description
Author: Juan J. Alonzo
Publisher: University of Arizona Press
ISBN: 0816545448
Category : Social Science
Languages : en
Pages : 208
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Book Description
Badmen, Bandits, and Folk Heroes is a comparative study of the literary and cinematic representation of Mexican American masculine identity from early twentieth-century adventure stories and movie Westerns through contemporary self-representations by Chicano/a writers and filmmakers. In this deeply compelling book, Juan J. Alonzo proposes a reconsideration of the early stereotypical depictions of Mexicans in fiction and film: rather than viewing stereotypes as unrelentingly negative, Alonzo presents them as part of a complex apparatus of identification and disavowal. Furthermore, Alonzo reassesses Chicano/a self-representation in literature and film, and argues that the Chicano/a expression of identity is characterized less by essentialism than by an acknowldgement of the contingent status of present-day identity formations. Alonzo opens his provocative study with a fresh look at the adventure stories of Stephen Crane and the silent Western movies of D. W. Griffith. He also investigates the conflation of the greaser, the bandit, and the Mexican revolutionary into one villainous figure in early Western movies and, more broadly, traces the development of the badman in Westerns. He newly interrogates the writings of Américo Paredes regarding the makeup of Mexican masculinity, and productively trains his analytic eye on the recent films of Jim Mendiola and the contemporary poetry of Evangelina Vigil. Throughout Badmen, Bandits, and Folk Heroes, Alonzo convincingly demonstrates how fiction and films that formerly appeared one-dimensional in their treatment of Mexicans and Mexican Americans actually offer surprisingly multifarious and ambivalent representations. At the same time, his valuation of indeterminacy, contingency, and hybridity in contemporary cultural production creates new possibilities for understanding identity formation.
Author: Juan JosŽ Alonzo
Publisher: University of Arizona Press
ISBN: 9780816528684
Category : Social Science
Languages : en
Pages : 212
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Book Description
Badmen, Bandits, and Folk Heroes is a comparative study of the literary and cinematic representation of Mexican American masculine identity from early twentieth-century adventure stories and movie Westerns through contemporary self-representations by Chicano/a writers and filmmakers. In this deeply compelling book, Juan J. Alonzo proposes a reconsideration of the early stereotypical depictions of Mexicans in fiction and film: rather than viewing stereotypes as unrelentingly negative, Alonzo presents them as part of a complex apparatus of identification and disavowal. Furthermore, Alonzo reassesses Chicano/a self-representation in literature and film, and argues that the Chicano/a expression of identity is characterized less by essentialism than by an acknowldgement of the contingent status of present-day identity formations. Alonzo opens his provocative study with a fresh look at the adventure stories of Stephen Crane and the silent Western movies of D. W. Griffith. He also investigates the conflation of the greaser, the bandit, and the Mexican revolutionary into one villainous figure in early Western movies and, more broadly, traces the development of the badman in Westerns. He newly interrogates the writings of AmŽrico Paredes regarding the makeup of Mexican masculinity, and productively trains his analytic eye on the recent films of Jim Mendiola and the contemporary poetry of Evangelina Vigil. Throughout Badmen, Bandits, and Folk Heroes, Alonzo convincingly demonstrates how fiction and films that formerly appeared one-dimensional in their treatment of Mexicans and Mexican Americans actually offer surprisingly multifarious and ambivalent representations. At the same time, his valuation of indeterminacy, contingency, and hybridity in contemporary cultural production creates new possibilities for understanding identity formation.
