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Author: Caroline Voet
Publisher: Leuven University Press
ISBN: 9462700672
Category : Architecture
Languages : en
Pages : 35
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Book Description
The influence and position of the ‘Generation 74’ in Flemish and international architecture Five well-known architects who studied together in Ghent, Marie-José Van Hee, Christian Kieckens, Marc Dubois, Paul Robbrecht and Hilde Daem, can be considered as leading protagonists of their generation. From their education at Sint-Lucas Institute and the Academy of Fine Arts to the present day, their professional careers and legacy have been of great importance to the development of Flemish architecture. In their early works and writings, they established a distinct architectural language, rooted in historical knowledge and with a reflection to art and craftsmanship. Architecture was singled out as a spatial phenomenon with an autonomous logic grounded in inhabitation and experience. This generation represents a significant turn towards architectural autonomy in Flanders which resonated with similar international developments in the late 1970s. Moreover they played a decisive role in the emancipation and professionalization of the architectural culture in Flanders. With contributions by Birgit Cleppe (Ghent University), Sofie De Caigny (CVAa), Maarten Delbeke (Ghent University), Fredie Floré (KU Leuven), William Mann, Yves Schoonjans (KU Leuven), Eireen Schreurs (TU Delft), Lara Schrijver (University of Antwerp), Dirk Somers (Ghent University), Sven Sterken (KU Leuven), Mechthild Stuhlmacher (TU Delft), Hera Van Sande (VUB / KU Leuven), Katrien Vandermarliere, Caroline Voet (KU Leuven)
Author: Caroline Voet
Publisher: Leuven University Press
ISBN: 9462700672
Category : Architecture
Languages : en
Pages : 35
Get Book Here
Book Description
The influence and position of the ‘Generation 74’ in Flemish and international architecture Five well-known architects who studied together in Ghent, Marie-José Van Hee, Christian Kieckens, Marc Dubois, Paul Robbrecht and Hilde Daem, can be considered as leading protagonists of their generation. From their education at Sint-Lucas Institute and the Academy of Fine Arts to the present day, their professional careers and legacy have been of great importance to the development of Flemish architecture. In their early works and writings, they established a distinct architectural language, rooted in historical knowledge and with a reflection to art and craftsmanship. Architecture was singled out as a spatial phenomenon with an autonomous logic grounded in inhabitation and experience. This generation represents a significant turn towards architectural autonomy in Flanders which resonated with similar international developments in the late 1970s. Moreover they played a decisive role in the emancipation and professionalization of the architectural culture in Flanders. With contributions by Birgit Cleppe (Ghent University), Sofie De Caigny (CVAa), Maarten Delbeke (Ghent University), Fredie Floré (KU Leuven), William Mann, Yves Schoonjans (KU Leuven), Eireen Schreurs (TU Delft), Lara Schrijver (University of Antwerp), Dirk Somers (Ghent University), Sven Sterken (KU Leuven), Mechthild Stuhlmacher (TU Delft), Hera Van Sande (VUB / KU Leuven), Katrien Vandermarliere, Caroline Voet (KU Leuven)
Author: Joël Claisse
Publisher:
ISBN: 9782960010329
Category : Architecture, Domestic
Languages : en
Pages : 235
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Book Description
Beschrijvingen in woord en beeld.
Author: Christoph Grafe
Publisher:
ISBN: 9789081326353
Category : Architecture
Languages : en
Pages : 0
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Book Description
The architectural production in Flanders increasingly draws international attention. This is the result of the valuable work accomplished by several Flemish initiatives that has had effects on the rise of a vibrant design and research culture in architecture. In 'Radical Commonplaces', architects, critics and experts from both Flanders and Europe reflect upon the development of new concepts for living in one of Europe's most densely populated areas, redevelopment projects and infrastructures, and the great cultural ambitions found in a number of public and private buildings in Flanders and elsewhere. With texts by Guy Ch?tel, Aglaée Degros, Stefan Devoldere, Christoph Grafe, Christian Kieckens, Axel Sowa and Ellis Woodman, among others.
Author: Kristiaan Borret
Publisher: de Singel
ISBN: 9789075591095
Category : Architecture
Languages : en
Pages : 210
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Book Description
Author:
Publisher:
ISBN:
Category : Architects
Languages : en
Pages : 93
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Book Description
Author: Vlaams architectuur Instituut (Anvers, Belgique).
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Vlaams Architectuurinstituut
Publisher:
ISBN: 9789080952959
Category : Architecture
Languages : en
Pages : 241
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Book Description
Author: Sofie De Caigny
Publisher:
ISBN: 9789082122596
Category : Architecture
Languages : en
Pages : 242
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Book Description
The past thirty years have been crucial for architecture in the Low Countries, north and south of the border between Belgian Flanders and the Netherlands. Although both parts have developed a very different architectural culture with very different histories, they nonetheless connect with each other and function in complementary ways. Despite its differences, the selection of 65 projects presented in this book demonstrates a strong reciprocity between the architectural cultures of Flanders and the Netherlands, which in recent years seem to weave into each other more and more. Exhibition: Deutsches Architekturmuseum (DAM), Frankfurt, Germany (8.10.2016-10.2.2017).
Author: Wouter Van Acker
Publisher: Bloomsbury Publishing
ISBN: 135006825X
Category : Architecture
Languages : en
Pages : 305
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Book Description
Whatever 'ugliness' is, it remains a problematic category in architectural aesthetics – alternately vilified and appropriated, used either to shock or to invert conventions of architecture. This book presents sixteen new scholarly essays which rethink ugliness in recent architecture – from Brutalism to eclectic postmodern architectural productions – and together offer a diverse reappraisal of the history and theory of postmodern architecture and design. The essays address both broad theoretical questions on ugliness and postmodern aesthetics, as well as more specific analyses of significant architectural examples dating from the last decades of the twentieth century. The book attends to the diverse relations between the aesthetic register of ugliness and closely connected aesthetic concepts such as the monstrous, the ordinary, disgust, the excessive, the grotesque, the interesting, the impure and the sublime. This volume does not simply document the history of a postmodern anti-aesthetic through case studies. Instead, it aims to shed light on aesthetic problems that have been largely overlooked in the agenda of architectural theory. This book answers in detail the questions: How did postmodern architects appropriate troublesome contradictions bound to the raw ugliness of the real? How have the ugly and the antiaesthetic been a productive force in postmodern architecture? How can ugliness be of value to architecture? And how can architecture make good use of ugliness?
Author: Caroline Voet
Publisher: Leuven University Press
ISBN: 9462703329
Category : Architecture
Languages : en
Pages : 379
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Book Description
Exploring different, interrelated roles for the architect and researcher The practice of architecture manifests in myriad forms and engagements. Overcoming false divides, this volume frames the fertile relationship between the cultural and scholarly production of academia and the process of designing and building in the material world. It proposes the concept of the hybrid practitioner, who bridges the gap between academia and practice by considering how different aspects of architectural practice, theory, and history intersect, opening up a fascinating array of possibilities for an active engagement with the present. The book explores different, interrelated roles for practicing architects and researchers, from the reproductive activities of teaching, consulting and publishing, through the reflective activities of drawing and writing, to the practice of building. The notion of the hybrid practitioner will appeal strongly to students, teachers and architectural practitioners as part of a multifaceted professional environment. By connecting academic interests with those of the professional realm, The Hybrid Practitioner addresses a wider readership embracing landscape design, art theory and aesthetics, European history, and the history and sociology of professions.
