Tracing Subversive Currents in Goethe's Wilhelm Meister's Apprenticeship PDF Download
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Author: John Thomas Blair
Publisher: Camden House
ISBN: 9781571130921
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
Fresh critical reading of Goethe's important novel, challenging orthodox scholarship. In this new reading of Goethe's most influential novel Blair's close attention to the text brings startling insights to light, often taking issue with received critical opinions. He shows, for example, that Goethe slyly introducedmaterial full of low-cultural, subversive vitality that mocks conservative, authoritarian power interested in conformity or propriety. The novel does not just find fault with developments of the late Enlightenment but rather seductively describes loci of resistance to them: the marketplace, the travelling theatre, the Hanswurst. Equally, the author argues that although 'high' aesthetics, morals, institutions and rationality are impugned, they are not completely discredited: the problem with such high principles is demonstrated as being their tendency to present themselves as the only valid voice.
Author: John Thomas Blair
Publisher: Camden House
ISBN: 9781571130921
Category : Literary Criticism
Languages : en
Pages : 224
Get Book Here
Book Description
Fresh critical reading of Goethe's important novel, challenging orthodox scholarship. In this new reading of Goethe's most influential novel Blair's close attention to the text brings startling insights to light, often taking issue with received critical opinions. He shows, for example, that Goethe slyly introducedmaterial full of low-cultural, subversive vitality that mocks conservative, authoritarian power interested in conformity or propriety. The novel does not just find fault with developments of the late Enlightenment but rather seductively describes loci of resistance to them: the marketplace, the travelling theatre, the Hanswurst. Equally, the author argues that although 'high' aesthetics, morals, institutions and rationality are impugned, they are not completely discredited: the problem with such high principles is demonstrated as being their tendency to present themselves as the only valid voice.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 264
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Book Description
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ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 734
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Book Description
Author: Simon J. Richter
Publisher: Harvard University Press
ISBN: 9781571133106
Category : Literary Criticism
Languages : en
Pages : 258
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Book Description
Essays on the Wilhelm Meister novels, Faust, Goethe's early plays, Schiller's Räuber and on Goethe's thought in relation to current debates on cosmopolitanism and postcoloniality. The Goethe Yearbook, first published in 1982, is a publication of the Goethe Society of North America and is dedicated to North American Goethe Scholarship. It aims above all to encourage and publish original English-language contributions to the understanding of Goethe and other authors of the Goethezeit, while also welcoming contributions from scholars around the world. This year's volume features a cluster of exceptional essays thatshed new light on Goethe's Wilhelm Meister novels and Faust, as well as fascinating articles on the early play Das Jahrmarktsfest zu Plundersweilen and the poem "Ilmenau," Schiller's Die Räuber, and anessay that places Goethe's thought in relation to current debates about cosmopolitanism and postcoloniality. Engaging reviews of recent publications in Goethe studies round out the volume. Contributors include Eric Denton, Matt Erlin, Jaimey Fisher, Ingrid Rieger, Rainer Kawa, David Barry, Stephanie Dawson, and John Pizer. Simon J. Richter is Professor of German at the University of Pennsylvania. Book review editor Martha B. Helfer is Professor of German at Rutgers University.
Author: Lauren Nossett
Publisher: Northwestern University Press
ISBN: 0810139316
Category : Literary Criticism
Languages : en
Pages : 355
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Book Description
The Virginal Mother in German Culture presents an innovative and thorough analysis of the contradictory obsession with female virginity and idealization of maternal nature in Germany from the late eighteenth to the early twentieth centuries. Lauren Nossett explores how the complex social ideal of woman as both a sexless and maternal being led to the creation of a unique figure in German literature: the virginal mother. At the same time, she shows that the literary depictions of virginal mothers correspond to vilified biological mother figures, which point to a perceived threat in the long nineteenth century of the mother’s procreative power. Examining the virginal mother in the first novel by a German woman (Sophie von La Roche), canonical texts by Goethe, nineteenth-century popular fiction, autobiographical works, and Thea von Harbou’s novel Metropolis and Fritz Lang’s film by the same name, this book highlights the virginal mother at pivotal moments in German history and cultural development: the entrance of women into the literary market, the Goethezeit, the foundation of the German Empire, and the volatile Weimar Republic. The Virginal Mother in German Culture will be of interest to students and scholars of German literature, history, cultural and social studies, and women’s studies.
