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Author: Robert von Dassanowsky
Publisher: McFarland
ISBN: 1476621470
Category : Performing Arts
Languages : en
Pages : 329
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Book Description
Austria, the multicultural crossroad of the European continent, has been the genesis of many artistic concepts. Just as late 19th and early 20th century Austria gave influential modernism to the world in the fields of medicine, urban planning, architecture, design, literature, music, and theater, so its film industry created a significant national cinema that seeded talents and concepts internationally. Nevertheless, the value of Austrian cinema to international film has been long obscured. Austria's important bond with American film is also underappreciated because of the lack of accessible English language scholarship on the early careers of Austro-Hollywood artists and on influential developments in Austrian film history. This first comprehensive English survey of Austrian film introduces more than a century of cinema, following the development of the industry chronologically through the nation's various transformations since 1895. Important industry movements, genres and films are highlighted with sociopolitical, cultural and aesthetic details. An analysis of the economic trends that have influenced Austrian film is also provided. The survey considers the directors, actors, producers, writers, cinematographers, editors, composers and other film artists who have been essential to the development and influence of Austrian cinema. The closing chapter anticipates new faces of the Austrian film industry in the 21st century.
Author: Robert von Dassanowsky
Publisher: McFarland
ISBN: 1476621470
Category : Performing Arts
Languages : en
Pages : 329
Get Book Here
Book Description
Austria, the multicultural crossroad of the European continent, has been the genesis of many artistic concepts. Just as late 19th and early 20th century Austria gave influential modernism to the world in the fields of medicine, urban planning, architecture, design, literature, music, and theater, so its film industry created a significant national cinema that seeded talents and concepts internationally. Nevertheless, the value of Austrian cinema to international film has been long obscured. Austria's important bond with American film is also underappreciated because of the lack of accessible English language scholarship on the early careers of Austro-Hollywood artists and on influential developments in Austrian film history. This first comprehensive English survey of Austrian film introduces more than a century of cinema, following the development of the industry chronologically through the nation's various transformations since 1895. Important industry movements, genres and films are highlighted with sociopolitical, cultural and aesthetic details. An analysis of the economic trends that have influenced Austrian film is also provided. The survey considers the directors, actors, producers, writers, cinematographers, editors, composers and other film artists who have been essential to the development and influence of Austrian cinema. The closing chapter anticipates new faces of the Austrian film industry in the 21st century.
Author: Maria Fritsche
Publisher: Berghahn Books
ISBN: 0857459465
Category : Performing Arts
Languages : en
Pages : 284
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Book Description
Despite the massive influx of Hollywood movies and films from other European countries after World War II, Austrian film continued to be hugely popular with Austrian and German audiences. By examining the decisive role that popular cinema played in the turbulent post-war era, this book provides unique insights into the reconstruction of a disrupted society. Through detailed analysis of the stylistic patterns, narratives and major themes of four popular genres of the time, costume film, Heimatfilm, tourist film and comedy, the book explains how popular cinema helped to shape national identity, smoothed conflicted gender relations and relieved the Austrians from the burden of the Nazi past through celebrating the harmonious, charming, musical Austrian man.
Author: Robert von Dassanowsky
Publisher: Berghahn Books
ISBN: 0857452320
Category : Performing Arts
Languages : en
Pages : 408
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Book Description
Out of a film culture originally starved of funds have emerged rich and eclectic works by film-makers that are now achieving the international recognition that they deserve: Barbara Albert, Michael Haneke, Ulrich Seidl, and Stefan Ruzowitzky, to give four examples. This comprehensive critical anthology, by leading scholars of Austrian film, is intended to introduce and make accessible this much under-represented phenomenon. Although the book covers the full development of the Austrian new wave it focuses on the period that has brought it global attention: 1998 to the present. New Austrian Film is the only book currently available on this topic and will be an essential reference work for academics, students and filmmakers, interested in modern Austrian film.
Author: Sixpack Film
Publisher: Austrian Film Museum
ISBN: 9783901644429
Category : Experimental films
Languages : en
Pages : 0
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Book Description
Austrian avant-garde cinema bears a resemblance to materialist and visionary aspects of the American avant-garde, while also manifesting a subversive social critique kindred in spirit to European auteur cinema. This 'third way', staked out by Austrian filmmakers and revealed by this volume, is a unique brand of anti-traditional tradition, equally devoted to rigor and precision as it is to fomenting chaos and liberating energy. It is a counter-universe that uses cinema to penetrate new realms of experience. This book helps us enter its delights and dangers.
Author: Leila Mukhida
Publisher: Berghahn Books
ISBN: 1789206316
Category : Art
Languages : en
Pages : 218
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Book Description
Both politically and aesthetically, the contemporary German and Austrian film landscape is a far cry from the early days of the medium, when critics like Siegfried Kracauer produced foundational works of film theory amid the tumult of the early twentieth century. Yet, as Leila Mukhida demonstrates in this innovative study, the writings of figures like Kracauer and Walter Benjamin in fact remain an undervalued tool for understanding political cinema today. Through illuminating explorations of Michael Haneke, Valeska Grisebach, Andreas Dresen, and other filmmakers of the post-reunification era, Mukhida develops an analysis centered on film aesthetics and experience, showing how medium-specific devices like lighting, sound, and mise-en-scène can help to cultivate political sensitivity in spectators.
