Autobiographical Reminiscences of African-American Classical Singers, 1853-present PDF Download
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Author: Elizabeth Nash
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 548
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Book Description
Artist profiles. Eva Alberta Jessye -- James Langston Hughes -- Josephine Wright -- Elizabeth Taylor Greenfield -- Sissieretta Jones -- Estelle Pinckney Clough -- Dena J. Epstein -- Benjamin M. Holmes -- Jennie Jackson -- Minnie Tate -- Maggie Porter Cole -- Thomas Rutling -- Georgie Gordon -- Julia Jackson -- Mabel Lewis -- Hinton D. Alexander -- Ella Sheppard -- E. Azalia Hackley -- Julius C. Bledsoe -- Carl Diton -- Abbie Mitchell -- Roland Hayes -- George Shirley -- Todd Duncan -- Camilla Williams -- Marian Anderson -- Paul Robeson -- Dorothy Maynor -- Betty Allen -- Leontyne Price -- William Warfield -- Shirley Verrett -- Grace Bumbry -- Simon Estes -- Jessye Norman -- Sylvia Olden Lee -- Kathleen Battle -- Vinson Cole -- Herbert Perry -- Mark S. Doss -- Denyce Graves -- Paul Laurence Dunbar -- Rosalyn M. Story -- James Weldon Johnson -- John Lovell, Jr. -- John Wesley Work -- J.A. Myers -- Marion Kerby -- Edward H. Boatner -- Harry T. Burleigh -- Hall Johnson -- Norman L. Merrifield -- Marvin V. Curtis -- Lee V. Cloud.
Author: Elizabeth Nash
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 548
Get Book Here
Book Description
Artist profiles. Eva Alberta Jessye -- James Langston Hughes -- Josephine Wright -- Elizabeth Taylor Greenfield -- Sissieretta Jones -- Estelle Pinckney Clough -- Dena J. Epstein -- Benjamin M. Holmes -- Jennie Jackson -- Minnie Tate -- Maggie Porter Cole -- Thomas Rutling -- Georgie Gordon -- Julia Jackson -- Mabel Lewis -- Hinton D. Alexander -- Ella Sheppard -- E. Azalia Hackley -- Julius C. Bledsoe -- Carl Diton -- Abbie Mitchell -- Roland Hayes -- George Shirley -- Todd Duncan -- Camilla Williams -- Marian Anderson -- Paul Robeson -- Dorothy Maynor -- Betty Allen -- Leontyne Price -- William Warfield -- Shirley Verrett -- Grace Bumbry -- Simon Estes -- Jessye Norman -- Sylvia Olden Lee -- Kathleen Battle -- Vinson Cole -- Herbert Perry -- Mark S. Doss -- Denyce Graves -- Paul Laurence Dunbar -- Rosalyn M. Story -- James Weldon Johnson -- John Lovell, Jr. -- John Wesley Work -- J.A. Myers -- Marion Kerby -- Edward H. Boatner -- Harry T. Burleigh -- Hall Johnson -- Norman L. Merrifield -- Marvin V. Curtis -- Lee V. Cloud.
![Encyclopedia of African American Music [3 volumes] PDF](https://books.google.com/books/content/images/frontcover/fEPPEAAAQBAJ?fife=w80-h100)
Author: Tammy L. Kernodle
Publisher: Bloomsbury Publishing USA
ISBN: 0313342008
Category : Music
Languages : en
Pages : 1267
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Book Description
African Americans' historical roots are encapsulated in the lyrics, melodies, and rhythms of their music. In the 18th and 19th centuries, African slaves, longing for emancipation, expressed their hopes and dreams through spirituals. Inspired by African civilization and culture, as well as religion, art, literature, and social issues, this influential, joyous, tragic, uplifting, challenging, and enduring music evolved into many diverse genres, including jazz, blues, rock and roll, soul, swing, and hip hop. Providing a lyrical history of our nation, this groundbreaking encyclopedia, the first of its kind, showcases all facets of African American music including folk, religious, concert and popular styles. Over 500 in-depth entries by more than 100 scholars on a vast range of topics such as genres, styles, individuals, groups, and collectives as well as historical topics such as music of the Harlem Renaissance, the Black Arts Movement, the Civil Rights Movement, and numerous others. Offering balanced representation of key individuals, groups, and ensembles associated with diverse religious beliefs, political affiliations, and other perspectives not usually approached, this indispensable reference illuminates the profound role that African American music has played in American cultural history. Editors Price, Kernodle, and Maxile provide balanced representation of various individuals, groups and ensembles associated with diverse religious beliefs, political affiliations, and perspectives. Also highlighted are the major record labels, institutions of higher learning, and various cultural venues that have had a tremendous impact on the development and preservation of African American music. Among the featured: Motown Records, Black Swan Records, Fisk University, Gospel Music Workshop of America, The Cotton Club, Center for Black Music Research, and more. With a broad scope, substantial entries, current coverage, and special attention to historical, political, and social contexts, this encyclopedia is designed specifically for high school and undergraduate students. Academic and public libraries will treasure this resource as an incomparable guide to our nation's African American heritage.
