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Author: Robert Weimann
Publisher: Cambridge University Press
ISBN: 9780521787352
Category : Drama
Languages : en
Pages : 324
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Book Description
Redefines the relationship between writing and performance in Shakespeare's theatre.
Author: Robert Weimann
Publisher: Cambridge University Press
ISBN: 9780521787352
Category : Drama
Languages : en
Pages : 324
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Book Description
Redefines the relationship between writing and performance in Shakespeare's theatre.
Author: Andrew Hiscock
Publisher: A&C Black
ISBN: 1847060927
Category : Literary Criticism
Languages : en
Pages : 222
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Book Description
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Author: Bridget Escolme
Publisher: Psychology Press
ISBN: 0415332222
Category : Drama
Languages : en
Pages : 212
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Book Description
This unique study investigates the ways in which the staging convention of direct address - talking to the audience - can construct dramatic subjectivity, or selfhood, in Shakespeare plays.
Author: Holger Schott Syme
Publisher: Cambridge University Press
ISBN: 1139503405
Category : Literary Criticism
Languages : en
Pages : 299
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Book Description
Holger Syme presents a radically new explanation for the theatre's importance in Shakespeare's time. He portrays early modern England as a culture of mediation, dominated by transactions in which one person stood in for another, giving voice to absent speakers or bringing past events to life. No art form related more immediately to this culture than the theatre. Arguing against the influential view that the period underwent a crisis of representation, Syme draws upon extensive archival research in the fields of law, demonology, historiography and science to trace a pervasive conviction that testimony and report, delivered by properly authorised figures, provided access to truth. Through detailed close readings of plays by Ben Jonson and William Shakespeare - in particular Volpone, Richard II and The Winter's Tale - and analyses of criminal trial procedures, the book constructs a revisionist account of the nature of representation on the early modern stage.
Author: Douglas Bruster
Publisher: Routledge
ISBN: 1134313705
Category : Literary Criticism
Languages : en
Pages : 221
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Book Description
This eye-opening study draws attention to the largely neglected form of the early modern prologue. Reading the prologue in performed as well as printed contexts, Douglas Bruster and Robert Weimann take us beyond concepts of stability and autonomy in dramatic beginnings to reveal the crucial cultural functions performed by the prologue in Elizabethan England. While its most basic task is to seize the attention of a noisy audience, the prologue's more significant threshold position is used to usher spectators and actors through a rite of passage. Engaging competing claims, expectations and offerings, the prologue introduces, authorizes and, critically, straddles the worlds of the actual theatrical event and the 'counterfeit' world on stage. In this way, prologues occupy a unique and powerful position between two orders of cultural practice and perception. Close readings of prologues by Shakespeare and his contemporaries, including Marlowe, Peele and Lyly, demonstrate the prologue's role in representing both the world in the play and playing in the world. Through their detailed examination of this remarkable form and its functions, the authors provide a fascinating perspective on early modern drama, a perspective that enriches our knowledge of the plays' socio-cultural context and their mode of theatrical address and action.
Author: Professor David Schalkwyk
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409476278
Category : Literary Criticism
Languages : en
Pages : 352
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Book Description
This issue marks the 10th anniversary of The Shakespearean International Yearbook. On this occasion, the special section celebrates the achievement of senior Shakespearean scholar Robert Weimann, whose work on the Elizabethan theatre and early modern performance culture has so influenced contemporary scholarship. Ten essays in this issue of Yearbook, including one by the honoree himself, focus on those aspects of Shakespearean studies which Weimann has impacted most profoundly: the idea and practice of a "popular tradition", the materialist critique of early modern theater, the practices of early modern authorship, acting and theatricality, and his celebrated bifold articulation of authority and representation. In addition to this extensive exploration of Weimann's work, the volume includes essays on The Comedy of Errors, Romeo and Juliet, Shakespeare and Lucretius, and Shakespeare on BBC television. The Shakespearean International Yearbook continues to provide an annual survey of important issues and developments in contemporary Shakespeare studies. Among the contributors are Shakespearean scholars from Ireland, Japan, France, Germany, South Africa, UK, and the US.
Author: Graham Bradshaw
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781409408581
Category : Literary Criticism
Languages : en
Pages : 352
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Book Description
This issue marks the 10th anniversary of The Shakespearean International Yearbook. On this occasion, the special section celebrates the achievement of senior Shakespearean scholar Robert Weimann, whose work on the Elizabethan theatre and early modern performance culture has so influenced contemporary scholarship. Among the contributors to this issue are Shakespearean scholars from Ireland, Japan, France, Germany, South Africa, UK, and the US.
Author: Susan Harlan
Publisher: Springer
ISBN: 1137580127
Category : Literary Criticism
Languages : en
Pages : 317
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Book Description
This book examines literary depictions of the construction and destruction of the armored male body in combat in relation to early modern English understandings of the past. Bringing together the fields of material culture and militarism, Susan Harlan argues that the notion of “spoiling” – or the sanctioned theft of the arms and armor of the vanquished in battle – provides a way of thinking about England’s relationship to its violent cultural inheritance. She demonstrates how writers reconstituted the spoils of antiquity and the Middle Ages in an imagined military struggle between male bodies. An analysis of scenes of arming and disarming across texts by Christopher Marlowe and William Shakespeare and tributes to Sir Philip Sidney reveals a pervasive militant nostalgia: a cultural fascination with moribund models and technologies of war. Readers will not only gain a better understanding of humanism but also a new way of thinking about violence and cultural production in Renaissance England.
Author: Edward Gieskes
Publisher: University of Delaware Press
ISBN: 9780874139297
Category : Business & Economics
Languages : en
Pages : 380
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Book Description
Unites literary criticism, social and legal history, and Pierre Bourdieu's sociology of culture. This book offers an exploration of the professionalization of early modern disciplines in an effort to characterize those disciplines in their social, economic, and historical contexts.
Author: Kurt A. Schreyer
Publisher: Cornell University Press
ISBN: 0801455103
Category : Literary Criticism
Languages : en
Pages : 277
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Book Description
In Shakespeare’s Medieval Craft, Kurt A. Schreyer explores the relationship between Shakespeare’s plays and a tradition of late medieval English biblical drama known as mystery plays. Scholars of English theater have long debated Shakespeare’s connection to the mystery play tradition, but Schreyer provides new perspective on the subject by focusing on the Chester Banns, a sixteenth-century proclamation announcing the annual performance of that city’s cycle of mystery plays. Through close study of the Banns, Schreyer demonstrates the central importance of medieval stage objects—as vital and direct agents and not merely as precursors—to the Shakespearean stage. As Schreyer shows, the Chester Banns serve as a paradigm for how Shakespeare’s theater might have reflected on and incorporated the mystery play tradition, yet distinguished itself from it. For instance, he demonstrates that certain material features of Shakespeare’s stage—including the ass’s head of A Midsummer Night’s Dream, the theatrical space of Purgatory in Hamlet, and the knocking at the gate in the Porter scene of Macbeth—were in fact remnants of the earlier mysteries transformed to meet the exigencies of the commercial London playhouses. Schreyer argues that the ongoing agency of supposedly superseded theatrical objects and practices reveal how the mystery plays shaped dramatic production long after their demise. At the same time, these medieval traditions help to reposition Shakespeare as more than a writer of plays; he was a play-wright, a dramatic artisan who forged new theatrical works by fitting poetry to the material remnants of an older dramatic tradition.
