Auto-destructive Art PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Auto-destructive Art PDF full book. Access full book title Auto-destructive Art by Gustav Metzger. Download full books in PDF and EPUB format.
Author: Gustav Metzger
Publisher: AA Publications
ISBN: 9781907414503
Category : Architecture
Languages : en
Pages : 40
Get Book
Book Description
Auto-destructive art is a comprehensive theory for action in the field of the plastic arts in the post-second world war period. The action is not limited to theory of art and the production of art works. It includes social action. Auto-destructive art is committed to a left-wing revolutionary position in politics, and to struggles against future wars.' (Gustav Metzger, introduction to Auto-Destructive Art: Metzger at AA) Facsimile edition of a lecture transcript given by German-born artist Gustav Metzger at the Architectural Association in February 1965. This new edition is published 50 years on since its original printing in June 1965 by the AA's Action Communications Centre (A.C.C), reigniting Metzger's urgent and ever-relevant arguments which confront society's obsession with destruction and the detrimental effects of machinery on human life.'
Author: Gustav Metzger
Publisher: AA Publications
ISBN: 9781907414503
Category : Architecture
Languages : en
Pages : 40
Get Book
Book Description
Auto-destructive art is a comprehensive theory for action in the field of the plastic arts in the post-second world war period. The action is not limited to theory of art and the production of art works. It includes social action. Auto-destructive art is committed to a left-wing revolutionary position in politics, and to struggles against future wars.' (Gustav Metzger, introduction to Auto-Destructive Art: Metzger at AA) Facsimile edition of a lecture transcript given by German-born artist Gustav Metzger at the Architectural Association in February 1965. This new edition is published 50 years on since its original printing in June 1965 by the AA's Action Communications Centre (A.C.C), reigniting Metzger's urgent and ever-relevant arguments which confront society's obsession with destruction and the detrimental effects of machinery on human life.'
Author: Gustav Metzger
Publisher:
ISBN:
Category : Art and nuclear warfare
Languages : en
Pages : 120
Get Book
Book Description
Author: Antoine Berman
Publisher: State University of New York Press
ISBN: 0791496511
Category : Philosophy
Languages : en
Pages : 272
Get Book
Book Description
"This book is the first authoritative analysis of the theory of translation in German Romanticism. In a systematic study of Herder, Goethe, Schlegel, Novalis, Humboldt, Schleiermacher, and Hölderlin, Berman demonstrates the importance of the theory of translation for an understanding of German romantic culture, arguing that never before has the concept of translation been meditated in such detail and such depth. Indeed, fundamental questions that arise again today, such as the question concerning the proper versus the literal, of the Other to a given culture, the essence of the work of art, and of language, all these issues, and many more, are shown to have been premeditated in a most important manner by these German Romantics.
Author: Bridget Collins
Publisher: HarperCollins
ISBN: 006283813X
Category : Fiction
Languages : en
Pages : 432
Get Book
Book Description
International Bestseller! “Dizzyingly wonderful . . . a perfectly constructed work of fiction, with audacious twists . . . Collins plays her own game here with perfect skill.” — The Times (UK) An intricate and utterly spellbinding literary epic brimming with enchantment, mystery, and dark secrets from the highly acclaimed author of the #1 international bestseller The Binding. If your life was based on a lie, would you risk it all to tell the truth? At Montverre, an ancient and elite academy hidden high in the mountains, society’s best and brightest are trained for excellence in the grand jeu—the great game—an arcane and mysterious competition that combines music, art, math, poetry, and philosophy. Léo Martin once excelled at Montverre but lost his passion for scholarly pursuits after a violent tragedy. He turned to politics instead and became a rising star in the ruling party, until a small act of conscience cost him his career. Now he has been exiled back to Montverre, his fate uncertain. But this rarified world of learning Léo once loved is not the same place he remembers. Once the exclusive bastion of men, Montverre’s most prestigious post is now held by a woman: Claire Dryden, also known as the Magister Ludi, the head of the great game. At first, Léo feels an odd attraction to the magister—a mysterious, eerily familiar connection—though he’s sure they’ve never met before. As the legendary Midsummer Game approaches—the climax of the academy’s year—long-buried secrets rise to the surface and centuries-old traditions are shockingly overturned. A highly imaginative and intricately crafted literary epic, The Betrayals confirms Bridget Collins as one of the most inventive and exquisite new voices in speculative fiction.
