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Author:
Publisher: BRILL
ISBN: 9401204225
Category : Literary Criticism
Languages : en
Pages : 379
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Book Description
While the world seems to be getting ever smaller and globalization has become the ubiquitous buzz-word, regionalism and fragmentation also abound. This might be due to the fact that, far from being the alleged production of cultural homogeneity, the global is constantly re-defined and altered through the local. This tension, pervading much of contemporary culture, has an obvious special relevance for the new varieties of English and the literature published in English world-wide. Postcolonial literatures exist at the interface of English as a hegemonic medium and its many national, regional and local competitors that transform it in the new English literatures. Thus any exploration of a globalization of cultures has to take into account the fact that culture is a complex field characterized by hybridization, plurality, and difference. But while global or transnational cultures may allow for a new cosmopolitanism that produces ever-changing, fluid identities, they do not give rise to an egalitarian ‘global village’ – an asymmetry between centre and periphery remains largely intact, albeit along new parameters. The essays collected in this volume offer readings of literary, theoretical, and filmic texts from the postcolonial world. These texts are read as attempts to articulate the global with the local from a perspective of immersion in the actual diversity of life-worlds, focusing on such issues as consumption, identity-politics, and modes of affiliation. In this sense, they are global fragments: locally refractured figurations of an experience of world-wide interconnectedness.
Author:
Publisher: BRILL
ISBN: 9401204225
Category : Literary Criticism
Languages : en
Pages : 379
Get Book Here
Book Description
While the world seems to be getting ever smaller and globalization has become the ubiquitous buzz-word, regionalism and fragmentation also abound. This might be due to the fact that, far from being the alleged production of cultural homogeneity, the global is constantly re-defined and altered through the local. This tension, pervading much of contemporary culture, has an obvious special relevance for the new varieties of English and the literature published in English world-wide. Postcolonial literatures exist at the interface of English as a hegemonic medium and its many national, regional and local competitors that transform it in the new English literatures. Thus any exploration of a globalization of cultures has to take into account the fact that culture is a complex field characterized by hybridization, plurality, and difference. But while global or transnational cultures may allow for a new cosmopolitanism that produces ever-changing, fluid identities, they do not give rise to an egalitarian ‘global village’ – an asymmetry between centre and periphery remains largely intact, albeit along new parameters. The essays collected in this volume offer readings of literary, theoretical, and filmic texts from the postcolonial world. These texts are read as attempts to articulate the global with the local from a perspective of immersion in the actual diversity of life-worlds, focusing on such issues as consumption, identity-politics, and modes of affiliation. In this sense, they are global fragments: locally refractured figurations of an experience of world-wide interconnectedness.
Author: Mizuki Hakase
Publisher: TokyoPop
ISBN: 9781427802842
Category : Comics & Graphic Novels
Languages : en
Pages : 208
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Book Description
A collection of graphic tales explores the daily life of depressed teenagers.
Author: Mark Schilling
Publisher: Shambhala Publications
ISBN: 0834804158
Category : Performing Arts
Languages : en
Pages : 401
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Book Description
This comprehensive look at Japanese cinema in the 1990s includes nearly four hundred reviews of individual films and a dozen interviews and profiles of leading directors and producers. Interpretive essays provide an overview of some of the key issues and themes of the decade, and provide background and context for the treatment of individual films and artists. In Mark Schilling's view, Japanese film is presently in a period of creative ferment, with a lively independent sector challenging the conventions of the industry mainstream. Younger filmmakers are rejecting the stale formulas that have long characterized major studio releases, reaching out to new influences from other media—television, comics, music videos, and even computer games—and from both the West and other Asian cultures. In the process they are creating fresh and exciting films that range from the meditative to the manic, offering hope that Japanese film will not only survive but thrive as it enters the new millennium.