Author: Jacqueline Vansant
Publisher: Camden House (NY)
ISBN: 1571139451
Category : History
Languages : en
Pages : 210
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Book Description
Considers over sixty Hollywood films set in Austria, examining the film industry, the influence of domestic factors on images of a foreign country, and the persistence of clichés. Maria von Trapp, watching the final scene of The Sound of Music for the first time as "her" family escaped into Switzerland, exclaimed, "Don't they know geography in Hollywood? Salzburg does not border on Switzerland!" Hadshe thought about the beginning of the film, which transports viewers to "Salzburg, Austria in the last Golden Days of the Thirties," when the country was in fact suffering from extreme political and social unrest, she might haveasked, "Don't they know history either?" In The Sound of Music as well as in Hollywood's many other "Austria" films, the projections on the screen resemble reflections in a funhouse mirror. Elements of a "real" place with a"real" history inhabited by "real" people can be found in the fractured distortions, which have both drawn from and contributed to the general public's perceptions of the country and its citizens. Austria Made in Hollywood focuses on films set in an identifiable Austria, examining them through the lenses of the historical contexts on both sides of the Atlantic and the prism of the ever-changing domestic film industry. The study chronicles theprotean screen images of Austria and Austrians that set them apart both from European projections of Austria and from Hollywood incarnations of other European nations and nationals. It explores explicit and implicit cultural commentaries on domestic and foreign issues inserted in the Austrian stories while considering the many, sometimes conflicting forces that shaped the films.
Author: Jurij Meden
Publisher: Austrian Film Museum
ISBN: 9783901644870
Category :
Languages : en
Pages : 112
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Book Description
Scratches and Glitches is a collection of essays that attempt to make sense of the changes-in-progress in the domain of preserving and exhibiting film in the early the twenty-first century in the wider context of cultural history, focusing on the responsibility of film archives and museums as guardians of film heritage.
Author: Randall Halle
Publisher: Camden House
ISBN: 9781571133656
Category : Art
Languages : en
Pages : 376
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Book Description
Filmmaking in Germany and Austria has changed dramatically with digitalization and the use of video and the Internet. Introducing the work of filmmakers, this volume offers an assessments of the intent and effect of their productions, and describes overall trends.
Author: Kent Jones
Publisher: Austrian Film Museum
ISBN: 9783901644436
Category : Motion picture authorship
Languages : en
Pages : 0
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Book Description
Over the past few decades, French filmmaker Olivier Assayas has become a powerful force in contemporary cinema. Between his first feature Désordre (1986) and such major works as L'Eau froide, Irma Vep, Les Destinées Sentimentales, demonlover and, most recently, L'Heure d'été and Carlos, he has charted an exciting path, strongly embracing narrative and character and simultaneously dealing with the 'fragmentary reality' of life in a global economy. He also brought a fresh perspective to the problem of politics after '68, a subject that he revisits in his memoir A Post-May Adolescence (published as a companion book to this volume) and in his most recent film Après-Mai. This first English-language book about Olivier Assayas includes a major essay by Kent Jones, based on his two decades of correspondence and exchanges of ideas with the filmmaker, as well as contributions from Assayas and his most important artistic collaborators. The central part consists of individual essays on each of his works, written by Chris Chang, Larry Gross, Howard Hampton, Kristin M. Jones, B. Kite, Glenn Kenny, Michael Koresky, Alice Lovejoy, Greil Marcus, Geoffrey O'Brien, Jeff Reichert, Richard Suchenski, and Gina Telaroli.
Author: Richard I. Suchenski
Publisher: Synema
ISBN: 9783901644580
Category : Motion picture producers and directors
Languages : en
Pages : 0
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Book Description
For younger critics and audiences, Taiwanese cinema enjoys a special status, comparable with that of Italian Neorealism and the French New Wave for earlier generations, a cinema that was and is in the midst of introducing an innovative sensibility and a fresh perspective. Hou Hsiao-hsien is the most important Taiwanese filmmaker working today, and his sensuous, richly nuanced films reflect everything that is vigorous and genuine in contemporary film culture. By combining multiple forms of tradition with a uniquely cinematic approach to space and time, Hou has created a body of work that, through its stylistic originality and historical gravity, opens up new possibilities for the medium. This new volume includes contributions by Olivier Assayas, Peggy Chiao, Chung Mong-hong, Jean-Michel Frodon, Hasumi Shigehiko, Ichiyama Shozo, Jia Zhang-ke, Kent Jones, Koreeda Hirokazu, Jean Ma, Ni Zhen, Abé Mark Nornes, James Quandt, Richard I. Suchenski, James Udden, and Wen Tien-hsiang, as well as conversations with Hou Hsiao-hsien and some of his most important collaborators over the decades.
