Author: Helen Katz
Publisher:
ISBN:
Category : Embellishment (Music)
Languages : en
Pages : 116
Book Description
Aspects of Interpretation in Seventeenth and Eighteenth Century Music
Author: Helen Katz
Publisher:
ISBN:
Category : Embellishment (Music)
Languages : en
Pages : 116
Book Description
Publisher:
ISBN:
Category : Embellishment (Music)
Languages : en
Pages : 116
Book Description
Interpretation of the Music of the 17th and 18th Centuries
Author: Arnold Dolmetsch
Publisher: Courier Corporation
ISBN: 0486442756
Category : Music
Languages : en
Pages : 530
Book Description
One of the most influential figures in the twentieth-century revival of early music, Arnold Dolmetsch (1858–1940) was the first to apply academic attention to the issue of authentic historical performance. His groundbreaking study, The Interpretation of the Music of the 17th and 18th Centuries, first appeared in 1915 and remains a landmark of musicology. An outstanding musician, teacher, and maker of Baroque-style instruments, Dolmetsch sought the correct interpretation of Baroque music in order to heighten its expressive intent and emotional impact. In this study, he quotes extensively from both familiar and lesser-known treatises of the seventeenth and eighteenth centuries, adding enlightening comments to each quotation and providing illuminating conclusions. Topics include tempo, rhythm, ornamentation, figured bass realization, wrist positioning, and fingering, and musical instruments of the period. A rare appendix of musical examples, originally published separately, appears in this new edition of the first book to address in a comprehensive and scholarly manner the problems of performing Baroque music. More than a text on performance practices, this classic offers glimpses of what Baroque music meant—both as an art and a science—to musicians of the era.
Publisher: Courier Corporation
ISBN: 0486442756
Category : Music
Languages : en
Pages : 530
Book Description
One of the most influential figures in the twentieth-century revival of early music, Arnold Dolmetsch (1858–1940) was the first to apply academic attention to the issue of authentic historical performance. His groundbreaking study, The Interpretation of the Music of the 17th and 18th Centuries, first appeared in 1915 and remains a landmark of musicology. An outstanding musician, teacher, and maker of Baroque-style instruments, Dolmetsch sought the correct interpretation of Baroque music in order to heighten its expressive intent and emotional impact. In this study, he quotes extensively from both familiar and lesser-known treatises of the seventeenth and eighteenth centuries, adding enlightening comments to each quotation and providing illuminating conclusions. Topics include tempo, rhythm, ornamentation, figured bass realization, wrist positioning, and fingering, and musical instruments of the period. A rare appendix of musical examples, originally published separately, appears in this new edition of the first book to address in a comprehensive and scholarly manner the problems of performing Baroque music. More than a text on performance practices, this classic offers glimpses of what Baroque music meant—both as an art and a science—to musicians of the era.
The Interpretation of the Music of the Seventeenth and Eighteenth Century
Author: Arnold Dolmetsch
Publisher:
ISBN:
Category : Music
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages :
Book Description
Piano Interpretation in the Seventeenth, Eighteenth, and Nineteenth Centuries
Author: Elena Letnanova
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 208
Book Description
How should one interpret music of another century? What standards should be applied to an eighteenth century harpsichord work, for instance, being performed on a piano? Keyboard methods--systematic approaches to training, touch, and interpretation--did not evolve until the nineteenth century, and written methodologies are few. Drawing on primary sources, the author has compiled a detailed analysis of such keyboard methods as existed in Europe in the seventeenth, eighteenth, and nineteenth centuries. Most were developed by Couperin, C.P.E. Bach, Turk, J.S. Bach, Mozart, Chopin and Liszt. Also discussed, with translations from their writings and their critics', are the detailed theoretical works by Kullak and Lussy. Analysis shows which techniques had been adapted from earlier practice and which were original to the composer, demonstrating the evolution of the various methods. Techniques useful in the interpretation of period material, and which still have important applications today, are pointed out.
