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Author: Marie Murphy
Publisher: Tamesis Books
ISBN: 9781855660205
Category : Literary Criticism
Languages : en
Pages : 140
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Book Description
A critique of the Chilean novelist's A House in the country, studying particularly its representation of the many-faceted concept of `authority'. Casa de campo combines the techniques of traditional novels with the 20th-century intermingling of reality and fiction. The novel's central theme of authority as figured in the discourse, its play between reality and illusion, and its dialogue with literature and society as a whole form the subject of this study. Murphy explores the illusory authority of the narrator in controlling characters' voices, and establishes a parallel with the characters'contradictory power over each other; the ploys of the narrator recall and parody the authoritarian regime which is reflected in the novel. The narrator's authority is further defined in a reading of the novel in which author, narrator, reader and character become linguistic constructs in a textual play, and meanings emerge at variance with the authorized commentary. MARIE MURPHY is an Assistant Professor of Spanish at Loyola College in Maryland.
Author: Marie Murphy
Publisher: Tamesis Books
ISBN: 9781855660205
Category : Literary Criticism
Languages : en
Pages : 140
Get Book Here
Book Description
A critique of the Chilean novelist's A House in the country, studying particularly its representation of the many-faceted concept of `authority'. Casa de campo combines the techniques of traditional novels with the 20th-century intermingling of reality and fiction. The novel's central theme of authority as figured in the discourse, its play between reality and illusion, and its dialogue with literature and society as a whole form the subject of this study. Murphy explores the illusory authority of the narrator in controlling characters' voices, and establishes a parallel with the characters'contradictory power over each other; the ploys of the narrator recall and parody the authoritarian regime which is reflected in the novel. The narrator's authority is further defined in a reading of the novel in which author, narrator, reader and character become linguistic constructs in a textual play, and meanings emerge at variance with the authorized commentary. MARIE MURPHY is an Assistant Professor of Spanish at Loyola College in Maryland.
Author: Daniel Stein
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110427729
Category : Literary Criticism
Languages : en
Pages : 543
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Book Description
This essay collection examines the theory and history of graphic narrative as one of the most interesting and versatile forms of storytelling in contemporary media culture. Its contributions test the applicability of narratological concepts to graphic narrative, examine aspects of graphic narrative beyond the ‘single work’, consider the development of particular narrative strategies within individual genres, and trace the forms and functions of graphic narrative across cultures. Analyzing a wide range of texts, genres, and narrative strategies from both theoretical and historical perspectives, the international group of scholars gathered here offers state-of-the-art research on graphic narrative in the context of an increasingly postclassical and transmedial narratology. This is the revised second edition of From Comic Strips to Graphic Novels, which was originally published in the Narratologia series.
Author: Kamala Visweswaran
Publisher: U of Minnesota Press
ISBN: 9781452902876
Category : Feminist anthropology
Languages : en
Pages : 224
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Book Description
Author: Lisa J. Cary
Publisher: Peter Lang
ISBN: 9780820481289
Category : Education
Languages : en
Pages : 170
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Book Description
Textbook
Author: Sally Harvey
Publisher: Tamesis
ISBN: 9781855660342
Category : Literary Criticism
Languages : en
Pages : 196
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Book Description
Critical study of Cuban novelist and Proust's influence on selected works.
Author: M. Eagleton
Publisher: Springer
ISBN: 0230502210
Category : Fiction
Languages : en
Pages : 202
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Book Description
If the author is 'dead', if feminism is 'post-', why does the figure of the woman author keep appearing as a central character in contemporary fiction? She is concerned with ownership but, equally, with loss; determined to enter the cultural field but also rejecting that field; looking for control but subject to duplicity; seeking power alongside desire. Drawing on a diverse range of contemporary authors - including Atwood, Byatt, Brookner, Coetzee, Lurie, LeGuin, Michèle Roberts, Shields, Spark, Weldon, Walker - this study explores the complexity and continuing fascination of this figure.
Author: Ingo Berensmeyer
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111056163
Category : Literary Criticism
Languages : en
Pages : 516
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Book Description
Fictional novelists and other author characters have been a staple of novels and stories from the early nineteenth century onwards. What is it that attracts authors to representing their own kind in fiction? Author Fictions addresses this question from a theoretical and historical perspective. Narrative representations of literary authorship not only reflect the aesthetic convictions and social conditions of their actual authors or their time; they also take an active part in negotiating and shaping these conditions. The book unfolds the history of such ‘author fictions’ in European and North American texts since the early nineteenth century as a literary history of literary authorship, ranging from the Victorian bildungsroman to contemporary autofiction. It combines rhetorical and sociological approaches to answer the question how literature makes authors. Identifying ‘author fictions’ as narratives that address the fragile material conditions of literary creation in the actual and symbolic economies of production, Ingo Berensmeyer explores how these texts elaborate and manipulate concepts and models of authorship. This book will be relevant to English, American and comparative literary studies and to anyone interested in the topic of literary authorship.
