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Author: Anne C. McCarthy
Publisher: University of Toronto Press
ISBN: 1487516290
Category : Literary Criticism
Languages : en
Pages : 229
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Book Description
Whether the rapt trances of Romanticism or the corpse-like figures that confounded Victorian science and religion, nineteenth-century depictions of bodies in suspended animation are read as manifestations of broader concerns about the unknowable in Anne C. McCarthy’s Awful Parenthesis. Examining various aesthetics of suspension in the works of poets such as Coleridge, Shelley, Tennyson, and Christina Rossetti, McCarthy shares important insights into the nineteenth-century fascination with the sublime. Attentive to differences between "Romantic" and "Victorian" articulations of suspension, Awful Parenthesis offers a critical alternative to assumptions about periodization. While investigating various conceptualizations of suspension, including the suspension of disbelief, suspended animation, trance, paralysis, pause, and dilatation, McCarthy provides historically-aware close readings of nineteenth-century poems in conversation with prose genres that include devotional works, philosophy, travel writing, and periodical fiction. Awful Parenthesis reveals the cultural obsession with the aesthetics of suspension as a response to an expanding, incoherent world in crisis, one where the audience is both active participant and passive onlooker.
Author: Anne C. McCarthy
Publisher: University of Toronto Press
ISBN: 1487516290
Category : Literary Criticism
Languages : en
Pages : 229
Get Book Here
Book Description
Whether the rapt trances of Romanticism or the corpse-like figures that confounded Victorian science and religion, nineteenth-century depictions of bodies in suspended animation are read as manifestations of broader concerns about the unknowable in Anne C. McCarthy’s Awful Parenthesis. Examining various aesthetics of suspension in the works of poets such as Coleridge, Shelley, Tennyson, and Christina Rossetti, McCarthy shares important insights into the nineteenth-century fascination with the sublime. Attentive to differences between "Romantic" and "Victorian" articulations of suspension, Awful Parenthesis offers a critical alternative to assumptions about periodization. While investigating various conceptualizations of suspension, including the suspension of disbelief, suspended animation, trance, paralysis, pause, and dilatation, McCarthy provides historically-aware close readings of nineteenth-century poems in conversation with prose genres that include devotional works, philosophy, travel writing, and periodical fiction. Awful Parenthesis reveals the cultural obsession with the aesthetics of suspension as a response to an expanding, incoherent world in crisis, one where the audience is both active participant and passive onlooker.
Author: Lily Gurton-Wachter
Publisher: Stanford University Press
ISBN: 0804798761
Category : Literary Criticism
Languages : en
Pages : 287
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Book Description
This book revisits British Romanticism as a poetics of heightened attention. At the turn of the nineteenth century, as Britain was on the alert for a possible French invasion, attention became a phenomenon of widespread interest, one that aligned and distinguished an unusual range of fields (including medicine, aesthetics, theology, ethics, pedagogy, and politics). Within this wartime context, the Romantic aesthetic tradition appears as a response to a crisis in attention caused by demands on both soldiers and civilians to keep watch. Close formal readings of the poetry of Blake, Coleridge, Cowper, Keats, (Charlotte) Smith, and Wordsworth, in conversation with research into Enlightenment philosophy and political and military discourses, suggest the variety of forces competing for—or commanding—attention in the period. This new framework for interpreting Romanticism and its legacy illuminates what turns out to be an ongoing tradition of war literature that, rather than give testimony to or represent warfare, uses rhythm and verse to experiment with how and what we attend to during times of war.
Author: Olivia Loksing Moy
Publisher: Edinburgh University Press
ISBN: 1474487203
Category : Literary Criticism
Languages : en
Pages : 309
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Book Description
A lonely damsel imprisoned within a castle or convent cell. The eavesdropping of a prisoner next door. The framed image of a woman with a sinister past. These familiar tropes from 1790s novels and tales exploded onto the English literary scene in 'low-brow' titles of Gothic romance. Surprisingly, however, they also re-emerged as features of major Victorian poems from the 1830s to 1870s. Such signature tropes - inquisitional overhearing; female confinement and the damsel in distress; supernatural switches between living and dead bodies - were transfigured into poetic forms that we recognise and teach today as canonically Victorian. The Gothic Forms of Victorian Poetry identifies a poetics of Gothic enclosure constitutive of high Victorian poetry that came to define key nineteenth-century poetic forms, from the dramatic monologue, to women's sonnet sequences and metasonnets, to Pre-Raphaelite picture poems.