Author: Gustav Metzger
Publisher: Jrp Ringier
ISBN: 9783037645352
Category :
Languages : en
Pages : 576
Get Book
Book Description
Bringing together more than 350 texts written between 1953 and 2016, this comprehensive volume establishes artist and activist Gustav Metzger (1926-2017) as one of the towering figures of the 20th century, a long-overdue recognition of Metzger's influential vision. Renowned for his use of unstable materials and chemical reactions to create artworks that embody processes of change, destruction and renewal, Metzger was also a prolific writer, theoretician and satirist. His interest in technology and science and his anti-nuclear activism influenced his development of the concepts of auto-destructive and auto-creative art, terms he coined with his manifestos on "Auto-Destructive Art" in 1959 and "Auto-Creative Art" in 1961. He put these ideas into action with artworks made to decay, disintegrate or change following natural processes. Edited by Metzger's long-time friend, curator Mathieu Copeland, this anthology of writings makes Metzger's essential thinking from the 1950s onward available to a wide audience. It includes seminal writings such as Metzger's manifestoes of auto-destructive and auto-creative art, his essays about architecture, and an interview with R. Buckminster Fuller from 1970 and a retrospective manifesto on his own legacy, "Remember Nature," from 2013. Also included are examples of Metzger's art criticism, political lampoons and lectures. Altogether Gustav Metzger: Writings presents a challenging reading of our artistic, political and technological moment as analyzed by one of our most pioneering, discerning thinkers.
Author: Jennifer Walden
Publisher:
ISBN: 9781443849005
Category : Art
Languages : en
Pages : 0
Get Book
Book Description
Most talk of and writing on art is about its relationship to creation and creativity. This of course takes various forms, but ultimately the creative act in the making of art works is a key issue. What happens when we put together art and destruction? This has been referenced in some major areas, such as that of art and iconoclasm and auto-destructive art movements. Less evident are accounts of more intimate, smaller scale â ~destructiveâ (TM) interventions into the world of the made or exhibited art object, or more singular and particularised approaches to the representation of mass destruction. This volume addresses these lacunae by bringing together some distinct and very different areas for enquiry which, nevertheless, share a theme of destruction and share an emphasis upon the history of twentieth and twenty-first century art making. Scholars and makers have come together to produce accounts of artists whose making is driven by the breaking of, or breaking down of, matter and medium as part of the creative materialisation of the idea, such as Richard Wentworth, Bouke de Vries, Cornelia Parker, to name some of those artists represented here, and, indeed in one case, how our very attempts to write about such practices are challenged by this making process. Other perspectives have engaged in critical study of various destructive interventions in galleries. Some of these, whether as actual staged actions in real time, or filmic representations of precarious objects, are understood as artistic acts in and of themselves. At the same time, an account included in this volume of certain contemporary iconoclasts, defacing or otherwise effecting destructive attempts upon canonised exhibited artworks, reflects upon these destructive interventionists as self-styled artists claiming to add to the significance of works via acts of destruction. Yet other chapters provide a fresh outlook upon distinctive and unusual approaches to the representation of destruction, in terms of the larger scale and landscape of artistic responses to mass destruction in times of war. This book will be of interest to readers keen to encounter the range of nuance, complexity and ambiguity applicable to the bringing together of art and destruction.
