Author: CathleenA. Fleck
Publisher: Routledge
ISBN: 1351545523
Category : Art
Languages : en
Pages : 352
Book Description
As a 'biography' of the fourteenth-century illustrated Bible of Clement VII, an opposition pope in Avignon from 1378-94, this social history traces the Bible's production in Naples (c. 1330) through its changing ownership and meaning in Avignon (c. 1340-1405) to its presentation as a gift to Alfonso, King of Aragon (c. 1424). The author's novel approach, based on solid art historical and anthropological methodologies, allows her to assess the object's evolving significance and the use of such a Bible to enhance the power and prestige of its princely and papal owners. Through archival sources, the author pinpoints the physical location and privileged treatment of the Clement Bible over a century. The author considers how the Bible's contexts in the collection of a bishop, several popes, and a king demonstrate the value of the Bible as an exchange commodity. The Bible was undoubtedly valued for the aesthetic quality of its 200+ luxurious images. Additionally, the author argues that its iconography, especially Jerusalem and visionary scenes, augments its worth as a reflection of contemporary political and religious issues. Its images offered biblical precedents, its style represented associations with certain artists and regions in Italy, and its past provided links to important collections. Fleck's examination of the art production around the Bible in Naples and Avignon further illuminates the manuscript's role as a reflection of the court cultures in those cities. Adding to recent art historical scholarship focusing on the taste and signature styles in late medieval and Renaissance courts, this study provides new information about workshop practices and techniques. In these two court cities, the author analyzes styles associated with different artists, different patrons, and even with different rooms of the rulers' palaces, offering new findings relevant to current scholarship, not only in art history but also in court and collection studies.
The Clement Bible at the Medieval Courts of Naples and Avignon
Author: CathleenA. Fleck
Publisher: Routledge
ISBN: 1351545523
Category : Art
Languages : en
Pages : 352
Book Description
As a 'biography' of the fourteenth-century illustrated Bible of Clement VII, an opposition pope in Avignon from 1378-94, this social history traces the Bible's production in Naples (c. 1330) through its changing ownership and meaning in Avignon (c. 1340-1405) to its presentation as a gift to Alfonso, King of Aragon (c. 1424). The author's novel approach, based on solid art historical and anthropological methodologies, allows her to assess the object's evolving significance and the use of such a Bible to enhance the power and prestige of its princely and papal owners. Through archival sources, the author pinpoints the physical location and privileged treatment of the Clement Bible over a century. The author considers how the Bible's contexts in the collection of a bishop, several popes, and a king demonstrate the value of the Bible as an exchange commodity. The Bible was undoubtedly valued for the aesthetic quality of its 200+ luxurious images. Additionally, the author argues that its iconography, especially Jerusalem and visionary scenes, augments its worth as a reflection of contemporary political and religious issues. Its images offered biblical precedents, its style represented associations with certain artists and regions in Italy, and its past provided links to important collections. Fleck's examination of the art production around the Bible in Naples and Avignon further illuminates the manuscript's role as a reflection of the court cultures in those cities. Adding to recent art historical scholarship focusing on the taste and signature styles in late medieval and Renaissance courts, this study provides new information about workshop practices and techniques. In these two court cities, the author analyzes styles associated with different artists, different patrons, and even with different rooms of the rulers' palaces, offering new findings relevant to current scholarship, not only in art history but also in court and collection studies.
Publisher: Routledge
ISBN: 1351545523
Category : Art
Languages : en
Pages : 352
Book Description
As a 'biography' of the fourteenth-century illustrated Bible of Clement VII, an opposition pope in Avignon from 1378-94, this social history traces the Bible's production in Naples (c. 1330) through its changing ownership and meaning in Avignon (c. 1340-1405) to its presentation as a gift to Alfonso, King of Aragon (c. 1424). The author's novel approach, based on solid art historical and anthropological methodologies, allows her to assess the object's evolving significance and the use of such a Bible to enhance the power and prestige of its princely and papal owners. Through archival sources, the author pinpoints the physical location and privileged treatment of the Clement Bible over a century. The author considers how the Bible's contexts in the collection of a bishop, several popes, and a king demonstrate the value of the Bible as an exchange commodity. The Bible was undoubtedly valued for the aesthetic quality of its 200+ luxurious images. Additionally, the author argues that its iconography, especially Jerusalem and visionary scenes, augments its worth as a reflection of contemporary political and religious issues. Its images offered biblical precedents, its style represented associations with certain artists and regions in Italy, and its past provided links to important collections. Fleck's examination of the art production around the Bible in Naples and Avignon further illuminates the manuscript's role as a reflection of the court cultures in those cities. Adding to recent art historical scholarship focusing on the taste and signature styles in late medieval and Renaissance courts, this study provides new information about workshop practices and techniques. In these two court cities, the author analyzes styles associated with different artists, different patrons, and even with different rooms of the rulers' palaces, offering new findings relevant to current scholarship, not only in art history but also in court and collection studies.
