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Author: Francis Bacon
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 336
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Book Description
Author: Francis Bacon
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 336
Get Book Here
Book Description
Author: Francis Bacon
Publisher:
ISBN:
Category :
Languages : en
Pages : 440
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Book Description
Author: Francis Bacon
Publisher:
ISBN:
Category :
Languages : en
Pages : 702
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Book Description
Author: Richard Whately
Publisher: BoD – Books on Demand
ISBN: 3382335875
Category : Fiction
Languages : en
Pages : 614
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Book Description
Reprint of the original, first published in 1858. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Author: Francis Bacon
Publisher:
ISBN:
Category :
Languages : en
Pages : 702
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Book Description
Author: Francis Bacon
Publisher:
ISBN:
Category : English essays
Languages : en
Pages : 468
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Book Description
Author: Bacon
Publisher:
ISBN:
Category :
Languages : en
Pages : 468
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Book Description
Author: Francis Bacon (visct. St. Albans.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 562
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Book Description
Author: Sir Francis Bacon
Publisher: Jazzybee Verlag
ISBN: 3849691845
Category : Philosophy
Languages : en
Pages : 72
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Book Description
Bacon published this interesting little work in 1609. It contains thirty-one fables abounding with a union of deep thought and poetic beauty. In most fables he explains the common but erroneous supposition that knowledge and the conformity of the will, knowing and acting, are convertible terms.
Author: Ernst van Alphen
Publisher: Harvard University Press
ISBN: 9780674317628
Category : Art
Languages : en
Pages : 214
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Book Description
Since his death in April 12 Francis Bacon has been acclaimed as one of the very greatest of modern painters. Yet most analyses of Bacon actually neutralize his work by discussing it as an existential expression and as the horrifying communication of an isolated individualâe"which simply transfers the pain in the paintings back to Bacon himself. This study is the first attempt to account for the pain of the viewer. It is also, most challengingly, an explanation of what Baconâe(tm)s art tells us about ourselves as individuals. For, during this very personal investigation, the author comes to realize that the effect of Baconâe(tm)s work is founded upon the way that each of us carves our identity, our âeoeself,âe from the inchoate evidence of our senses, using the conventions of representation as tools. It is in his warping of these conventions of the senses, rather than in the superficial distortion of his images, that Bacon most radically confronts âeoeart,âe and ourselves as individuals.
