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Author: International Musicological Society. Congress
Publisher: EDT srl
ISBN: 9788870630848
Category : Music
Languages : en
Pages : 778
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Book Description
Author: International Musicological Society. Congress
Publisher: EDT srl
ISBN: 9788870630848
Category : Music
Languages : en
Pages : 778
Get Book Here
Book Description
Author: International Musicological Society. Congress
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 956
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Book Description
Author: Suzannah Clark
Publisher: Boydell & Brewer Ltd
ISBN: 9781843831662
Category : Music
Languages : en
Pages : 286
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Book Description
Essays - collected in honour of Margaret Bent - examining how medieval and Renaissance composers responded to the tradition in which they worked through a process of citation of and commentary on earlier authors.
Author: Julie E. Cumming
Publisher: Cambridge University Press
ISBN: 9780521543378
Category : Music
Languages : en
Pages : 440
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Book Description
A re-evaluation of the Latin-texted motet during the age of Du Fay.
Author: Melania Bucciarelli
Publisher: Boydell & Brewer
ISBN: 1843833174
Category : Music
Languages : en
Pages : 465
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Book Description
"The linking theme of the essays collected here is the intersection of musical work with social and cultural practice. Inspired by Professor Strohm's ideas, as is fitting in a volume in his honour, leading scholars in the field explore diverse conceptualizations of the 'work' within the contexts of a specific repertory, over four main sections. Music in Theory and Practice studies the link between treatises and musical practice, and analyses how historical writings can reveal period views on the 'work' in music before 1800. Art and Social Process: Music in Court and Urban Societies looks at the social and cultural practices informing composition from the late Renaissance until the mid-eighteenth century, and interrogates current notions of canon formation and the exchange between local and foreign traditions. Creating an Opera Industry focuses on how genre and artistic autonomy were defined in operas from diverse eras and countries, explaining the role of literature and politics in this process. Finally, The Crisis of Modernity treats nineteenth-century music, offering new models for 'work' and 'context' to challenge reigning theories of the meaning of these terms."--Publisher's website.
Author: International Musicological Society. Congress
Publisher: EDT srl
ISBN: 9788870630756
Category : Music
Languages : it
Pages : 332
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Book Description
Author: Roger Freitas
Publisher: Cambridge University Press
ISBN: 0521885213
Category : Music
Languages : en
Pages : 433
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Book Description
A fascinating insight into the life and music-making of the most documented musician of the seventeenth century, castrato Atto Melani.
Author: Michel Huglo
Publisher: Taylor & Francis
ISBN: 1000941663
Category : History
Languages : en
Pages : 357
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Book Description
This is the final volume in the set of four collections of Michel Huglo's articles to be published in the Variorum series, and focuses on medieval music theory. The point of departure for Huglo's research was his doctoral dissertation on tonaries, published in 1971: as a consequence, he studied the manuscripts of music theory concerning plainchant, and, later, those with writings on music by authors of Late Antiquity as well as the Liber glossarum, with its many definitions of musical terms. In this volume, certain articles consider the interpretation or dissemination of texts, instruction in the art of plainchant, and musical instruction at the university. Others concern the manuscripts of St Augustine's De musica and of the writings of Calcidius, Macrobius, Helisachar, Hucbald, Gerbert of Aurillac, Abbo of Fleury, John of Afflighem, and Hieronymus de Moravia, amongst others. The volume closes with a bibliography of Michel Huglo complementing that published in 1993 and a summary list of his reviews of books on music and liturgy. Ce volume des articles de Michel Huglo termine la série de quatre dans la collection Variorum. Il est centré sur la théorie musicale médiévale. Le point de départ des recherches de Michel Huglo sur la théorie musicale du Moyen Âge est formé par sa thèse sur les tonaires, éditée en 1971: en consequence il etudia les manuscrits de theorie musicale concernant le plain-chant et, plus tard, les auteurs de l'Antiquité tardive et le Liber glossarum qui contient des définitions de nombreux termes musicaux. Dans ce volume, certains articles traitent de l'interprétation ou de la dissémination des textes, des instructions sur l'art du chant, et sur l'enseignement de la musique à l'Université. Ils concernent les manuscrits du De musica d'Augustin, de Calcidius, Macrobe, Helisachar, Hucbald, Gerbert d'Aurillac, Abbon de Fleury, Jean d'Afflighem, Hieronymus de Moravia, et d'autres auteurs. Le volume se termine par une bibliographie de Michel Huglo complétant celle publiée en 1993 et une liste sommaire de ses recensions d'ouvrages sur la musique et la liturgie.
Author: Hans Lenneberg
Publisher: Pendragon Press
ISBN: 9781576470787
Category : Juvenile Nonfiction
Languages : en
Pages : 198
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Book Description
Here published for the first time, is the final book written by the late Hans Lenneberg, respected scholar and longtime head of the music library at the University of Chicago. In it, the author pursues the impact of printing technologies, methods of distribution, government regulations, and evolving business practices as they affect music and musical life. Written with insight and humor, this book surveys a changing industry, century by century, pulling together information from many specialized studies and pointing out previously unnoticed trends and remaining puzzles.
Author: Richard Sherr
Publisher: Clarendon Press
ISBN: 0191590231
Category : Music
Languages : en
Pages : 390
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Book Description
This book collects twelve of the papers given at a conference held at the Library of Congress, Washington D.C., on 1-3 April 1993, in conjunction with the exhibition `Rome Reborn: The Vatican Library and Renaissance Culture'. A group of distinguished scholars considered music in medieval and Renaissance Rome. The volume presents a series of wide-ranging and original treatments of music written for and performed in the papal court from the fourteenth to the sixteenth century. New discoveries are offered which force a radical reevaluation of the Italian papal court as a musical centre during the Great Schism. A series of motets for various popes are subject to close analysis. New interpretations and information are offered concerning the repertory of the papal chapel in the fifteenth and sixteenth centuries, the institutional life of the papal singers, and the individual biographies of singers and composers. Thought-provoking, even controversial, evaluations of the music of composers connected with, or thought to be connected with, Rome and the papal court, such as Ninot le Petit, Josquin, and Palestrina round out the volume.