Avignon & Naples
Author: Marianne Pade
Publisher: L'Erma di Bretschneider
ISBN:
Category : History
Languages : en
Pages : 196
Book Description
Publisher: L'Erma di Bretschneider
ISBN:
Category : History
Languages : en
Pages : 196
Book Description
The Quarterly review
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 580
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 580
Book Description
The Quarterly Review
Author: William Gifford
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 570
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 570
Book Description
The Clement Bible at the Medieval Courts of Naples and Avignon
Author: CathleenA. Fleck
Publisher: Routledge
ISBN: 1351545531
Category : Art
Languages : en
Pages : 375
Book Description
As a 'biography' of the fourteenth-century illustrated Bible of Clement VII, an opposition pope in Avignon from 1378-94, this social history traces the Bible's production in Naples (c. 1330) through its changing ownership and meaning in Avignon (c. 1340-1405) to its presentation as a gift to Alfonso, King of Aragon (c. 1424). The author's novel approach, based on solid art historical and anthropological methodologies, allows her to assess the object's evolving significance and the use of such a Bible to enhance the power and prestige of its princely and papal owners. Through archival sources, the author pinpoints the physical location and privileged treatment of the Clement Bible over a century. The author considers how the Bible's contexts in the collection of a bishop, several popes, and a king demonstrate the value of the Bible as an exchange commodity. The Bible was undoubtedly valued for the aesthetic quality of its 200+ luxurious images. Additionally, the author argues that its iconography, especially Jerusalem and visionary scenes, augments its worth as a reflection of contemporary political and religious issues. Its images offered biblical precedents, its style represented associations with certain artists and regions in Italy, and its past provided links to important collections. Fleck's examination of the art production around the Bible in Naples and Avignon further illuminates the manuscript's role as a reflection of the court cultures in those cities. Adding to recent art historical scholarship focusing on the taste and signature styles in late medieval and Renaissance courts, this study provides new information about workshop practices and techniques. In these two court cities, the author analyzes styles associated with different artists, different patrons, and even with different rooms of the rulers' palaces, offering new findings relevant to current scholarship, not only in art history but also in court and collection studies.
Publisher: Routledge
ISBN: 1351545531
Category : Art
Languages : en
Pages : 375
Book Description
As a 'biography' of the fourteenth-century illustrated Bible of Clement VII, an opposition pope in Avignon from 1378-94, this social history traces the Bible's production in Naples (c. 1330) through its changing ownership and meaning in Avignon (c. 1340-1405) to its presentation as a gift to Alfonso, King of Aragon (c. 1424). The author's novel approach, based on solid art historical and anthropological methodologies, allows her to assess the object's evolving significance and the use of such a Bible to enhance the power and prestige of its princely and papal owners. Through archival sources, the author pinpoints the physical location and privileged treatment of the Clement Bible over a century. The author considers how the Bible's contexts in the collection of a bishop, several popes, and a king demonstrate the value of the Bible as an exchange commodity. The Bible was undoubtedly valued for the aesthetic quality of its 200+ luxurious images. Additionally, the author argues that its iconography, especially Jerusalem and visionary scenes, augments its worth as a reflection of contemporary political and religious issues. Its images offered biblical precedents, its style represented associations with certain artists and regions in Italy, and its past provided links to important collections. Fleck's examination of the art production around the Bible in Naples and Avignon further illuminates the manuscript's role as a reflection of the court cultures in those cities. Adding to recent art historical scholarship focusing on the taste and signature styles in late medieval and Renaissance courts, this study provides new information about workshop practices and techniques. In these two court cities, the author analyzes styles associated with different artists, different patrons, and even with different rooms of the rulers' palaces, offering new findings relevant to current scholarship, not only in art history but also in court and collection studies.