Author:
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ISBN:
Category : Languages, Modern
Languages : en
Pages : 1496
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Book Description
Vols. for 1969- include ACTFL annual bibliography of books and articles on pedagogy in foreign languages 1969-
Author: Dorothea E. von Mücke
Publisher: Columbia University Press
ISBN: 0231539339
Category : Philosophy
Languages : en
Pages : 321
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Book Description
Rethinking the relationship between eighteenth-century Pietist traditions and Enlightenment thought and practice, The Practices of Enlightenment unravels the complex and often neglected religious origins of modern secular discourse. Mapping surprising routes of exchange between the religious and aesthetic writings of the period and recentering concerns of authorship and audience, this book revitalizes scholarship on the Enlightenment. By engaging with three critical categories—aesthetics, authorship, and the public sphere—The Practices of Enlightenment illuminates the relationship between religious and aesthetic modes of reflective contemplation, autobiography and the hermeneutics of the self, and the discursive creation of the public sphere. Focusing largely on German intellectual life, this critical engagement also extends to France through Rousseau and to England through Shaftesbury. Rereading canonical works and lesser-known texts by Goethe, Lessing, and Herder, the book challenges common narratives recounting the rise of empiricist philosophy, the idea of the "sensible" individual, and the notion of the modern author as celebrity, bringing new perspective to the Enlightenment concepts of instinct, drive, genius, and the public sphere.
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Category : Civilization, Modern
Languages : en
Pages : 594
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Book Description
Author: Paul Bertagnolli
Publisher: Routledge
ISBN: 135155302X
Category : Music
Languages : en
Pages : 427
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Book Description
The ancient Greek myth of Prometheus, the primordial Titan who defied the Olympian gods by stealing fire from the heavens as a gift for humanity, enjoyed unprecedented popularity during the Romantic era. An international coterie of writers such as Goethe, Monti, Byron, the Shelleys, Sainte-H?ne, Coleridge, Browning, and Bridges engaged with the legend, while composers such as Beethoven, Reichardt, Schubert, Wolf, Liszt, Hal?, Saint-Sa?, Holm? Faur?Parry, Goldmark, and Bargiel based works of diverse genres on the fable. Romantic authors and composers developed a unique perspective on the myth, emphasizing its themes of rebellion, punishment for transgression and creative autonomy, in great contrast to artists of the preceding era, who more characteristically ignored the tribulations of Prometheus and depicted him as the animator of a na?, Arcadian mankind who, when awakened from their spiritual dormancy, expressed astonishment at the wonders of nature and paid homage to the Titan as a new god. Paul Bertagnolli charts the progress of the myth during the nineteenth century, as it articulates an extraordinary variety of issues pertaining to culture, society, aesthetics, and philosophy. Drawing on archival research, dance history, sketch studies, literary theory, linear analysis, topos theory, and reception history, individual chapters demonstrate that the legend served as a vehicle to express opinions on subjects as diverse as aristocratic patronage, movements of the body on the public stage, rebellion against political and religious authority, outright atheism, humanitarianism of the German Enlightenment, interest in the music of Greek antiquity, industrialization, nationalism inflamed by war, populism, and the aesthetics of musical form. Composers often resorted to varied and unorthodox musical techniques in order to reflect such remarkable subjects: Beethoven outraged critics by implying a key other than the tonic at the outset of the overture to
Author:
Publisher: BRILL
ISBN: 9042026731
Category : Social Science
Languages : en
Pages : 386
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Book Description
This essay collection is dedicated to intersections between gender theories and theories of laughter, humour, and comedy. It is based on the results of a three-year research programme, entitled “Gender – Laughter – Media” (2003-2006) and includes a series of investigations on traditional and modern media in western cultures from the 18th to the 20th century. A theoretical opening part is followed by four thematic sections that explore the multiple forms of irritating stereotypical gender perceptions; aspects of (post-)colonialism and multiculturalism; the comic impact of literary and media genres in different national cultures; as well as the different comic strategies in fictional, philosophical, artistic or real life communication. The volume presents a variety of new approaches to the overlaps between gender and laughter that have only barely been considered in groundbreaking research. It forms a valuable read for scholars of literary, theatre, media, and cultural studies, at the same time reaching out to a general readership.
