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Author: Matthew Dirst
Publisher: Oxford University Press
ISBN: 0197536638
Category : Music
Languages : en
Pages : 185
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Book Description
"Bach's Art of Fugue and Musical Offering is the first comprehensive study of two closely related masterworks of the late Baroque fugal style. The initial volume in a series of American Bach Society Guides produced in collaboration with Oxford University Press, it unpacks these famously cerebral collections as endlessly fascinating material for study and play. Intended for a general readership, this compact guide also summarizes for practitioners a considerable body of knowledge about these singular works. Bach scholar and keyboard player Matthew Dirst explains their idiosyncratic musical language in initial chapters while reviewing how both projects took shape during Bach's final decade, as he reoriented his creative energies around capstone works of various kinds. The most systematic of these, the Art of Fugue and Musical Offering reflect his lifelong fascination with learned counterpoint, as demonstrated in elaborate series of fugues and canons in both and in an unusually intricate trio sonata in the latter. Later chapters provide commentary on individual movements and groups of pieces and on the historical reception of this music, including its impact on other disciplines. Recurring themes include Bach's diligent exploration of contrapuntal types and techniques, his embrace of musical games of various sorts, and his creative assimilation of diverse musical styles"--
Author: Matthew Dirst
Publisher: Oxford University Press
ISBN: 0197536638
Category : Music
Languages : en
Pages : 185
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Book Description
"Bach's Art of Fugue and Musical Offering is the first comprehensive study of two closely related masterworks of the late Baroque fugal style. The initial volume in a series of American Bach Society Guides produced in collaboration with Oxford University Press, it unpacks these famously cerebral collections as endlessly fascinating material for study and play. Intended for a general readership, this compact guide also summarizes for practitioners a considerable body of knowledge about these singular works. Bach scholar and keyboard player Matthew Dirst explains their idiosyncratic musical language in initial chapters while reviewing how both projects took shape during Bach's final decade, as he reoriented his creative energies around capstone works of various kinds. The most systematic of these, the Art of Fugue and Musical Offering reflect his lifelong fascination with learned counterpoint, as demonstrated in elaborate series of fugues and canons in both and in an unusually intricate trio sonata in the latter. Later chapters provide commentary on individual movements and groups of pieces and on the historical reception of this music, including its impact on other disciplines. Recurring themes include Bach's diligent exploration of contrapuntal types and techniques, his embrace of musical games of various sorts, and his creative assimilation of diverse musical styles"--
Author: Donald Francis Tovey
Publisher: Courier Corporation
ISBN: 048649764X
Category : Music
Languages : en
Pages : 244
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Book Description
Complete score of The Art of Fugue plus extensive commentary features all 14 fugues plus the four canons. The commentary outlines the fugues' contrapuntal devices and offers keen observations on the composer's craftsmanship.
Author: Johann Sebastian Bach
Publisher:
ISBN:
Category : Piano music
Languages : en
Pages : 83
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Book Description
Author: Joseph Kerman
Publisher: Univ of California Press
ISBN: 0520962591
Category : Music
Languages : en
Pages : 193
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Book Description
A free ebook version of this title is available through Luminos, University of California Press’s new open access publishing program for monographs. Visit www.luminosoa.org to learn more. Fugue for J. S. Bach was a natural language; he wrote fugues in organ toccatas and voluntaries, in masses and motets, in orchestral and chamber music, and even in his sonatas for violin solo. The more intimate fugues he wrote for keyboard are among the greatest, most influential, and best-loved works in all of Western music. They have long been the foundation of the keyboard repertory, played by beginning students and world-famous virtuosi alike. In a series of elegantly written essays, eminent musicologist Joseph Kerman discusses his favorite Bach keyboard fugues—some of them among the best-known fugues and others much less familiar. Kerman skillfully, at times playfully, reveals the inner workings of these pieces, linking the form of the fugues with their many different characters and expressive qualities, and illuminating what makes them particularly beautiful, powerful, and moving. These witty, insightful pieces, addressed to musical amateurs as well as to specialists and students, are beautifully augmented by performances made specially for this volume: Karen Rosenak, piano, playing two preludes and fugues fromTheWell-Tempered Clavier—C Major, book 1; and B Major, book 2--and Davitt Moroney playing the Fughetta in C Major, BWV 952, on clavichord; the Fugue on "Jesus Christus unser Heiland," BWV 689, on organ; and the Fantasy and Fugue in A Minor, BWV 904, on harpsichord.
Author: Anatoly Milka
Publisher: Cambridge Scholars Publishing
ISBN: 1527541010
Category : Music
Languages : en
Pages : 238
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Book Description
J.S. Bach’s Musical Offering is a broadly known and extensively studied collection of musical pieces, written in 1747 shortly after his visit to the Potsdam court of Frederick the Great. The composition, however, survived in separated sheets of different formats, and finding the logic of its organization into a cycle became a great challenge for scholars of the following centuries. Based on ground-breaking findings by Christoph Wolff, who revealed the main principles of the Musical Offering’s structure, as well as those promulgated by Hans Theodor David, and more recently by G. Butler, W. Wiemer, R. Tatlow, and many other scholars, this book develops and revises their ideas, arriving at a unique conception of the possible original structure of the Musical Offering. While the rods of the collection do not provoke disagreements among scholars, the ordering of the ten canons (including the Fuga canonica) remains mysterious in many aspects, and this text gives them a close examination. It considers their kinds (thematic and contrapuntal); textual inscriptions; the canons’ function within the cycle (as vignettes to the main pieces); and their location, among other aspects. The volume includes profuse references to historical and cultural context; court etiquette; contrapuntal techniques; the history of the ricercar; expertise in Bach’s handwriting and habits of music layout in his manuscripts; and the Baroque principles of organization in arts.
