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Author: Natalie Yacobson
Publisher: Litres
ISBN: 5042781250
Category : Fiction
Languages : en
Pages : 259
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Book Description
The beautiful Maerlin lives in a house by the sea. One stormy night, she manages to rescue a beautiful stranger who is shipwrecked. The young man is persecuted by demons, because he is the crown prince of the country on which the curse fell. Now Maerlin has to travel to a distant kingdom and attend a magnificent ball at which every mortal guest becomes a victim. Already on the way, a terrible danger awaits, but what you will not go for love!
Author: Natalie Yacobson
Publisher: Litres
ISBN: 5042781250
Category : Fiction
Languages : en
Pages : 259
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Book Description
The beautiful Maerlin lives in a house by the sea. One stormy night, she manages to rescue a beautiful stranger who is shipwrecked. The young man is persecuted by demons, because he is the crown prince of the country on which the curse fell. Now Maerlin has to travel to a distant kingdom and attend a magnificent ball at which every mortal guest becomes a victim. Already on the way, a terrible danger awaits, but what you will not go for love!
Author: Susan Castillo Street
Publisher: Springer
ISBN: 1137477741
Category : Literary Criticism
Languages : en
Pages : 505
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Book Description
This book examines ‘Southern Gothic’ - a term that describes some of the finest works of the American Imagination. But what do ‘Southern’ and ‘Gothic’ mean, and how are they related? Traditionally seen as drawing on the tragedy of slavery and loss, ‘Southern Gothic’ is now a richer, more complex subject. Thirty-five distinguished scholars explore the Southern Gothic, under the categories of Poe and his Legacy; Space and Place; Race; Gender and Sexuality; and Monsters and Voodoo. The essays examine slavery and the laws that supported it, and stories of slaves who rebelled and those who escaped. Also present are the often-neglected issues of the Native American presence in the South, socioeconomic class, the distinctions among the several regions of the South, same-sex relationships, and norms of gendered behaviour. This handbook covers not only iconic figures of Southern literature but also other less well-known writers, and examines gothic imagery in film and in contemporary television programmes such as True Blood and True Detective.
Author: Gavin Baddeley
Publisher: Plexus Publishing
ISBN: 0859657086
Category : Social Science
Languages : en
Pages : 583
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Book Description
Goth Chic is the first book to properly explore Gothic culture in the modern world. Gavin Baddeley unearths hidden gems from the underground alongside better-known manifestations, including horror comics, fetish clubs, Goth-rock superstars and vampire cultists. The result is a book that provides a peerless primer for Gothic culture novices and an incisive analysis to challenge and compel even the most seasoned veteran of this dark underworld.
Author: Isabella van Elferen
Publisher: Routledge
ISBN: 1317962974
Category : Music
Languages : en
Pages : 202
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Book Description
Is "goth music" a genre, and if so, how does it relate to the goth subculture? The music played at goth club nights and festivals encompasses a broad range of musical substyles, from gloomy Batcave reverberations to neo-medieval bagpipe drones and from the lush vocals of goth metal to the harsh distortion of goth industrial. Goth Music: From Sound to Subculture argues that within this variegated musical landscape a number of key consistencies exist. Not only do all these goth substyles share a number of musical and textual characteristics, but more importantly these aspects of the music are constitutive of goth social reality. Drawing on their own experiences in the European and American goth scenes, the authors explore the ways in which the sounds of goth inform the scene’s listening practices, its fantasies of other worlds, and its re-enchantment of their own world. Goth music, this book asserts, engenders a musical timespace of its own, a musical chronotope that is driven by nostalgic yearning. Goth Music: From Sound to Subculture reorients goth subcultural studies onto music: goth music must be recognized not only as simultaneously diverse and consistent, but also as the glue that holds together goth scenes from all over the world. It all starts with the music.
Author: Krista D. Ball
Publisher: Krista D. Ball
ISBN:
Category : Fiction
Languages : en
Pages : 421
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Book Description
Society was rocked when the Cathedral appointed Allegra, Contessa of Marsina, to negotiate the delicate peace talks between the rebelling mage slaves and the various states. Not only was she a highborn mage, she was a nonbeliever and a vocal objector against the supposed demonic origins of witchcraft. Demons weren’t real, she’d argued, and therefore the subjection of mages was unlawful. That was all before the first assassination attempt. That was before Allegra heard the demonic shrieks. All before everything changed. Now Allegra and her personal guards race to stabilize the peace before the entire known world explodes into war with not just itself, but with the abyss from beyond. So much for demons not being real.
