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Author: Jaroslav Pelikan
Publisher: Wipf and Stock Publishers
ISBN: 1597522775
Category : Religion
Languages : en
Pages : 173
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Book Description
This superb and enduring contribution to the Johann Sebastian Bach tricentennial focuses on Bach's vocation as a musician of the church and on his work as a theologian. Although Bach is most often remembered for his music, Jaroslav Pelikan here reminds us of the message of Bach's works and of his understanding and devotion to his vocation within the church. By relating Bach's work to the heritage of the Lutheran Reformation -- musical as well as theological -- Pelikan places Bach within the context of the theological currents of his time. Maintaining that the Reformation heritage provides the underlying thematic and religious inspiration for Bach's work, Pelikan delves into three main movements within Lutheran theology of the seventeenth and eighteenth centuries as a framework for understanding Bach. He also demonstrates how Bach's sacred music complements and illustrates these theological trends. In the second portion of the book, Pelikan examines the theological motifs that are reflected in the texts Bach used and in the settings he provided for these texts. The author points to Bach's particular interest in the meaning of the cross, and to redemption and atonement through the death and resurrection of Christ. He notes the centrality of the 'Passions' in Bach's lifework and their importance for the history of the doctrine of atonement. 'Bach Among the Theologians' represents a unique inspirational complement to the many works that concentrate primarily on the composer's personal or secular life.
Author: Jaroslav Pelikan
Publisher: Wipf and Stock Publishers
ISBN: 1597522775
Category : Religion
Languages : en
Pages : 173
Get Book Here
Book Description
This superb and enduring contribution to the Johann Sebastian Bach tricentennial focuses on Bach's vocation as a musician of the church and on his work as a theologian. Although Bach is most often remembered for his music, Jaroslav Pelikan here reminds us of the message of Bach's works and of his understanding and devotion to his vocation within the church. By relating Bach's work to the heritage of the Lutheran Reformation -- musical as well as theological -- Pelikan places Bach within the context of the theological currents of his time. Maintaining that the Reformation heritage provides the underlying thematic and religious inspiration for Bach's work, Pelikan delves into three main movements within Lutheran theology of the seventeenth and eighteenth centuries as a framework for understanding Bach. He also demonstrates how Bach's sacred music complements and illustrates these theological trends. In the second portion of the book, Pelikan examines the theological motifs that are reflected in the texts Bach used and in the settings he provided for these texts. The author points to Bach's particular interest in the meaning of the cross, and to redemption and atonement through the death and resurrection of Christ. He notes the centrality of the 'Passions' in Bach's lifework and their importance for the history of the doctrine of atonement. 'Bach Among the Theologians' represents a unique inspirational complement to the many works that concentrate primarily on the composer's personal or secular life.
Author: John Butt
Publisher: Cambridge University Press
ISBN: 9780521587808
Category : Music
Languages : en
Pages : 348
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Book Description
The Cambridge Companion to Bach, first published in 1997, goes beyond a basic life-and-works study to provide a late twentieth-century perspective on J. S. Bach the man and composer. The book is divided into three parts. Part One is concerned with the historical context, the society, beliefs and the world-view of Bach's age. The second part discusses the music and Bach's compositional style, while Part Three considers Bach's influence and the performance and reception of his music through the succeeding generations. This Companion benefits from the insights and research of some of the most distinguished Bach scholars, and from it the reader will gain a notion of the diversity of current thought on this great composer.
Author: Christoph Wolff
Publisher: Harvard University Press
ISBN: 9780674059269
Category : Biography & Autobiography
Languages : en
Pages : 484
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Book Description
More than two centuries after his lifetime, J. S. Bach's work continues to set musical standards. Noted Bach scholar Christoph Wolff offers new perspectives on the composer's life and remarkable career.
Author: Michael Marissen
Publisher: U of Nebraska Press
ISBN: 9780803210486
Category : Music
Languages : en
Pages : 190
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Book Description
This volume examines a fascinating dimension of J. S. Bach’s music: the crucial influence it has exerted upon the musical works of many other composers. In a series of articles by distinguished musicologists, compositions by Mozart, Beethoven, Brahms, Hindemith, and others are considered in light of the ways in which they bear Bach’s unmistakable imprint. Ludwig Finscher opens with a survey of Bach’s influence through several centuries, examining his sway over composers from Mozart and Beethoven to Schumann, Wagner, and Reger. Thomas Christensen shows that various of Bach’s early disciples claimed authority from their master for opposing assessments of music and musical theory. Robert L. Marshall argues that Mozart’s intense involvement with Bach’s music probably occurred much earlier in his career than has generally been thought. William Kinderman demonstrates that Beethoven’s assimilation of Bach also occurred very early in his career and that all aspects of Beethoven’s mature style are heavily indebted to Bach. Walter Frisch reveals how Brahms’s absorption in Bach’s work involves a fruitful relation to cultural tradition. Steven Hinton traces Hindemith’s evolving—yet essentially consistent—understanding of Bach’s music. A work that subtly yet decisively traces Bach’s presence in the ongoing history of composition, this volume is an important contribution to our understanding of Bach and of his many eminent successors.
Author: Jeremy Begbie
Publisher: Baker Academic
ISBN: 0801026954
Category : Music
Languages : en
Pages : 416
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Book Description
A world-renowned scholar and musician helps Christians respond with theological discernment to music.