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 208
Book Description
How should one interpret music of another century? What standards should be applied to an eighteenth century harpsichord work, for instance, being performed on a piano? Keyboard methods--systematic approaches to training, touch, and interpretation--did not evolve until the nineteenth century, and written methodologies are few. Drawing on primary sources, the author has compiled a detailed analysis of such keyboard methods as existed in Europe in the seventeenth, eighteenth, and nineteenth centuries. Most were developed by Couperin, C.P.E. Bach, Turk, J.S. Bach, Mozart, Chopin and Liszt. Also discussed, with translations from their writings and their critics', are the detailed theoretical works by Kullak and Lussy. Analysis shows which techniques had been adapted from earlier practice and which were original to the composer, demonstrating the evolution of the various methods. Techniques useful in the interpretation of period material, and which still have important applications today, are pointed out.
The Rules of Musical Interpretation in the Baroque Era (17th-18th Centuries), Common to All Instruments
Author: Jean Claude Veilhan
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 120
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 120
Book Description
Kennir tú orðið. 9-16
Author:
Publisher: Nám
ISBN: 9789991808772
Category :
Languages : en
Pages :
Book Description
Publisher: Nám
ISBN: 9789991808772
Category :
Languages : en
Pages :
Book Description
The Interpretation of Music
Author: Thurston Dart
Publisher: Random House (UK)
ISBN:
Category : Music
Languages : en
Pages : 200
Book Description
Publisher: Random House (UK)
ISBN:
Category : Music
Languages : en
Pages : 200
Book Description
The Interpretation of the Music of the Seventeenth and Eighteenth Centuries
Author: Arnold Dolmetsch
Publisher:
ISBN:
Category : Embellishment (Music)
Languages : en
Pages : 520
Book Description
One of the most influential figures in the twentieth-century revival of early music, Arnold Dolmetsch (1858-1940) was the first to apply academic attention to the issue of authentic historical performance. His groundbreaking study first appeared in 1915 and remains a landmark of musicology. An outstanding musician, teacher, and maker of Baroque-style instruments, Dolmetsch sought the correct interpretation of Baroque music in order to heighten its expressive intent and emotional impact. In this study, he quotes extensively from both familiar and lesser-known treatises of the seventeenth and eighteenth centuries, adding enlightening comments to each quotation and providing illuminating conclusions. Topics include tempo, rhythm, ornamentation, figured bass realization, wrist positioning, and fingering, and musical instruments of the period. More than a text on performance practices, this classic offers glimpses of what Baroque music meant--both as an art and a science--to musicians of the era.
Publisher:
ISBN:
Category : Embellishment (Music)
Languages : en
Pages : 520
Book Description
One of the most influential figures in the twentieth-century revival of early music, Arnold Dolmetsch (1858-1940) was the first to apply academic attention to the issue of authentic historical performance. His groundbreaking study first appeared in 1915 and remains a landmark of musicology. An outstanding musician, teacher, and maker of Baroque-style instruments, Dolmetsch sought the correct interpretation of Baroque music in order to heighten its expressive intent and emotional impact. In this study, he quotes extensively from both familiar and lesser-known treatises of the seventeenth and eighteenth centuries, adding enlightening comments to each quotation and providing illuminating conclusions. Topics include tempo, rhythm, ornamentation, figured bass realization, wrist positioning, and fingering, and musical instruments of the period. More than a text on performance practices, this classic offers glimpses of what Baroque music meant--both as an art and a science--to musicians of the era.
Musical Interpretation
Author: Jack Allan Westrup
Publisher: London : British Broadcasting Corporation
ISBN:
Category : Music
Languages : en
Pages : 84
Book Description
Publisher: London : British Broadcasting Corporation
ISBN:
Category : Music
Languages : en
Pages : 84
Book Description
Authenticity in Performance: Eighteenth-Century Case Studies
Author: Peter Le Huray
Publisher: CUP Archive
ISBN: 9780521399265
Category : Music
Languages : en
Pages : 228
Book Description
Authenticity in Performance focuses on nine representative works from the Baroque and Classical periods, defining some of the more important questions that the performer and listener should ask.
Publisher: CUP Archive
ISBN: 9780521399265
Category : Music
Languages : en
Pages : 228
Book Description
Authenticity in Performance focuses on nine representative works from the Baroque and Classical periods, defining some of the more important questions that the performer and listener should ask.