Audience and Authority in the Modernist Theater of Federico García Lorca PDF Download
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Author: C. Christopher Soufas
Publisher: University Alabama Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
Audience and Authority in the Modernist Theater of Frederico Garcia Lorca is the first book to provide a reading of Lorca's theater from the vantage point of Modernist aesthetics as well as historical performance dynamics. It is premised on the assumption that Lorca's theater emerges as a consequence of an ongoing dialog with his historical audience, a rather conservative and uncultured milieu that had largely dictated the theater agenda of the Madrid theater scene during the 1920s.
Author: C. Christopher Soufas
Publisher: University Alabama Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
Audience and Authority in the Modernist Theater of Frederico Garcia Lorca is the first book to provide a reading of Lorca's theater from the vantage point of Modernist aesthetics as well as historical performance dynamics. It is premised on the assumption that Lorca's theater emerges as a consequence of an ongoing dialog with his historical audience, a rather conservative and uncultured milieu that had largely dictated the theater agenda of the Madrid theater scene during the 1920s.
Author: Zekiye Antakyalıoğlu
Publisher: Cambridge Scholars Publishing
ISBN: 1527548244
Category : Literary Criticism
Languages : en
Pages : 349
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Book Description
English Studies in the 21st Century presents the results of recent academic research concerning a wide spectrum of subjects—including politics, psychology, religion, philosophy, history, culture, aesthetics, and education—related to literary, cultural, and language studies. Specifically, this collection includes scholarly reflections, interpretations, criticisms, and experiments that both strengthen and challenge dominant perspectives on the English literary tradition and contribute to a multifaceted discussion of contemporary drama and theater, contemporary theory and fiction, Neo-Victorianism, the Anthropocene, posthumanism, and interdisciplinary studies in English, including linguistics and ELT. The book will be an ideal reference for both academics and students.
Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 824
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Book Description
Author:
Publisher:
ISBN:
Category : Dissertation abstracts
Languages : en
Pages : 806
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Book Description
Author: Sally Mackey
Publisher: Nelson Thornes
ISBN: 9780748751686
Category : Juvenile Nonfiction
Languages : en
Pages : 436
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Book Description
Revised and expanded edition for use with all Drama and Theatre Studies A & AS specifications.
Author: Federico Garcia Lorca
Publisher: Faber & Faber
ISBN: 0571360157
Category : Drama
Languages : en
Pages : 94
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Book Description
A bride promised. A blood vow broken. The vengeance of a village released. I want you green. Green wind, green branches. Boat on the ocean. Horse on the mountain. Written in the summer of 1932 with the Spanish civil war looming, Lorca's anarchic meditation on the fate of the individual versus society is a prophetic foreshadowing of the violence that would soon tear his beloved country apart and lead to his own tragic end. The mysteries of love and hate are explored against the backdrop of a community gearing up to unleash these elemental forces upon itself, with unstoppable consequences. What is done cannot be undone. Marina Carr's version of Federico García Lorca's Blood Wedding premiered at the Young Vic, London, in September 2019.
Author: Eugenio Barba
Publisher: BRILL
ISBN: 9004392939
Category : Drama
Languages : en
Pages : 420
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Book Description
The Five Continents of Theatre undertakes the exploration of the material culture of the actor, which involves the actors’ pragmatic relations and technical functionality, their behaviour, the norms and conventions that interact with those of the audience and the society in which actors and spectators equally take part. The material culture of the actor is organised around body-mind techniques (see A Dictionary of Theatre Anthropology by the same authors) and auxiliary techniques whose variety concern: ■ the diverse circumstances that generate theatre performances: festive or civil occasions, celebrations of power, popular feasts such as carnival, calendar recurrences such as New Year, spring and summer festivals; ■ the financial and organisational aspects: costs, contracts, salaries, impresarios, tickets, subscriptions, tours; ■ the information to be provided to the public: announcements, posters, advertising, parades; ■ the spaces for the performance and those for the spectators: performing spaces in every possible sense of the term; ■ sets, lighting, sound, makeup, costumes, props; ■ the relations established between actor and spectator; ■ the means of transport adopted by actors and even by spectators. Auxiliary techniques repeat themselves not only throughout different historical periods, but also across all theatrical traditions. Interacting dialectically in the stratification of practices, they respond to basic needs that are common to all traditions when a performance has to be created and staged. A comparative overview of auxiliary techniques shows that the material culture of the actor, with its diverse processes, forms and styles, stems from the way in which actors respond to those same practical needs. The authors’ research for this aspect of theatre anthropology was based on examination of practices, texts and of 1400 images, chosen as exemplars.
Author: Christopher B. Balme
Publisher: Cambridge University Press
ISBN: 1139991817
Category : Drama
Languages : en
Pages : 233
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Book Description
The concept of the public sphere, as first outlined by German philosopher Jürgen Habermas, refers to the right of all citizens to engage in debate on public issues on equal terms. In this book, Christopher B. Balme explores theatre's role in this crucial political and social function. He traces its origins and argues that the theatrical public sphere invariably focuses attention on theatre as an institution between the shifting borders of the private and public, reasoned debate and agonistic intervention. Chapters explore this concept in a variety of contexts, including the debates that led to the closure of British theatres in 1642, theatre's use of media, controversies surrounding race, religion and blasphemy, and theatre's place in a new age of globalised aesthetics. Balme concludes by addressing the relationship of theatre today with the public sphere and whether theatre's transformation into an art form has made it increasingly irrelevant for contemporary society.
Author: Diana Taylor
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 298
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Book Description
Taylor (Spanish and comparative literature, Dartmouth College) draws on five Latin American plays written 1965-70 to illustrate how theatre both reflects and shapes political and economic events and movements. Of interest to students of either theatre or Latin America. All nations are translated. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Ben Etherington
Publisher: Cambridge University Press
ISBN: 1108471374
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
This Companion presents lucid and exemplary critical essays, introducing readers to the major ideas and practices of world literary studies.