Art and Architecture in Naples, 1266 - 1713
Author: Cordelia Warr
Publisher: John Wiley & Sons
ISBN: 144432439X
Category : Art
Languages : en
Pages : 193
Book Description
Often overshadowed by the cities of Florence and Rome inart-historical literature, this volume argues for the importance ofNaples as an artistic and cultural centre, demonstrating thebreadth and wealth of artistic experience within the city. Generously illustrated with some illustrations specificallycommissioned for this book Questions the traditional definitions of 'cultural centres'which have led to the neglect of Naples as a centre of artisticimportance A significant addition to the English-language scholarship onart in Naples
Publisher: John Wiley & Sons
ISBN: 144432439X
Category : Art
Languages : en
Pages : 193
Book Description
Often overshadowed by the cities of Florence and Rome inart-historical literature, this volume argues for the importance ofNaples as an artistic and cultural centre, demonstrating thebreadth and wealth of artistic experience within the city. Generously illustrated with some illustrations specificallycommissioned for this book Questions the traditional definitions of 'cultural centres'which have led to the neglect of Naples as a centre of artisticimportance A significant addition to the English-language scholarship onart in Naples
Old Provence
Author: Theodore Andrea Cook
Publisher:
ISBN:
Category :
Languages : en
Pages : 486
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 486
Book Description
The Historians' History of the World: Parthians, Sassanids, and Arabs. The crusades and the papacy
Author: Henry Smith Williams
Publisher:
ISBN:
Category : World History
Languages : en
Pages : 702
Book Description
Publisher:
ISBN:
Category : World History
Languages : en
Pages : 702
Book Description
Parthians, Sassanids, and Arabs, The crusades and the papacy
Author: Henry Smith Williams
Publisher:
ISBN:
Category : World history
Languages : en
Pages : 702
Book Description
Publisher:
ISBN:
Category : World history
Languages : en
Pages : 702
Book Description
Saints and Sinners
Author: Eamon Duffy
Publisher: Yale University Press
ISBN: 0300207085
Category : Religion
Languages : en
Pages : 383
Book Description
The latest edition of “the most comprehensive single-volume history of the popes,” updated to cover the election of Pope Francis (Sunday Telegraph). This engrossing book, from a professor of the history of Christianity at Cambridge, encompasses the extraordinary story of the papacy, from its beginnings to the present day, as empires rose and fell around it. This new edition covers the unprecedented resignation of Benedict XVI, and the historic election of the first Argentinian pope. Praise for the earlier editions: “Duffy enlivens the long march through church history with anecdotes that bring the different pontiffs to life…Saints and Sinners is a remarkable achievement.”—The Times (London) “A distinguished text…offering plenty of historical facts and sobering, valuable judgments.”—TheNew York Times Book Review “Will fascinate anyone wishing to better understand the history of the Catholic Church and the forces that have shaped the role of the papacy.”—Christian Century
Publisher: Yale University Press
ISBN: 0300207085
Category : Religion
Languages : en
Pages : 383
Book Description
The latest edition of “the most comprehensive single-volume history of the popes,” updated to cover the election of Pope Francis (Sunday Telegraph). This engrossing book, from a professor of the history of Christianity at Cambridge, encompasses the extraordinary story of the papacy, from its beginnings to the present day, as empires rose and fell around it. This new edition covers the unprecedented resignation of Benedict XVI, and the historic election of the first Argentinian pope. Praise for the earlier editions: “Duffy enlivens the long march through church history with anecdotes that bring the different pontiffs to life…Saints and Sinners is a remarkable achievement.”—The Times (London) “A distinguished text…offering plenty of historical facts and sobering, valuable judgments.”—TheNew York Times Book Review “Will fascinate anyone wishing to better understand the history of the Catholic Church and the forces that have shaped the role of the papacy.”—Christian Century