Author:
Publisher: McFarland
ISBN: 147664845X
Category : Music
Languages : en
Pages : 1253
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Book Description
This work catalogs commercially produced recordings of Negro spirituals composed for solo concert vocalists. More than 5,000 tracks are listed, with entries sourced from a variety of recording formats. The featured recordings enhance the study of concert spiritual performance in studio, concert, worship service or competition settings. Arranged alphabetically, entries variously identify the accompaniment--including chorus, piano, orchestra, guitar, flute, and violin--in concert spiritual recordings. The voice types of soloists are included, as is the level of dialect used by various performers. The composers, publishers and format information are also listed when available. While structured like a discography, this guide extends beyond solely providing historical context and encourages the use of the recordings themselves.
Author: Kathleen A. Abromeit
Publisher: A-R Editions, Inc.
ISBN: 0895797992
Category : Music
Languages : en
Pages : 317
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Book Description
Spirituals originated among enslaved Africans in America during the colonial era. They resonate throughout African American history from that time to the civil rights movement, from the cotton fields to the concert stage, and influenced everything from gospel music to blues and rap. They have offered solace in times of suffering, served as clandestine signals on the Underground Railroad, and been a source of celebration and religious inspiration. Spirituals are born from the womb of African American experience, yet they transcend national, disciplinary, and linguistic boundaries as they connect music, theology, literature and poetry, history, society, and education. In doing so, they reach every aspect of human experience. To make sense of the immense impact spirituals have made on music, culture, and society, this bibliography cites writings from a multidisciplinary perspective. This annotated bibliography documents articles, books, and dissertations published since 1902. Of those, 150 are books; 80 are chapters within books; 615 are journal articles, and 150 are dissertations, along with a selection of highly significant items published before 1920. The most recent publications included date from early 2014. Disciplines researched include music, literature and poetry, American history, religion, and African American Studies. Items included in the annotated bibliography are limited to English-language sources that were published in the United States and focus on African American spirituals in the United States, but there are a few select citations that focus on spirituals outside of the United States. Of the one thousand annotations, they are divided, roughly evenly, between: general studies and geographical studies; information about early spirituals; use of spirituals in art music, church music, and popular music; composers who based music on spirituals; performers of spirituals (ensembles and individuals); Bible, theology, and religious education; literature and poetry; pedagogical considerations, including the teaching of spirituals as well as prominent educators; reference works and a list of resources that were unavailable for review but are potentially useful. This book also offers considerable depth on particular topics such as the Fisk Jubilee Singers and William Grant Still with over thirty citations devoted to each. At the same time, materials included are quite diverse, with topics such as spirituals in Zora Neale Hurston’s novels; bible studies based on spirituals; enriching the teaching of geography through spirituals; Marian Anderson’s historic concert at the Lincoln Memorial; spiritual roots of rap; teaching dialect to singers; expressing African American religion in spirituals; Samuel Coleridge-Taylor’s music; slave tradition of singing among the Gullah. The book contains indices by author, subject, and spiritual title. Additionally, an appendix of spirituals by biblical reference, listing both spiritual title to scriptural reference as well as scripture to spiritual title is included. T. L. Collins, Christian educator, compiled the appendix.
Author: Randye Jones
Publisher: Rowman & Littlefield
ISBN: 153810735X
Category : Music
Languages : en
Pages : 315
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Book Description
With their rich and complicated history, spirituals hold a special place in the American musical tradition. This soul-stirring musical form is irresistible to singers seeking to diversify their performance repertoire, but it is also riddled with controversy, especially for singers of non-African descent. Singer and historian Randye Jones welcomes singers of all backgrounds into the style while she explores its folk song roots and transformation into choral and solo vocal concert repertoire. Profiling key composers and pioneers of the genre, Jones also discusses the use of dialect and other controversial performance considerations. Contributed chapters address elements of collaborative piano, studio teaching, choral arrangement, voice science, and vocal health as they apply to the performance of spirituals. The So You Want to Sing series is produced in partnership with the National Association of Teachers of Singing. Like all books in the series, So You Want to Sing Spirituals features online supplemental material on the NATS website.
Author: Kira Thurman
Publisher: Cornell University Press
ISBN: 1501759868
Category : Social Science
Languages : en
Pages : 368
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Book Description
In Singing Like Germans, Kira Thurman tells the sweeping story of Black musicians in German-speaking Europe over more than a century. Thurman brings to life the incredible musical interactions and transnational collaborations among people of African descent and white Germans and Austrians. Through this compelling history, she explores how people reinforced or challenged racial identities in the concert hall. Throughout the nineteenth and twentieth centuries, audiences assumed the categories of Blackness and Germanness were mutually exclusive. Yet on attending a performance of German music by a Black musician, many listeners were surprised to discover that German identity is not a biological marker but something that could be learned, performed, and mastered. While Germans and Austrians located their national identity in music, championing composers such as Bach, Beethoven, and Brahms as national heroes, the performance of their works by Black musicians complicated the public's understanding of who had the right to play them. Audiences wavered between seeing these musicians as the rightful heirs of Austro-German musical culture and dangerous outsiders to it. Thurman explores the tension between the supposedly transcendental powers of classical music and the global conversations that developed about who could perform it. An interdisciplinary and transatlantic history, Singing Like Germans suggests that listening to music is not a passive experience, but an active process where racial and gendered categories are constantly made and unmade.
