Author: Anton Rubinstein
Publisher: Hansebooks
ISBN: 9783337119485
Category :
Languages : en
Pages : 188
Book Description
Autobiography of Anton Rubinstein - 1829-1889 is an unchanged, high-quality reprint of the original edition of 1890. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
Autobiography of Anton Rubinstein
Author: Anton Rubinstein
Publisher: Hansebooks
ISBN: 9783337119485
Category :
Languages : en
Pages : 188
Book Description
Autobiography of Anton Rubinstein - 1829-1889 is an unchanged, high-quality reprint of the original edition of 1890. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
Publisher: Hansebooks
ISBN: 9783337119485
Category :
Languages : en
Pages : 188
Book Description
Autobiography of Anton Rubinstein - 1829-1889 is an unchanged, high-quality reprint of the original edition of 1890. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
Autobiography of Anton Rubinstein, 1829-1889 (1890)
Author: Anton Rubinstein
Publisher: Literary Licensing, LLC
ISBN: 9781498139519
Category :
Languages : en
Pages : 186
Book Description
This Is A New Release Of The Original 1890 Edition.
Publisher: Literary Licensing, LLC
ISBN: 9781498139519
Category :
Languages : en
Pages : 186
Book Description
This Is A New Release Of The Original 1890 Edition.
Autobiography of Anton Rubinstein, 1829-1889
Author: Anton Rubinstein
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 196
Book Description
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 196
Book Description
Autobiography of Anton Rubinstein, 1829-1889
Author: Anton Rubinstein
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 171
Book Description
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 171
Book Description
Autobiography of Anton Rubinstein; 1829-1889
Author: Anton Rubinstein
Publisher: Theclassics.Us
ISBN: 9781230437866
Category :
Languages : en
Pages : 26
Book Description
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1890 edition. Excerpt: ... CHAPTER X. Musical classes in the Michael Palace. -- The teachers and scholars. -- The Music School.--The Conservatory. -- The first professors and the first graduating classes of pupils of both sexes. -- Relations of society to the Conservatory, and its demands upon it. -- Services rendered to Russia by the Conservatory. EANWHILE the "musical classes" J-VX of the Michael Palace were gradually developing into a conservator}'. . . . By-laws were drawn up, and an establishment founded. It must be remembered that this was a time of ultra-patriotism. . . . In framing the by-laws we deemed it wiser to avoid foreign words, and consequently would not think of calling our school a " Conservatory," and therefore we called it the "Music School." Neither would our teachers bear the title of " professor," since that too is a foreign word, 1859-1867. but must be called "instructors." The by-laws were presented and ratified in 1862, and the result proved that in our struggle to adhere to the vernacular, we had, to some extent, injured our position; for the title of professor in Russia indicates a far more honorable rank than that of instructor. However, in 1873, after the death of the Grand Duchess Helen, when the Grand Duke Constantin became the patron of the Conservatory, the by-laws were amended. The Music School was turned into a Conservatory, and the " instructors " into " professors." I was its first director, serving from Sept. 1,1862 to 1867. Gerke, Leschetizki, Dreischok, Davydov, Nissen-Salomon, Wieni awski, Schuberth, Peterson, Weikman, Zabel, Chiardi, Zaremba, Villoing, Luff, Metzdorf, Voyachek, Cavalini, Fererro, Repetto, VanArk, Kross, Zeifert, Famintsin, Rubetz, Johanson, Czerny, and other musicians well known in Russia, were by turns...
Publisher: Theclassics.Us
ISBN: 9781230437866
Category :
Languages : en
Pages : 26
Book Description
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1890 edition. Excerpt: ... CHAPTER X. Musical classes in the Michael Palace. -- The teachers and scholars. -- The Music School.--The Conservatory. -- The first professors and the first graduating classes of pupils of both sexes. -- Relations of society to the Conservatory, and its demands upon it. -- Services rendered to Russia by the Conservatory. EANWHILE the "musical classes" J-VX of the Michael Palace were gradually developing into a conservator}'. . . . By-laws were drawn up, and an establishment founded. It must be remembered that this was a time of ultra-patriotism. . . . In framing the by-laws we deemed it wiser to avoid foreign words, and consequently would not think of calling our school a " Conservatory," and therefore we called it the "Music School." Neither would our teachers bear the title of " professor," since that too is a foreign word, 1859-1867. but must be called "instructors." The by-laws were presented and ratified in 1862, and the result proved that in our struggle to adhere to the vernacular, we had, to some extent, injured our position; for the title of professor in Russia indicates a far more honorable rank than that of instructor. However, in 1873, after the death of the Grand Duchess Helen, when the Grand Duke Constantin became the patron of the Conservatory, the by-laws were amended. The Music School was turned into a Conservatory, and the " instructors " into " professors." I was its first director, serving from Sept. 1,1862 to 1867. Gerke, Leschetizki, Dreischok, Davydov, Nissen-Salomon, Wieni awski, Schuberth, Peterson, Weikman, Zabel, Chiardi, Zaremba, Villoing, Luff, Metzdorf, Voyachek, Cavalini, Fererro, Repetto, VanArk, Kross, Zeifert, Famintsin, Rubetz, Johanson, Czerny, and other musicians well known in Russia, were by turns...