Author: Catherine Spooner
Publisher: Reaktion Books
ISBN: 9781861893017
Category : Literary Criticism
Languages : en
Pages : 184
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Book Description
Spooner traces the emergence of the Gothic subculture over the past few decades and examines the various aspects of contemporary society that revolve around the grotesque, abject, and artificial.
Author: Aundrie McHenry
Publisher: Dorrance Publishing
ISBN: 1647022754
Category : Fiction
Languages : en
Pages : 626
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Book Description
God Said,'Vengeance is Mine' (But the Lord Does Subcontract) By: Aundrie McHenry If you could see the future… would you have the courage to change it? Dreyu Nattaya-Hayabusa has abilities beyond the norm, even for his extraordinary kin. Read his story and embrace a world that could have been..
Author: Edith Birkhead
Publisher: BoD - Books on Demand
ISBN:
Category : Fiction
Languages : en
Pages : 186
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Book Description
"The Tale of Terror" by Edith Birkhead is a collection of essays and writings that explore the themes and elements of Gothic literature. It provides an in-depth analysis of the Gothic genre, its origins, and its enduring appeal. The book delves into the historical context of Gothic literature, tracing its roots back to the 18th century and its connection to the Romantic movement. It discusses how Gothic literature emerged as a response to societal and cultural changes, including the Industrial Revolution and the Enlightenment. Birkhead's work also explores the key characteristics of Gothic fiction, such as gloomy and atmospheric settings, mysterious and haunted locations, and the use of supernatural elements. It delves into the psychological aspects of the genre, including the portrayal of madness and the exploration of the darker aspects of the human psyche. Throughout the book, Birkhead analyzes famous works of Gothic literature, including novels by authors like Edgar Allan Poe, Mary Shelley, and Bram Stoker. She examines the role of women in Gothic fiction and their portrayal as victims or heroines. "The Tale of Terror" also provides insights into the cultural significance of the Gothic genre, its influence on other literary movements, and its impact on popular culture. It discusses how Gothic themes have persisted and evolved in various forms of media, from literature to film and beyond. In summary, Edith Birkhead's "The Tale of Terror" is a comprehensive exploration of the Gothic genre, offering readers a deeper understanding of its history, themes, and enduring legacy in literature and culture. It serves as a valuable resource for scholars, students, and anyone interested in the rich and eerie world of Gothic fiction.
Author: Jeffrey N. Cox
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 440
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Book Description
The Gothic drama came at a critical moment in the history of the theater, of British culture, and of European politics in the shadow of France's revolution and the fall of Napoleon. It offered playwrights a medium to express the prevailing ideological tensions of romanticism and revolution, and also responded to a growing and changing theater audience. In a wide-ranging introduction, Cox explores Gothic drama's links with romanticism and its relation to other social and ideological shifts of the day. The texts are presented so as to reflect the dual life of dramatic works--on the stage and on the page. The plays are annotated and accompanied by biographic and bibliographic sketches. Includes The Kentish Barons, by Francis North; Julia of Louvain; or, Monkish Cruelty, by J.C. Cross; The Castle Spectre, by Matthew G. Lewis; The Captive, by Matthew G. Lewis; De Monfort, by Joanna Baillie; Bertram; or, The Castle of St. Aldobrand, by C.R. Maturin; and Presumption; or, The Fate of Frankenstein, by R.B. Peake.
Author: Eduardo González
Publisher: University of Virginia Press
ISBN: 0813929873
Category : Literary Criticism
Languages : en
Pages : 319
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Book Description
The literature of Cuba, argues Eduardo González in this new book, takes on quite different features depending on whether one is looking at it from "the inside" or from "the outside," a view that in turn is shaped by official political culture and the authors it sanctions or by those authors and artists who exist outside state policies and cultural politics. González approaches this issue by way of two twentieth-century writers who are central to the canon of gay homoerotic expression and sensibility in Cuban culture: José Lezama Lima (1910–1976) and Reinaldo Arenas (1943–1990). Drawing on the plots and characters in their works, González develops both a story line and a moral tale, revolving around the Christian belief in the fall from grace and the possibility of redemption, that bring the writers into a unique and revealing interaction with one another. The work of Lezama Lima and Arenas is compared with that of fellow Cuban author Virgilio Piñera (1912–1979) and, in a wider context, with the non-Cuban writers John Milton, Nathaniel Hawthorne, William Faulkner, John Ruskin, and James Joyce to show how their themes get replicated in González’s selected Cuban fiction. Also woven into this interaction are two contemporary films—The Devil’s Backbone (2004) and Pan’s Labyrinth (2007)—whose moral and political themes enhance the ethical values and conflicts of the literary texts. Referring to this eclectic gathering of texts, González charts a cultural course in which Cuba moves beyond the Caribbean and into a latitude uncharted by common words, beyond the tyranny of place.