Author: Stephanie DeBoer
Publisher: U of Minnesota Press
ISBN: 1452940940
Category : Art
Languages : en
Pages : 222
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Book Description
East Asia largely functions as a single film and media market, but behind it exists a multifaceted world of coproduction crossing linguistic and national borders. In Coproducing Asia, Stephanie DeBoer guides readers through a rich genealogy of regional film and media coproduction, all the while introducing innovative methods for their examination across decades, locations, and scales of production in East Asia and beyond. Beginning with the present and moving back in time, Coproducing Asia paints a picture of the assemblages of coproduction in East Asia and their negotiation of Cold War geopolitics and imperial legacies along with the emergence of China as a global market. Addressing wide-screen international romances of the early 1960s, technology transfers of Cold War action cinema, Sino–Japanese “friendship” TV collaborations, Asian omnibus film and video, and more recent China-centered blockbusters, DeBoer deftly contextualizes each case study while accounting for the difficulties involved in the cultural, creative, and industry mediations associated with coproduction. Based on rarely seen archival research as well as interviews with producers in Tokyo, Hong Kong, Taipei, and Shanghai, Coproducing Asia provides compelling frames for understanding the significance of film and media coproduction in East Asia, making clear that it is not only a site of technological transformation but also an arena for competing senses of regional location and place.
Author: Simon Broughton
Publisher: Rough Guides
ISBN: 9781858286358
Category : Fiction
Languages : en
Pages : 792
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Book Description
First published in 1994 in one volume. An A-Z of the music, musicians and discs. 2006 edition available as an e-book.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 412
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Book Description
Author: All India Radio (AIR), New Delhi
Publisher: All India Radio (AIR),New Delhi
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 91
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Book Description
"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 14 NOVEMBER, 1982 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 91 VOLUME NUMBER: Vol. XLVII, No.46 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 41-82, 87 ARTICLE: 1.The Super Asiad 2. Lure That Will Endure 3. Sports Medicine 4. Need For A Master Plan 5. Taking Games to The World 6. Computers' And The Games 7. The Greatest Sports Festival 8. Asiad ’82 9. A Veteran’s View Point AUTHOR: 1. Prof. Kashinath Ojha 2. T. C. Ganesh 3. Dr. S. Chandrasekhar 4. V. Bhanumurty 5. R. K. Kachru 6. Dr. A. J. Kumar 7. Prof. Bashir Ahmed Usmani 8. Rajnarayan Chauhan 9. Cdr. G. Nandy KEYWORDS : 1. Preparations,the ninth Asian games 2. Mascot, route for marathon and walk 3. Fever and fervour, the miracle of autumn 4. Spirit of friendship,general improvement, 5. Talking about media-facilities,thirty-one, 6. Media facilities unit,accommodation Document ID : -- Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.
Author: Thorpe
Publisher: Pearson Education India
ISBN: 9788131727904
Category :
Languages : en
Pages : 810
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Book Description
An Updated and Revised Edition of the Most Popular General Knowledge Manual
Author: Richard Schechner
Publisher: Routledge
ISBN: 1135652597
Category : Performing Arts
Languages : en
Pages : 370
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Book Description
In this second edition, the author opens with a discussion of important developments in the discipline. His closing chapter, 'Global and Intercultural Performance', is completely rewritten in light of the post-9/11 world. Fully revised chapters with new examples, biographies and source material provide a lively, easily accessible overview of the full range of performance for undergraduates at all levels in performance studies, theatre, performing arts and cultural studies. Among the topics discussed are the performing arts and popular entertainments, rituals, play and games as well as the performances of everyday life. Supporting examples and ideas are drawn from the social sciences, performing arts, post-structuralism, ritual theory, ethology, philosophy and aesthetics. User-friendly, with a special text design, Performance Studies: An Introduction also includes the following features: numerous extracts from primary sources giving alternative voices and viewpoints biographies of key thinkers student activities to stimulate fieldwork, classroom exercises and discussion key reading lists for each chapter twenty line drawings and 202 photographs drawn from private and public collections around the world.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 60
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Book Description
CMJ New Music Report is the primary source for exclusive charts of non-commercial and college radio airplay and independent and trend-forward retail sales. CMJ's trade publication, compiles playlists for college and non-commercial stations; often a prelude to larger success.