![The World of Jim Crow America [2 volumes] PDF](https://books.google.com/books/content/images/frontcover/IRjOEAAAQBAJ?fife=w80-h100)
Author: Steven A. Reich
Publisher: Bloomsbury Publishing USA
ISBN: 144085081X
Category : History
Languages : en
Pages : 848
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Book Description
This two-volume set is a thematically-arranged encyclopedia covering the social, political, and material culture of America during the Jim Crow Era. What was daily life really like for ordinary African American people in Jim Crow America, the hundred-year period of enforced legal segregation that began immediately after the Civil War and continued until the passage of the Civil Rights Act of 1964 and Voting Rights Act of 1965? What did they eat, wear, believe, and think? How did they raise their children? How did they interact with government? What did they value? What did they do for fun? This Daily Life encyclopedia explores the lives of average people through the examination of social, cultural, and material history. Supported by the most current research, the multivolume set examines social history topics—including family, political, religious, and economic life—as it illuminates elements of a society's emotional life, interactions, opinions, views, beliefs, intimate relationships, and connections between individuals and the greater world. It is broken up into topical sections, each dealing with a different aspect of cultural life. Each section opens with an introductory essay, followed by A–Z entries on various aspects of that topic.
Author:
Publisher:
ISBN:
Category : Authors, American
Languages : en
Pages : 608
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Book Description
Author: Amanda D. Sams
Publisher: Contemporary Authors New Revis
ISBN: 9780787695330
Category : Biography & Autobiography
Languages : en
Pages : 472
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Book Description
In response to the escalating need for up-to-date information on writers, Contemporary Authors® New Revision Series brings researchers the most recent data on the worlds most-popular authors. These exciting and unique author profiles are essential to your holdings because sketches are entirely revised and up-to-date, and completely replace the original Contemporary Authors® entries. For your convenience, a soft-cover cumulative index is sent biannually.
Author: Austin Reed
Publisher: Modern Library
ISBN: 0812986911
Category : Biography & Autobiography
Languages : en
Pages : 354
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Book Description
The earliest known prison memoir by an African American writer—recently discovered and authenticated by a team of Yale scholars—sheds light on the longstanding connection between race and incarceration in America. “[A] harrowing [portrait] of life behind bars . . . part confession, part jeremiad, part lamentation, part picaresque novel (reminiscent, at times, of Dickens and Defoe).”—Michiko Kakutani, The New York Times NAMED ONE OF THE BEST BOOKS OF THE YEAR BY SAN FRANCISCO CHRONICLE In 2009, scholars at Yale University came across a startling manuscript: the memoir of Austin Reed, a free black man born in the 1820s who spent most of his early life ricocheting between forced labor in prison and forced labor as an indentured servant. Lost for more than one hundred and fifty years, the handwritten document is the first known prison memoir written by an African American. Corroborated by prison records and other documentary sources, Reed’s text gives a gripping first-person account of an antebellum Northern life lived outside slavery that nonetheless bore, in its day-to-day details, unsettling resemblances to that very institution. Now, for the first time, we can hear Austin Reed’s story as he meant to tell it. He was born to a middle-class black family in the boomtown of Rochester, New York, but when his father died, his mother struggled to make ends meet. Still a child, Reed was placed as an indentured servant to a nearby family of white farmers near Rochester. He was caught attempting to set fire to a building and sentenced to ten years at Manhattan’s brutal House of Refuge, an early juvenile reformatory that would soon become known for beatings and forced labor. Seven years later, Reed found himself at New York’s infamous Auburn State Prison. It was there that he finished writing this memoir, which explores America’s first reformatory and first industrial prison from an inmate’s point of view, recalling the great cruelties and kindnesses he experienced in those places and excavating patterns of racial segregation, exploitation, and bondage that extended beyond the boundaries of the slaveholding South, into free New York. Accompanied by fascinating historical documents (including a series of poignant letters written by Reed near the end of his life), The Life and the Adventures of a Haunted Convict is a work of uncommon beauty that tells a story of nineteenth-century racism, violence, labor, and captivity in a proud, defiant voice. Reed’s memoir illuminates his own life and times—as well as ours today. Praise for The Life and the Adventures of a Haunted Convict “One of the most fascinating and important memoirs ever produced in the United States.”—Annette Gordon-Reed, The Washington Post “Remarkable . . . triumphantly defiant . . . The book’s greatest value lies in the gap it fills.”—O: The Oprah Magazine “Reed displays virtuosic gifts for narrative that, a century and a half later, earn and hold the reader’s ear.”—Thomas Chatterton Williams, San Francisco Chronicle “[The book’s] urgency and relevance remain undiminished. . . . This exemplary edition recovers history without permanently trapping it in one interpretation.”—The Guardian “A sensational, novelistic telling of an eventful life.”—The Paris Review “Vivid and painful.”—NPR “Lyrical and graceful in one sentence, burning with fury and hellfire in the next.”—Columbus Free Press