Author: Sanjay Krishnan
Publisher: Columbia University Press
ISBN: 0231511744
Category : Literary Criticism
Languages : en
Pages : 255
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Book Description
The global is an instituted perspective, not just an empirical process. Adopted initially by the British in order to make sense of their polyglot territorial empire, the global perspective served to make heterogeneous spaces and nonwhite subjects "legible," and in effect produced the regions it sought merely to describe. The global was the dominant perspective from which the world was produced for representation and control. It also set the terms within which subjectivity and history came to be imagined by colonizers and modern anticolonial nationalists. In this book, Sanjay Krishnan demonstrates how ideas of the global took root in eighteenth- and nineteenth-century descriptions of Southeast Asia. Krishnan turns to the works of Adam Smith, Thomas De Quincey, Abdullah bin Abdul Kadir, and Joseph Conrad, four authors who discuss the Malay Archipelago during the rise and consolidation of the British Empire. These works offer some of the most explicit and sophisticated discussions of the world as a single, interconnected entity, inducting their readers into comprehensive and objective descriptions of the world. The perspective organizing these authors' conception of the global-the frame or code through which the world came into view-is indebted to the material and discursive possibilities set in motion by European conquest. The global, therefore, is not just a peculiar mode of thematization; it is aligned to a conception of historical development unique to European colonial capitalism. Krishnan troubles this dominant perspective. Drawing on the poststructuralist and postcolonial approaches of Jacques Derrida, Michel Foucault, and Gayatri Chakravorty Spivak, and challenging the recent historiography of empire and economic histories of globalization, he elaborates a bold new approach to the humanities in the age of globalization.
Author: Andrew J. George, A.M., Litt.D.
Publisher:
ISBN:
Category :
Languages : en
Pages : 714
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Book Description
Author:
Publisher:
ISBN:
Category : Chautauquas
Languages : en
Pages : 850
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Book Description
Author: Stanley Victor Makower
Publisher:
ISBN:
Category : English essays
Languages : en
Pages : 594
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Book Description
Author: Thomas De Quincey
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 178
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Book Description
"The Miscellaneous Essays" by de Quincey reflect his interest in numerous topics. The topics truly vary: some essays review the phenomenon of murder as an artistic act, the others cover the theme of sudden death. Also, there are essays dedicated to Joan of Arc. Despite the variety of topics, all the articles are generally connected as they reflect different sides of the author's worldview. It's worth mentioning that de Quincey's philosophy, reflected in these essays, influenced such significant figures as Edgar Allan Poe, Fitz Hugh Ludlow, and Charles Baudelaire.
Author: Harold Bloom
Publisher: Simon and Schuster
ISBN: 1501164279
Category : Literary Criticism
Languages : en
Pages : 160
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Book Description
From Harold Bloom, the greatest Shakespeare scholar of our time, comes a portrait of Macbeth, one of William Shakespeare’s most complex and compelling anti-heroes—the final volume in a series of five short books about the great playwright’s most significant personalities: Falstaff, Cleopatra, Lear, Iago, and Macbeth. From the ambitious and mad titular character to his devilish wife Lady Macbeth to the mysterious Three Witches, Macbeth is one of William Shakespeare’s more brilliantly populated plays and remains among the most widely read. Macbeth is a distinguished warrior hero, who over the course of the play, transforms into a brutal, murderous villain and pays an extraordinary price for committing an evil act. A man consumed with ambition and self-doubt, Macbeth is one of Shakespeare’s most vital meditations on the dangerous corners of the human imagination. Award-winning writer and beloved professor Harold Bloom investigates Macbeth’s unthinkable actions with razor-sharp insight, agility, and compassion. He also writes about his shifting understanding—over the course of his own lifetime—of this endlessly compelling figure. “Acclaimed critic Bloom once again plumbs the depths of a Shakespeare play to reveal new insights [that]…will shift the reader’s perceptions of a literary classic” (Publishers Weekly). “A lingering and deeply curious, even troubled, look at the titular character in the legendary play…this clear, concise, empathetic” (Kirkus Reviews) volume delivers that kind of exhilarating intimacy and clarity in Macbeth, the final book in an essential series.
Author: Chris Andrews
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228012430
Category : Literary Criticism
Languages : en
Pages : 376
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Book Description
The Oulipo (Ouvroir de littérature potentielle, or Workshop for Potential Literature) is a literary think tank that brings together writers and mathematicians. Since 1960, its worldwide influence has refreshed ways of making and thinking about literature. How to Do Things with Forms assesses the work of the group, explores where it came from, and envisages its future. Redefining the Oulipo’s key concept of the constraint in a clear and rigorous way, Chris Andrews weighs the roles of craft and imitation in the group’s practice. He highlights the importance of translation for the Oulipo’s writers, explaining how their new forms convey meanings and how these famously playful authors are also moved by serious concerns. Offering fresh interpretations of emblematic Oulipian works such as Georges Perec’s Life: A User’s Manual, Andrews also examines lesser-known texts by Jacques Roubaud, Anne F. Garréta, and Michelle Grangaud. How to Do Things with Forms addresses questions of interest to anyone involved in the making of literature, illuminating how writers decide when to stop revising, the risks and benefits of a project mentality in creative writing, and ways of holding a reader’s interest for as long as possible.
