Attitudes Towards Textual Authenticity in Orchestral Performance PDF Download
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Author: Glenn Arthur Block
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 506
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Book Description
Author: Glenn Arthur Block
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 506
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Book Description
Author: Peter Le Huray
Publisher: CUP Archive
ISBN: 9780521399265
Category : Music
Languages : en
Pages : 228
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Book Description
Authenticity in Performance focuses on nine representative works from the Baroque and Classical periods, defining some of the more important questions that the performer and listener should ask.
Author:
Publisher:
ISBN:
Category : Conducting
Languages : en
Pages : 268
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Book Description
Author: Nicholas Kenyon
Publisher: Oxford ; New York : Oxford University Press
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 248
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Book Description
Nothing has more profoundly influenced the development of music making over the last two decades than the growth of the historical performance movement. Perceived by some as a threat, an indication of our loss of faith in our powers of musical creation, and by others as part of the evolution of modern attitudes towards performing styles, this trend towards "historically correct" interpretation has inspired lively debate among scholars and performers. Examining and questioning the prevailing basis for the so-called "authenticity" movement, this collection of papers deals with the conflict between approaching early music performance with respect for the composer's original intentions, and the shortcomings, according to many musicians, that this produces. The contributors include Will Crutchfield, Howard Mayer Brown, Robert Morgan, Philip Brett, and Richard Taruskin.
Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 498
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Book Description
Author: Elsen Portugal
Publisher: Wipf and Stock Publishers
ISBN: 1666769533
Category : Music
Languages : en
Pages : 285
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Book Description
Indigenous peoples of Brazil have come to faith in Christ in large numbers in recent decades. As Christianity takes root in each culture, it may incorporate expressive forms of music and art, which can range from those identical to earlier cultural forms to those which are fully imported. But what happens when musicians and artists of a local indigenous community fuse elements from a variety of genres and create their own music? Are they just imitations of external forms? Or are they authentic creations from elements that have now become their own sounds, too? Christian musicians among the Xerente (pronounced Sheh-´ren-teh) have created their own fusion genre(s) to express their faith, communicate the gospel, and edify their churches. Their music includes elements from their cultural tradition as well as from (secular) genres of the northeastern region of Brazil. Is it, then, authentically Xerente? As we discuss in this book, independent of tangible markers or its long history, the authenticity of an art form can be demonstrated through a number of connections with the community and signposted by its meaning and function among the people, as well as the competence and agency of the people in their artistic choices.
Author: John Williamson
Publisher: Cambridge University Press
ISBN: 9780521008785
Category : Biography & Autobiography
Languages : en
Pages : 340
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Book Description
This Companion provides an overview of the composer Anton Bruckner (1824-1896). Sixteen chapters by leading scholars investigate aspects of his life and works and consider the manner in which critical appreciation has changed in the twentieth century. The first section deals with Bruckner's Austrian background, investigating the historical circumstances in which he worked, his upbringing in Upper Austria, and his career in Vienna. A number of misunderstandings are dealt with in the light of recent research. The remainder of the book covers Bruckner's career as church musician and symphonist, with a chapter on the neglected secular vocal music. Religious, aesthetic, formal, harmonic, and instrumental aspects are considered, while one chapter confronts the problem of the editions of the symphonies. Two concluding chapters discuss the symphonies in performance, and the history of Bruckner-reception with particular reference to German Nationalism, the Third Reich and the appropriation of Bruckner by the Nazis.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 214
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Book Description
Author: Michael Burden
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 148
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Book Description
Author: Robert Dearling
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838623350
Category : Music
Languages : en
Pages : 244
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Book Description
Giving special attention to contemporary recordings and performances which show Mozart's symphonies in their best light, this study explains how his individual sound is achieved, considers problems of eighteenth-century instrumentation, and advances new theories on the composer's life.