Author: Alex Wellerstein
Publisher: University of Chicago Press
ISBN: 0226833445
Category : History
Languages : en
Pages : 558
Get Book
Book Description
The first full history of US nuclear secrecy, from its origins in the late 1930s to our post–Cold War present. The American atomic bomb was born in secrecy. From the moment scientists first conceived of its possibility to the bombings of Hiroshima and Nagasaki and beyond, there were efforts to control the spread of nuclear information and the newly discovered scientific facts that made such powerful weapons possible. The totalizing scientific secrecy that the atomic bomb appeared to demand was new, unusual, and very nearly unprecedented. It was foreign to American science and American democracy—and potentially incompatible with both. From the beginning, this secrecy was controversial, and it was always contested. The atomic bomb was not merely the application of science to war, but the result of decades of investment in scientific education, infrastructure, and global collaboration. If secrecy became the norm, how would science survive? Drawing on troves of declassified files, including records released by the government for the first time through the author’s efforts, Restricted Data traces the complex evolution of the US nuclear secrecy regime from the first whisper of the atomic bomb through the mounting tensions of the Cold War and into the early twenty-first century. A compelling history of powerful ideas at war, it tells a story that feels distinctly American: rich, sprawling, and built on the conflict between high-minded idealism and ugly, fearful power.
Author: Gustav Metzger
Publisher: Walther Konig Verlag
ISBN:
Category : Art
Languages : en
Pages : 120
Get Book
Book Description
This title is published to accompany the Serpentine Gallery's major exhibition of work by the influential artist and activist Gustav Metzger, examining his life-long exploration of politics, ecology and the destructive powers of 20th-century society. Metzger's career has spanned over 60 years and this is the most extensive survey of his work to be shown in the UK. Decades draws together the themes and methodologies that have informed the London-based artist's practice from 1959 until the present day. The broad cross-section of works on view include Metzger's auto-destructive and auto-creative works of the 1960s, such as his pioneering liquid crystal projections; the ongoing Historic Photographs series, which responds to major events and catastrophes; and later works exploring ecological issues, globalisation and commercialisation. Film footage of seminal performances and actions are exhibited, as well as a new, participative installation using the archive of newspapers Metzger has been collecting since 1995.
Author: Karen Marta
Publisher:
ISBN: 9783906915920
Category : Biography & Autobiography
Languages : en
Pages : 0
Get Book
Book Description
The artist's biography as told by Metzger himself, a leader of the Auto-Destructive Art and Art Strike movements This publication is a chronological retelling of the life and work of the visionary artist and radical thinker Gustav Metzger (1926-2017) in his own words. He recounts the key moments in his life and career: his Jewish Orthodox childhood in Nuremberg before the Nazis came to power, his arrival in England as part of the Kindertransport, his early development as an artist, and how he came to develop the idea of Auto-Destructive Art and later to coorganize the Destruction in Art Symposium in 1966 and the Art Strike of 1977-80. He also talks about his activism to combat environmental destruction as well as his deep admiration for Vermeer. Published to coincide with the PST ART exhibition, this singular volume is a monument to the rediscovery of Metzger in the 21st century, thanks to the urgency of his artistic position and to the enthusiasm and commitment of Metzger's interlocutor in this book, Hans Ulrich Obrist.
Author: Bruce Gilchrist
Publisher: Black Dog Pub Limited
ISBN: 9781908966124
Category : Art
Languages : en
Pages : 95
Get Book
Book Description
This book charts a project by London Fieldworks (Bruce Gilchrist and Jo Joelson) with the participation of internationally celebrated artist Gustav Metzger to create a sculptural work by linking a computer-brain interface with industrial manufacturing technology. Using bespoke software, London Fieldworks produced 3D shape information from EEG readings of Metzger’s brainwaves as he attempted to think about nothing. This data was translated into instructions for a manufacturing robot, which carved out the shapes from the interior of a block of stone to create a void space. An introduction by the artists, a text by Gustav Metzger and four contextualising essays by writers across the fields of literature, art, science and technology explore the diverse historical and conceptual grounding for and broader implications of Null Object’s production process. Exhibition: WORK Gallery, London, UK (30.11.2012-9.2.2013).
