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Author:
Publisher:
ISBN:
Category : Art, Australian
Languages : en
Pages : 96
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Book Description
Author:
Publisher:
ISBN:
Category : Art, Australian
Languages : en
Pages : 96
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Book Description
Author: Nicola Teffer
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 106
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Author:
Publisher:
ISBN:
Category : Art, Australian
Languages : en
Pages : 122
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author:
Publisher:
ISBN:
Category : Art, Australian
Languages : en
Pages : 126
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Author: Andrew Sayers
Publisher: Oxford University Press, USA
ISBN: 9780192842145
Category : Art
Languages : en
Pages : 268
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Book Description
This comprehensive survey uniquely covers both Aboriginal art and that of European Australians, providing a revealing examination of the interaction between the two. Painting, bark art, photography, rock art, sculpture, and the decorative arts are all fully explored to present the rich texture of Australian art traditions. Well-known artists such as Margaret Preston, Rover Thomas, and Sidney Nolan are all discussed, as are the natural history illustrators, Aboriginal draughtsmen, and pastellists, whose work is only now being brought to light by new research. Taking the European colonization of the continent in 1788 as his starting point, Sayers highlights important issues concerning colonial art and women artists in this fascinating new story of Australian art.
Author: Christopher Allen
Publisher: John Wiley & Sons
ISBN: 1118767586
Category : Art
Languages : en
Pages : 564
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Book Description
A Companion to Australian Art is a thorough introduction to the art produced in Australia from the arrival of the First Fleet in 1788 to the early 21st century. Beginning with the colonial art made by Australia’s first European settlers, this volume presents a collection of clear and accessible essays by established art historians and emerging scholars alike. Engaging, clearly-written chapters provide fresh insights into the principal Australian art movements, considered from a variety of chronological, regional and thematic perspectives. The text seeks to provide a balanced account of historical events to help readers discover the art of Australia on their own terms and draw their own conclusions. The book begins by surveying the historiography of Australian art and exploring the history of art museums in Australia. The following chapters discuss art forms such as photography, sculpture, portraiture and landscape painting, examining the practice of art in the separate colonies before Federation, and in the Commonwealth from the early 20th century to the present day. This authoritative volume covers the last 250 years of art in Australia, including the Early Colonial, High Colonial and Federation periods as well as the successive Modernist styles of the 20th century, and considers how traditional Aboriginal art has adapted and changed over the last fifty years. The Companion to Australian Art is a valuable resource for both undergraduate and graduate students of the history of Australian artforms from colonization to postmodernism, and for general readers with an interest in the nation’s colonial art history.
Author: Benjamin Genocchio
Publisher: UNSW Press
ISBN: 9780868407302
Category : Art
Languages : en
Pages : 56
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Book Description
This text presents Simeon Nelson's artworks and allows the reader to interpret them through an accompanying analysis by art critic, Benjamin Genocchio. The text examines the inspiration for Nelson's art, clearly describing its meanings while responding to its immense beauty and wonder.
Author: Laura Fisher
Publisher: Anthem Press
ISBN: 1783085320
Category : Art
Languages : en
Pages : 259
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Book Description
This book is an investigation of the way the Aboriginal art phenomenon has been entangled with Australian society’s negotiation of Indigenous people’s status within the nation. Through critical reflection on Aboriginal art’s idiosyncrasies as a fine arts movement, its vexed relationship with money, and its mediation of the politics of identity and recognition, this study illuminates the mutability of Aboriginal art’s meanings in different settings. It reveals that this mutability is a consequence of the fact that a range of governmental, activist and civil society projects have appropriated the art’s vitality and metonymic power in national public culture, and that Aboriginal art is as much a phenomenon of visual and commercial culture as it is an art movement. Throughout these examinations, Fisher traces the utopian and dystopian currents of thought that have crystallised around the Aboriginal art movement and which manifest the ethical conundrums that underpin the settler state condition.
Author: Marie Geissler
Publisher: Cambridge Scholars Publishing
ISBN: 1527564274
Category : Art
Languages : en
Pages : 228
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Book Description
This publication brings together existing research as well as new data to show how Arnhem Land bark painting was critical in the making of Indigenous Australian contemporary art and the self-determination agendas of Indigenous Australians. It identifies how, when and what the shifts in the reception of the art were, especially as they occurred within institutional exhibition displays. Despite key studies already being published on the reception of Aboriginal art in this area, the overall process is not well known or always considered, while the focus has tended to be placed on Western Desert acrylic paintings. This text, however represents a refocus, and addresses this more fully by integrating Arnhem Land bark painting into the contemporary history of Aboriginal art. The trajectory moves from its understanding as a form of ethnographic art, to seeing it as conceptual art and appreciating it for its cultural agency and contemporaneity.