Author: Zoltán Göncz
Publisher: Scarecrow Press
ISBN: 0810884488
Category : Music
Languages : en
Pages : 195
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Book Description
Written late in his life, J. S. Bach’s The Art of Fugue has long been admired—in some quarters revered—as one of his masterworks. Its last movement, Contrapunctus 14, went unfinished, and the enigma of its incompleteness still preoccupies scholars and musical conductors alike. In 1881, Gustav Nottebohm discovered that the three subjects of the movement could be supplemented by a fourth. In 1993, Zoltán Göncz revealed that Bach had planned the passage that would join the four subjects in an entirely unique way. This section has not survived, but, as Göncz notes, it must have been ready in the earliest phase of composition since Bach had created the expositions of the first three subjects from its “disjointed” parts. Göncz then boldly took on the task of reconstructing the original “template” by putting together the once separate pieces. In Bach’s Testament: On the Philosophical and Theological Background of The Art of Fugue, Göncz probes the philosophic-theological background of The Art of Fugue, revealing the special structures that supported the 1993 reconstruction. Bach’s Testament investigates the reconstruction’s metaphysical dimensions, focusing on the quadruple fugue. As a summary of Zoltán Göncz’s extensive research over many years, which resulted in the completion of the fugue, this work explores the complex combinatorial, philosophical and theological considerations that inform its structure. Bach’s Testament is ideally suited not only to Bach scholars and musicologists but also intellectual historians with particular interests in 18th-century religious and philosophical ideas.
Author: Anatoly Milka
Publisher: Routledge
ISBN: 1317064054
Category : Music
Languages : en
Pages : 498
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Book Description
The enigmatic character of The Art of Fugue became apparent as early as in its first edition, printed more than a year after the composer’s death. Carl Philipp Emanuel Bach, who published both the first and the second editions, raised several unsolved questions regarding this opus. Anatoly P Milka presents a consistent and coherent solution to the unresolved questions about the history, structure and appearance of J.S. Bach’s The Art of Fugue, opening new perspectives for further exploration of this musical masterpiece. Milka challenges the present scholarly consensus that there exist two different versions of The Art of Fugue (the Autograph and the Original Edition) and argues that Bach had considered four versions, of which only two are apparent and have been discussed so far. Only Bach’s illness and death prevented him from fulfilling his plan and publishing a fourth, conclusive version of his opus.
Author: Christoph Wolff
Publisher: Harvard University Press
ISBN: 9780674059269
Category : Biography & Autobiography
Languages : en
Pages : 484
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Book Description
More than two centuries after his lifetime, J. S. Bach's work continues to set musical standards. Noted Bach scholar Christoph Wolff offers new perspectives on the composer's life and remarkable career.
Author: Hans Theodore David
Publisher: Dover Publications
ISBN:
Category : Music
Languages : en
Pages : 236
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Book Description
Author: Christoph Wolff
Publisher: W. W. Norton & Company
ISBN: 0393651797
Category : Music
Languages : en
Pages : 427
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Book Description
A concentrated study of Johann Sebastian Bach’s creative output and greatest pieces, capturing the essence of his art. Throughout his life, renowned and prolific composer Johann Sebastian Bach articulated his views as a composer in purely musical terms; he was notoriously reluctant to write about his life and work. Instead, he methodically organized certain pieces into carefully designed collections. These benchmark works, all of them without parallel or equivalent, produced a steady stream of transformative ideas that stand as paradigms of Bach’s musical art. In this companion volume to his Pulitzer Prize–finalist biography, Johann Sebastian Bach: The Learned Musician, leading Bach scholar Christoph Wolff takes his cue from his famous subject. Wolff delves deeply into the composer’s own rich selection of collected music, cutting across conventional boundaries of era, genre, and instrument. Emerging from a complex and massive oeuvre, Bach’s Musical Universe is a focused discussion of a meaningful selection of compositions—from the famous Well-Tempered Clavier, violin and cello solos, and Brandenburg Concertos to the St. Matthew Passion, Art of Fugue, and B-minor Mass. Unlike any study undertaken before, this book details Bach’s creative process across the various instrumental and vocal genres. This array of compositions illustrates the depth and variety at the essence of the composer’s musical art, as well as his unique approach to composition as a process of imaginative research into the innate potential of his chosen material. Tracing Bach’s evolution as a composer, Wolff compellingly illuminates the ideals and legacy of this giant of classical music in a new, refreshing light for everyone, from the amateur to the virtuoso.
