Bach - Selections from the Lute, Violin, and Cello Suites for Easy Classical Guitar PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Bach - Selections from the Lute, Violin, and Cello Suites for Easy Classical Guitar PDF full book. Access full book title Bach - Selections from the Lute, Violin, and Cello Suites for Easy Classical Guitar by Johann Sebastian Bach. Download full books in PDF and EPUB format.
Author: Johann Sebastian Bach
Publisher: Cherry Lane Music
ISBN: 9781603789776
Category : Music
Languages : en
Pages : 36
Get Book Here
Book Description
(Easy Guitar). 16 Bach works arranged for the beginning classical guitarist, including: Cello Suite No. 4, BWV 1010 "Bourree II" * Cello Suite No. 5, BWV 1011 "Gavotte I" * Cello Suite No. 6, BWV 1012 "Sarabande" * Cello Suite No. 2, BWV 1008 "Minuet I" * Lute Suite No. 1, BWV 996 "Courante" * Lute Suite No. 1, BWV 996 "Sarabande" * Lute Suite No. 1, BWV 996 "Bourree" * Lute Suite No. 2, BWV 997 "Gigue" * Violin Partita No. 1, BWV 1002 "Sarabande" * Violin Partita No. 2, BWV 1004 "Chaconne" * Violin Partita No. 1, BWV 1002 "Tempo Di Bourree" * and more.
Author: Johann Sebastian Bach
Publisher: Cherry Lane Music
ISBN: 9781603789776
Category : Music
Languages : en
Pages : 36
Get Book Here
Book Description
(Easy Guitar). 16 Bach works arranged for the beginning classical guitarist, including: Cello Suite No. 4, BWV 1010 "Bourree II" * Cello Suite No. 5, BWV 1011 "Gavotte I" * Cello Suite No. 6, BWV 1012 "Sarabande" * Cello Suite No. 2, BWV 1008 "Minuet I" * Lute Suite No. 1, BWV 996 "Courante" * Lute Suite No. 1, BWV 996 "Sarabande" * Lute Suite No. 1, BWV 996 "Bourree" * Lute Suite No. 2, BWV 997 "Gigue" * Violin Partita No. 1, BWV 1002 "Sarabande" * Violin Partita No. 2, BWV 1004 "Chaconne" * Violin Partita No. 1, BWV 1002 "Tempo Di Bourree" * and more.
Author: Mark Phillips
Publisher:
ISBN:
Category :
Languages : en
Pages : 28
Get Book Here
Book Description
To "realize" a piece of music that has been only partially-or sparsely-notated by a composer is to add to it, generally by supplying harmonies. For keyboard parts in baroque scores, composers often wrote a so-called "continuo" part, which was merely a bass line with numerals written beneath certain notes (indicating intervals above those notes). Such a bass line is known as "figured bass." The keyboardist (usually a harpsichordist) fleshed out-realized-the continuo by adding intended harmonies indicated by the numerals, usually with the single-note bass line itself doubled by another instrument such as cello or bass viol.Here we've turned that type of realization upside down. Bach's six unaccompanied cello suites, even though they are mainly just single-note melodies, are a world of exquisite beauty for the cellist. But guitarists are capable of playing melodies along with harmonies and bass lines. Bach's cello melodies themselves imply certain harmonies, which in turn imply certain bass notes.By selecting only those movements most conducive to guitar, and by adding bass lines and harmonies implied by the melodies, we've fleshed out-realized-these pieces for easy to intermediate level classical guitar solo (in standard notation and tablature).Includes: Suite No. 1 - Minuet I, Minuet II, Gigue; Suite No. 2 - Minuet I, Minuet II; Suite No. 3 - Bourrée I, Bourrée II; Suite No. 4 - Bourrée II; Suite No. 5 - Gavotte I; Suite No. 6 - Gavotte I, Gavotte II
Author: J. S. Bach
Publisher: Mel Bay Publications
ISBN: 1609741684
Category : Music
Languages : en
Pages : 193
Get Book Here
Book Description
Although Johann Sebastian Bach did not write any music for the guitar, transcriptions of his unaccompanied string music and music for lute have long been a part of the guitar repertoire. Despite the respect that this music commands among musicians and audiences debate still exists as to what constitutes an appropriate means of transcribing, interpreting and performing this music on the guitar. It is this debate that prompted this long-awaited edition of Bach's unaccompanied cello suites by scholar and concert guitarists Stanley Yates. This definitive work includes performance scores, comparison scores an an invaluable 40-page guide entitled Arranging, Interpreting, and Performing the Music of J.S. Bach. Furthermore, the author offers comments on his arranging process and suggestions on using this edition including: ornamentation, slurs, fingerings, notation, and implementation of the comparison scores. Written in standard notation in guitar-friendly keys.
Author: Howard Wallach
Publisher: Alfred Music
ISBN: 9781457412936
Category : Music
Languages : en
Pages : 52
Get Book Here
Book Description
Easy to intermediate pieces by J.S. Bach including Jesu, Joy of Man's Desiring, Bourr̩e and more. Musical and technical information accompany each piece, and helpful fingering suggestions are also included.