Author: Chris Bohjalian
Publisher: Vintage
ISBN: 0385544812
Category : Fiction
Languages : en
Pages : 360
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Book Description
NATIONAL BESTSELLER • From the New York Times bestselling author of The Flight Attendant comes a twisting story of love and deceit: an American man vanishes on a rural road in Vietnam, and his girlfriend follows a path that leads her home to the very hospital where they met. Alexis and Austin don’t have a typical “meet cute”—their first encounter involves Alexis, an emergency room doctor, suturing a bullet wound in Austin’s arm. Six months later, they’re on a romantic getaway in Vietnam: a bike tour on which Austin can show Alexis his passion for cycling, and can pay his respects to the place where his father and uncle fought in the war. But then Austin fails to return from a solo ride. Alexis’s boyfriend has vanished, the only clue left behind a bright yellow energy gel dropped on the road. As Alexis grapples with this bewildering loss, she starts to uncover a series of strange lies that force her to wonder: Where did Austin go? Why did he really bring her to Vietnam? And how much danger has he left her in? Set amidst the adrenaline-fueled world of the emergency room, The Red Lotus is a global thriller about those who dedicate their lives to saving people—and those who peddle death to the highest bidder. Look for Chris Bohjalian's new novel, The Lioness!
Author: Urvashi Chakravarty
Publisher: University of Pennsylvania Press
ISBN: 0812298268
Category : Literary Criticism
Languages : en
Pages : 307
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Book Description
In Fictions of Consent Urvashi Chakravarty excavates the ideologies of slavery that took root in early modern England in the period that preceded the development of an organized trade in enslaved persons. Despite the persistent fiction that England was innocent of racialized slavery, Chakravarty argues that we must hold early modern England—and its narratives of exceptional and essential freedom—to account for the frameworks of slavery that it paradoxically but strategically engendered. Slavery was not a foreign or faraway phenomenon, she demonstrates; rather, the ideologies of slavery were seeded in the quotidian spaces of English life and in the everyday contexts of England's service society, from the family to the household, in the theater and, especially, the grammar school classroom, where the legacies of classical slavery and race were inherited and negotiated. The English conscripted the Roman freedman's figurative "stain of slavery" to register an immutable sign of bondage and to secure slavery to epidermal difference, even as early modern frameworks of "volitional service" provided the strategies for later fictions of "happy slavery" in the Atlantic world. Early modern texts presage the heritability of slavery in early America, reveal the embeddedness of slavery within the family, and illuminate the ways in which bloodlines of descent underwrite the racialized futures of enslavement. Fictions of Consent intervenes in a number of areas including early modern literary and cultural studies, premodern critical race studies, the reception of classical antiquity, and the histories of law, education, and labor to uncover the conceptual genealogies of slavery and servitude and to reveal the everyday sites where the foundations of racialized slavery were laid. Although early modern England claimed to have "too pure an Air for Slaves to breathe in," Chakravarty reveals slavery was a quintessentially English phenomenon.
Author: Murray Krieger
Publisher: JHU Press
ISBN: 1421431254
Category : Literary Criticism
Languages : en
Pages : 344
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Book Description
Originally published in 1987. In Words about Words about Words, Murray Krieger advances his ongoing dialogue with the rich diversity of contemporary literary theory and elaborates on his own position as it grows out of an opposing relation to much of current criticism. Krieger examines the kinds of ideologies and ontologies smuggled into literary theory that purports to be anti-ideological and anti-ontological. He explores the extent to which critical fashions dictate the development of theory and the reasons why particular theories exclude certain kinds of literary works in favor of others. Under such circumstances, Krieger asks, What becomes of the critic's task of evaluation? Further, what is the relation of the idea of progress to criticism and the arts, and what is the effect of these notions on cultural and intellectual institutions? He seeks an alternative to the deterministic tendencies of the new historicism in viewing the relations of literature and literary criticism to society. Progressing from broad questions to more focused critical problems and close readings, Krieger reviews the aesthetic tradition as it has evolved from Kant. He engages in debate with deconstructionist critics about the role of symbol and allegory as descriptions of ways in which poems succeed or fail in constructing their verbal universe. And he argues that, for all its brilliance, deconstruction has not yet been able to fulfill the social or academic functions of the older, aesthetic-based disciplines that it set out to deconstruct.