The Annual American Catalogue 1886-1900
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 368
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 368
Book Description
Harmony and Discord
Author: Lynn M. Sargeant
Publisher: Oxford University Press
ISBN: 0190453672
Category : Music
Languages : en
Pages : 368
Book Description
Harmony and Discord: Music and the Transformation of Russian Cultural Life explores the complex development of Russian musical life during the nineteenth and early twentieth centuries. At the heart of this cultural history lies the Russian Musical Society, as both a unique driving force behind the institutionalization of music and a representative of the growing importance of voluntary associations in public life. Sustained simultaneously by private initiative and cooperative relationships with the state, the Russian Musical Society played a key role in the creation of Russia's infrastructure for music and music education. Author Lynn M. Sargeant explores the fluid nature of Russian social identity through the broad scope of musical life, including not only the "leading lights" of the era but also rank-and-file musicians, teachers, and students. Although Russian musicians longed for a secure place within the new hierarchy of professions, their social status remained ambiguous throughout the nineteenth century. Traditional reliance on serf musicians and foreigners left lasting scars that motivated musicians' efforts to obtain legal rights and social respectability. And women's increasing visibility in the musical world provoked acrimonious debates that were, at heart, efforts by male musicians to strengthen their claims to professional status by denying the legitimacy of female participation. Sargeant demonstrates that the successful development of a Russian musical infrastructure salved persistent anxieties about Russia's place vis-à-vis its European cultural competitors. Remarkably, the institutions developed by the Russian Musical Society survived the upheavals of war and revolution to become the foundation for the Soviet musical system. A wealth of historical documentation makes Harmony and Discord required reading for musicologists, sociologists and historians interested in this period, and the abundance of amusing anecdotes and the author's lucid and lively literary style make it an enjoyable history for all readers.
Publisher: Oxford University Press
ISBN: 0190453672
Category : Music
Languages : en
Pages : 368
Book Description
Harmony and Discord: Music and the Transformation of Russian Cultural Life explores the complex development of Russian musical life during the nineteenth and early twentieth centuries. At the heart of this cultural history lies the Russian Musical Society, as both a unique driving force behind the institutionalization of music and a representative of the growing importance of voluntary associations in public life. Sustained simultaneously by private initiative and cooperative relationships with the state, the Russian Musical Society played a key role in the creation of Russia's infrastructure for music and music education. Author Lynn M. Sargeant explores the fluid nature of Russian social identity through the broad scope of musical life, including not only the "leading lights" of the era but also rank-and-file musicians, teachers, and students. Although Russian musicians longed for a secure place within the new hierarchy of professions, their social status remained ambiguous throughout the nineteenth century. Traditional reliance on serf musicians and foreigners left lasting scars that motivated musicians' efforts to obtain legal rights and social respectability. And women's increasing visibility in the musical world provoked acrimonious debates that were, at heart, efforts by male musicians to strengthen their claims to professional status by denying the legitimacy of female participation. Sargeant demonstrates that the successful development of a Russian musical infrastructure salved persistent anxieties about Russia's place vis-à-vis its European cultural competitors. Remarkably, the institutions developed by the Russian Musical Society survived the upheavals of war and revolution to become the foundation for the Soviet musical system. A wealth of historical documentation makes Harmony and Discord required reading for musicologists, sociologists and historians interested in this period, and the abundance of amusing anecdotes and the author's lucid and lively literary style make it an enjoyable history for all readers.
Catalogue of the Library of Mr. W.J. Le Moyne
Author: William J. Le Moyne
Publisher:
ISBN:
Category : Acting
Languages : en
Pages : 162
Book Description
Publisher:
ISBN:
Category : Acting
Languages : en
Pages : 162
Book Description
The Annual American Catalogue
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 346
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 346
Book Description
The Columbian Cyclopedia
Author:
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 890
Book Description
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 890
Book Description