Author: Johann Sebastian Bach
Publisher:
ISBN: 9781625590442
Category :
Languages : en
Pages :
Get Book Here
Book Description
A much more effective approach to Bach's works for the modern guitarist is to transcribe and perform the solo violin and cello music. Both instruments are essentially monophonic yet Bach, in one of music history's great feats of compositional resourcefulness, created contrapuntal textures through implication in his solo music for these instruments. Given the relatively greater polyphonic capabilities of the guitar, these implications can be made explicit through transcription. In fact, satisfactory transcription can almost be achieved by simple transposition and even the most uninformed reading of such a transcription on the guitar will yield a richer, more fully realized texture than is possible with the original instruments. The process in this case is often one primarily characterized by expansion and clarification; notes are easily added and implied voices clarified in the notation to create textures more in alignment with the polyphonic resources of the guitar.
Author:
Publisher: Hal Leonard Corporation
ISBN: 1495032590
Category : Music
Languages : en
Pages : 214
Get Book Here
Book Description
(Bass). All six of J.S. Bach's essential suites for unaccompanied cello are arranged here for bass guitar in standard notation and tablature. Includes: Suite No. 1 in G Major, BWV 1007 * Suite No. 2 in D Minor, BWV 1008 * Suite No. 3 in C Major, BWV 1009 * Suite No. 4 in Eb Major, BWV 1010 * Suite No. 5 in C Minor, BWV 1011 * Suite No. 6 in D Major, BWV 1012.
Author: Johann Sebastian Bach
Publisher:
ISBN: 9780786692118
Category : Music
Languages : en
Pages : 64
Get Book Here
Book Description
J. S. Bach is the most sought after composers of all time. He is everybody's favorite! Best selling author Ben Bolt has inked 12 solos for guitar in this book. Included are moderate to advanced solos in notation and tablature. All12 solos are recorded in order like the book. The recording can easily stand on it's own for your listening pleasure, or can be used as an instructional tool. Professor Bolt also includes a copy of Bach's original manuscript of Partita No. 1 for cross-reference purposes. Includes the following pieces:Sleepers Awake! (from Cantata No. 140), Gavotte, Prelude (from 3rd Cello Suite),Courante (from 3rd Cello Suite), Corrente (from 1st Violin Partita), Bourr+(tm)e (from 1st Violin Parita), Prelude in D (from 1st Cello Suite), Gigue (from 1st Cello Suite), Sarabande (from 2nd Lute Suite), Gigue (from 2nd Lute Suite), Courante (from 1st Lute Suite) and Fugue. Includes access to online audio
Author: J.S. Bach
Publisher: Mel Bay Publications
ISBN: 161065482X
Category : Music
Languages : en
Pages : 49
Get Book Here
Book Description
This edition contains 10 of J.S. Bach's finest compositions scored in notation and tablature. Works include: Two Part Invention in C Major; Gavotte, from the 3rd Lute Suite; Prelude in D Minor; Bouree in E Minor, from the 1st Lute Suite; and others. the CD is a stereo listening CD and on it each selection is played at both a slow and performance tempo. All songs from the book are on the CD.
Author: J.S. Bach
Publisher: Mel Bay Publications
ISBN: 1610656148
Category : Music
Languages : en
Pages : 65
Get Book Here
Book Description
J. S. Bach is the most sought after composers of all time. He is everybody's favorite! Best selling author Ben Bolt has inked 12 solos for guitar in this book. Included are moderate to advanced solos in notation and tablature. All 12 solos are recorded in order like the book. the recording can easily stand on it's own for your listening pleasure, or can be used as an instructional tool. Professor Bolt also includes a copy of Bach's original manuscript of Partita No. 1 for cross-reference purposes. Includes the following pieces: Sleepers Awake! (from Cantata No. 140), Gavotte, Prelude (from 3rd Cello Suite), Courante (from 3rd Cello Suite), Corrente (from 1st Violin Partita), Bourrée (from 1st Violin Parita), Prelude in D (from 1st Cello Suite), Gigue (from 1st Cello Suite), Sarabande (from 2nd Lute Suite), Gigue (from 2nd Lute Suite), Courante (from 1st Lute Suite) and Fugue.
Author: Rob MacKillop
Publisher: Mel Bay Publications
ISBN: 1513471228
Category : Music
Languages : en
Pages : 81
Get Book Here
Book Description
Most instrumentalists would agree with the author’s introductory statement, that the six Bach cello suites are “…one of the greatest collections of solo instrumental music ever written.” Many amateur classic guitarists have endeavored to play favorite movements of the suites, and a few professionals have recorded all six in their entirety. The author himself has played them on various plucked-string instruments. Here, for the first time, Rob MacKillop and Mel Bay Publications present the Six Cello Suites of J. S. Bach, transcribed for the plectrum-style acoustic or electric guitarist! According to MacKillop, Bach had an overall didactic plan and each suite increases in emotional depth and difficulty, posing specific problems to the plectrum guitarist or any instrumentalist. For example: Using a pick, how do you play a 2-note interval when there is a string in-between the two notes? MacKillop provides a good deal of fingering in the early suites suggesting solutions to this and other issues, but ultimately encourages readers to make their own decisions through careful analysis and left-hand fingering. If you stay the course and play through all six suites, you will gain a personal understanding not only of the Baroque suite, but also of left-hand digitation, picking direction, and the guitar fretboard. Written in standard notation in guitar-friendly keys for the intermediate to advanced plectrum guitarist, this book is destined to be a part of university curriculums and recitals worldwide. It deserves a place in your music library too.