Author: Markus Rathey
Publisher: Oxford University Press
ISBN: 0190275251
Category : Music
Languages : en
Pages : 433
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Book Description
In the last decades of the 17th century, the feast of Christmas in Lutheran Germany underwent a major transformation when theologians and local governments waged an early modern "war on Christmas," discouraging riotous pageants and carnivalesque rituals in favor of more personal and internalized expressions of piety. Christmas rituals, such as the "Heilig Christ" plays and the rocking of the child (Kindelwiegen) were abolished, and Christian devotion focused increasingly on the metaphor of a birth of Christ in the human heart. John Sebastian Bach's Christmas Oratorio, composed in 1734, both reflects this new piety and conveys the composer's experience living through this tumult during his own childhood and early career. Markus Rathey's book is the first thorough study of this popular masterpiece in English. While giving a comprehensive overview of the Christmas Oratorio as a whole, the book focuses on two themes in particular: the cultural and theological understanding of Christmas in Bach's time and the compositional process that led Bach from the earliest concepts to the completed piece. The cultural and religious context of the oratorio provides the backdrop for Rathey's detailed analysis of the composition, in which he explores Bach's compositional practices, for example, his reuse and parodies of movements that had originally been composed for secular cantatas. The book analyzes Bach's original score and sheds new light on the way Bach wrote the piece, how he shaped musical themes, and how he revised his initial ideas into the final composition.
Author: Daniel R. Melamed
Publisher: Oxford University Press
ISBN: 0198028555
Category : Music
Languages : en
Pages : 202
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Book Description
This volume is a guide to the resources and materials of Bach scholarship, both for the non specialist wondering where to begin in the enormous literature on J. S. Bach, and for the Bach specialist looking for a convenient and up to date survey of the field. It describes the tools of Bach research and how to use them, and suggests how to get started in Bach research by describing the principal areas of research and citing the essential literature on each piece and topic. The authors emphasize the issues that have engaged Bach scholars for generations, focusing on particularly important writings; on recent literature; on overviews, collections of essays and handbooks; and on writings in English. Subjects covered include bibliographic tools of Bach research and sources of literature; Bach's family; Bach biographies; places Bach lived and worked; Bach's teaching; the liturgy; Bach source studies and the transmission of his music; repertory and editions; genres and individual vocal and instrumental works; performance practice; the reception and analysis of Bach's music; and many others. The book also offers explanations of important and potentially confusing topics in Bach research, such as the organization of the annual cantata cycles, pitch standards, the history of the Berlin libraries, the structure of the critical commentary volumes in the Neue Bach Ausgabe, and so on. This book opens up the rich world of Bach scholarship to students, teachers, performers, and listeners.
Author: Eric Chafe
Publisher: Oxford University Press
ISBN: 0199882975
Category : Music
Languages : en
Pages : 310
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Book Description
Bach's cantatas are among the highest achievements of Western musical art, yet studies of the individual cantatas that are both illuminating and detailed are few. In this book, noted Bach expert Eric Chafe combines theological, historical, analytical, and interpretive approaches to the cantatas to offer readers and listeners alike the richest possible experience of these works. A respected theorist of seventeenth-century music, Chafe is sensitive to the composer's intentions and to the enduring and universal qualities of the music itself. Concentrating on a small number of representative cantatas, mostly from the Leipzig cycles of 1723-24 and 1724-25, and in particular on Cantata 77, Chafe shows how Bach strove to mirror both the dogma and the mystery of religious experience in musical allegory. Analyzing Bach Cantatas offers valuable information on the theological relevance of the structure of the liturgical year for the design and content of these works, as well as a survey of the theories of modality that inform Bach's compositional style. Chafe demonstrates that, while Bach certainly employed "pictorialism" and word-painting in his compositions, his method of writing music was a more complex amalgam of theological concepts and music theory. Regarding the cantatas as musical allegories that reflect the fundamental tenets of Lutheran theology as established during Bach's lifetime, Chafe synthesizes a number of key musical and theological ideas to illuminate the essential character of these great works. This unique and insightful book offers an essential methodology for understanding one of the central bodies of work in the Western musical canon. It will prove indispensable for all students and scholars of Bach's work, musicology, and theological studies.
Author: John Butt
Publisher: Cambridge University Press
ISBN: 1139485423
Category : Music
Languages : en
Pages : 331
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Book Description
Providing a detailed analysis of Bach's Passions, this 2010 book represents an important contribution to the debate about the culture of 'classical music', its origins, priorities and survival. The angles from which each chapter proceeds differ from those of a traditional music guide, by examining the Passions in the light of the mindsets of modernity, and their interplay with earlier models of thought and belief. While the historical details of Bach's composition, performance and theological context remain crucial, the foremost concern of this study is to relate these works to a historical context that may, in some threads at least, still be relevant today. The central claim of the book is that the interplay of traditional imperatives and those of early modernity renders Bach's Passions particularly fascinating as artefacts that both reflect and constitute some of the priorities and conditions of the western world.
Author: Jeremy S. Begbie
Publisher: Wm. B. Eerdmans Publishing
ISBN: 0802862772
Category : Music
Languages : en
Pages : 506
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Book Description
Resonant Witness gathers together a wide, harmonious chorus of voices from across the musical and theological spectrum to show that music and theology can each learn much from the other and that the majesty and power of both are profoundly amplified when they do. With essays touching on J. S. Bach, Hildegard of Bingen, Martin Luther, Karl Barth, Olivier Messiaen, jazz improvisation, South African freedom songs, and more, this volume encourages musicians and theologians to pursue a more fruitful and sustained engagement with one another. What can theology do for music? Resonant Witness helps answer this question with an essential resource in the burgeoning interdisciplinary field of music and theology. Covering an impressively wide range of musical topics, from cosmos to culture and theology to worship, Jeremy Begbie and Steven Guthrie explore and map new territory with incisive contributions from the very best musicians, theologians, and philosophers. Bennett Zon Durham University This volume represents a burst of cross-disciplinary energy and insight that can be celebrated by musicians and theologians, music-lovers and God-lovers alike. John D. Witvliet (from afterword)
